Mio zio non ha la minima idea di cosa voglia dire l’espressione love language, ma io so che avermi insegnato a pulire e spolpare i granchi per farci la pasta rientra totalmente nel suo.
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@donnabisestile
Mio zio non ha la minima idea di cosa voglia dire l’espressione love language, ma io so che avermi insegnato a pulire e spolpare i granchi per farci la pasta rientra totalmente nel suo.

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Fontaines D.C. debuted two new songs, 'Marianne' and 'Six Shot Morning'.
Quando se ne va una personalità della caratura di Francesco Guccini, il mondo diventa un posto davvero brutto.
― Anaïs Nin, The early diary of Anaïs Nin
The breeze in the night time would kill you stone dead It was the message I heard when the company said "There is no warning and there is no future" I like the way they treat me, but I hate the way they use her I hate the way they use her
I never really read I spent the day in bed And my hair was red And my eyes weren't dead I was a cool cool kid on the curbstone scene And the lights in my eyes they were evergreen Like you've never seen
The breeze in the night time would kill you stone dead It was the message I heard when the company said "There is no warning and there is no future" I like the way they treat me, but I hate the way they use her I hate the way they use-
Well, I never really read I spent the day in bed And my hair was red And my eyes weren't dead I was a cool cool kid of the curbstone scene And the lights in my eyes they were evergreen Just like you've never seen before
They said the breeze in the night time would kill you stone dead It was the message I heard when the company said "There is no warning, there's no future" I like the way they treat me, but I hate the way they use her I hate the way they use-
Hey, love Hey, love Are you hanging on?
Hey, love Hey, love Are you hanging on? Are you hanging on?

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Fontaines D.C. performing the final live performance at Maida Vale Studios on August 3.
bbc6music: Fontaines D.C. play the last ever BBC session at the world-famous Maida Vale Studios 💚
a very short poem for august (s.r.m.)
Here's a song It reminds me of when we were young Looking back at all the things we've done You gotta keep on keeping on
Out to sea It's the only place I honestly Can get myself some peace of mind You know it's getting hard to fly
If I'm to fall Would you be there to applaud? Or would you hide behind them all? 'Cause if I have to go In my heart you grow And that's where you belong
If I'm to fall Would you be there to applaud? Or would you hide behind them all? 'Cause if I have to go In my heart you grow And that's where you belong
If I'm to fall Would you be there to applaud? Or would you hide behind them all? 'Cause if I have to go In my heart you grow And that's where you belong
Guess I'm outta time I'm outta time I'm outta time I'm outta time I'm outta time
Non riesco a credere che nel giro di qualche ora abbiamo perso Kavinsky e Glen Hansard.

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Circe Offering the Cup to Ulysses (1891) by John William Waterhouse
Questa. scena.
Ogni volta che esco dalla sala dopo aver visto un film di Christopher Nolan mi ricordo perché amo il cinema.
BRASSAÏ (Gyula Halász) — Tarot cards, crystal ball, c. 1933, gelatin silver print, The Museum of Contemporary Art, Los Angeles.
The surreal exists within us, in the things which have become so banal that we no longer notice them, and in the normality of the normal — Brassaï, speech at UNESCO banquet, 1963.
Well, I'm still getting over the very first time That I caught you staring at me through your dilated eyes While the room was turning dark, but your confidence is high I never expected to see you dead at night
When I came out of the green room, then sat down to smoke You pulled out a pre-roll from inside of your coat Asked "Would I join you? Do you have a light? If I bring the fire, do you have the fight?"
Hit me with your lies, hit me with those sweet little eyes Leave me black and blue, keep me up all through the night I'm just waiting for you to see I'm the dirty answer, I'm the dirty key
Well, then you took me by the hand as you made your way upstairs Now I'm pushing my way past anyone that cares I cannot describe the way I feel inside The urge to say to say I love you, but you would know that's a lie
Told you I'd seen you around here before You said I must be dreaming, so I'll dream you some more That's when you turned, started walking away Well, I'm sorry, my dear, but what should I say for you to
Hit me with your lies, hit me with those sweet goodbyes Beat me black and blue, keep me up all through the night I'm just waiting for you to see I'm the dirty answer, I'm the dirty key
Hit me with those eyes, hit me with those sweet little eyes Keep me black and blue, beat me up all through the night I'm just waiting for you to see I'm the dirty answer (I'm the dirty key)
And now I'm sitting on the floor at the end of your bed With my head on my knees and my hands on my head And my heart on my sleeve, now I'm asking myself "Yeah, you know you love her, is she worth the stress?"
Well, the truth is that I don't care, no, I don't mind Because all I want to hear is your dirty white lies So tell me that you love me, tell me that you're mine Tell me that you care, we'll keep this alive
And now you're sitting on the floor at the end of your bed You've got your head on your knees and your hands on your head You put your heart on your sleeve, you're telling yourself "Know you love me darling, am I worth the stress?"
Well, the truth is I don't care, the truth is I don't mind All I really want to hear is your dirty white lies Tell you that I love you, gaslight up your mind And pretend that I care to keep it alive
Hit me with your lies, hit me with those sweet little eyes Beat me black and blue, keep me up all through the night I'm just waiting for you to see I'm the dirty answer, I'm the dirty key

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i have this deadly sickness called remembering
I will let the light in I will let some love in I will be happy It will be perfect
🥀🖤