Ătudes 7 Ă 9
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Ătudes 7 Ă 9

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Etude n°6 (from Lovesick)
Ătude n°5
Etude n°4 (portrait of Abigail, in Lovesick - played by Hannah Britland)
Ătude n°3

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Ătude sur photoshop
Fanâart pour Roleând Play - Asgeir
Fanâart pour Roleând Play - Elena
Fanâart pour Roleând Play - CybĂšle
Fanâart pour Roleând Play - AnnaĂ«lle

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Fanâart pour Roleând Play - Leowen et le tigre Spark
Fanâart pour Roleând Play - la Reine Ăternelle
Fanâart pour Roleând Play - Nell
Etude sur photoshop
Fanart pour Roleând play - le Baron BlĂšme

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L'intérieur du monastÚre est imposant, silencieux. Lijdel a trouvé une petite porte sur le cÎté qui était ouverte, et par laquelle nous avons pu entrer dans la bùtiment.
L'ambiance est sinistre et pesante, les Ă©pais blocs de pierres formant les murs semblent glaciaux et menaçants. L'endroit regorge d'escaliers, de diffĂ©rents niveaux imbriquĂ©s, de porte et de couloirs : un vrai labyrinthe, aux salles gigantesques. J'ai peine Ă imaginer ce que pouvait ĂȘtre la vie quotidienne des moines dans un espace aussi oppressant.
Par réflexe, écrasés par la solennité du lieu, nous chuchotons :
- Lijdel, tu sais oĂč nous devons aller, pour trouver l'Ă©pĂ©e ?
- Non, aucune idée... il va nous falloir tout explorer...
- Tout ? Mais c'est immense ici, cela va nous prendre des jours !
Alors que nous dĂ©bouchons dans une nouvelle immense salle, soudainement je vois Lijdel empoigner son arc et encocher une flĂšche Ă une vitesse stupĂ©fiante. Totalement figĂ© Ă ce spectacle, sans comprendre ce qui se passe, je met une Ă©ternitĂ© Ă tourner la tĂȘte du cĂŽtĂ© opposĂ©, vers la source de l'alerte.
J'ai alors à peine le temps de voir une silouhette verdùtre bondissant vers moi, ainsi qu'un bùton volant dans les airs et heurtant mon crùne. Tout semble exploser autour de moi, un voile noir obscurcit ma vision, et je m'enfonce dans une brûme noire et ouatée.
The interior of the monastery is imposing, silent. Lijdel found a small door on the side that was open, and through which we were able to enter the building.
The atmosphere is sinister and heavy, the thick blocks of stone forming the walls seem icy and threatening. The place is full of stairs, with different interlocking levels, doors and corridors : a real labyrinth, with gigantic rooms. I can hardly imagine what the daily life of the monks could be like in such an oppressive space.
By reflex, crushed by the solemnity of the place, we whisper:
- Lijdel, do you know where we have to go to find the sword?
- No, no idea... we're going to have to explore everything...
- Everything? But it's huge here, it's going to take us days!
As we enter a huge new room, suddenly I see Lijdel grabbing his bow and notching an arrow at an amazing speed. Totally frozen in this spectacle, without understanding what is happening, it takes me an eternity to turn my head to the opposite side, towards the source of the alert.
I then barely have time to see a greenish silhouette leaping towards me, as well as a stick flying in the air and hitting my skull. Everything seems to explode around me, a black veil darkens my vision, and I sink into a black and wadded mist.
Les Grands Jardins du Dieu des Mondes - 18
Au deuxiÚme jour de marche, j'aperçois un bùtiment au loin, qui semble assez imposant.
- C'est là que nous allons ? Dans ce chùteau ?
- Oui, mais c'est un monastĂšre...
- Ah... et, donc, ce sont les moines qui savent oĂč est l'Ă©pĂ©e ?
- Ils savaient, sans doute... mais il n'y a plus personne ici, maintenant.
- C'est abandonné ?
- Oui, à cause de l'histoire du lieu... De nos jours, tout le monde l'évite, en général.
- Comment ça, l'histoire du lieu ? Que s'est-il passé ?â
Lijdel pousse un soupir.
- On sait globalement ce qui s'est passĂ© seulement grĂące Ă un des aides qui s'est enfuit. Il y avait... un jeune moine, qui venait tout juste de rentrer dans l'Ordre. Il avait plein d'idĂ©es pour faire Ă©voluer les Liturgies, transformer l'activitĂ© du monastĂšre, il voulait tout rĂ©volutionner. Il plaisait au Gardien de l'Ordre, qui l'a pris sous son aile, et... sans doute pour d'autres types de relation que purement liturgiques, si tu vois ce que je veux dire. Ăvidemment, cela n'a pas plu Ă d'autres moines ; ceux, conservateurs, qui ne voulaient pas voir Ă©voluer les principes de l'Ordre, ceux qui se sont vu Ă©vincĂ©s de leur proximitĂ© avec le Gardien de l'Ordre... D'autres, au contraire, ont pris le parti du Gardien, ou du jeune moine. Alors, de disputes en rĂ©unions, les choses ont lentement dĂ©gĂ©nĂ©rĂ©es, plusieurs factions se montant les unes contre les autres. Jusqu'Ă ce que certains, les plus virulents, en viennent aux mains. Le Gardien voulut alors montrer l'exemple et calmer les esprits : il se servit des caves du monastĂšre comme d'un cachot et y fit enfermer les moines les plus militants qui osaient contester son autoritĂ©. Sauf que cela ne calma pas les esprits, au contraire... Et cela devint tellement conflictuel, qu'une nuit une faction de moines chercha Ă assassiner dans leur sommeil tous les autres, un par un. Mais certains moines avaient Ă©tĂ© prĂ©venus, ils ont ripostĂ©. Ce fut un massacre. Ceux qui ne se sont pas trucidĂ©s, ont fuit. Et dans tout ça... en oubliant ceux qui avaient Ă©tĂ© enfermĂ©s dans les caves, qui ont tous mis plusieurs jours Ă mourir. Certains avaient commencĂ© Ă creuser les murs avec leurs ongles...
- Wow... Et... et il faut vraiment qu'on rentre là -dedans maintenant ?
- L'Ă©pĂ©e a Ă©tĂ© mise en sĂ©curitĂ© ici, il y a 500 ans. Et a priori, elle s'y trouve toujours. Donc, oui, il faut vraiment qu'on rentre lĂ -dedans !â
Lijdel dit ces derniers mots avec un grand sourire.
Moi, je ne souris pas du tout.
On the second day of walking, I see a building in the distance, which seems quite imposing.
- Is that where we're going ? In this castle ?
- Yes, but it's a monastery....
- Ah... and, therefore, it is the monks who know where the sword is ?
- They probably knew, but there's no one here anymore.
- Is it abandoned ?
- Yes, because of the history of the place.... Everyone usually avoids it, nowadays.
- What do you mean, the history of the place? What happened ?â
Lijdel sighs.
- Overall, we know what happened only because of one of the helpers who fled. There was... a young monk, who had just joined the Order. He had many ideas to develop the Liturgies, to transform the activity of the monastery, he wanted to revolutionize everything. It pleased the Guardian of the Order, who took it under his wing, and... probably for other types of relationships than purely liturgical, if you know what I mean. Obviously, this did not please other monks ; those, conservatives, who did not want to see the principles of the Order evolve, those who were ousted from their proximity to the Guardian of the Order... Others, on the contrary, took the side of the Guardian, or the young monk. So, from argument to meeting, things slowly got out of hand, with several factions pitting one against the other. Until some, the most virulent, came to blows. The Guardian then wanted to set an example and calm the spirits : he used the cellars of the monastery as a dungeon and locked up the most militant monks who dared to challenge his authority. Except that it didn't calm the spirits, on the contrary.... And it became so conflictual that one night a faction of monks tried to murder all the others in their sleep, one by one. But some monks had been warned, they retaliated. It was a massacre. Those who didn't kill themselves, ran away. And in all this... forgetting those who had been locked in the cellars, who all took several days to die. Some had started digging the walls with their fingernails....
- Wow..... And... and do we really have to get in there now ?
- The sword was secured here 500 years ago. And a priori, it is still there. So, yes, we really need to get in there !â
Lijdel says these last words with a big smile.
I'm not smiling at all.