“Oh, I’m sure Lilith can do something fun to ensure we won’t be overheard,” Yousef drawls, pulling two chairs out.
He seats himself at one, a long, indolent sprawl, clearly no intention of moving from this cafe. Fortunately for them all, he’s heroically restrained himself from wearing what he wanted to (a tribute to Carmen Sandiago) and has instead gone with a camo scarf. You know. For camouflage when being sneaky.
“If not, I could blow everyone’s eardrums out with a well placed storm.” Yousef’s tone doesn’t shift, droll and friendly, armed with a knife’s edge smile. He’s healed, for the most part, but he’s sick of all this already.
Hisako showed up on zero hours of sleep and zero food since sometime yesterday when she inhaled a cup of noodles, so she’s as dazed as someone can be without the help of drugs. She takes a seat in one of the chairs Yousef pulls out– shoulders hunched, hands in pockets, staring at their surroundings like it all makes her head hurt– the opposite image of Yousef’s sprawl.
“Huh?” She glances at him when she hears her name, then nods quickly. “Oh, yeah, no one’s paying attention,” she replies and abruptly looks away again. They would’ve been recognized by now, but no one batted an eyelash when they stepped into the cafe– Lilith likes to go by undetected wherever she goes, and even moreso with Yousef next to her today. He’s gotten better, but the event still has her nerves on edge. It wasn’t exactly pleasant to watch him get shot.
Just to be sure, it suddenly seems darker in their little corner of the cafe. “So, what’d you want?”
It was unnerving, to say the least, seeing the shadows close in around her. Unnatural, was what she’d call it, but Aruna remembers that she was in close proximity to gods, and was trying not to freak out about everything. If only she had cameras now—her manager was going to have her head if he ever found out, but at the moment, she really didn’t care.
“The attempts at your life, Set. Few journalists are going for the conspiracy angle, trying to find out what’s happening,” she says, simply. Her hand holds the coffee, the heat grounding her to the moment. In, out, report. “I asked around, got some—some guy in the deep web to get police records, CCTV footage. Probably broke a few laws, if they found out, but I—”
She produces a phone, which plays a soundless scene. A woman, fighting with someone off-screen, shouting and glowing, power radiating off her, until a hand is shown snapping their fingers. At once, the body loses its head in a burst of light, the rest of it crumpling down. As inching darkness roils from the corner, the walls start to catch flame. “That was Katherine Sato, day of her—her murder. I thought you might want to,” she continues, “I don’t know. I just thought you all might want to see it.”