some basics:
-butch4femme -neurodivergent -they/he -blog with sexual and kink themes and everything else too -europe located -likes books & silence & music & sun & world -my perspective to the posts i'm reblogging is that of the top
todays bird
taylor price
sheepfilms

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I'd rather be in outer space 🛸
Show & Tell
PUT YOUR BEARD IN MY MOUTH

oozey mess
wallacepolsom
Keni
let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
Xuebing Du
Peter Solarz

Love Begins
One Nice Bug Per Day

izzy's playlists!
dirt enthusiast

tannertan36

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@distant-star-butch
some basics:
-butch4femme -neurodivergent -they/he -blog with sexual and kink themes and everything else too -europe located -likes books & silence & music & sun & world -my perspective to the posts i'm reblogging is that of the top

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hate how I will have a very simple thing (tagging flashing lights is a bare minimum of accessibility) and people crawl outta the fuckin woodworks to tell me how stupid that is like bro
Banging my head against a wall literally you’re correct and it is blatantly ableist to say otherwise
[Image ID: Two Tumblr hashtags which read "like hey guys. people can die from that." and "it isnt stupid people can fucking DIE if you dont tag for it". /End ID]
reblog this version please
Tags: please remember epileptics like me. Seizures can kill people at any point and not just from injuries they cause. Literally it’s called sudden unexpected death by epilepsy. additional tag: disability awareness
STOP SCROLLING
Your life ends in the wasteland.
there’s a japanese radish just below this post but you can’t reach it
Solar prominences appear as red flares in the corona of a solar eclipse. National Geographic. September 1947. Photo by U.S. Army Air Forces.
Internet Archive
see this is exactly what I'm talking about. this labour is so incredibly invisibilised that there are real human beings, walking about amongst us, leading normal lives, etc., who earnestly believe that machines can make an item of clothing from start to finish.
Hey just in case someone on here doesn’t quite understand how labor intensive making a garment is, here is a list of things that (to the best of my knowledge) cannot be done by machine alone, from a costumer/tailor in training
Cutting - in my opinion, the most labor intensive part of the process. The amount of time/effort needed varies depending on the pattern and if seam allowance is included or marked separately, but no matter what this process can not be done by machine. Each and every panel and piece of fabric that goes into a garment must be cut by hand by a person.
Pinning/clipping - pinning (or clipping) is the stage at which you align the pieces you are going to be stitching together and hold them together with — you guessed it! — either pins or clips. This can not be done by machine.
Stitching - the actual sewing. This can be done by a sewing machine, but that machine still needs to be operated by a human being.
Ironing/pressing - two words that mean the same thing. The iron itself is a machine, but once again, it needs to be operated by a human being.
Finishing - depending on the technique you use, there are certain finishing techniques that can only be done by hand. But, let’s assume we’re talking about fast fashion, which is usually just finished with a simple overlock/serger. Once again: these machines need to be operated by people.
These are just the basic steps to making a garment, and don’t include textile arts that I am not as knowledgeable about, such as weaving, knitting, and crochet. Also, it is important to note that there are a lot of things that can only be done by hand, such as certain stitches and decorative techniques.
Also, the machinery being operated in textile factories is not equivalent to a domestic sewing machine. We’re talking about one of these guys:
See that gray cylinder under the table, behind the knee pedal? That’s the motor. These machines can sew through your fingers bones and all and not even stop. The people in these factories and sweatshops are operating heavy machinery, and are subject to all the risk that comes with that in addition to all of the work I mentioned above.
Please respect textile workers and continue the fight to eliminate the use of sweatshops and exploited labor in the fashion industry!
Reblogging with some additions from a different post o'mine:
" I'm taking a sewing class and I asked my teacher about how much machines can actually do. She said that while a lot of actual fabric we use in our projects is machine-woven, and sometimes there are machines for particular knitting patterns or for the same small thing over and over and over (i.e. socks), the overwhelming majority of pieces of clothing are in fact just sewn together by humans. Usually women. Underpaid and overlooked. Thousands and thousands of them, working 12 hours a day or more in huge warehouse-factories. You're probably wearing something one of those women created right now.
Most of the students (including me) were horrified. We had *no* idea. We figured that, given that we have supercomputers and massive industrial systems for almost every type of product you can buy, surely we would have figured out a better way? Surely there are machines that can put a t-shirt together by now?
She said, no, that's why fast fashion is really so bad. It's not simply about the quality of the product, it's about the human cost.
When you buy a cheap tee that says "Made in Bangladesh", this is where your clothing came from (and these are from one of the nicer factories):
(By Fahad Faisal. CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=89582692)
Don't want to believe it? I understand. Here is the wikipedia page, you can read it in your own time https://en.wikipedia.org/wiki/Textile_industry_in_Bangladesh#Readymade_garment_(RMG)_industry
This isn't just true of clothes either. There's an astonishing amount of human labor behind most of our products. Even the steps that are automated are only possible because humans are constantly cleaning, maintaining, repairing, adjusting and fine tuning the machines.
I've noticed that the media that educates us often edits that out on purpose. In 'how its made' type videos, steps humans do by hand are often skipped because they don't make as smooth a video as watching machines do the parts of the production process that can be automated. These kinds of videos also seem like they prioritize highly automated factories even if most of the industry for a product is a lot less automated.

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my 5 year plan? find the energy to use my human body to participate in the world in some form or fashion
that’s a whole man.
you can't leave off the photo the sawmill worker took of the kiwi
David Hockney Rain, from The Weather Series (NGA/Gemini 23.4), 1973 Color lithograph and screenprint on Arches watermarked paper; signed 'David Hockney 73' in green pencil along the lower edge
RIP David Hockney
heaven is watching a girls legs shake while she's cumming for you
oh, pretty girl, you deserve to be adored, don't you know that? you deserve to bury yourself into my arms when you're having a hard time, a bad moment, when you just need to be held. you deserve fingers running through your hair, kisses along your shoulder, words laced with affection whispered against your skin. you deserve surprises of your favorite food for dinner, you deserve me holding your favorite flowers when i get home, you deserve the this made me think of you gifts, the random calls and texts throughout our days to show you i'm thinking about you, to show you i'm still here. you deserve to feel cared for, to feel safe, to feel wanted. because you are, beautiful, in more ways than can ever be said.

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"Leaving the Greyhounds Behind"
Lives of Game Animals, Volume 3. 1927. Written and illustrated by Ernest Thompson Seton.
Internet Archive
Loie Fuller, early 1900′s
"Goat Family in Snow"
Lives of Game Animals, Volume 3. 1927. Written and illustrated by Ernest Thompson Seton.
Internet Archive
Ferdinand von Wright (Finnish, 1822–1906), "Smews"

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Joan Miró (Spanish, 1893-1983) - Equinoxe, etching, aquatint and carborundum in colours, 104.50 x 73.70 cm (1967)