Depero Futurista (1927).

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Depero Futurista (1927).

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āI didnāt want to feel alienated from my own book.ā - JosĆ© OrduƱa on why he decided not to translate much of the Spanish in his book, The Weight of Shadows: A Memoir of Immigration & Displacement.
I almost cried hearing this today. So moved. Over and over in writing programs I have been expected to write less angry, less funny, less āovertlyā queer and Asian and immigrant. I have been asked to compromise and translate and explain and make things more digestible.Ā
Folks in workshop have said things like āmost readers wonāt understand thisā or āmost readers will stop reading thisā or āwell I represent millions of readers and this makes me uncomfortable.ā I have felt isolated and punished for trying to say what is beautiful or meaningful to me. But holding my first book in my hands this weekā¦I know something true. I did not compromise. I insisted on my words. I believe in these poems. Iām proud of my book. I hold it and hope readers will be welcomed and also challenged by it. I hold it and know it is a place I created for myself, sometimes when I felt I had no place among writers and the literary. With this first book, I decided to make a home for myself: unapologetically queer, magically Asian American, in love with climbing trees.
We now present Lady Snowblood killing six men in 58 seconds (and a single tracking shot). Enjoy ā¦
How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present? You can suffer nostalgia in the presence of the beloved if you glimpse a future where the beloved is no more.
Milan Kundera, Identity (via purplebuddhaproject)
We donāt know how to say goodbye: we wander on, shoulder to shoulder. Already the sun is going down; youāre moody, I am your shadow. Letās step inside a church and watch baptisms, marriages, masses for theĀ dead. Why are we different from the rest? Outdoors again, each of us turns his head. Or else letās sit in the graveyard on the trampled snow, sighing to each other. That stick in your hand is tracing mansions in which we shall always be together.
Anna Akhmatova, from Poems, trans. Max Hayward (via proustitute)

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Baveuse.
But I would never kiss anyone who doesnāt burn me like the sun.
Jens LekmanĀ (via dailystendhalnitesaudade)
The full audio of this story.
Mantra Portends by Köhn (aka Jürgen De Blonde)

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I could be bounded in a nutshell, and count myself a king of infinite spaceāwere it not that I have bad dreams.
Hamlet (via primarymetaphor)
āThere are strong and fascinating polarities at play in these images. Many of them induce a feeling of loneliness or alienation, which somehow merges with an underlying sense of hope and possibility. These artists are all American: they all engage what is sometimes called the āAmerican vernacularā to reveal both its beauty and its darkness. They present the American vernacular as a fragmented landscape of shadows and reflections: a hall of mirrors.
My own work comes back again and again to the American Dream and its darker inverse. Without the work of such artists, our understanding of the complexities of American life, and its angels and demons, would be far less interesting. And my own vision would, without question, have taken another shape entirely.ā
-Gregory Crewdson, Aperture 2008
DUNE (DAVID LYNCH, 1984)
āThe voice of Paul himself has a direct, physical impact: by raising his voice, he can not only derange his adversary, he can even blow up the hardest rock. At the end of the film, Paul raises his voice and shouts back at the old priestess who tried to penetrate his mind, causing her to jump away as if she has been dealt a physical blow. As Paul himself says, his words can killāthat is, his speech does not only function as a symbolic act, it cuts directly into the Real. The disintegration of the ānormalā relationship between bodily surface and its beneath or beyond is strictly correlative to this change in the status of speech, to this emergence of a word that operates directly at the level of the Real.ā
/one of three paragraphs i managed to understand from the metastases of enjoyment.Ā
1 is probably 2 2 is probably 3 Therefore, 1 is probably 3 1 is indeed 2 2 is indeed 3 Therefore, 1 is indeed 3 1 is 2 enough 2 is 3 enough Therefore, 1 is 3 enough 1 is certainly 2 2 is certainly 3 Therefore, 1 is certainly 3 1 is occasionally 2 2 is occasionally 3 Therefore, 1 is occasionally 3 1 saw 2 2 saw 3 Therefore, 1 saw 3 1 was 2 2 was 3 Therefore, 1 was 3 1 is waiting on 2 2 is waiting on 3 Therefore, 1 is waiting on 3 1 is perhaps 2 2 is perhaps 3 Therefore, 1 is perhaps 3 1 likes 2 2 likes 3 Therefore, 1 likes 3 1 walked with 2 2 walked with 3 Therefore, 1 walked with 3 1 imagined 2 2 imagined 3 Therefore, 1 imagined 3 1 is meaner than 2 2 is meaner than 3 However, 3is downright evil next to 1 1 has no relation with 2 2 has no relation with 3 Therefore, 1 has no relation to 3 1 misunderstands 2 2 misunderstands 3 Therefore, 1 misunderstands 3 Is 1 really 2? Is 2 really 3? Therefore, is 1 really 3? 1 is/has 2 2 is/has 3 Therefore, 1 is/has 3 1 might be 2 2 might be 3 Therefore, 1 might be 3 1 is seemingly 2 2 is seemingly 3 Therefore, 1 is seemingly 3 Is 1 really 2, I wonder? Is 2 really 3, I wonder? Therefore, is 1 really 3, I wonder? Come on, tell me! 1 thinks it is 2 2 thinks it is 3 In other words, 1 thinks it is 3 1 is a famous singer-actress in 2ās eyes 2 is a famous singer-actress in 3ās eyes Therefore, 1 is a famous singer-actress in 3ās eyes 1 is treating 2 as a problem 2 is treating 3 as a problem Therefore, 1 is treating 3 as a problem 1 alone is 2 2 alone is 3 Therefore, 1 alone is 3 Well, of course, 1 is 2 Well, of course, 2 is 3 Therefore, well, of course, 1 is 3 1 and 2 donāt understand 2 and 3 donāt understand Therefore, 1 and 3 donāt understand 1 could have been 2 2 could have been 3 Therefore, 1 could have been 3 1 finds 2 despicable 2 finds 3 despicable Therefore, 1 finds 3 despicable 1 is probably really 2 2 is probably really 3 So 1 is probably really 3 1 repeats 2 2 repeats 3 Therefore, 1 repeats 3 1 is the reverse of 2 2 is the reverse of 3 Therefore, 1 is the reverse of 3, right? 1 only understands 2 2 only understands 3 Therefore, 1 only understands 3 1 also understands 2 2 also understands 3 Therefore, 1 also understands 3 1 doesnāt understand anyone but 2 2 doesnāt understand anyone but 3 Therefore, 1 doesnāt understand anyone but 3 1 is not different than 2 2 is not different than 3 Therefore, 1 is not different than 3 1 does not understand 2 2 does not understand 3 Therefore, 1 does not understand 3 1 is 2, aināt it? 2 is 3 aināt it? So, 1 has gotta be 3, right! Well, of course 1 is 2! Well, of course 2 is 3! So, well, of course 1 is 3! 1 is always totally 2 2 is always totally 3 Therefore, 1 is always 3 (LOL) 1 is 2ās lover 2 is 3ās lover Therefore, 1 is 3ās lover 1 slugged 2 2 slugged 3 So 1 hauled off and slugged 3 1 is born from 2 2 is born from 3 Therefore, 1 is born from 3 1 is a figment of 2ās imagination 2 is a figment of 3ās imagination Therefore, 1 is a figment of 3ās imagination 1 took 2 by surprise 2 took 3 by surprise However, 3 took 1 by surprise 1 wants to be 2 2 wants to be 3 Therefore, 1 wants to be 3 1 is sometimes 2 2 is sometimes 3 Therefore, 1 is sometimes 3 Surprised, 1 is 2 Surprised, 2 is 3 Therefore, surprised, 1 is 3 1 says to 2 2 says to 3 So 1 says to 3 1 is smoking 2 2 is smoking 3 Therefore, 1 is smoking 3 1 is 2, donāt ya think? 2 is 3, donāt ya think? So 1 is 3, donāt ya think? Could 1 be 2? Could 2 be 3? So how could 1 possibly be 3? 1 is more numerous than 2 2 is more numerous than 3 Therefore, 1 is more numerous than 3 1 might not be 2 2 might not be 3 So 1 might not be 3 1 is whispering with 2 2 is whispering with 3 Therefore, 1 is whispering with 3 The 2 that was a 1 is a 3 The 3 that was a 2 is a 1 Therefore, the 1 that was a 3 is a 2 I donāt know if itās 1 or 2 I donāt know if itās 2 or 3 So I donāt know if it could be 1 or 3 1 is at war with 2 2 is at war with 3 Therefore, 1 is at war with 3 1 is in front of 2 2 is in front of 3 Therefore, 1 is in front of 3 1 feels sorry toward 2 2 feels sorry toward 3 Therefore, 1 feels sorry toward 3 1 is not necessarily 2 2 is not necessarily 3 Therefore, 1 is not necessarily 3 1 is the subject of 2ās vicious rumors 2 is the subject of 3ās vicious rumors Therefore, 1 is the subject of 3ās vicious rumors 1 also likes 2 2 also likes 3 Therefore, 1 also likes 3 1 thinks 2 has talent as a poet 2 thinks 3 has talent as a poet Therefore, 1 thinks 3 has talent as a poet 1 thinks of 2 as 3 2 thinks of 3 as 1 Therefore, 3 thinks of 1 as 2
- āLogic Poemsā by Tanaka Atsusuke (trans. by Jeffrey Angles)

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Alighiero BoettiĀ : PermutazioneĀ : 1970
Žižek & Judy: Segment of Slavoj Žižek Speech at Colombia University.