Joe Brainard (American, 1942–1994), Cat and Cone, 1976. Cut and pasted printed and painted papers, and gouache on paper.
wallacepolsom

Stranger Things

izzy's playlists!

sheepfilms

★
Jules of Nature

shark vs the universe
Mike Driver
Xuebing Du

JVL

PR's Tumblrdome
PUT YOUR BEARD IN MY MOUTH

Janaina Medeiros
🪼
will byers stan first human second
I'd rather be in outer space 🛸
seen from United States

seen from Türkiye
seen from Germany
seen from Malaysia

seen from United States
seen from United States
seen from United States
seen from China
seen from Germany
seen from United States

seen from United Kingdom

seen from United Kingdom
seen from United States
seen from Canada

seen from Austria

seen from United States

seen from United States

seen from United States

seen from United States
seen from United States
@discretethings
Joe Brainard (American, 1942–1994), Cat and Cone, 1976. Cut and pasted printed and painted papers, and gouache on paper.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Dancers from the Frankfurt Ballet in Pleats designed by Issey Miyake, 1991. Scan from Issey Miyake: Making Things.
Beatrice Modisett, detail of “Every Ninth Wave II,” 2018
Graciela Iturbide, Magnolia, Juchitán, Oaxaca, México, 1986
Sam Gilliam, UNTITLED, 1968

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Mimesis by Kim Kei
Kim Kei evokes the body without depicting the figure as a form. The body is implied by mimicking the skin’s surface and the gesture of the form depicted. Our skin contains the interior and is the point of contact with everything outside ourselves specifically one another. Kei creates sculpted, simulated skins that are inked and pressed to paper leaving a precise impression. The paper captures the cracks and wrinkles, the body’s acquired marks though time, injury, repair, and illness. Encompassing spaces between vulnerability, invasiveness and tenderness, the unnameable forms unfurl, contort, meet, and touch seemingly of their own vitality. The opportunity for empathy in looking closely and the intimacy being seen transmutes shame into a resilient, forceful affirmation. Creases strike through the form revealing what we attempt to keep hidden bringing these unruly parts of ourselves fully to the surface communicating a body in motion.
you can also find me @mary_bu__
[& &]
zora sicher
http://www.zorasicher.com/
Simen Johan
‘Biopiracy’ - Iris van Herpen F/W 2014 (2014)
“In the recent past, patents on our genes have been purchased. Are we still the sole proprietor of our bodies? From this question arises a sense of arrested freedom in one’s most intimate, solitary state. Models float in the air, embryonic, seemingly weightless and in a meditative suspended animation”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Marilyn Minter, Siren, 2014
Courtesy of the artist; Salon 94, New York; and Regen Projects, Los Angeles
From KALEIDOSCOPE Issue 23 (Winter 2015)
Lenore Tawney
Chryssa, “Mixed White Ns with Neon” and “Large Bird Shape”
Martin Wong (American, 1946-1999), Stanton near Forsyth Street, 1983. Synthetic polymer paint on canvas, 48 x 64 in. MoMA, New York
Martin Wong, Closed

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
andrea galvani
ruth asawa