Barry Lyndon (1975) dir. Stanley Kubrick / dop. John Alcott ii/ii

Kiana Khansmith
Claire Keane

Love Begins
hello vonnie
Xuebing Du
Misplaced Lens Cap
we're not kids anymore.

shark vs the universe

Monterey Bay Aquarium
trying on a metaphor
Cosmic Funnies
Cosimo Galluzzi
Lint Roller? I Barely Know Her
One Nice Bug Per Day
cherry valley forever

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Barry Lyndon (1975) dir. Stanley Kubrick / dop. John Alcott ii/ii

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Someone please stop me.
Le nozze di Figaro, Teatro alla Scala, 2016
Bye Mozart!
Most musicians of Mozartās time were employed by royalty or nobles, and Mozart was no exception. He was the court organist for Prince-Archbishop of Salzburg Hieronymus von Colloredo when his opera Idomeneo premiered to great acclaim. However, musicians and artists of the era were typically treated like servants - they were trotted out to perform, then took their dinner in the kitchen with the rest of the serving class.
Mozartās refusal to behave like a servant was progressive for the era, but also indicative of the composerās ego and bizarre, almost overwhelmingly stubborn state of mind. He unilaterally decided some of the concerts Von Colloredo had him perform were not included in the terms of their arangement, and therefore demanded separate payment for them (which he didnāt get). At one high society function, Mozart, who, like all servants, was not meant to mingle with noble guests, caused a scandal by brazenly striking up a conversation with a Russian ambassador he knew.
Mozartās refusal to apologize for his transgressions, even after his father went to great lengths to smooth everything over with the Prince-Archbishop, resulted in him literally being kicked out of Von Colloredoās house, along with all his possessions.
Ludwig II: Glanz und Ende eines Kƶnigs (Helmut KƤutner, 1954)

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Okay, but..(?)
Why the fuck am I crying like a baby while thinking about Mozart?
Aish, I āmissā him so much; I would like to be born in the 18th century to meet him, become one of his friends (with benefits? Why not? U.U ..of course, Iām joking. Maybe), stay by his side, laugh with him, hear him play a piano concerto..
Uhg.
Mozartās Estate - Part 1
On December 5th, 1791, Wolfgang AmadĆ© Mozart died in his Viennese apartment on Rauhensteingasse of an unknown illness. According to the official inventory of his death, he left behind 592 florins and 9 kreuzer worth of assets, with an approximate purchasing power equivalent to $17,764.50 in the modern day. This is likely an undervalued estimate to avoid too high of a tax upon his heirs.Ā
Below is a list of the value of his belongings:
Cash - 60 fl.
Salary - 133 fl. 20 kr.
Silver - 7 fl.
Clothes and linens - 55 fl.
Table linen and bedsheets - 17 fl.
Furniture - 296 fl. 8 kr.
Books and music - 23 fl. 41 kr.
The silver is valued so low because he had pawned the majority of it for a journey to Frankfurt, leaving him with only a handful of utensils.
His furniture was freshly upholstered and included a full-sized billiards table, one roll-top desk, one sofa, one couch, two divans, two bookcases, 18 upholstered chairs, and 60 pieces of porcelain. All of this and more furnished an apartment of approximately 519 sq. feet (145 sq. meters).
A Josephenian writing desk from Austria. Mozartās furniture would have been of a similar design as this, with simple, clean lines and little embellishment. [x]
[Source: 1791: Mozart's Last Year by H.C. Robbins Landon.] [Currency Source: Mozart's leters, Mzart's Life by Robert Spaethling.]
In spite of the widespread belief that Mozart died amid general indifference, there are accounts of a number of events that were organized right after his death to commemorate him. In Vienna, the Masonic lodge he belonged to organized a commemoration, but the biggest event was organized in Prague on December 14th: three thousand people gathered in the St. Nicholas church, where the bells tolled for thirty minutes. The National Theatre orchestra played Rƶszlerās Requiem and a concert was organized in the National Theatre to the benefit of Mozartās wife and children.
Also, a lesser known anecdote is connected to Prague, which was the setting of many of Mozartās happiest days, and it was reported in 1842 by a impoverished street harpist named HƤusler: he was playing some tunes from Le Nozze di Figaro in a tavern (the āNova HospodĆ”ā), when Mozart himself complimented him and asked him if he could improvise on a melody. They improvised together for a while and Mozart was so content that he rewarded the harpist with money and a short composition. Many years later, when he was interviewed about his meeting with Mozart, HƤusler was asked to have the piece of music published in exchange for a large sum, but he refused to give it away.
5th December 1791 - 5th December 2018
FOREVER. ā¤ļø
āA place inhabited only by children, where all make music the whole day long, and all are good and kind, and the bad are not admitted even for a visit. In the Kingdom of Back every pleasure was possible; you just had to utter the magic formula.
Here forever happy are we
and nothing bad will ever be!ā
(From āMozartās sisterā, by Rita Charbonnier)
The writer of this fictionalized retelling of Nannerl Mozartās life uses this magic formula as a sort of reference to the secret language that the real Mozart siblings allegedly invented for their own imaginary kingdom, the Kingdom of Back, a place where they could live free and escape reality during the long journeys across Europe with their parents. We donāt know if the siblings actually came up with a magic formula, but what we do know is that the writer of the novel took inspiration from an inscription in Latin found on a Roman mosaic which was unearthed in Salzburg on the site of the monument to Mozart during the installation of its pedestal: āHic habitat felicitas, nihil intret mali.ā (roughly: āHere lives happines, nothing bad will ever happenā. The mosaic is currently preserved in the Caroline Augustus Museum in Salzburg).

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Wolfgang Amadeus Mozart (1756-1791)
Reblog if you want your followers to tell you which fictional character you remind them of.
Romy Schneider as Sissi in Sissi, the Young Empress (1956), dir. by Ernst Marischka.
Sissiās wardrobe in Sissi (2/2)
My granny used to watch these films every single year and myself with her...
Sissi will be always a part of our relationship...Love you granny wherever you are now <3Ā

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Sissiās wardrobe in Sissi (2/2)
Sometimes Tom Hulce does that thing where he exists and then I die