May 3, 2020 - Explore nicolemgledhill's board "l7" on Pinterest. See more ideas about Book design, Editorial design and Layout design.
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#extradirty
Cosmic Funnies
wallacepolsom
Peter Solarz

ç„æ„ / Permanent Vacation

JVL
styofa doing anything

shark vs the universe

PR's Tumblrdome

@theartofmadeline
Three Goblin Art
Not today Justin
occasionally subtle

Origami Around

oozey mess
Xuebing Du

if i look back, i am lost
Show & Tell

romaâ

â
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seen from Malaysia
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@digitalderive
May 3, 2020 - Explore nicolemgledhill's board "l7" on Pinterest. See more ideas about Book design, Editorial design and Layout design.
mood board I have created with visual inspiration: theme/ publication layout / logo design

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Psychogeography is the exploration of an urban environment which examines how it psychologically impacts the emotions and behaviours of people. It can be adopted as a field of urban study known as Derive, which is the idea of drifting or wandering.Â
This makes reference to the new wave of art derived from psychogeography using digital mapping. it concludes that this is a whole new modern aspect of psychogeography separate from he initial meaning. an interesting conclusion to consider.
Nowadays, digital cartography of cities and mechanisms of exploring geographic potentials through mobile phones or pcs have reached a high level of development and importance as well. Even from simple travelling guidelines to urban planning applications or mere curiosity of exploring other sites all over the world, browsers have managed to surprise us with the accuracy of data they achieve. Wandering around the world cartography used to seem unperceivable yet, now can be done in seconds. Current knowledge has made almost impossible the very own existence of the impossible. It reminds us of the interpretation given by situationists for the absence of utopia. âNo utopia can no longer be available because already exist all the conditions to become reality.â The problem, however, is that these conditions are used in order to maintain the current state of things and not to serve the needs for quality life.
Technology combined with art, in the field of psychogeography, has led to the development of urban interactive installations and happenings of interactive challenge. This new dimension of investigation, the human involvement in geographical terrain, has inspired the construction of another new cartography. Some artists implement their work on theories of the situationists and try to approach the dynamics of human presence and behaviour. (Figure 11) Using tech- machines to create active magnetic fields, they record and decode the movement of people within a certain sphere of influence, based on analysis data and factors that have been scheduled and preceded. In these cases, the elements of otherness, of moments and space, all contribute to the whole project and the investigation of certain urban aspects of interest. In this way, these experiments manage to add another element to psychogeography. Another starting point. The initial behaviour of individuals that determines and creates an atmosphere which afterwards affects the behaviour of other individuals. Of course, many are the cases of artists who âborrowâ the terms of derive and psychogeography, without practically associating their work with the notion of these concepts, as originally interpreted.
People are quite aware that some neighborhoods are sad and others pleasant. But they generally simply assume elegant streets cause a feeling of satisfaction and that poor street are depressing, and let it go at that. In fact, the variety of possible combinations of ambiances, analogous to the blending of pure chemicals in an infinite number of mixtures, gives rise to feelings as differentiated and complex as any other form of spectacle can evoke
Introduction to a Critique of Urban Geography
Guy-Ernest Debord
Introduction to a Critique of Urban Geography
by Guy-Ernest DebordÂ
âThe revolutionary transformation of the world, of all aspects of the world, will confirm all the dreams of abundance. The sudden change of ambiance in a street within the space of a few meters; the evident division of a city into zones of distinct psychic atmospheres; the path of least resistance which is automatically followed in aimless strolls (and which has no relation to the physical contour of the ground); the appealing or repelling character of certain places--all this seems to be neglected. In any case it is never envisaged as depending on causes that can be uncovered by careful analysis turned to account. People are quite aware that some neighborhoods are sad and others pleasant. But they generally simply assume elegant streets cause a feeling of satisfaction and that poor street are depressing, and let it go at that. In fact, the variety of possible combinations of ambiances, analogous to the blending of pure chemicals in an infinite number of mixtures, gives rise to feelings as differentiated and complex as any other form of spectacle can evoke. The slightest demystified investigation reveals that the qualitatively or quantitatively different influences of diverse urban decors cannot be determined solely on the basis of the era or architectural style, much less on the basis of housing conditions.â
This links to my idea of letting go of the negative stereotypes surrounding the area of L7. This section of text is a direct nod to my attempt of finding the beauty in an area that some would simply brand as âdepressingâ.Â

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theory of derive
by Guy-Ernest Debord
One of the basic situationist practices is the dĂ©rive [literally: âdriftingâ], a technique of rapid passage through varied ambiances. DĂ©rives involve playful-constructive behavior and awareness of psychogeographical effects, and are thus quite different from the classic notions of journey or stroll.
In a dérive one or more persons during a certain period drop their relations, their work and leisure activities, and all their other usual motives for movement and action, and let themselves be drawn by the attractions of the terrain and the encounters they find there. Chance is a less important factor in this activity than one might think: from a dérive point of view cities have psychogeographical contours, with constant currents, fixed points and vortexes that strongly discourage entry into or exit from certain zones.
But the dĂ©rive includes both this letting-go and its necessary contradiction: the domination of psychogeographical variations by the knowledge and calculation of their possibilities. In this latter regard, ecological science â despite the narrow social space to which it limits itself â provides psychogeography with abundant data.
The ecological analysis of the absolute or relative character of fissures in the urban network, of the role of microclimates, of distinct neighborhoods with no relation to administrative boundaries, and above all of the dominating action of centers of attraction, must be utilized and completed by psychogeographical methods. The objective passional terrain of the dérive must be defined in accordance both with its own logic and with its relations with social morphology.
In his study Paris et lâagglomĂ©ration parisienne (BibliothĂšque de Sociologie Contemporaine, P.U.F., 1952) Chombart de Lauwe notes that âan urban neighborhood is determined not only by geographical and economic factors, but also by the image that its inhabitants and those of other neighborhoods have of it.â In the same work, in order to illustrate âthe narrowness of the real Paris in which each individual lives . . . within a geographical area whose radius is extremely small,â he diagrams all the movements made in the space of one year by a student living in the 16th Arrondissement. Her itinerary forms a small triangle with no significant deviations, the three apexes of which are the School of Political Sciences, her residence and that of her piano teacher.
Such data â examples of a modern poetry capable of provoking sharp emotional reactions (in this particular case, outrage at the fact that anyoneâs life can be so pathetically limited) â or even Burgessâs theory of Chicagoâs social activities as being distributed in distinct concentric zones, will undoubtedly prove useful in developing dĂ©rives.
If chance plays an important role in dérives this is because the methodology of psychogeographical observation is still in its infancy. But the action of chance is naturally conservative and in a new setting tends to reduce everything to habit or to an alternation between a limited number of variants. Progress means breaking through fields where chance holds sway by creating new conditions more favorable to our purposes. We can say, then, that the randomness of a dérive is fundamentally different from that of the stroll, but also that the first psychogeographical attractions discovered by dérivers may tend to fixate them around new habitual axes, to which they will constantly be drawn back.
An insufficient awareness of the limitations of chance, and of its inevitably reactionary effects, condemned to a dismal failure the famous aimless wandering attempted in 1923 by four surrealists, beginning from a town chosen by lot: Wandering in open country is naturally depressing, and the interventions of chance are poorer there than anywhere else. But this mindlessness is pushed much further by a certain Pierre Vendryes (in MĂ©dium, May 1954), who thinks he can relate this anecdote to various probability experiments, on the ground that they all supposedly involve the same sort of antideterminist liberation. He gives as an example the random distribution of tadpoles in a circular aquarium, adding, significantly, âIt is necessary, of course, that such a population be subject to no external guiding influence.â From that perspective, the tadpoles could be considered more spontaneously liberated than the surrealists, since they have the advantage of being âas stripped as possible of intelligence, sociability and sexuality,â and are thus âtruly independent from one another.â
At the opposite pole from such imbecilities, the primarily urban character of the dĂ©rive, in its element in the great industrially transformed cities â those centers of possibilities and meanings â could be expressed in Marxâs phrase: âMen can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive.â
One can dĂ©rive alone, but all indications are that the most fruitful numerical arrangement consists of several small groups of two or three people who have reached the same level of awareness, since cross-checking these different groupsâ impressions makes it possible to arrive at more objective conclusions. It is preferable for the composition of these groups to change from one dĂ©rive to another. With more than four or five participants, the specifically dĂ©rive character rapidly diminishes, and in any case it is impossible for there to be more than ten or twelve people without the dĂ©rive fragmenting into several simultaneous dĂ©rives. The practice of such subdivision is in fact of great interest, but the difficulties it entails have so far prevented it from being organized on a sufficient scale.
The average duration of a dérive is one day, considered as the time between two periods of sleep. The starting and ending times have no necessary relation to the solar day, but it should be noted that the last hours of the night are generally unsuitable for dérives.
But this duration is merely a statistical average. For one thing, a dérive rarely occurs in its pure form: it is difficult for the participants to avoid setting aside an hour or two at the beginning or end of the day for taking care of banal tasks; and toward the end of the day fatigue tends to encourage such an abandonment. But more importantly, a dérive often takes place within a deliberately limited period of a few hours, or even fortuitously during fairly brief moments; or it may last for several days without interruption. In spite of the cessations imposed by the need for sleep, certain dérives of a sufficient intensity have been sustained for three or four days, or even longer. It is true that in the case of a series of dérives over a rather long period of time it is almost impossible to determine precisely when the state of mind peculiar to one dérive gives way to that of another. One sequence of dérives was pursued without notable interruption for around two months. Such an experience gives rise to new objective conditions of behavior that bring about the disappearance of a good number of the old ones.[1]
The influence of weather on dérives, although real, is a significant factor only in the case of prolonged rains, which make them virtually impossible. But storms or other types of precipitation are rather favorable for dérives.
The spatial field of a dĂ©rive may be precisely delimited or vague, depending on whether the goal is to study a terrain or to emotionally disorient oneself. It should not be forgotten that these two aspects of dĂ©rives overlap in so many ways that it is impossible to isolate one of them in a pure state. But the use of taxis, for example, can provide a clear enough dividing line: If in the course of a dĂ©rive one takes a taxi, either to get to a specific destination or simply to move, say, twenty minutes to the west, one is concerned primarily with a personal trip outside oneâs usual surroundings. If, on the other hand, one sticks to the direct exploration of a particular terrain, one is concentrating primarily on research for a psychogeographical urbanism.
In every case the spatial field depends first of all on the point of departure â the residence of the solo dĂ©river or the meeting place selected by a group. The maximum area of this spatial field does not extend beyond the entirety of a large city and its suburbs. At its minimum it can be limited to a small self-contained ambiance: a single neighborhood or even a single block of houses if itâs interesting enough (the extreme case being a static-dĂ©rive of an entire day within the Saint-Lazare train station).
The exploration of a fixed spatial field entails establishing bases and calculating directions of penetration. It is here that the study of maps comes in â ordinary ones as well as ecological and psychogeographical ones â along with their correction and improvement. It should go without saying that we are not at all interested in any mere exoticism that may arise from the fact that one is exploring a neighborhood for the first time. Besides its unimportance, this aspect of the problem is completely subjective and soon fades away.
In the âpossible rendezvous,â on the other hand, the element of exploration is minimal in comparison with that of behavioral disorientation. The subject is invited to come alone to a certain place at a specified time. He is freed from the bothersome obligations of the ordinary rendezvous since there is no one to wait for. But since this âpossible rendezvousâ has brought him without warning to a place he may or may not know, he observes the surroundings. It may be that the same spot has been specified for a âpossible rendezvousâ for someone else whose identity he has no way of knowing. Since he may never even have seen the other person before, he will be encouraged to start up conversations with various passersby. He may meet no one, or he may even by chance meet the person who has arranged the âpossible rendezvous.â In any case, particularly if the time and place have been well chosen, his use of time will take an unexpected turn. He may even telephone someone else who doesnât know where the first âpossible rendezvousâ has taken him, in order to ask for another one to be specified. One can see the virtually unlimited resources of this pastime.
Our loose lifestyle and even certain amusements considered dubious that have always been enjoyed among our entourage â slipping by night into houses undergoing demolition, hitchhiking nonstop and without destination through Paris during a transportation strike in the name of adding to the confusion, wandering in subterranean catacombs forbidden to the public, etc. â are expressions of a more general sensibility which is no different from that of the dĂ©rive. Written descriptions can be no more than passwords to this great game.
The lessons drawn from dérives enable us to draw up the first surveys of the psychogeographical articulations of a modern city. Beyond the discovery of unities of ambiance, of their main components and their spatial localization, one comes to perceive their principal axes of passage, their exits and their defenses. One arrives at the central hypothesis of the existence of psychogeographical pivotal points. One measures the distances that actually separate two regions of a city, distances that may have little relation with the physical distance between them. With the aid of old maps, aerial photographs and experimental dérives, one can draw up hitherto lacking maps of influences, maps whose inevitable imprecision at this early stage is no worse than that of the first navigational charts. The only difference is that it is no longer a matter of precisely delineating stable continents, but of changing architecture and urbanism.
Psychogeography describes the effect of a geographical location on the emotions and behaviour of individuals
https://www.tate.org.uk/art/art-terms/p/psychogeographyÂ
Wandering the city by foot helps us look beneath ordinary conceptions of the face value of a place to the meanings built up and lost over time.
Digital maps put us by default at the centre of the world. But do we risk losing our sense of the city as a whole?