Dhumonio

Dust and Distance

The illustration captures a pivotal shift—no longer just a figure within the park’s narrative, but someone stepping beyond it. Her gaze is one of both recognition and rebellion, while behind her, the familiar silhouette of the West becomes a backdrop to her transformation.

In black and white, the piece emphasizes stark contrasts—between the old roles and the new ones she’s crafting. It’s about seeing beyond what was written, and choosing to write it anew.

Prints available here:

The Crossing Beneath the familiar imagery of the American frontier lies a world where every choice may already be written.

This illustration draws inspiration from Westworld's collision of western mythology and artificial consciousness. The riders move through a landscape shaped by memory, violence, and unseen systems, occupying roles that appear permanent yet are constantly on the verge of transformation.

The monochrome palette strips the scene to its essentials: light and shadow, identity and performance, freedom and design. By combining frontier symbolism with themes of repetition, self-discovery, and constructed reality, the piece explores the fragile boundary between the story we are given and the one we choose to become.

Prints available here:

Two monochrome illustrations inspired by the frontier mythology and synthetic identities of Westworld.

These pieces explore opposing expressions of survival within the world of the park: the gunslinger defined by motion, instinct, and confrontation, and the sheriff shaped by performance, authority, and repetition. Though positioned on different sides of the narrative, both figures exist within the same constructed cycle of violence and awakening that defines the series.

Rendered in black and white to emphasize cinematic contrast, weathered textures, and western iconography, the illustrations draw from the visual language of classic frontier cinema while reflecting the artificiality and existential tension at the core of Westworld. Find these 2 as Prints here:

The Forest Within

A monochrome illustration inspired by Westworld, portraying a member of Ghost Nation suspended between ritual, memory, and survival.

The composition draws from the series’ spiritual and mythological undertones, focusing on the quiet presence and ceremonial identity of the figure rather than overt conflict. Facial markings, feather adornments, and the quiver of arrows function as symbols of endurance within a world shaped by violence, repetition, and awakening.

“monster” is what they call people who survive transformation.

I didn’t want to draw Medusa as a victim or a villain.

I wanted her to feel ancient. Divine. Dangerous. Beautiful in the way eclipses are beautiful.

MEDUSSA became a ritual more than a project — an illustrated poem about transformation, rage, femininity, horror, and the sacred nature of becoming untouchable.

These pages are meant to feel as something half-new, half-memory. Like something discovered in a temple at the bottom of the ocean.

If this finds the right people, welcome.

A couple more entries from my ongoing Westworld print series—

Outlaw Protocol

This pieces exploring different ends of the show’s transformation arc: the first centered on interior awakening and fractured self-awareness, the second on the emergence of rebellion and agency through violence.

Unscripted Thought

Another piece from my ongoing Westworld-inspired print series.

I wanted this one to focus on the quieter tension in the show—the moments where consciousness, doubt, and self-awareness begin to surface beneath the performance.

Egypcian Night

An imagined monument caught somewhere between historical memory and nocturnal vision.

I wanted the monochromatic palette to reduce the scene to stone, shadow, and moonlight—treating the monument not as ruin, but as presence: something silent, watchful, and still carrying sacred weight.

Stone by the Sea

Another entry in this small series of landscape studies centered on quiet places and stranger presences within them.

There’s something I enjoy about treating stone figures almost like part of the environment.

A quieter piece from the print shop— Stone by the Mountain

One of my more painterly landscape studies, built around texture, atmosphere, and the strange comfort of isolated rural spaces. Painted as a study of texture, distance, and the stillness of open rural spaces— that peculiar quiet of abandoned or half-forgotten places in the countryside.

These are two of my Westworld-inspired prints—part of a series I originally sketched traditionally and later reworked digitally for print.

I’ve always loved the visual language of the show: the contrast between elegance, violence, and constructed identity felt perfect to translate into illustration.

Another OC

Some illustrations I created for a printing project — tote bags inspired by places and corners of Santa Marta 🏝️🌞.