black lives matter
Misplaced Lens Cap
Not today Justin
Monterey Bay Aquarium

if i look back, i am lost
official daine visual archive
NASA

Jar Jar Binks Fan Club
RMH

Andulka
Keni

shark vs the universe
Cosimo Galluzzi
hello vonnie

PR's Tumblrdome
TMBGareOK. The Official They Might Be Giants tumblr
let's talk about Bridgerton tea, my ask is open
One Nice Bug Per Day

gracie abrams

Discoholic 🪩
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@devoutli
black lives matter

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Eartha Kitt performing in Las Vegas, Nevada, in 1955
i don't care what those tiktok and instagram influencers tell you, have three meals a day!!! have a snack!! have that sweet treat!! have food that makes you feel good!!! especially if you're a woman!! starving yourself to look "desirable" will only make you desirable to people who want you to stay malnourished forever. it's a cycle of misery!!
INDUSTRY 1.02 — Quiet and Nice

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BORDERLINE (1930) dir. Kenneth Macpherson
“The French called this time of day ‘l’heure bleue.’ To the English it was ‘the gloaming.’ The very word ‘gloaming’ reverberates, echoes—the gloaming, the glimmer, the glitter, the glisten, the glamour—carrying in its consonants the images of houses shuttering, gardens darkening, grass-lined rivers slipping through the shadows. During the blue nights you think the end of day will never come. As the blue nights draw to a close (and they will, and they do) you experience an actual chill, at the moment you first notice: the blue light is going, the days are already shortening, the summer is gone.”
— Joan Didion, Blue Nights
at least we're together
apple trees / june 2025
shadow of a doubt (1943)

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Princess Grace of Monaco by Philippe Halsman in 1959.
Folk singer Joan Baez on the beach near her home in Carmel, California, in 1962; Photo by Ralph Crane
Atmospherics
Lauren Bacall by Pat Clark during the filming of Confidential Agent, 1945

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Schuyler Peck, Worth the Wait
Chris Long, Snow Midnight, 2025, Oil on cradled wood panel