ìŽëì 돎ììŽ ëìŽ ë€ì ë§ëëŽ 16-IV-70 #166 (1970)
(Where, in What Form, Shall We Meet Again)
KIM Whanki (Whanki Museum)
Doug Jones
occasionally subtle
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gracie abrams

bliss lane
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
YOU ARE THE REASON
Mike Driver

Love Begins

Andulka
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he wasn't even looking at me and he found me

tannertan36
almost home
Not today Justin
The Bowery Presents
Cosmic Funnies

Product Placement
noise dept.

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@destrucsdansmatete
ìŽëì 돎ììŽ ëìŽ ë€ì ë§ëëŽ 16-IV-70 #166 (1970)
(Where, in What Form, Shall We Meet Again)
KIM Whanki (Whanki Museum)

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(x)
Head in ruins, Tania Font (because)
Leonora Carrington - Untitled (Ritual), 1964

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LĂ©on Bakst's design for âQueen of the Nightâ for the Ballets Russes (1922)
Both And One (The Left Hand Of Darkness) - Vanessa Lemen
John William Waterhouse, The Lady of Shalott Looking at LancelotÂ
Preliminary drawing, Tullie House
Oil Sketch, Falmouth Art Gallery
Finished painting (1894), Leeds Art Gallery
âHappy Togertherâ, Wong Kar-wai (1997)

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Innumerable Safety Pins Link into Tamiko Kawataâs Sculptures that Juxtapose Chaos with Quietude
The Sandman: Dream Hunters illustration by Yoshitaka Amano
Iconic historical stage designs for The Queen of the Night sequence from Mozartâs âMagic Fluteâ - the first image by Karl Friedrich Schinkel in 1815, the second by Simon Quaglio in 1818 (x)
Carl Strathmann, Chesnut Trees, ca. 1900
Night Mother -Â Mona Finden

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Mia Bergeron, Ancestors, 2021
Joseph Mallord William Turner (English ,1775â1851)
The Burning of the Houses of Parliament ,c.1834â5
Watercolour and gouache on paper