Gold cross with emeralds and enameled back, Europe (I'm betting Spain), circa 1650-1700
from The Victoria and Albert Museum
TVSTRANGERTHINGS

#extradirty
Cosimo Galluzzi

JBB: An Artblog!

Kiana Khansmith
he wasn't even looking at me and he found me
wallacepolsom
sheepfilms
Misplaced Lens Cap
"I'm Dorothy Gale from Kansas"
Jules of Nature

styofa doing anything

shark vs the universe
Acquired Stardust

blake kathryn
🪼
ojovivo
One Nice Bug Per Day

seen from United States

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@demoniclady
Gold cross with emeralds and enameled back, Europe (I'm betting Spain), circa 1650-1700
from The Victoria and Albert Museum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ken Gun Min (Korean, 1976) - Queen of the Night (Koreatown) (2023)
one more thing. if a character ascends to godhood/divinity/some form of power that makes them practically omnipotent and no longer human. and they had a partner before that who didn’t rise with them. you are legally required to make that situation as terrifying as it would rightly be. it’s bad enough to get the attention of a god. it is ruinous to be loved by one. that is not the person you knew anymore. that is something that never has to let you leave, or have secrets, or disobey it. it will fix every problem you so much as glance at, and it will shower you in grace and gifts until you drown, and it will make you a holy artifact in its own story. you have to understand, it doesn’t remember how horrible death is, so it strikes you to cinders like a snide comment and brings you back with an apology it needs you to accept. that is how it’s going to love you forever, because it might not be inclined to let you die.
Job Smeets, Worm lamp
illustration from a Victorian children’s book c1885

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“God’s favorite little darling” as your bio when you’re 30…. It should be “if the lord lets me see another day”
@wolfi-amadeus-mozart
Hm...I may steal that for my own bio
Danke schön, Herr Salieri!
... my pleasure. Wolfgang.
everyday on here it’s like okay well sure
Celeste Dupuy-Spencer, Mercy, Things are Gonna Slide, 2016, Oil on canvas
Celeste Dupuy-Spencer (American, 1979-2026)
Robe à la française
1760s
White and pink plaid silk taffeta; double flounced pagoda sleeves; stomacher with échelle of ribbon; engageantes; quilles, and lappets of Argentan lace.
The Kyoto Costume Institute
Pointe Skirt by Darinika Atelier
Thank you @tinsnip !!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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not all ships are For wanting them to be in a happy healthy relationship together. sometimes shipping two characters means you want them to be erotically obsessed with each other and become entwined in a mutually toxic love affair for a few months and then horrifically break each other's hearts and never speak again. sometimes you want them to be codependent best friends with enough repression to explode a submarine who only make out/have sex when they're at their worst. sometimes you want them to pine after each other for years, never say anything, and then die. sometimes you want them to kill each other. this, too, is shipping
I think in the same way there's a 90/10 rule with horror and comedy (horror works best when it's 90% horror and 10% comedy and vice versa) there's a 90/10 rule for some relationships in fiction that's like. Wholesome and fucked up. A good friendship is at its most compelling when it's also 10% a bit fucked up. Fucked up relationship is at its most compelling when there's at least 10% of something actually sweet and substantive within. Do you get me
“Cook at home to save money” sounds all well and good until you get a little too into it and suddenly you’re bookmarking recipes that call for The Preserved Grace of God and that shit is $13 at the specialty store
Vorace by Pauline Mauvière & Charles Ouvrard
The beautiful art of George Barbier

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The Forerunner (1894) by Eugène Trigoulet
Petr Belenok (Ukrainian, 1938-1991), Untitled, 1981. Mixed media on cardboard, 60 x 50 cm.