Came For the Eeby, Stayed For the Deeby

No one owes artists anything.

comments on my work for the

bad depressive dips.

Because, no. Some women are. But I don't want a leader in my marriage. And if a guy comes along looking for ways that he can be my future leader, I'm out.

I want someone who will see and treat me as equal. Someone who will not have issue with me "taking the lead" on the occasion, and I in turn can trust when he needs to- but it's situation dependent and not some role assigned to us.

I don't want some guy who will take a bullet for me, but believes "feminine" roles are beneath him.

I don't want to be with someone who holds the final say. I want someone who will hear me and work with me regarding our future.

I want someone I can be strength to when he is weak, and someone who feels he can be weak around me, just as much as he wants to be that for me.

I don't want someone who thinks he has spiritual responsibility for me, but I don't have any for him. I don't want someone who is going to put himself in a position where he must maintain something -whether authority or responsibility or whatever else- over me in way I cannot do for him, because it would be "too masculine" for me.

I don't want a leader. Not a hardcore leader, nor a softer "servant leader." Nor anything in between.

I want a partner. Someone who is more interested in serving me as I him, and not in leading me.

I mainly have three things I'd like to see.

First,

Can we please get a Felineko protagonists and/or a girl main character?

(Yea technically Fuga 1 didn't have a main character but the rest of the trilogy kind of turned into the Malt marzipan show.)

As I have said many times, it would be cool to have an in depth Nono gameplay system of some kind. I swear CC2 has favorites and it's definitely the Caninu.

It'd also be nice to have a female main character at least once. Like don't keep her as a deuteragonist, npc, or love interest, let them be the main focus.

Second,

Can we leave Shepherd/Gasco/France?

Don't get me wrong, I love the Shepherd Republic, the locations, lore, and history are great!

But we've had 3-4 games set in Shepherd (in a five game series BTW). I would kill to see what the other post reset countries are like. Find out what kind of cultures they have and see the other 32 or so Titano Machina.

Yes, French is a big part of the series, but it did not start out like that (Tail concerto). I think LTB can really expand the world more than what we see.

As of now, we've only got short glimpses of Germany(Berman), Nippon (Japan), Abyssinia(England) and maybe Russia and America (and that's only if the Starbucks reference and Streka stories are still relivant at all)

This is part of the reason why I am excited for the next game because I've heard that it's supposed to take place in Abyssinia. Unlike Shepherd they have a more magic based society, I WANNA SEE THAT.

Fleshing out more locations could really help make the world feel bigger. Like there has to be stuff going on outside of Shepherd.

Lastly, and kind of related to the last point,

Can we see what happens to the world after Solatorobo?

Not necessarily Solatorobo sequel, but a game that is set years or even decades afterward. Fuga and Fugue of the battlefield are nice and all, but let's see what kind of bs this world has in store. Plus the fuga prequels introduced a lot of inconsistencies and retcons.

So today I tripped. Fell flat on my face, it was awful but ultimately harmless. My service dog, however, is trained to go get an adult if I have a seizure, and he assumed this was a seizure (were training him to do more to care for me, but we didn’t learn I had epilepsy until a year after we got him)

I went after him after I had dusten off my jeans and my ego, and I found him trying to get the attention of a very annoyed woman. She was swatting him away and telling him to go away. So I feel like I need to make this heads up

If a service dog without a person approaches you, it means the person is down and in need of help

This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.

Writing group scenes is chaos. Someone’s talking, someone’s interrupting, someone’s zoning out thinking about breadsticks. And if you’re not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so much—my characters would just exist in the scene without actually affecting it. But here’s what I've learned and have started implementing:

✨ Give everyone a job in the scene ✨

Not their literal job—like, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? What’s their role in the conversation?

My favourite examples are:

The Driver: Moves the convo forward. They have an agenda, they’re pushing the action.

The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.

The Voice of Reason: "Guys, maybe we don’t commit arson today?"

The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.

The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)

The Wild Card: Who knows what they’ll do? Certainly not them. Probably about to make things worse.

UK work guidance has a minimum safe temperature for employees at work, but not a maximum one.

SIGN BOTH!!!

This would count for fullbody! Around 75% of the character needs to be shown to be rated as fullbody. See the visual guide below:

Uncensored swear words version down below.