if you draw all of a character except the feet does it count for fullbody or would it count as a halfbody?
This would count for fullbody! Around 75% of the character needs to be shown to be rated as fullbody. See the visual guide below:
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if i look back, i am lost
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@decibelcoatl
if you draw all of a character except the feet does it count for fullbody or would it count as a halfbody?
This would count for fullbody! Around 75% of the character needs to be shown to be rated as fullbody. See the visual guide below:

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“Do it scared” “do it alone” are all great tips, but my biggest takeaway from therapy is do it messy. This is especially true if you’re getting out of a burnout, which I experience often. Literally just do it messy. You don’t need to pick the perfect trail to walk, the perfect playlist to listen to, whatever the fuck it is. You don’t need to have a meticulous to do list and wake up at the exact time you planned and drink the exact amount of water you planned to drink. Like the biggest thing for people like me to remember is sometimes it’s okay to do it messy. Put on a random yt workout and just get it done in sweats. Do 5 minutes of a daunting task and go from there. Sometimes just getting up is a win during intense burnouts or depressive funks. Literally just do it messy.
Here's a late midnight Happy Canada day thing.
Uncensored swear words version down below.
here is a master list of great art tools that can make your workflow easier! 👇 (updating, please consider supporting me on kofi or check out my other works)

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That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:
1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.
2) the people who run Disney would be the first to fall in line with a fascist regime.
3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.
4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.
J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.
And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?
That one is from his autobiography, Becoming Superman. See also:
(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)
Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.
When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.
The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.
The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.
There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.
This is true of all censorship.
What part of your Blorbo's design/personality is doing 90% of the heavy lifting for your obsession?
Their painfully tragic backstory
One specific, hyper-specific facial expression or voice line
The fact that they desperately need a nap and a warm meal
They are just a little guy. A creature, even
The dynamic they have with the character I ship them with
Every poll on this blog is about fictional characters only. This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds
Calvin and Hobbes
By Bill Watterson

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a little warm up for the day
ink: diamine oxblood
3 lines + one dot
Every time I see this post I think about that study that was done on how cats recognize visual imagery. They weren't sure if they track by color? shape? outline? movement? So they did an experiment where they showed cats clips of birds or rodents, visually altered in various ways -- light-inverted? color swapped? upside down? stills? mocap? slowed down, sped up, stretched or warped? And they found that cats could continue to recognize videos of animals even when they were just a skeletal ball-and-socket model, so long as they still moved like the animal.
Cats can recognize animals by only their structure and their motion. I wonder if a cat would be able to see a cat in this, too?
pixel art stamp concepts!~
texas giraffe update:
💖 catch me if you can, suckers 💖
Even from below, Uni is too cute! :3

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Rejoice, For the Herald Of Hope Flies Above Us