š. š«š¬šØš¹š¬š¼š¹š°š«š°šŖš¬ āø» loving you was like loving the dead . a private , dependant blog affiliated with @itshoco , featuring lianna lotse . eternally thirty-one . woman as eurydice . dead .
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perhaps the point of life is to look when you want to flinch away and close your eyes. perhaps that is what it means to be alive. ''oh, of course,'' lianna says, canting her head to the side as she takes a step back, giving way to helena. they say that isolation is a kind of death; if no one is there to witness your existence then you are not really there. so then why won't they look? why can't they bear to witness her presence? ''it's a small town. i wonder what sort of gossip awaits. does anything interesting even happen these days?'' but does it, does it truly? she tells it like a joke that the younger ought to laugh at, but tell her, tell her please, what she fails to see.
Oh, Nurse Lotse, not even a ring on your finger could save you from tragedy, could it?
Maki imagined she might've been jealous at some point. All girls who dream of nothing but love and love and love would be jealous of that ring on Lianna's finger, and the look on her almost-husband's face whenever she was near. Now, well. What's there to be jealous of? The lost time? The stink of death? The madness lingering underneath pale skin? It was much easier to pity her instead, so that's what Maki did.
āYou lookāā like yourself, but not fully yourself. Like a ghost. Like something that doesn't belong. āāNice.ā Poor thing, she thought. Poor thing. āI mean, clearly you're not having a very good hair... or face day, but we all have those sometimes.ā
this is a game. an age-old one. the one that perhaps maki knows how to play better than lianna, but that's all right, because she'll biteā and play. can she still wear her heart upon her sleeve if the heart in question no longer beats?
''thank you, maki. but you can save your backhandedĀ compliments for someone who actually likes you.'' you are praying, better said braying at the wrong place of worship. you'll get no answer here. it's not a deity that speaks to you, or someone god-adjacent, but a void. void and a woman; one and the same thing. ''i'm sorry. that was mean. i don't know what has gotten into me.'' or what has, somewhere along the way, been forcefully removed. something must've come undone. a stitch or two that grew too loose. or stubborn ribs that no longer wish to house the same old lungs and heart.
it's hard, of course, to pinpoint what exactly feels wrong; maybe it's her presence that sticks out like an extra finger on a slender hand, or perhaps she is just too persistent, too loud and out-spoken for someone who ought to be a ghost. so she finds comfort elsewhere, a brief moment's reprieve just outside the church, as her sight almost blurs. ''no, not at all. don't worry. the air inside just felt very vitiated,'' stale. perhaps the better term for it would be strange, but that would be impossible to smell. she takes a step forward then, moving on instinct, her thoughts merging like water droplets on glass during heavy rainfall. ''are you all right? do you need anything?''
''oh,'' is the first thing that escapes from her dry mouth, soft and round, unfurling like a ball of precious yarn. ''i'm not really hungry nor in the mood for something sweet,'' which is only a half-lie, well-thought out, but still a lie. that's what makes it so easy to tell, but her refusal to comply, lianna fears, will only bring forth more damage than good. forced to think on her feet, she lets a weary smile accompany her weighted words. ''they look amazing, though. i might have to take one before i leave. did you bake them ?''
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NAME LIANNA LOTSE. MEANING MY GOD HAS ANSWERED. NICKNAMES LILI. ZODIAC AQUARIUS. DOB FEBRUARY 18TH . PLACE OF BIRTH MARROW, MAINE, USA. CURRENT LOCATION IN THE DEEP PITS OF AGONY. DATE OD DEATH FEBRUARY 2ND CAUSE OF DEATH FALLING ONTO TRAIN TRACKS AND BEING STRUCK BY A TRAIN GENDER CIS WOMAN. RELIGION AGNOSTIC FOR THE MOST PART, BUT HAS ALWAYS BEEN FOND OF THE CHURCH PRONOUNS SHE/HER. OCCUPATION NURSE. ETHNICITY HIMALAYAN AND AWAETLALA FIRST NATIONS.
².
HEIGHT FIVE FEET SIX INCHES, ONE HUNDRED AND SIXTY-EIGHT CENTIMETERS. HAIR DARK BROWN, ALMOST RAVEN. EYES BROWN, PROFOUNDLY MELANCHOLIC. SCENT IT USED TO BE THE SCENT OF LILACS AND STRAWBERRIES, NOW IT'S HARD TO TELL. INSPIRATION / CHARACTER PARALLELS EURYDICE ( GREEK MYTHOLOGY ), JANE HENDERSON ( PARIS, TEXAS ), A LITTLE BIT OF ANNA KARENINA PETS TOOK CARE OF A STRAY CAT THAT SHE AFFECTIONATELY CALLED JEANS. PLEASE TELL ME THAT SOMEONE TOOK CARE OF JEANS WHILE SHE WAS AWAY.
³. ( * is the amalgamation of all my thoughts coherent? probably not, but you still must endure. )
this is a simple song, one sung by all. this is a ghost story. therefore it is a love story. born and for the most part raised within the borders of the town they call marrow, lianna was almost always a constant, steady presence; to know her is to know the sun. it always comes back. rises each morning.
her sister, older by ten years, was the first to leave. this set the scene for her the rest of her life was going to unfold ā in slow motion. unlike her sister, who had the courage to leave it all behind and trade it for another country, another border, and a man, lianna had a penchant for excessive contemplation and often lived within her own head, rather than a proper place.
this led to her developing somewhat of a fascination with trains from a young age. time and time again, she would rest her sadness on an elbow and watch them pass, imagining herself occupying a seat, or simply a space within the cart. it's how she escaped. every worry, each sorrow and dejection. despite their scarcity, she usually had most of the train timetables memorized, and therefore knew when to expect them.
as a child, she had a habit of picking up and bringing home stray animals at her own expense, but instead of pursuing her veterinary dream, lianna knew she had to settle for something that would actually earn her money in a town like marrow, which later on brought her closer to medicine.
her early twenties she spent traveling to and fro marrow, as she studied at maine college of health professionals in lewiston, where she subsequently earned her associate degree in nursing.
upon graduating, she found herself working at 'the hospital', the nameless place everyone in town knows. it was also a well-known thing that lianna did house visits, private check-ups, and prescribed medications, most of the time free of charge.
now let's get into the nitty-gritty parts about her current state, religion, and general view of life. no one in her household had previously been overly religious and she certainly wasn't catholic by birth, but she had found a certain solace in the church. she loved its smell and the comfort it brought her. she was also a firm believer in the natural order of things, such as that there are no second chances, other lives, it's just a thing people tell themselves to pass the time and soothe the ache. this is all that they get. which in turn made her all the more passionate and devoted to those she adored and loved. she wanted to do something with the years she was given and wanted to be remembered. for her kindness, for her love, for the tenderness she willingly displayed. everything else hardly mattered.
how will she react to the fact that she's now nurse feratu? well, stay tuned for the horrors !
''i don't think that there's much to explain.'' this is a ghost story. because it is a ghost story, it is also a love story. the ending's always the same. ''just like on every other day, i was crossing the marrow train bridge. i often had a habit, like most curious women do, of lingering there, watching the trains pass and glide toward the unknown. i sometimes wished that i was the one going somewhere. it had brought me a strange sense of comfort.'' and even stranger sense of longing. sometimes, she swears, the void called to her, beseeched her to come closer.
''something must've happened. it was cold that day. i swear i heard someone calling my name to turn around, but it was too late.'' orpheus calls to eurydice but she doesn't answer; maybe she's been orpheus all along. it's not the flying nor the falling that breaks her; it's the impact. ''i must've slipped. for a mere second, i saw the train lights. none of it mattered, though.'' for she had been loved. ''i only felt sorrow for leaving without a kiss. i hope that he can forgive me.''