"Deceptive Outward Appearance" (2007) by Ole Martin Lund Bo — wood installation

Francis Bacon’s studio in 7 Reece Mews South Kensington, by Perry Ogden and Annie Wright

"I Drivhuset" (1980) by Susanne Ussing — Sculpture installed at Ordrupgaardsamlingen

Andrei Pokrovskii - Flower Clay, 2025, acrylic and oil on panel, 69 × 100 cm

Black men are my brothers, father, family, friends, and colleagues. Black men are more than the hyper-sexualized and violent individuals portrayed by society. In this body of work, I seek to explore the vulnerability, power, and humanity of black masculinity. I want the viewer to become directly involved in the observed domestic environment of the subject. I do this by painting each man in an intimate relationship to his environment. The portraits reflect the variation within their spaces as an extension of the subject’s character, and so, I urge the audience to connect to the uniqueness of an individual instead of a social idea. Each subject has a mood, essence, and experience.

sara faustino

Q International Magazine vol.2 no.2

distressed chakras

Oil on oak panel. This section c. 1505; approximately 63 × 38 cm (25 × 15 in).

Melancholy Man, 🎨 by Glyn Warren Philpot (1884–1937)

Katherine Bradford (American, b. 1942, NYC, USA, based Brooklyn, NY, USA, and Brunswick, ME, USA) - Swimmers Under Orange Moon, 2025, Paintings: Acrylic on Canvas

Marlboro Man Nude, New York City, 1980, Victor Arimondi

02895 by Tatsuro Kiuchi

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Detour November 1997 photos Jack Pierson