But please: call his character Alfred
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But please: call his character Alfred

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Disaster lurks in every corner of a Museum of London exhibition exploring that city’s great fire of 1666. How should would-be firefighters rescue an imaginary warren of houses? With leather buckets and grappling hooks? Or Minecraft maps?
Anyone who lived through the heyday of the video store era in the ’80s and ’90s will remember that in any home video establishment worth its salt – or its late fees – you’d find a section specially devoted to cult movies.
Good guys, bad guys, cops and intrigue — it's all part of the world of Latino noir fiction. Author Carmen Amato takes us on a tour of the genre.
How to respectfully write from the perspective of characters that aren't you.

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How do you get an audience to watch an ad in 2016? By pretending it's something else.
Métal Hurlant was the daring magazine that broke all the rules and altered the course of science-fiction’s aesthetic forever
Elizabeth Greenwood has spent a lot of time researching the death fraud industry. She says the hardest step for many aspiring fraudsters would be cutting all ties with friends and family.
The modern 'Big Bad Wolf' is a chiller

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Cinematographer Sean Porter on 'Green Room'
The use of pulp conventions in The Heart Goes Last undermines Atwood’s claim that speculative fiction is the antithesis of those cheesy, escapist fantasies about talking squids in outer space
We're halfway through 2016 - well, okay, a month and change after - and I'll be goddamned if this isn't already one of the best years for horror in a long time.
Known for addressing sex, politics, death, and pop culture in his controversial artwork, the Polish artist Piotr Uklański consistently takes an eccentric, rebellious approach to various forms of media.

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Fireside Fiction’s report, #BlackSpecFic, finds less than 2% of SF stories published in 2015 were by black writers