I feel like this is a given, but this blog is not a place for minors!
My name is James. 33. Transmasc/queer/ace/neurodivergent.
My current hyper-fixation is 911 & BuckTommy, but this is a multi-fandom blog and I am a MULTI-SHIPPER. I will not stand for ship or character hate. I much rather spend my time enjoying the things I love instead of wasting time on the things I dislike or make me angry.
I am also a huge horror fan and all posts involving such will be tagged with âhorrorâ and the name of the movie/series if you need to filter it out.
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i just realized that when tommy does the "fake mouth static" thing, buck is the only one smiling. that's canonically the moment he thought: "i want to suck his dick" "wow that guy is cool, i like that guy"
everyone else in this scene: this bitch is gonna get us in so much trouble w the air operations chief and all of our other supervisiors FUCK đ¤Śââď¸đ¤Śââď¸
meanwhile buck: hold on hold on . wait.what ELSE that mouth do đłđłđł
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thinking about Data & Deanna Troi, who may look like polar opposites on the surface (one feels everything, the other feels nothing), but they both recognize in the other the experience of being unique and surrounded by people who feel regular emotions. yes i say unique for Deanna too because she does not experience telepathy like her fully Betazoid peers either, she's the only human-betazoid she knows, just like Data doesn't know anyone with a brain built like his, not even Lore. and the way Deanna and Data try to understand each other is different from the way their human crewmates try to understand either one of them. the care and respect with which they both approach the other's perception of the world is what makes their friendship so special to me.
lost for words by @corporatebanana (corporatebanana on AO3)
Summary:
Tommy learns firsthand after his crash that traumatic brain injuries can cause neurogenic stuttering. He knows he should be telling the world how grateful he is to have survived a helicopter crash with just his stutter as his only lingering condition, no matter how long it takes for him to get the sentence out.
Tell that to the gurgling pit of shame that stops Tommy from even trying to speak, though.
When Tommy's speech therapist mentions practicing more outside of their sessions, Tommy figures the only way to get someone to want to listen to him speak is to hire them. An escort's a perfect solution to his problem, really. It's a bit of a problem that Evan's so hot he has Tommy tongue-tied in a whole new way. He should just ignore all that, though; Tommy didn't hire Evan for sex, so they won't be fucking.
They won't be fucking, right?
Main Themes:
Evan âBuckâ Buckley/Tommy Kinard
Author Tommy Kinard and Sex Worker Evan "Buck" Buckley
One year ago today I posted this practically shot Iron Giant photo I created using real figures, lighting, miniature sets & my trusty old tin foil for water technique & cotton wool for the splashes.
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The shocking thing about Laura Dodsworthâs pictures of 100 womenâs breasts isnât the flesh on show, or the many shapes and sizes, but the realisation that images of unairbrushed, non-uniform breasts seem to be so rare. âWe see images of breasts everywhere,â says the 41-year-old photographer, âbut theyâre unreal. They create an unflattering comparison but also an unobtainable ideal. I wanted to rehumanise women through honest photography.â
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the first thing that comes to mine is kintsugi and that got me thinking about scars being golden. I have a few very vague/shapeless ideas floating around, but for the sake of being succinct and not taking ages to answer these asks, I'm going to go with one and it's a sort of revisit to this idea I had before about soul marks.
I want to take it further and say that every scar a person has ever had, their soulmate sees stitched in gold. And Buck is particularly self-conscious about this because of all the scars he got as a kid as well in addition to the scars on his leg and the Lichtenberg scars.
Tommy figures it out much sooner. Maybe he catches a glimpse of gold reflecting under the bright lights of the hangar the night of the hurricane, but he can't be too sure and he doesn't have the time or capacity to wrap his head around it. He knows for sure the day of the basketball game because Buck's showing a lot more skin. And while Tommy's got a few big scars, none of them are visible with the way he's dressed, and any of the smaller ones--on his legs are arms--are too small to see when they're playing basketball.
I think Tommy would hide it for awhile. It's not unusual for him to wear long sleeves and multiple layers. He isn't trying to deceive Buck, although the guilt eats at him because that's exactly what he's doing, it's just--he tells himself it doesn't matter anyway. What would Buck want with a soulmate like him anyhow. And he means to keep his distance, but it doesn't work out that way, though I keep I would hold off on their first kiss much later than in canon.
Maybe Buck figures it out before Tommy tells him. He didn't think much of it at first when he would catch Tommy looking at the scars on his legs because they're visible for anyone to see. He doesn't question the way Tommy's gaze lingers on his chest during a sparring session because it's not the first time he's caught Tommy's eyes lingering on him in an appreciate manner. It's the little scars that give it away. Buck can't see it anymore, but he had a scar when he was younger along the knuckles on his right hand from when he fell out of a tree when he was 9. He and Tommy are getting coffee and when Buck slides Tommy's coffee across the outdoor table, Tommy's eyes linger on Buck's hand. The first time Tommy kisses him, Tommy's lips connect with the right corner of Buck's mouth and even though it isn't noticeable now, when Buck was 11 he crashed his bike into a tree and bit a hole right through his lip.
For some reason, Buck doesn't tell Tommy right away that he knows. There's a lot of insecurities from both parties and so many things that go unsaid, but it gets to a point where they are all but admitting it to each other. When they're lying naked in bed and Tommy's tracing the path of Buck's Lichtenberg scars telling him how beautiful he is. When Buck lets his lips linger on the inside of Tommy's left thigh right over the healed scar from a fishing lure Tommy got one summer on the lake when he was 13.
The way Buck brings it up is by asking Tommy when he's going to let him see his scars, though they both know he already has. They both know he's really saying when are you going to let me in?
Maybe Tommy deflects, smiles at Buck and says you first, sweetheart.
I don't know exactly where this would go or how and when they finally stop being so scared of the enormity of being each other's soulmate, but also realizing that doesn't mean they wouldn't have chosen each other anyway, that they have been choosing each other every day pretty much since they met.
Before they can do that though, maybe they break up. Maybe it's a mutual decision, maybe they want to prove to themselves and each other it's real and not just because the universe or whatever says so. Maybe it's less mutual, one leaves but the other doesn't ask them to stay. When they inevitably run into each other months later after no contact and they hook-up...right after they've helped each other out of their shirts, they both notice a golden jagged line right over the other's heart.
Tommy traces the new line on Buck's chest. "Oh."
Buck does the same. "That's new."
They barely make it to Tommy's bedroom, pressing each other against every wall, barely letting each other breathe.
After, Buck's tracing the line on Tommy's chest again. "Does it hurt?"
Tommy kisses Buck's forehead. "Not anymore."
send me a made-up fic title and i'll tell you what i would write to go with it