I'm a goddamn sunflower.

I’ve seen, shared, and created plenty of posts about how to make your writing better, but I’ve decided, fuck that. It is 2020 and everything feels like crap and here’s a guide for how to enjoy your own writing more.

(Obviously! Like everything! Not all of these will work for everyone! These are just reminders for people who feel they could be a little sillier in their writing!)

1. Write at your own pace! It seems simple but deadlines that you can’t reach won’t help you. (And don’t force yourself to do Nano when it’s not your style.)

2. Write fanfic! All types of fanfic! Shitty OCs, OOC interpretations of characters, self inserts, etc etc etc. Write it without the intention of posting anywhere.

3. Write fanfic… of your own stories. Canon is a construct but that soulmates AU is real if only you write it.

4. Mercilessly switch between WIPs! Abandon them whenever you get bored! Write only the most interesting scenes!

5. Write without a plot! You don’t need to have conflict to have fun.

6. Fuck plot continuity. Write the scenes that make you happy. If they don’t line up? Who gives a shit.

7. If you read something you wrote and it’s not finished, don’t feel guilty. Just. Don’t. Your stories don’t deserve finishing; they provided you happiness as you wrote them, and that’s what’s important. (It’s the process, not the product.)

8. If you write something that’s sad, make it cathartic instead of depressing. Angst is great and all, but don’t stack sad scene upon sad scene for the sake of sadness.

9. Fuck genre. It’s okay if you aren’t sure whether your story is sci-fi or fantasy, it’s okay if you include random paranormal aspects in your historical romance, it’s GREAT if you blur the line between realistic and speculative. Don’t trap yourself in history which has been built upon marketability.

Writing dialogue can be tricky, but I found that I got better as I wrote more conversations. Here are some tips and advice I learned through practice: Disclaimer: Like I’ve said before, there are no absolute rules for writing. What works for me may not work for you. Feel free to experiment.

1. Condense

If your characters are going to say something, then it should be worth saying. Your dialogue will be smoother if you read it over and cut out the filler. Remove the redundant things and condense. Sometimes it’s better to remove a line entirely and replace it with an action or a description.

2. Listen to people, talk to people

One way to learn how to write great dialogue is to listen to people in real life. Sometimes we don’t realize that some phrases and lines that are often used in fiction might not actually be realistic(if you’re going for realism). Listening to people and talking to people help you understand the way conversations work. People can get distracted while they talk, they can let their emotions/state of mind affect their words, and they mix gestures and actions and expressions into their speech.

3. Read it out loud

This helps to fix the flow. Say the words, mouth the words. Judge whether or not a certain phrase would be a mouthful or if it would sound awkward.

4. Know that dialogue reveals character

The little details about people always manifest in their words. Sometimes people slip up or their wording hints at something without them realizing it. Let your characters take over. Know that even if they’re putting on a mask in front of other people, sometimes that mask can fall. While you can reveal character through words, don’t overdo it. Remember that the conversation should blend into the context. Sometimes using words that imply are more effective, and sometimes it’s better to have something dawn on the reader by using hints.

5. Know that dialogue reveals plot

Pick your words carefully. They can help you lead or mislead your reader. Again, don’t overdo it. There are some cases where it would be better to reveal plot in other ways. Dumping information on a reader’s head might make the scene dull or boring to read.

6.Try putting emphasis on actions instead of using fancy dialogue tags

I’m not going to be one of those people who says that all dialogue tags other than said are bad, but overusing different dialogue tags can slow down your reader if they have to consult a dictionary every few lines. 

Personally, I like to replace dialogue tags with actions. It helps ground the conversation and keep the scene in motion. The subtle things like our expressions and our actions are just as important as our words, and it builds layers on the scene when you add that to your writing. It’s likely that your characters aren’t just bodiless voices speaking in a void, so pay attention to the setting and the objects around them.

7. Plan what you can

I like to plan important conversations by writing down lines that should be said. Still, remember that if you’re forcing your character to say something, then it could come off as awkward. There have been points where I’ve had to omit details that I planned because I knew that they wouldn’t fit, and sometimes that happens because you have to accept that you can’t fully control your characters.

8. Keep the setting of your world in mind

Build the world of the story through dialogue by asking yourself questions like: What expressions were popular at this time? Do the people in this world have concepts of deities and/or heaven?(we often use swears having to do with the people we venerate/religion we practice) What words are considered inappropriate? What class of society does the character belong to and what is their educational background? There are many more, but these could be a jumping off point. Know the culture and history of the world you’re writing in. Then integrate that culture and history.

9. Have fun with it

Dialogue is one of my favorite things to write, so enjoy writing it and your readers will enjoy it too.

Embarrass your protagonist. Make them seem weak and vulnerable in some way.

Shoot someone. That always takes the reader by surprise. 

In relation, kidnap someone. Or, rather, make it seem to your protagonist like someone has been kidnapped. 

Have one of your side characters disappear or become unavailable for some reason. This will frustrate your protagonist.

Have someone kiss the wrong girl, boy, or person, especially if you’ve been setting up a romance angle. It’s annoying.

If this story involves parents, have them argue. Push the threat of divorce, even if you know it won’t ever happen. It’ll make your readers nervous.

Have someone frame your protagonist for a crime they didn’t commit. This could range from a dispute to a minor crime to a full-blown felony.

If this is a fantasy story involving magic or witchcraft, create a terrible accident that’s a direct result of their spell-casting. 

Injure your protagonist in some way, or push them into a treacherous scenario where they might not make it out alive. 

Have two side characters who are both close to the protagonist get into a literal fist-fight. This creates tension for the reader, especially if these characters are well-developed, because they won’t know who to root for.

Make your protagonist get lost somewhere (at night in the middle of town, in the woods, in someone else’s house, etc.) 

Involve a murder. It can be as in-depth and as important as you want it to be. 

Introduce a new character that seems to prey on your protagonist’s flaws and bring them out to light.

If it’s in-character, have one of your characters get drunk or take drugs. Show the fallout of that decision through your protagonist. 

Spread a rumor about your protagonist. 

If your protagonist is in high-school, create drama in the school atmosphere. A death of a student, even if your protagonist didn’t know them personally, changes the vibe. 

If your story involves children, have one of them do something dangerous (touch a hot stove, run out into the road, etc.) and show how the protagonist responds to this, even if the child isn’t related to them. 

In a fantasy story, toss out the idea of a rebellion or war between clans or villages (or whatever units you are working with). 

Add a scenario where your protagonist has to make a choice. We all have watched movies where we have screamed don’t go in there! at the top of our lungs at the main character. Make them go in there. 

Have your protagonist find something, even if they don’t understand the importance of it yet. A key, a document, an old stuffed animal, etc. 

Foreshadow later events in some way. (Need help? Ask me!)

Have your protagonist get involved in some sort of verbal altercation with someone else, even if they weren’t the one who started it. 

Let your protagonist get sick. No, but really, this happens in real life all the time and it’s rarely ever talked about in literature, unless it’s at its extremes. It could range from a common cold to pneumonia. Maybe they end up in the hospital because of it. Maybe they are unable to do that one thing (whatever that may be) because of it.

Have someone unexpected knock on your protagonist’s door. 

Introduce a character that takes immediate interest in your protagonist’s past, which might trigger a flashback.

Have your protagonist try to hide something from someone else and fail.

Formulate some sort of argument or dispute between your protagonist and their love interest to push them apart. 

Have your protagonist lose something of great value in their house and show their struggle to find it. This will frustrate the reader just as much as the protagonist.

Create a situation where your protagonist needs to sneak out in the middle of the night for some reason.

Keep something with you to write at all times! You never know when inspiration might strike and it’s always a terrible feeling when you forget an idea. Seize the moment!

Going off that point, write whenever you’re inspired and motivated! If your circumstances don’t permit it, at least try to jot down a quick summary of your thought.

Don’t worry about writing in chronological order! Write whatever you feel inspired or motivated to write before the moment’s gone.

Don’t be afraid of writing a “bad” first draft! You can always change things later. It’s best to get your ideas down first and revise later.

If you find yourself unable to write, look for inspiration on the Internet or in books. Draw some of your characters or settings, make mood boards, take personality tests as one of your OCs, etc. There are lots of activities you can do to get your creativity flowing.

Stay organized! If you’re anything like me, organization is the bane of your existence. However, be sure to keep all of your resources together in a spot you will remember later. This includes both digital and physical things you might have.

Make backups of your digital resources! I cannot stress this enough. Technology is wonderful but also unreliable: you never know when something might go wrong. Make lots of copies of things in case something gets deleted or lost. Better to be safe than sorry.

Let bad things happen to good people. Let your characters try and fail. And try again. And fail again. Let them be betrayed in the worst possible way. Let them betray others because they have no choice. Force them into situations that make them uncomfortable. Force them to argue or fight or bargain their way out. Drive them to the brink of insanity. Push them over the edge. Take everything away from them. Let them realize what they’ve lost.

Be kind to your characters.

Let faith and perseverance win out. Let love be enough. Let the Sun dry up the rain. Give them friends who will never leave. Let someone save them before the axe falls. Acquit them of false accusations. Give them the strength to stand up again. And again. When they’ve lost hope, give them something to believe in. Remind them there’s good in the world. Remind them there’s good in them, too. Surprise them. Make them laugh until they cry. Teach them that they can’t be broken.

Most importantly: balance.

Prepare yourself mentally

You’ll need to accept three things:

It won’t be the novel you have in your head.

It will be the worst novel anyone has ever written.

You can fix items 1 and 2 in the subsequent drafts. 

It’s easy to give up an idea when it looks like everything is going horribly. It’s easy to fall out of love with an idea when all the things you thought you loved about it aren’t showing up on the page. 

But let me tell you, this happens with so many books. They don’t pop out perfectly formed. To use an overwrought metaphor, if books were sculptures, writing the first draft would be mining the marble. You can chisel it down to that beautiful work of art later, but first you need to gather the raw material to work with.

 It probably won’t be pretty. It’ll be a great lump of words that may or may not form a coherent story. But that thing you want desperately? that story you can see so clearly inside your head? It will be in there somewhere. 

Make yourself accountable

It would be great if all writing a novel took was a strike of inspiration that could carry you over all 50k+ words. But for the majority of us, this isn’t the case. 

Your inspiration, your love of the idea alone, will not get you through this. 

It’s going to take blood and sweat and an astounding amount of perseverance. 

What will help more than any muse is accountability. A sense of responsibility and urgency to get this novel finished. 

Most of us need stakes and consequences. We need to be held accountable. This can take many forms. If you’re good at self motivation, you can hold yourself accountable. Make a plan of what you need to do to get the draft out, and hold yourself to it. 

If you need some external accountability, tell a friend your goals and send your work to them on a schedule. Join a writing group. Take part in NaNoWriMo. Tweet your goals and daily word counts. 

I’m in a writing master’s program. If I don’t write for weeks, I don’t have work to turn in to my manuscript tutor and that’s an unpleasant place for me to be. If I don’t write for months, I fail my course. As motivation goes, it can be stressful, but it helps me get words on the page. 

Start now

Do you want to write a novel? Right now. As you read this. Do you actually want to write a novel? If that answer is yes, start right now. Stop reading this (make sure to come back later to finish it, though.) Log off of tumblr and start writing. 

There are always going to be reasons why this, right now, is a Bad Time for you start. You have things to do, places to go, people to see. You have obligations and responsibilities. Life tip? That is never going to go away. It will always be a Bad Time to sit down and write a book. 

I’m a very slow writer, but I can train myself to write 800 words in 20 minutes if I want. If I wrote for 20 minutes every day, I could write a draft of a 50k novel in two months. That’s the same amount of time as the commercial breaks in an hour long tv show. If I watched an hour long tv show once a day and wrote during the commercials, I could write a 50k draft in two months. 

That’s nothing at all. 

I promise you, you have everything you need to sit down and start writing this very second. You have enough spare time in your day to finish a draft in a matter of months. 

If you really want to write that novel, there are no excuses. Start now. 

Keep Going

Remember how I told you that the first thing you have to do is prepare yourself mentally? Those are things you have to continually remind yourself as you write. 

It’s not going to be the novel in your head. 

It’s going to be the worst novel anyone has ever written. 

You’re going to have to accept these two horrible sentences as facts and keep going. 

At points, you’re going to hate your story. It’s going to be the very last thing you’ll want to waste your time on.

That’s fine. Believe it or not, that’s natural. 

Keep going. 

You’re going to want to change it. You might have a new idea for the beginning. You might decide on a new name for the main character halfway through. You might switch from past to present tense randomly. 

Those are all things you can fix in the second draft. 

Keep going. 

Your first draft doesn’t need to be coherent. It doesn’t need to be good. It just needs to be. 

You’re not trying to write the best novel ever. You’re not trying to write a good novel. Again, those are for the subsequent drafts. 

Now, your only goal is to reach the words: “The End.” 

Do whatever it takes to get to them. 

TIPS

Keep a notebook of ideas for revisions next to you while you write to help fight against the urge to go back and change things as you write. 

Use writeordie.com to kickstart your word count and writing speed if you’re having trouble getting things on the page. 

Take a look at my list of writers’ block aids.