˚₊‧꒰ა Holy target໒꒱ ‧₊˚
ojovivo
Aqua Utopia|海の底で記憶を紡ぐ

One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily
$LAYYYTER

if i look back, i am lost
Claire Keane
he wasn't even looking at me and he found me

★
Sweet Seals For You, Always

blake kathryn
let's talk about Bridgerton tea, my ask is open
Xuebing Du

pixel skylines
TVSTRANGERTHINGS
h

tannertan36

JVL
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United Kingdom
seen from United States

seen from United States
seen from United States
seen from Germany

seen from Argentina
seen from Italy
seen from Ukraine
seen from Ukraine
seen from United States
seen from Brazil

seen from Ukraine

seen from United States
@danches
˚₊‧꒰ა Holy target໒꒱ ‧₊˚

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Christoph Schneider, interview in Portugal, 2010.
Sometimes the Beast named Rammstein is hard to control. As humans, we're very quiet and calm by nature, but when it comes to music, videos, and the entire Rammstein enterprise, we get immense pleasure from creating this Beast named Rammstein.
We won't even take on a project if we don't enjoy it, if it doesn't bring us any pleasure... We were dealing with a stupid song, uncharacteristic of Rammstein.
About "Pussy":
We didn't know what to do with it. The song itself is very catchy, but it's not what listeners expect from Rammstein. We were lucky with a director who suggested the wonderful idea of making a pornographic version of this song. This is because the video perfectly complements the music.
We're capable of doing things that ordinary musicians wouldn't sign up for, wouldn't dare to do, but we, Rammstein, are perfectly allowed to do them. Rammstein is the only German band capable of such a feat.
At the time, I was an ordinary young man, standing in the crowd, holding a candle and chanting "no violence, no violence" at the police.
I remember some people dancing on the Berlin Wall. I didn't like them... too pretentious. And when the Wall was torn down, I didn't rush to the western part of Berlin immediately; I adopted a wait-and-see attitude.
Back then, everyone wanted to feel important and unique. Of course, that was a bit silly. On the eve of the Wall's fall, the atmosphere in Berlin was extremely tense. You could feel the tension, the crowds on the streets, the demonstrations, the police... and the smell of burning in the streets.
Die Tränen greiser Kinderschar
Ich zieh sie auf ein weißes Haar
Werf in die Luft die nasse Kette
Und wünsch mir, dass ich eine Mutter hätte
Keine Sonne die mir scheint
Keine Brust hat Milch geweint
In meiner Kehle steckt ein Schlauch
Hab keinen Nabel auf dem Bauch
Mutter...
Mutter! / a mix of traditional and digital art/ 2026
I've always loved Mutter song. Sometimes, I even hated it for it sincere yet scathing lyric. After some time of re-listening to it, I made these illustrations as a personal response in the form of fan art
Christoph ‘Doom’ Schneider → Live aus Berlin
Frau Schneider has nice shoulder blades

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Mann Gegen Mann ▸ Wet Schneider™ is a force to be reckoned with.
Mann Gegen Mann ▸ Wet Schneider™ is a force to be reckoned with.
Sehnsucht Era Till // 'Heirate Mich', Rock am Ring 1998 ▸ requested by @itsyogirlaustralia
🌟GERMANS ARE SEXY🌟
Zick Zack music video is definitely my favorite one because of the amount of sarcasm, glitter, and male glamour
And yes, Schneider rocked his outfit
P.S. I'm drawing a series on Zick Zack mv, be prepared for the drop :")))
Christoph and Oliver // Grand Hotel // St. Petersburg, Russia 11/19/2001
(///∇///)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
(⸝⸝๑﹏๑⸝⸝)
WOOOOOOOOOOOOOOW THIS IS SOOOO AMAZINGLY DRAWN
I'm on my knees
夫人。。。
I still want to know where these pictures come from.
@pinktanystropheus The photos were taken in Miraval in France, during Rammstein's recording of the Mutter album in 2000. I am not sure who took these two, but it could have been Arne Weingart.
@derwahnsinn ! Thank you so much! I thought they were screenshots from some video—their interaction is just too cute.
Rammstein Radio screenshots- Kings of Radio waves 📻⚡️💖❤️🔥 (Especially Flake is so cool with his Kraftwerk-keyboard 🎹🤩)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Wer wartet mit Besonnenheit
Der wird belohnt zur rechten Zeit
Nun, das Warten hat ein Ende
Leiht euer Ohr einer Legende
Rammstein/Rammlied/LIFAD album/ 2009
Till Lindemann portrait from my favorite LIFAD era and performance!
And another huge THANK YOU for all your reblogs and activity with my art! ❤️
Rammstein - Rammstein (Official Making Of)
About the video of "Rammstein" and David Lynch.
Schneider : We sat in the village where Till was from, in a local eatery, scribbled lines together on a scrap of paper, and imagined how this catastrophe had happened. Images formed before our eyes, each of us wrote a line, and thus the finished text emerged.
Richard: The record company said to us, "Guys, you're a band now, and a band needs a video. Can you find someone to shoot it?" We thought about it and suggested David Lynch.
They stared at us and probably thought we'd fallen from the moon. "Why not? Ask him."
Till: It's not that we had delusions of grandeur, it's just that we've always believed that nothing ventured, nothing gained. We still feel that way today.
Richard: So, the record company sent Lynch a package. He was filming "Lost Highway" at the time. The mailman came to see him that morning. He was getting into his car and getting ready to go to work. He received the package and was so delighted that, according to Bill Pullman, the film's lead actor, he played our music for the actors. They liked it so much that they started jamming to it. Our dark music appealed to him.
Paul: When we were asked for permission to use our songs in his film, we naturally agreed: we'd probably be heard on the car stereo or the kitchen radio while the main character was eating his eggs. The fact that our music was actually given such a prominent place amazed and delighted us.
Schneider: It was absolutely amazing that David Lynch, who makes intellectual films, used our music. For us, it was like being knighted. Back then, there were very conflicting opinions about us in Germany: What kind of music is this? Who needs it?
Paul: I think it's all about our uniqueness compared to American bands. German voices, music. And the song begins to represent something new to an American. That's why he liked it.
Schneider: The immediate impression was that David Lynch didn't understand what we were singing and that he wasn't capable of evaluating it. But something inspired the film crew, the people.
Paul: We've always been treated much more calmly abroad, because no one there is as afraid of us and of themselves as here in Germany.
Till: At first it was just the sleeves, then the neck was added. The fire zone kept getting larger. More and more incendiary gel was needed, and the flames grew higher. It's a ready-made pyrotechnic trick; the coat burns for almost four minutes. But we'll still tinker with it. It will burn even longer. It's still the same coat. By the way, it has even already learned to speak.
Paul: It's an honor to be part of a David Lynch film. It doesn't matter what country you're from. I don't even know if we deserved it. At football, no one asks how it happened either. The main thing is winning. Many people around the world were delighted, but many Germans were puzzled: "We have so much good stuff here, why did Lynch choose this?" So we were happy to give those eternal critics a hard time.
Richard: I tried really hard, but I still couldn't get it. There were images and stories that you can't understand, and maybe you shouldn't, but they fit so well. The moment the music came into the film, everyone immediately said, "Oh, this is cool!"
Paul: Whenever we're in Los Angeles, we talk about stopping by to see him, but we're too lazy. I'd be interested to hear what the maestro has to say about all this.