SEASON 2, EPISODE 10 SUCCESSION (2018– )

@theartofmadeline
Today's Document
I'd rather be in outer space 🛸
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blake kathryn
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Jules of Nature

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@damiensbride
SEASON 2, EPISODE 10 SUCCESSION (2018– )

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[REDACTED] [REDACTED]
JEREMY ALLEN WHITE The Bear (2022-) | #03.01
men will never know what it's like to be a pyromania florence welch "I prepare for the noble war I kill people I like" you're gonna carry that weight mary read anne bonny "all right mr. demille I'm ready for my close-up" 35 mm john cassavetes juilliard useless magic practical magic road rage nevada gold rush ghost towns biblical angel the exeter book "I was fixed on your hand of gold" celtic folklore songs of innocence and experience chip chrome unmarked graves moma cinnamon girl 70s al pacino "I'd like to walk around in your mind someday" king arthur cat stevens my mother's love is choking me antichrist (2009) fishnet tights ash nazg durbatulûk the subterraneans francis ford coppola "you're my boy you're my number one boy" gillian owens the bodlean for fa and ea tragedy queens dead poets society rada graduates god save bobby and helen for the hungry boy beowulf box office poison stan
tropes i will never get tired of
fake dating
omniscient narrator who immediately contradicts the characters (“This is fine,” she said. It was, in no way, shape, or form, fine.)
deadpan jokes while swordfighting
the “I FUCKING LOVE MY WIFE” guy
oblivious pining that slowly escalates until A is going on page rants about how pretty B’s eyes are but still doesn’t seem to recognize they’re in love
Strong Leader Type having to physically fall down in order for the other characters to see how exhausted they are
funny villains who talk and make jokes with their heroes while they’re fighting them
the villains presented as the protagonists
*increasingly pulls out bigger and bigger weapons from more unlikely places*
“I said all of your weapons” *pulls out more*
“ALL OF THEM” *pulls out one last tiny dagger*
traumatized character using humor to cover up ptsd
characters going out for a break at a restaurant/movie/whatever and something bad happening
using the “*gasp* what’s that over there???” trick to avert the enemy’s attention and it working
a villain’s weakness being something totally random and nonsensical
a hero duo arguing over who’s the sidekick while fighting a villain
“don’t be silly, we don’t need [important thing]” “you lost it, didn’t you?” “yeah”
“what’s the one thing I told you not to do tonight?” “raise the dead” “and what did you do?” “raised the dead”
“I think that went pretty well” *explosion in the distance*

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A Gaiman-Gorey Gallery for Sandman Sunday!
Al Pacino in a hoodie
When writing always remember… a character flaw is only a flaw until becomes useful.
Is your protagonist manipulative? Well that’s awful… until they manipulate the antagonist into making a decision that saves the lives of their friends.
Is your protagonist a skeptic? Well that’s not good… until someone tries to lie to them.
Is your protagonist overprotective? That sucks… until someone they love is in danger.
Is your protagonist remorseless? Well that makes them pretty unlikeable… until a hard decision has to be made.
hehe
Tenth Doctor + 😏

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Hurt/comfort writers see a character and be like “I want to see them fall so far but I also want them to land on something soft”
New meme alert
"Strange, but whenever I looked at him I found myself remembering that Lucifer himself had been an angel before he fell." (Susan Kay)
-Through cataclysm, Andreas Birath
- Wedding of heaven and hell, Roberto Ferri
"I could kill anyone tonight, Daroga. If the Holy Virgin herself was to appear before me I could put a dagger through her heart without a moment's compunction! I no longer have a foot in either camp; I have made my choice. Like Lucifer, I prefer to reign in hell." (Susan Kay)
- The fallen Angel, Alexander Cabanel
"Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves." (Milan Kundera)
- Fligeroffizier, Karl Alexander Wilke
“I ought to be thy Adam, but I am rather the fallen angel …” (Mary Shelley)
"There, out in the darkness
A fugitive running Fallen from God
Fallen from grace...
...And if you fall as Lucifer fell
You fall in flame!" (Stars)
-Paradise lost, Gustave Doré
showing characters are in love without actually saying it
looks that last just a little longer than they should
constantly thinking about each other
they stand next to each other without even thinking about it
jealousy
lovers’ quarrel (they fight, get angsty, and then both make up after, yknow the usual)
always worried about each other
lingering touches
both subtly act a bit different when the other is around
protectiveness
they both know exactly how to comfort each other in the best way
smiles that last long after what’s been said (“why are you still smiling?” “hmm? what? what smile?”)
small touches
👆🏻👆🏻👆🏻
I’ll never forget reading somewhere, “If your characters have to kiss to people they’re in love, than you’re not doing it right.”
Al Pacino and Robert De Niro founded New York like Remus and Romulus founded Rome in the myth

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“[My wife] said, ‘You know, we’ve been together for nine years, and I think we’ll be together for a long time. But you will never know what I really think of you, and I will never know what you really think of me.’ And I said, ‘Yeah, it’s kind of beautiful.’”
JOHN MULANEY The Late Show With Stephen Colbert
i know what you think of me, tim kreider
Harry Styles covers the December 2020 Issue of Vogue