Sketchbook drawing from a moment in Verőce, Hungary.

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Sketchbook drawing from a moment in Verőce, Hungary.

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woman and child on a motorcycle, village utoru japan, maraini fosco
Elsa & Anna parallels in For the First Time In Forever
Anna looks out on the ships that could carry her away. Elsa looks out on the people she must lie to, with a pane of glass to separate them. Anna leaps freely into the air to mimic a painting she likes, while Elsa is held down by the symbols of her station, trying desperately to mimic a painting of what she must be. Anna opens the doors from the dim bareness of the castle to the bright bustle of humanity. Elsa can only open a door into more dimness, more control, more reminders of what she must do. Anna walks freely among the crowd, relishing the sunlight and the murmur of voices. Elsa walks between servants, always quiet, always a few steps away.
in other words OW FEELINGS
Layers upon layers …
The end of the world started when a pegasus landed on the hood of my car.
Black-capped Chickadee & Downy Woodpecker showcasing winter fashion by donning a snowflake accessory
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A wrapped juvenile camel rides between packs on a camel’s back in Western Australia, December 1916. Photograph by C. P. Scott, National Geographic
“Untitled” (2014) by Nguyễn Hoàng Nam ☀ Child in purple áo dài claims her persimmon kingdom
Frozen II - Queen Anna of Arendelle
How to rise from the floor? But it’s not you I’m rising for
the dynamic i never imagined i'd miss so badly

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Cover and interior illustrations for Diana Wynne Jones’ Howl’s Moving Castle. Available as prints on INPRNT
Je m'enivre de ce poison, À en perdre la raison
watching mozart l’opera rock for the first time and salieri’s song just happened and it was an event in my life. my life will now be divided into pre- and post- seeing this song. just so you know
honestly recently watched this musical and I get what you mean
Mozart-vampire AU cover 🖤

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