destined for disappointment
Ah here it is, the last post of the semester. This post is going to examine my favorite couple of the semester, Antony and Cleopatra. These two individuals appear to made for each other. They are both ambitious, cunning, and they apparently have a good understanding of how to play the game. However it is my intention to prove that they are both not as strong and really willing to play the game. They would rather take the deal.
First, I will look at Cleopatra. Perhaps the most decisive moment at the end of the text which was an indication to me just how powerless she was is the scene describing her suicide. She is too prideful too be taken at the hands of her victor, so she does the next best thing and lets a snake bite her during the episode she exclaims, âMethinks I hear Antony call; I see him rouse himself To praise my noble act;â (Act V, scene II). Cleopatra suggests that her husband is proud of her actions, but one must truly consider if this has any true merit, because of the desperate and pathetic manner. Of the suicide, Caesar says, âBravest at the last, She leveled at our purposes, and being royal, Took her own way.â (Act V, sc. II). I cannot help but wonder if this is sincere. Because as is the case Caesar is the one who has the power and still alive. So is this sarcastic? During her prime years, Cleopatra was able to seduce and manipulate left and right with her sexuality and âstrongâ personality, but as soon as she must engage that something, which she canât win with her sexuality, she gets in trouble. For example, when she encounters the rage of Antony after she convinces him to jump ship and flee from his men she decides that there is no other logical choice, except to fake her own death. âHelp me, my women!â âTo the monument! Mardian, go tell him I have slain myself; Say, that the last I spoke was 'Antony,' And word it, prithee, piteously: hence, Mardian, And bring me how he takes my death.â Act IV, sc. XIII). She makes this brash decision, and in a true sign of immaturity, wants to make sure that Antony suffers.
 Marc Antony on the other hand occupies a completely different role in the play. If one were to describe the relationship between the two, undoubtedly they would say that Cleopatra wears the pants. Antony seems to be the one fulfilling the more feminine gender role as he is consumed with love for Cleopatra. One instance which exemplifies this is when he decides the arranged marriage with Octavia isnât worth it, 'though I make this marriage for my peace,/ I'th' East my pleasure lies'. (II.iii.50-51) Inevitably he returns to Egypt and Cleopatra, and causes a rift, which can never again be cemented between himself and Caesar, which ultimately results in war. Another instance comes in the manner, which Antony kills himself. He is incapable of even effectively ending his own life, as he remains alive even after stabbing himself with the sword and must ask for help. To me there would seem like no more embarrassing way to go than having to ask a person to kill you because you couldn't get the job done. Ultimately both of these characters appeared to be poised to take their power to the next level as Enorbarbus says, âAge cannot wither her, Nor custom stale her infinite variety. Other women cloy The appetites they feed, but she makes hungry Where most she satisfies. For vilest things Become themselves in her, that the holy priests Bless she is riggish.â (II.ii.276-82), but they tragically unravel as a result of love and emotion. None of this is to say that they did not have power, because they obviously did, it is more of a critique about their lofty ambition and their inability to really go beyond what was already set before them.









