Carol is literally always injecting Zosia with random substances and blowing her up with explosives. Tom & Jerry type relationship

shark vs the universe
cherry valley forever
Not today Justin
𩵠avery cochrane đŠľ
Monterey Bay Aquarium

romaâ


if i look back, i am lost
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
todays bird
Keni
Mike Driver
occasionally subtle
One Nice Bug Per Day
we're not kids anymore.
macklin celebrini has autism

titsay
almost home
hello vonnie

seen from Bangladesh
seen from Australia

seen from Malaysia

seen from Georgia

seen from United States

seen from United States

seen from Singapore
seen from United States

seen from United States

seen from Vietnam

seen from Italy
seen from United States
seen from Argentina

seen from United States

seen from Japan
seen from United States
seen from United States

seen from United States

seen from Malaysia
seen from TĂźrkiye
@dailydosebellydance
Carol is literally always injecting Zosia with random substances and blowing her up with explosives. Tom & Jerry type relationship

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
(now weekly)
(#3) (>NOT/BUT archive)
 Irina Akulenko * Rachel Brice * Sadie
@anon who asked for belly waves. I triedâŚnext post will be better ;)
(https://www.youtube.com/watch?v=YS0JA13msUs gĂśnderdi)
Studied with Sadie in Denver over Labor Day. She's a fabulous teacher and her knowledge about bellydance history was so interesting!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Go against your first instinct
When you practice dance today, figure out what pathways youâre using because theyâve become ruts. Do you always start hipwork on the right? Do you always use a rib cage lift as an accent rather than a drop? Do you level up into releve before level changing down? Do you stay facing the same angle during during a movement?Â
Do things a new way!
Suhaila Salimpour will be within driving distance of us here in Kansas City. Weâre SO excited. Wide-v glute squeezes on the floor and pulse squats shall henceforce kick off every class, in preparation.Thanks in advance to @Moon_BellyDance, Sincerely, our glutes.
Glutes and walking (and thoughts on how to teach yourself)
1 - Glutes RLRL on 1&2&
Step R foot on 1, step L foot on 2
2 - Same thing leading left⌠Glutes LRLR on 1&2&
Step L on 1, step R on 2
If thats a familiar drill, try adding a THIRD layer with different timing. For instance:
3 - Glutes RLRLRLRL on 1&2&3&4&
Step R on 1, step L on 2, step R on 3, step L on 4 (so same as drill #1 so far)
THEN add: rib cage lift on 1, rib cage drop on &, rib cage lift on 2 (no rib cage movement on &), rib cage drop on 3, rib cage lift on &, rib cage drop on 4 (no rib cage movement on &) You might try building the feet and hips together, then take out the feet and do the hips and rib cage together. Then take out the hips and do the rib cage and feet together.Â
Try building this layer very very slowly, try it medium, try it fast. Try it with and without mirrors. Try saying the moves out loud as you do it. Try keeping your hands on the muscles youâre thinking about. Use this odd drill to LEARN how to teach yourself a layer - an invaluable piece of knowledge!
Just a little 5 song drill set
Song 1) laying on the floor with knees bent: imprint x8, hip liftsx8, omisx4 each way, bridge roll up and downx8, bridge-ups x8 and then 8 pulses, crunches x8 and then 8 pulses lower ab crunches (leg lifts), ball roll up/down Intermediate dancers, add a) Bridge inner-thigh squeezes x 16 b) Bridge toe-taps x4 on each leg c) Legs down exercise x8 - only go down as far as you can keep your pelvis in neutral Song 2) get into home posture: feet underneath hip bones, knees soft, feet parallel, pelvis neutral and rib cage lifted. Practice 6 basic arm positions. Pelvic tuck/drop x8. Rib cage lift/drop x8 Intermediate dancers: stair-step the rib cage lift/drop and pelvic tuck/drop. Add arm circles with the rib cage, and snake arms with the pelvis. Song 3) hip slides, rib cage slides Intermediate dancers: Add hip lifts to rib cage slides - practice different timings - try sliding the same side as the lift, and sliding opposite! Song 4) hips on the down Intermediate dancers: add rib cage lift/drop layer Song 5) hips lifts and drops, varying between using: legs, obliques, and glutes. Try weighted (weight equal R and L) and unweighted (weight mainly on one side with the opposite heel up - focus on this "unweighted" side's hip when doing the lifts and drops) Intermediate dancers: hip lifts RLRL on 1, 2, 3, 4 with step R on 1, step L on 3. Try leading with the L hip/L foot also, and work on speeding up to double time or quadruple time!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Turkish:
Herhangi bir yerde baĹla.ďťż
Me when I organise something
Rehab for writing injuries
Youâve heard of âmaking writing a habit,â and youâve tried, but the pressure to write fills you with horrible pain and dread. You spend all your time wishing you could write but somehow never writing. The âmake it a habitâ approach doesnât work for you. But you still want to write, maybe even regularly. Is there nothing you can do?
Here is an alternative approach to try. A rehab program, as it were, for writers with a psychological âwriting injuryâ that has destroyed their desire to write and replaced it with shame, anxiety and dread.
If you have a writing injury, you probably acquired it by being cruel to yourself, by internalizing some intensely critical voice or set of rules that crushes your will to write under the boot-heel of âyou should.â âYou should be writing better after all the years of experience youâve had.â âYou should be writing more hours a day, youâll never get published at this rate.â âYou should write more like [Hilton Als/Jeffrey Eugenides/Octavia Butler/Terry Pratchett/etc.].â âYou should write faster/more/better/etc./etc.â
You know what, though? Fuck all that. Self-abuse may have featured heavily in the cool twentieth-century writerâs lifestyle, but we are going to treat ourselves differently. Because 1) itâs nicer, and 2) frankly, it gets better results. My plan here is to help you take the radical step of caring for yourself.
1) First of all: ask yourself why you arenât writing.Â
Not with the goal of fixing the problem, butâŚjust to understand. For a moment, dial down all of the âgoddammit, why canât I just write?â blaring in your head and be curious about yourself. Clearly, you have a reason for not writing. Humans donât do anything for no reason. Try to discover what it is. And be compassionate; donât reject anything you discover as ânot a good enough excuse.â Your reasons are your reasons.
For me, writing was painful because I wanted it to solve all my problems. I wanted it to make me happy and whole. I hated myself and hoped writing would transform me into a totally different person. When it failed to do that, as it always did, I felt like shit.
Maybe writing hurts because youâve loaded it with similarly unfair expectations. Or maybe youâre a victim of low expectations. Maybe people have told you youâre stupid or untalented or not fluent enough in the language you write in. Maybe writing has become associated with painful events in your life. Maybe youâve just been forced to write so many times that you can no longer write without feeling like someoneâs making you do it. Writing-related pain and anxiety can come from so many different places.
2) Once you have some idea of why youâre not writingâŚjust sit with that.
Donât go into problem-solving mode. Just nod to yourself and say, âyes, thatâs a good reason. If I were me, I wouldnât want to write either.â Have some sympathy for yourself and the pain youâre in.
3) NowâŚkeep sitting with it. Thatâs it, for the moment. No clever solutions. Just sympathize. And, most importantly, grant yourself permission to not write, for a while.
Itâs okay. You are good and valuable and worthy of love, even when you arenât writing. There are still beautiful, true things inside of you.
Hereâs the thing: itâs very hard for humans to do things if they donât have permission not to do them. Itâs especially hard if those things are also painful. We hate feeling trapped or compelled, and we hate having our feelings disregarded. It shuts us down in every possible way. You will feel more desire to write, therefore, if you believe you are free not to write, and if you believe itâs okay not to do what causes you pain.
(By the way: not having permission isnât the same as knowing there will be negative consequences. âIf I donât write, I wonât make my deadlineâ is different from âIâm not allowed not to write, even if it hurts.â One is just awareness of cause and effect; the other is a kind of slavery.)
4) For at least a week, take an enforced vacation from writing, and from any demands that you write. During this time, you are not permitted to write or give yourself grief for not writing.Â
This may or may not be reverse psychology. But itâs more than that.
Think of it as a period of convalescence. Youâre keeping your weight off an injury so it can heal, and whatâs broken is your desire to write. Pitilessly forcing yourself to write when itâs painful, plus the shame you feel when you donât write, is what broke that desire. So, for a week (or a month, or a year, or however long you need) tell yourself you are taking a doctor-prescribed break from writing.
This will feel scary for some folks. You might feel like youâre giving up. You might worry that this break from writing feels too good, that your desire to write might never return. All I can say is, Iâve been there. Iâve had all those fears and feelings. And the desire to write did return. But you gotta treat it like a tiny crocus shoot and not stomp on it the second it pokes its little head up. Like so:
5) Once you feel an itch to write againâonce you start to chafe against the doctorâs ordersâyou can write a tiny bit. Only five or ten minutes a day.Â
Thatâs it. Iâm serious: set a timer, and stop writing when the timeâs up. No cheating. (WellâŚmaybe you can take an extra minute to finish your thought, if necessary.)
Remember: these rules are not like the old rules, the ones that said, âyou must write or you suck.â These rules are a form of self-care. You are not imposing a cruel, arbitrary law, you are being gentle with yourself. Not âeasyâ or âsoftââany Olympic athlete will tell you that hard exercise when youâve got an injury is stupid and pointless, not tough or virtuous. If you need an excuse to take care of yourself, thatâs it: if youâre injured, you canât perform well, and aggravating the injury could take you out of the competition permanently.
For the first few days, all of the writing you do should be freewriting. Later, you can do some tiny writing exercises. Donât jump into an old project you stalled out on. Think small and exploratory, not big and goal-oriented. And whatever you do, donât judge the output. If you have to, donât even read what you write. This is exercise, not performance; this is you stretching your atrophied writing muscles, not you trying to write something good. At this stage, it literally doesnât matter what you write, as long as you generate words. (Frankly, it would be kind of weird and unfair if your writing at this point was good.)
6) After a week, you can increase your time limit if you want. But only a little!Â
Spend a week limiting yourself to, say, twenty minutes a day instead of ten. When in doubt, set your limit for less than you think youâll need. You want to end each writing session feeling like you could keep going, not like youâre crawling across the finish line.
Should you write every day? Thatâs up to you. Some people will find it helpful to put writing on their calendar at the same time each day. Others will be horribly stifled by that. You get to decide when and how often you write, but two things: 1) think about what you, personally, need when you make that decision, and 2) allow that decision to be flexible.
Remember, the only rule is, donât go over your daily limit. You always have permission to write less.
And keep checking in with yourself. Remember how this program began? If something hurts, if your brain is sending you âI donât wannaâ signals, respect them. Investigate them, find out what their deal is. You might decide to (gently) encourage yourself to write in spite of them, but donât ignore your pain. You are an athlete, and athletes listen to their bodies, especially when theyâre recovering from an injury. If writing feels shitty one day, give yourself a reward for doing it. If working on a particular project ties your brain in knots, do a little freewriting to loosen up. And always be willing to take a break. You always have permission not to write.
7) Slowly increase your limit over time, but always have a limit.Â
And when youâre not writing, youâre not writing. You donât get to berate yourself for not writing. If you find yourself regularly blazing past your limit, then increase your limit, but donât set large aspirational limits in an effort to make yourself write more. In fact, be ready to adjust your limit lower.
When it comes to mental labor, after all, more is not always better. Apparently, the average human brain can only concentrate for about 45 minutes at a time, and it only has about four or so high-quality 45-minute sessions a day in it. Thatâs three hours. So if you set your daily limit for more than three hours, you may be working at reduced efficiency, when youâd be better off saving up your ideas and motivation for the next day. (Plus, health and other factors may in fact give you less than 3 good hours a day. Thatâs okay!)
Of course, if youâre a professional writer or a student, external pressures may force you to write when your brain is tired, but my point is more about attitude: constant work is not necessarily better work. So donât make it into a moral ideal. We tend to think that working less is morally weak or wrong, and thatâs bullshit. Taking care of yourself is practical. Pushing yourself too hard will just hurt you and your writing. Also, your feelings are real and they matter. If you ignore or abuse them, youâll be like a runner trying to run on a broken ankle.
I know Iâm going to get someone who says, âif youâre a pro, sometimes you gotta ignore your feelings and just get the work done!âÂ
NO.Â
You can, of course, choose to work in spite of any pain youâre feeling. But ignore that pain at your peril. Instead, acknowledge the pain and be compassionate. Forgive yourself if pain slows you down. You are human, so donât hold your feet to the fire for having human limitations. Maybe a deadline is forcing you to work anyway. But make yourself a cup of hot chocolate to get you through it, literally or metaphorically. Help yourself, donât force yourself. If youâve had a serious writing injury, that shift in attitude will make all the difference.Â
In short: treat yourself as someone whose feelings matter.
Try it out! And let me know how it goes!
Ask a question or send me feedback!
LET YOUR ART BE UGLY!!! LET YOUR WRITING BE BAD!!! DANCE OFFBEAT!!! SING OFF KEY!!! LIFE IS TOO SHORT TO LET YOUR FEAR OF NOT BEING GOOD ENOUGH PREVENT YOU FROM LEARNING AND ENJOYING NEW THINGS!!!Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
đłď¸âđđłď¸âđđłď¸âđđłď¸âđHAPPY PRIDEđłď¸âđđłď¸âđđłď¸âđđłď¸âđ
(x)
This is definitely on par with the original