Personas de las que sĂłlo conoces un poco de su alma y por las que sientes dolor por su dolor.
Algunos dĂas traen reencuentros feroces con el vivir.
quando o consolo (algum) vem de lugares estranhos e inesperados.
(coisas bonitas)
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Personas de las que sĂłlo conoces un poco de su alma y por las que sientes dolor por su dolor.
Algunos dĂas traen reencuentros feroces con el vivir.
quando o consolo (algum) vem de lugares estranhos e inesperados.
(coisas bonitas)

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a morte ĂŠ uma puta
3 meses,
e a(r)dor nĂŁo passa
da dor
o joão não o meu joão não * não conseguir tirar da cabeça, o meu amor morreu o joão morreu

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Robert Frank.
Project 365: And so it begins⌠- Feb. 5, 2014
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Naissance dâune galaxie, 1969 Max Ernst
Where does this tenderness come from? And what will I do with it? Young stranger, poet, wandering through town, you and your eyelashesâlonger than anyoneâs.
Marina Tsvetaeva (via only-doll)
?

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Melancholia is, I believe, a musical problem: a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the melancholic inside, appears absurd and unreal, and constitutes âthe farce we must all playâ. But for an instantâbecause of a wild music, or a drug, or the sexual act carried to a climaxâthe very slow rhythm of the melancholic soul does not only rise to that of the outside world: it overtakes it with an ineffably blissful exorbitance, and the soul then thrills animated by delirious new energies.
Alejandra Pizarnik, from âThe Bloody Countessâ (1971)
Frances Foley, 2nd portrait
don't we love metaphors
Š Antonello Silverini | Rainy Today, 2009

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She was at once so resolute and so dreamy, so sensual and so intelligent. She also was intensely private. What she knew best was how it felt to be alone, unique, isolated. She was lacking in the sense of a solid communal life; What bound people together escaped her. What separated them was an object of wonder, delight and despair. She seemed as detached from herself as from everyone else.
Stephen Spender, on Virginia Woolf (via moonsiren) in one of those days
Donât weigh more than a flame and all will be well, A flame of zephyr, a flame from a warm and blood-stained lung, In a word, a flame. Ruin in a friendly and rested face, Ruin, to say everything, ruin. Donât weigh more than the top of a mast and all will be well. A mast in the sky, a mast like a bodice. One and no more. One and feminine, One.
Henri Michaux | Enchained Chains
Photo:Â Andrew McLeod |Â BLACKMETALCYTWĂMBLY
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