Daddys Little Cub

If you don’t really listen to a lot of files, especially not the ones I make, this one’s for you. As of right now, it’s arguably my best file! It helps you become the best submissive you can be, and helps you have more fun with it along the way.

Ah, my first file that wasn’t a meme!

In this file, you meet a pink cat and get turned into a dumb little puppy. What fun!

LINK: https://soundcloud.com/rainsthebear/trance-formation-obedience-school

If you feel that there is nothing wrong with being an adult baby, if enjoying wearing diapers doesn’t make you a freak, if it’s not weird or abnormal to find happiness in acting like an infant or toddler.

If you agree with all that, could you pretty please reblog this?

There are abandoned train tracks across the town–the only ones for miles around–but this train–

This train is massive. It reminds her of the Polar Express story her mother used to read for Christmas. Amanda stands at the front, and when she looks down, she can’t see the end. The dark color blends in with the night air. Even the softly glowing lights emitting from behind closed blinds don’t help her. But even when she squints–nothing. It’s like it goes on forever, stretching across the world–the universe. Never ending.

The train looks fancier than anything in her town–more luxurious than anything her little family could afford.

But it’s here. Right in front of her.

She was just returning from her midnight walk to clear her head. Insomnia is like that sometimes, but now Amanda fears she hasn’t been getting nearly enough sleep. Or maybe it’s her new medication–were hallucinations a side-effect?

She can’t dwell on the topic long, because a door slides open, and a tall, thin man leans out. He looks unreal, with handsome features that mismatch with his gangly frame. He wears a five o’clock shadow and his hair sticks up like he’s been running his fingers through it.

He takes one look at Amanda and tsks. “What are you waiting for, my dear? We still have one more stop to go in this town.” He steps down and reaches his hand out. “Well, come on. You can fill out the information sheet on the train.”

Amanda feels frozen in place. She can hear her father berating her already, warning her of stranger danger. She’s never faced this problem before, coming from a town where everybody knows everybody.

“What?” Oh, yes, so eloquent. She should just run. Yeah, that sounds about right.

She twists on her heels, but the conductor grabs her arm. It isn’t rough–in fact, it’s more like a soft touch.

“We can take you anywhere, you know. Just hop on.”

Anywhere? That sounds tempting. And if this is a hallucination, Amanda might as well go through with it, right? No fun in running from something fake.

“Okay,” she says, and then she steps inside.

-

The inside is… soft.

The lights, the cushions, the gentle murmurs that fill each train. Everything is so soft–so comfortable. It makes Amanda’s eyes droopy.

“Remember to fill out the information sheet,” the conductor tells her, and then he disappears. Immediately after that, the train begins chugging forward.

There is a nearby seat, separated from the others a comfortable distance. Amanda sits. Suddenly, a boy swoops in, his dark skin reflective in the lights. His smiles is the brightest thing in the train cart. “Here is the information sheet, and several writing utensils. Pick one of your choice. The, uh, writing utensil, that is. The information sheet is mandatory.” He looks sheepish, but his smile is still nearly blinding.

“Uh, okay,” Amanda says, and then the boy disappears.

There are several questions on the paper, but most are crossed out. Only one remains.

What is your choice of destination? Remember, anywhere is allowed!

Amanda holds a pen along the provided line. The Bahamas? New York? Paris or London? She can barely even think of everywhere she wanted to visit while sitting alone in her room.

No–Amanda can only think of one place she wants to be.

The pen shakes as she writes, but then she’s done. The boy swoops back in, smile wide, and glances at her paper. His face wavers for just a second, but then he grabs the paper. “One second please, while I get the manager.”

“Um”–but he’s gone. Amanda lowers her hand to her lap, embarrassed. Her fingers curl together. They said anywhere, but she still doesn’t want to cause a fuss.

But this–this is the only place she wants to be, even for just a second.

-

Amanda feels like she waits forever, but soon enough an elderly woman hobbles her way to the seat across from Amanda. Gingerly, she sits and reaches out a wrinkled hand. “Ms. Tutti, if you will.”

“Amanda. Amanda O’Riley. Nice to meet you.” She takes her hand back. “And you’re the, uh, manager–of what, exactly?”

Ms. Tutti chuckles, coughs. “Ah, ah, don’t worry. Yes, I manage where we go, of course! And you, my dear, are already a special case. But now you wish for this–to travel back in time?”

Amanda nods. “Yes, ma’am.”

“Then you must understand the rules, Miss O’Riley. Are you all right at following rules?”

“Yes, ma’am.” Amanda sits up straighter and begins twiddling her thumbs. Her father did always say she has a terrible fidgeting habit.

“Bah, enough with that ma’am junk. Makes me feel old.” Ms. Tutti shifts in her seat as the train slows down again. The conductor did say there is another stop in town. “Now, for the rules. Number one? You cannot affect the future. At least not too majorly. No saving a person, and most certainly no killing anyone. Two: You cannot stay for long. Remaining back in time too long often results in breaking rule number one. Three: Sharing is not caring in this instance. Do not tell anyone you have traveled back in time. It leads to all sorts of messes I have to go back and clean up.” She clears her throat. “Got that? Yes? Okay. Well, then I’m done here.”

Ms. Tutti shuffles out of her seat, but before she can make it too long, she stops and turns around. “Oh, and because you’re such a special case, Amanda, you are going to have to wait a long while before you can make it to your stop.”

Amanda leans out of her seat. “Yes, m– I mean, okay. I can do that.”

Ms. Tutti nods and continues on her way.

-

The train crawls to a stop. It isn’t jolting, like Amanda thought it would be, but it is sudden. She knew there was another stop, but she forgot how small her town is compared to the train. The power is to move the train must have been immense. She wondered what they used.

The conductor’s voice travels through the door. “Come along now, madam. The train for anywhere and everywhere is about to take off. Mr. Allan will show you the way. Yes, yes, Mr. Allan, show her right through that door– Yes, ma’am, you heard me right–anywhere you desire.”

The door in front of Amanda slides open, and the young boy followed by a frail, sickly woman walk through.

“Mrs. Walker?” Amanda asks. “Is that really you?”

“Why, Amanda!” Mrs. Walker hurries forward. “You just visited me in the hospital yesterday. What are earth are you doing here?”

“Ah,” Mr. Allan interrupts. “She’s a special case, madam. Now, if you will, your seat is down here. You may continue your conversation after you fill out your information sheet.” He gestures Mrs. Walker forward. “Come come, now.”

While Mr. Allan walks Mrs. Walker away, the face on Amanda’s must have been confused enough to make other people worried about her. A middle-aged man leaves his seat and plops down in front of her.

“You really have no idea what’s going on, huh?” He twirls his overgrown goatee around his thick fingers.

“No, not really. And Mr. Allan seems… busy.” Amanda hesitates. This not-hallucination is starting to seem all too real. But Amanda–Amanda doesn’t feel worried. Even though she has no idea what is going on, the whole atmosphere–it feels soothing without being smothering. She may be antsy, but that’s because she is meeting so many new people all in one day. Where she’s from, she’s known practically everyone since birth. No new people to meet–ever.

“Could you explain for me?”

The man leans back in his seat, stretches; he looks completely relaxed, while she feels like she must act overly formal in her ratty sweats and T-shirt she wears to sleep.

“Why, sure.” He waves his hand around. “Most of these people here are dead–maybe even all of them.”

Amanda blinks. Her heart stutters, mouth dries. “Are you–are you saying I’m… I’m what?”

A panicked look crosses the man’s face. “No, uh–gosh.” He rubs his face. “How do I explain this? Now, don’t feel offended, but I kinda… kinda listened in on her conversation earlier. And I’ve been on here a long time. Special case can mean anything–anything but already dead. You could have gotten lucky and your wish upon a shooting star is coming true.”

Amanda did make many wishes on shooting stars–well, one wish every chance she got.

“Look, this train”–he waves around again–“this train is the way to heaven, but everyone gets to go somewhere beforehand.”

How strange, Amanda thought. It isn’t a stairway to heaven. It’s a train.

“That totally makes sense,” she says, straight faced.

“Really? ‘Cause I thought the lady that told me was loony at first. I was like, ‘No way, I’m not dead.’ But, y’know? I got over it. Not that you have anything to get over, but–”

“No, it’s fine.” She smiles, but it feels fragile. Mrs. Walker had been very sick, stuck for days on end in their tiny hospital. Her partner was just getting ready to transfer her to a better one. Amanda had only visited her the once. Now she’s dead. Amanda wonders where she’s going. She had always talked about visiting her family’s old home in Germany.

Amanda looks up at the man in front of her. He’s rubbing sweat from his palms on his faded jeans. “I guess this is like a last wish type of situation.”

He perks up, points at her. “Yeah, kinda like that exactly!” Then he peers around her. “Ah, gotta go. My stop is coming up. But if you have any questions, pretty much anyone here can answer them!” He stands up, giddy. “Off to Tokyo! I didn’t practice all that Japanese for nothing after all!”

Amanda closes her eyes, remembers how he said he’d been on the train for ages. She thinks about her destination. When she finally blinks them open, the man is gone.

-

Amanda is tired. It is the middle of the night.

She closes her eyes.

-

Amanda wakes up occasionally–eats, drinks, drifts off again. During that time, more people get off, even more get on.

She’s been gone from home for days, she knows. She wonders how worried her father is. She wonders if time even works the same way on this weird, magical train.

-

Her head hurts.

She thinks that’s part of the reason why she’s been sleeping so much. She asks around when she’s conscious, but no one else suffers from headaches or migraines.

“We’re all dead,” they say. “What’s left to hurt.”

It at least assures Amanda she isn’t dead. Maybe she just needs to get out of the train–be outside again.

-

The train is empty.

The once frequent chatter is long gone, and only Amanda remains. The train stops. The door slides open.

“Are you ready?” the conductor asks. Amanda’s head pounds, but she nods. She’s wants this more than anything.

Mr. Allan shows up, his smile soft. His teeth aren’t showing. Even Ms. Tutti is there to send her off.

She says, “I’m ready,” and steps outside.

-

Amanda is seven again.

Young, fresh, unhurt and unscarred.

And there stands her mother–frustrated with little Amanda’s temper tantrum, with her refusal to give her mother a goodbye hug.

Amanda wants that hug more than anything. It’s the last thing her mama asked of her before she died.

She only wants to be held in her mother’s arms.

“Mom!” she cries, and runs, runs, runs as fast as she can toward her mama.

Mama looks confused, but she kneels down anyway.

Amanda crashes into her, squeezes hard. She thinks long and hard about that number one rule, and if breaking it is worth it. It sure seems like it.

But in her mother’s arms, one last time–Amanda can let go. She can release her pent up guilt, her anger. Amanda relaxes in her mama’s soft, comforting arms. Even her headache dissipates.

“I love you,” she whispers.

“And I love you too, sweetheart,” Mama says.

They hug one, two, three short seconds longer. The train wails. Mama can’t hear it, but Amanda can.

“Have fun on your trip, Mama,” Amanda says–but she knows. She knows Mama never makes it.

Mama pets her hair. “I’ll be waiting to see you again.” She kisses Amanda’s forehead, and then she’s opening the car door.

Amanda runs back to the train. Before she reenters, she turns around and waves at Mama. Mama waves back, blows a kiss.

Amanda catches it and holds it close to her heart.

-

“I’m sorry,” Ms. Tutti says. “You were in a coma. And now…”

“I’m not.” Amanda had felt this coming. “I’m dead.”

“Yes. Again, I’m very sorry. But now you only have one more stop.” Ms. Tutti’s watery smile makes Amanda cry. Her father must be so devastated.

Amanda will wait for him up in heaven.

-

The train comes to a stop.

It’s strange, as stops are mostly made in the dead of night. Here, it is bright outside. The ground looks soft, likes clouds.

And it’s loud. Heaven is bustling.

“Goodbye, everyone,” she says, waving.

“Farewell,” the conductor says.

Mr. Allan and Ms. Tutti wave.

Amanda exits the train one last time.

-

The brightness almost hurts her eyes.

She has no idea where she’s going, can barely see anything. So she just walks–any direction, whatever feels right.

But then there is a hand on her arm, and she’s pulled into a hug.

Her Mama’s hug.

“I’ve missed you so much, sweetheart.”

“I have too,” Amanda says.

The hug lasts one, two, three more seconds.

Longer.