Theatre Kid.

HEY FOLKS! 

I’ve opened some new bids for playbills currently in my collection! 

For those who don’t know, I am currently selling playbills from my old collection to make some ends meet. I am currently unable to work as much as I normally would due to the fact I’m battling symptoms from a new round of anxiety medications, as well as undergoing a lot of pain from my rare condition called Thoracic Outlet Syndrome. I need extra money for medical bills, groceries, and rent this month.

TO START, IF YOU DON’T WANT ANY PLAYBILLS BUT WANT TO HELP MY PARTNER AND I PAY OUR BILLS, MY PAYPAL IS [HERE]

EVEN IF YOU CANNOT BUY, PLEASE REBLOG. 

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PLAYBILLS AVAILABLE:

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MATILDA OBC UNSIGNED PLAYBILL

BRIDGES OF MADISON COUNTY RARE ORIGINAL BROADWAY PLAYBILL

A GENTLEMAN’S GUIDE TO LOVE AND MURDER PLAYBILL SIGNED BY OBC

THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

PIPPIN SIGNED PLAYBILLS BY PATINA MILLER AND MJT, (SECOND ONE WITH KYLE DEAN MASSEY AND CARLEY HUGHES HERE)

MISS SAIGON UNSIGNED ORIGINAL BROADWAY REVIVAL PLAYBILL 

FIDDLER ON THE ROOF BROADWAY REVIVAL PLAYBILL UNSIGNED

ONCE PLAYBILL SIGNED BY ARTHUR DARVILL

LES MIS 2014 BROADWAY REVIVAL  

(1 COLOR SIGNED BY RAMIN) 

(2 BLACK AND WHITE SIGNED BY RAMIN [HERE] AND [HERE])

(2 COLOR NOT SIGNED BY RAMIN [HERE], AND [HERE]) 

FINDING NEVERLAND ORIGINAL COLOR PLAYBILL SIGNED BY MATTHEW MORRISON

HEDWIG AND THE ANGRY INCH BROADWAY PLAYBILL SIGNED BY LENA HALL

Anastasia: attending a period fair in costume, slipping into the crowd and pretending to be somebody and nobody all at once.

The Band’s Visit: visiting an abandoned place and watching how the light and shadows move as the hours pass.

The Book of Mormon: driving on the freeway, rolling down the windows, and screaming cathartically.

Dear Evan Hansen: sitting in your living room after an exhausting day out, the pizza box empty and the TV quiet in the background, talking about favorite memories that seem like a very long time ago.

Falsettos: quietly discussing movies, politics, and the future over take-out and supermarket ice cream.

Hamilton: grabbing a quick meal before a protest, both of you buzzing with restless energy.

Les Misérables: a long walk through bookstores and winding streets and ice cream shops that ends with both of you hopelessly lost and terribly exhausted, but happy.

Les Misérables #2: running into each other again and again in a series of increasingly improbable and embarrassing coincidences until the day when one of you finally decides that you must be on a date, given how awkward and inevitable this all feels.

Natasha, Pierre, and the Great Comet of 1812: going to a thrift store, giggling over weird shoes and trying on fantastic outfits like children playing dress-up.

Newsies: a long conversation on the steps outside a party, talking about places you’ve never been and stories you haven’t written.

Next to Normal: riding the bus together to the very last stop, pretending for just a few hours that you’re both running away for good.

The Phantom of the Opera: an afternoon at the museum, having deep conversations in hushed voices.

Tuck Everlasting: going on a spontaneous adventure in the city, trading dares and wild dreams for the future.

otherwise known as: “but theater is meant to be experienced live!!!” is a myth invented by capitalism

Anastasia: a sleepover at your best friend’s home 

The Band’s Visit: in a silent house with the lights off and the curtains drawn

Be More Chill: in the safety of your room after an exhausting school day 

The Book of Mormon: not in public

Dear Evan Hansen: a long drive home

Falsettos: walking around a city you don’t know well; it feels mundane and surreal at the same time

Hamilton: with friends on a road trip, yelling along and tripping over the words and laughing

The Last Five Years: stuck in an elevator with a stranger

Les Misérables: anywhere with a lot of durable furniture

Little Shop of Horrors: downtown, where the folks are broke

Natasha, Pierre, and the Great Comet of 1812: in an abandoned parking lot at 2 AM with Monster Energy in the cupholder and giant floodlights in the distance. And a hamster running on a wheel in shotgun just for fun.

Newsies: on the treadmill

Next to Normal: riding the subway, absorbing each word like you’re listening to a gripping audiobook, watching the world flicker by

The Phantom of the Opera: the shower, of course, so that you can sing along

Spring Awakening: sitting in an empty playground

Tuck Everlasting: laying in the sun, the scent of grass in the air

• Stretch your arms/legs a bit • Take a break from the screen for at least 30 seconds • Get up and move around, just for a few minutes • Sit up straight and move to a position which allows you to maintain your posture

Ben Lewis, Kelly Mathieson

https://mega.nz/#F!H6BGHQTY!4H7QusXdRA-92QOr5YcJrg

Ripped from:

Inspired by The Phantom of the Opera A simple spell to remove someone’s mask aka to see clearly how much a person is two faced towards you. This spell is an act of the person revealing themselves.

Supplies: - a picture of the person you suspect - a cloth (or piece of paper) to lay over above the picture (or object) note: best not to use a black cloth/darker pattern cloth - black candle (and lighter/matches) - a black marker (something you can write with)

Steps: - On your altar/working space, take the picture (or object) and place it in the center of your working. - On the cloth (or paper) draw the person’s face but in glamoured manner. This is the facade they are showing you, so make it as a beautiful representation of them as you can. - On the picture of the person, make the face look twisted, deformed, distorted, ugly, whatever your heart desires. This is the true feelings they have towards you. - Once done, place the cloth over the picture - Light the black candle - Focus on the intent of this spell. Remember all the times you realized they didn’t mean what they said they did. Remember all the clues you found to the person not being truthful with you. Use that pain to feed the spell and release it. - Recite the following: “Past the point of no return; No backward glances; The games we’ve played till now are at an end. Past all thought of if or when; No use resisting; Abandon thought and let the dream descend….” - With a flick of your wrist, remove the cloth from the picture with haste. - Say aloud the following: “I no longer am fooled by your facade. We’re past the point of no return. Show your true intentions you fraud! This lesson may you truly learn.” - Take whatever max has melted form your candle and place it on top of your picture, making sure to cover their disfigured face.