OMG the way they write the characters is so good!! I had to draw this scene from their fic cause I’m actually gonna lose sleep while waiting for an update

If you guys haven’t checked it out yet you neeed to read it oml it was such a good meal!!

@mrcoolguywithmoney Ty for the food!! 🫶🥹

(Didn’t really want to format it like this but tumblr has an image limit so whateevrr)

“Max and Bradley watching the stars together became a nightly ritual.  Bradley would explain how to navigate with the stars and tell Max stories about each of the constellations.  Afterwards, the two of them would slip into conversations about life in general.  

Max told Bradley about how he built the boat with his father.  He went into detail about the whole process, from how they saved every penny they had for enough lumber for repairs, to how they used old bedsheets to mend the holes of the sail.  Bradley listened with a smile spread across his face.  He liked listening to Max talk, liked watching the captain’s eyes light up when he talked of things he was passionate about, or happy memories that he had.”

Kiss Me on the Mouth and Love Me like a Sailor by Ange_de_Fleurs

Austin Faber ("The Owl House") showcase more artwork from his proposed "Goof Troop" reboot pitch with a showcase on a PJ episode set as a 40s Noir film.

Faber also thanks people for the kind words and messages that he got on the first post.

"My Goof Troop post blew up more than I expected, so I’ll add a little more and thank you for the kind messages and comments! I truly work in a vacuum sometimes, so I never know how my ideas will land again, this originally started as an internship assignment from my time at Disney TVA that I probably took way too seriously… and then just never stopped developing. Figured I’d share a few more from my recent stack of work. Keeping the integrity of the original show was super important to me, but I wanted to elevate the execution. One episode I wrote involved Max mysteriously going “missing,” leading PJ on a solo investigation across Spoonerville to track him down. Nobody else is really in on the joke, but PJ filters the entire situation through the lens of 1940s noir detective dramas he’s been obsessively watching. I liked the idea of capturing the playful imagination of an 11-year-old kid while experimenting with different narrative pastiche and visual styles. Personally, I’ve always found PJ to be a deeply under-utilized character. His family set up was rich and layered, and he had a surprising amount of emotional texture for a side character. He’s easily my favorite character to board and write for. I’ve pretty much written out all of a hypothetical Season 1, and (naturally) most episodes wouldn’t go this hard stylistically. But I’ve always loved stories that occasionally shift gears and surprise you, so Goof Troop remains a fun sandbox for me." - Faber

Working on a redraw of the Goofy/Sylvia scene but making it Maxley 🤭 Inspired by Eaa who's reanimating the disco scene with them!

Some Maxley doodles I did today but I only lined the ones I liked :]]]

Powerline groupie Bradley with and without his jacket ⚡️

"Max felt the shadows looming over him, blocking out the bright make up lights that surrounded the massive mirror of the old Hollywood vanity. He looked up from the shagged carpet, seeing none other than Bradley Uppercrust the third, standing right in front of him with his arms crossed, his posture unyielding, his expression one of annoyance as he looked at the Alpha on his front door like he was less than an insect.