Slowly quietly thinking about how water-- the classical element of change, movement, emotion, and community-- is a subtle symbol of every Cyberpunk 2077's love interest's quest once it reaches it's completion
Judy Alvarez wants to enact change. She is, at her core, an idealist, and wants to confront the injustices of the world she lives in even if she doesn't exactly know where to start. Judy sees the way the world chews up the working classes of Night City and spits them out with no remorse and is one of the only people who says "no, this shouldn't stand, we have to do something". Even though her plan to seize of Clouds is ultimately unsuccessful, she walks away having gained at least one thing: her freedom. She's tied to Night City, in many ways always will be, but she realizes her worth extends beyond the place that's done absolutely nothing for her in return, so she chooses to leave it behind. Judy's storyline ends with her sitting on the dock overlooking the reservoir of Laguna Bend.
River Ward doesn't know how to change. Blue-blooded through and through, an NCPD detective whose traumatic experiences with crime has shaped who he is. River's morality drives his work, but it also pushes those closest to him-- his sister, his niece and nephews-- away from him. As a result, we see him as the thing society shaped him to be: a no-nonsense, by-the-book cop who genuinely believes in the morality of those he works with until he's forced to look it's corruption dead in the eyes. And the second he realizes how unjust the law he fought so hard to uphold really is, he severs his ties with it and returns to the people who care for him the most. River's storyline ends with him sitting on top of a water tower.
Kerry Eurodyne is resistant to change. Why wouldn't he be? Kerry Eurodyne is the last of the old guard, a rockerboy still living 60 years in the past who's in a mansion he hates and in a corporate deal he can't break out of. So what happens when change comes along in the form of a J-Pop band that's covering his songs without his permission? He confronts them, old-school style, because that's what rockerboys like him've always done. But Kerry soon realizes that the world moving on isn't a bad thing-- what is bad is him digging in his heels and not moving along with it. The new ways can be hard to accept, but Kerry's done with spending the rest of his life grappling with a past he refuses to reconcile with, so he ushers in a new era of his life the only way he knows how to: with songs and flames. Kerry's storyline ends with him lying on the shoreline of Del Cornado Bay
Panam Palmer is desperate for her people to change. Stubborn, hardheaded Panam saw the writing on the wall and broke out for a fresh start the moment she realized Saul's 'promised land' was nothing but dust, Raffen, and dealings with Biotechnica. She struck out as a merc in Night City, running drugs and working with the local gangs. But Panam's loyality is as much a blessing as it is a curse. She comes back when her family needs her, but she is done sitting on the sidelines and watching the Aldecaldos fall further under a corporate's thumb. So she does the only thing she feels she can do: steals a panzer and shows her leaders that their clan can still be something great. She's rewarded for her actions, and the Aldecaldos retain their independence for good. Panam's storyline ends with her driving the Basilisk over a lake in the Badlands.
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