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@cvndrs

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ymutate: Essam Marouf, 2009Â
My bones do not taste of crown and silver / I am not a thing to be owned
Adonis, from âThis is My Nameâ, Selected Poems  (via sempiternele)
Carl-Heinz Kliemann Vignettes from Genesis I, 1962Â woodcut

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Hospital ward and prison cell in Lisbon, early XX century.Â
Women speaking of mirrors and prettiness make it all too clear that even for pretty women, mirrors are the foci of anxious, not gratified, narcissism. The woman who knows beyond a doubt that she is beautiful exists aplenty in male novelistsâ imaginations; I have yet to find her in womenâs books or womenâs memoirs or in life. Women spend a lot of time looking in mirrors, but the âcompulsion to visualize the selfâ is a phrase Moers uses of women in her chapter on Gothic freaks and horrors; the compulsion is a constant check on oneâs (possible) beauty, not an enjoyment of it.
Joanna Russ, âAesthetics,â How to Suppress Womenâs Writing (1983). (via ablogwithaview)
Can you punctuate yourself as silence?
Anne Carson, from the introduction of Plainwater: Essays & Poetry; âThe Life of Towns,â (via violentwavesofemotion)
Massive Attack / Mezzanine / 1998
By Nick Knight

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Furisode with a Myriad of Flying Cranes, detail of a kimono, 1910-30. Silk. Japan. Via Rijksmuseum
Yohji Yamamoto by Emma Larsson
Some people are born with tornadoes in their lives, but constellations in their eyes. Other people are born with stars at their feet, but their souls are lost at sea.
Nikita Gill (via quotemadness)
Nobuyoshi Araki, âPainted Flowerâ

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build a new soul, dress it with skin and then put on my shirt and sing an anthem, a song of myself.
Anne Sexton - from âThe Civil Warâ featured in The Complete Poems (via watchoutforintellect)