Magi | 26 | A Child of God | Reformed Christian (Presbeteryian) first and everything else second | This is a art blog that I use and continue to use. Don't be surprised if I reblog theology and Christan stuff. I enjoy Megaman, PTR and that's bout it, but God is priority over everything. I do not tolerate NSFW.
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βBut what to say? βThe word is near you, in your mouth and in your heart (that is the word of faith that we proclaim); because if you confess with your mouth that Jesus is Lord and believe in your heart that God raised Him from the dead, you will be saved. For with the heart one believes and is justified, and with the mouth one confesses and is saved. β - Romans 10:8-10 ESV
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A while ago I made a post asking for advice as a Christian fic writer, and I wanted to give back some of the few things Iβve learned now that Iβve finished something myself:
Fic writing is an act of listening and thus of love. You get to call attention to small details, go looking for the underlying philosophy of the thing the way people do when they write essays; and then, like essay-writers, you get to elaborate and question and resist and make connections to the world outside the story youβre starting from.
Writing fics takes humility, of a sort that essay-writing doesnβt require. On the base level youβre meeting the original story where it is β in the world of story β not from up above, as literary critic. You are taking the storyβs substance from a thing that already exists. You are freely admitting (or ought to be!) that it isnβt yours, that it rests on the things that came before. In a sense this is true of all our stories; they derive from the created world, what Tolkien called βsub-creation.β But here you are engaging in a sort of βsub-sub-creationβ if one may coin the word.
I used to wonder, why write a second derivative if you could write a first? Isnβt original intrinsically better? What original is, is intrinsically different. Original is a wider conversation; fanfiction is a targeted conversation. The thing to keep in mind is that what is of eternal significance is peopleβs selves β their hearts, minds, souls, bodies. Stories matter as far as they impact these selves, whether readersβ or writersβ.
If fanfic readers, as others have said, tend to be exhausted, then fanfic writing is an opportunity to minister to exhausted people. (Which we know Jesus cares deeply about, with his call to βall you who are weary and heavy laden.β) We have the unique honor and privilege of such an audience, one which wants the guide rails of a known world/characters/etc. but also wants something new; and we have the new wine of the Gospel. Whether that comes through in the writing itself, or in our conversations with readers or writers, the opportunities are there.
I have heard it said that the best way to encourage Christian themes in oneβs writing is to not think about them and let them come naturally; which I think is partly true, but if you canβt help thinking about things (as I canβt), itβs not necessarily bad to do things intentionally either. What I think matters is the sort of intent. Fiction, including fanfic, is best at showing a story; people say to not worry about writing βChristianlyβ because they are advising you to avoid showing a set of answers instead. If you set out to write something that will show a story β letting people be wrong, as God lets you be wrong; working out some thinking of your own on the topic that you chose; finding things that will encourage yourself on your own journey with God β then if nothing else you will have all the work that God will do in you from exercising that patient form of love he so often uses, from going through Scripture in ways you hadnβt seen coming, from considering his ways and how they might be shown in a world that was not of your forming.
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
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It its once again time for READ SI LAND IT HAS THE COOLEST FURRY DESIGNS OUT THERE
Every time theres a new character I spend 10 minutes admiring their design and then have to reread the chapter to actually process whats going on in the (very good) story.
Capcom im telling you get Sumiyoshi back and let them design the entire cast for a new Breath of Fire and I would spend way too much money on that
βJust as people's motives vary as to why they choose to transition and to what degree they alter their bodies, those who detransition do so for a variety of reasons. It is often said that the majority do so because of persecution and the lack of support. However, surveys of detransitioners show that "[the three most commonly cited reasons for detransition among trans activists-financial concerns, lack of social support, and institutional discrimination were among the lowest, at 18%, 17%, and 7%βin fact, institutional discrimination was the lowest scoring category."(16)
On the other hand, one of the most common themes expressed by detransitioners is that the process never resolved their deeper issues. One woman explained:
"Being trans" on Tumblr was a fun distraction from the misery of my daily life. I still had next to no friends at my new school, I still had a bad relationship with my parents, I still hated my fat, but at least I could enter this alternate universe where I was a cool guy with lots of followers. It started being a lot less fun when I began pursuing transition in real life.(17)
Others shared similar sentiments:
It's become really clear in recent years that any sort of big problems that I thought I would fix by transitioning weren't really fixed.(18)
It was a waste of my money. It was a waste of my time. It was more time that I didn't do what I needed, which was [to] address my dissociative symptoms.(19)
Some realized after transitioning that their original motives were misguided attempts to grapple with their sexuality. One remarked, "My dysphoria was hatred of my body due to internalized misogyny.(20) In Newcastle, England, hundreds of young women have come forward, seeking help to detransition. What most of the women have in common is that they are either autistic or identify as lesbian.(21) Through a painful process of self-experimentation, they realized that they did not cease to be female just because they didn't fit the feminine mold. On the contrary, by attempting to pass as male, they were conforming to male stereotypes and reinforcing them.(22)
Meanwhile, others choose to detransition because they are dissatisfied with the results. One woman admitted, "Identifying as a male really made my dysphoria worse.β(23) Another remarked that she knew if she continued trying to be a man, "I was going to give myself gender dysphoria eventually ... which is really ironic."(24) Even after receiving chemical and surgical alterations to their bodies, many gaze into their mirrors each day with sorrow at a body that still disagrees with them.β
-Jason Evert, Male, Female, or Other: A Catholic Guide to Understanding Gender
β
Work cited:
16) Cari Stella, "Female Detransition and Reidentification: Survey Results and Interpretation" Post), Tumblr, September 3, 2016,, https://guideonragingstars.tumblr.com/post/149877706175/female-detransition-and- reidentification-survey; Cf. Elie Vandenbussche, "Detransition-Related Needs and Support: A Cross-Sectional Online Survey," Journal of Homosexuality 69/9 (2022), 1602-1620; Lisa Littman, "Individuals Treated for Gender Dysphoria with Medical and/or Surgical Transition Who Subsequently Detransitioned: A Survey of 100 Detransitioners," Archives of Sexual Behavior 50:8 (2021), 3353-3369.
17) Soh, The End of Gender, 184.
18) "Growing Up Trans (full documentary)." https://www.youtube.com/watch?v=uIuS-48tSpE&t=5s&ab_channel=FRONTLINEPBS%7COfficial
19) "Reversing a Gender Transition," https://youtu.be/V6V0p3_bd6w?si=pw2P7Ok_QEQFdDn2
20) "Detransition TikToks compilation-June & July 2021," https://www.youtube.com/watch?v=xG5rOpNc8t0&ab_channel=CatCattinson
21) Cf. S. Lockwood, "Hundreds" of Young Trans People Seeking Help to Return to Original Sex," Sky News, October 5, 2019.
22) "Detransition TikToks compilation-June & July 2021.". https://www.youtube.com/watch?v=xG5rOpNc8t0&ab_channel=CatCattinson
23) "Coercion & Abuse in the Gender ID Community | with β’ GNC-Centric β’" https://youtu.be/QAMar22S0ck?si=K2DQhSejkvUiQ06T
24) "DETRANSITION: How My Voice Has Changed," https://www.youtube.com/watch?v=4UvqwOm3dD0&ab_channel=Kshipa
β
For more recommended resources on gender dysphoria, click here.
Peeling off the broken breastplate of a stoic knight who only fights and never speaks, just to realize thereβs nothing in there. Not metaphoricallyβthe armor is literally empty. It doesnβt appear to affect him. If the armor stays mostly in the shape of a knight, he just gets back up to keep fighting. But with the chest plate off he just sits there, equally impervious to curiosity as I reach up into the cavity where his body mightβve gone. Stubbornly, no answers are found anywhere in there.
So I forge him a new breastplate and on the inside, because I know he has plenty of room, I put a little pocket. Not big enough to hold anything functional of course. Just a little extra piece to see what heβll do with it.
He comes back next time with some grievous injury to his nothing, presumably from the massive shredded gash across his thigh plates. He sits and waits. I fix it for him. He is still nothing in there. I decide to add a drawing on the inside, of the type of beast I imagine could rend metal into scraps with a single blow. He puts it back on. He no longer moves as if he is injured.
Over time the interior of the knight becomes decorated with whatever odds and ends I could think to attach to the inside of a guy whoβs got room to carry it. What really gets me is that he never removes any of it. Never requests a change. Not even when I installed a curtain rod for a small tapestry, or a bud vase to carry roses for his beloved, or an accordion folder for letters. He didnβt say a word for any of the many, many drawings of mythical beasts that now fight forever inside of his shell.
There are plenty of other forges. Iβm not entirely sure why he keeps coming back here anyway. Weβre pretty popular, but he could get his armor fixed a lot quicker (and with fewer ridiculous modifications) literally anywhere else. I asked him if I could get a look at his nothing again. He flipped up his visor and nodded his head so I could take a look. It was the same as it had been, filled with drawings and trinkets and weird little fixtures Iβd put in there. I asked if he was annoyed by it, or liked it, or felt anything at all, but he literally only ever says nothing, so Iβm not sure why I asked.
Thereβs not much room left in his nothing now. When he comes back for repairs Iβve had to fix my own foolish additions. Some of these pieces are intricate and irritating to repair, but I fix them anyway. It feels wrong to take any of it away from him now, even though Iβve been rudely encroaching on his nothingness to the point where itβs barely even there. How he squeezes his nothing back into a body so full, Iβll never understand. But itβs a game to me now, finding a spot not yet filled and putting something there. A dark part of me wonders if he ever gets filled up completely, if whatever sorcery holds the nothing-knight together may break, and it will all clatter unceremoniously to the floor.
When he hands me his breastplate yet again, it is so shockingly disfigured that I wonder if being made of nothing has somehow kept him alive. No ordinary knight could sustain such injuries. So I fix it. And he waits, unmoving, in a quiet corner of the forge. Itβs like heβs watching, even though I know the reading glasses I put inside his helmet were just for fun. Iβm careful to put it all back exactly the way it was when he last left. Thereβs no room to add more this time.
He examines the breastplate, and pauses before putting it back on, like heβs looking for something. Is he worried about the fit? But it suits him just as it always did. He calmly points to a little space, about an inch, between a miniature shelf and one of many pockets. Thereβs nothing there. I ask him whatβs wrong, and again he points. Itβs the most emotion Iβve ever seen from him, and itβs barely anything at all. I take it to mean he wants something there.
I spend some time engraving a little snail in the gap. He watches, as much as nothing can watch. When Iβm finished he holds the breastplate, but he doesnβt put it on right away. I ask him if somethingβs still wrong. He says nothing, and puts it on. I tell him I canβt add anything else. Even if he could ask, thereβs no room left.
Next time he comes back, thereβs nothing wrong with his armorβhe lets me check to make sure. I ask him what heβs doing here. Out from one of many pockets, he retrieves a tiny rusted knife. Itβs in miserable condition, barely worth saving. I tell him I could make him a nice new one, but Iβll fix it if he likes. He puts it away and reaches around to find something else, a needle and thread. Better condition, but Iβm not a sewist and I tell him as much. He puts them away. He then retrieves a little twisted piece of wax paper. I open it. Itβs candy. I ask if I can eat it. He says nothing. I eat it. Itβs flavored with cinnamon. Iβm surprised he let me take it.
He keeps bringing me candy now. His armor is the most laborious to repair out of every client my forge serves, but itβs my own fault so I canβt complain. Sometimes he keeps me company while I work. I wonder if he is trying to tell me something when he hands me mints. I wonder again at the lemon lozenges. He stares at me when I eat, as much as nothing can stare.
One day he brings me a little jar of honey. I thank him, I tell him Iβll save it for dinner. He watches me work, he puts his repaired armor back on, and he stays. My shift passes slowly, and when I finally pack up to leave itβs dark outside. He follows me out of the forge. I ask him where heβs going. He points to the jar in my hand. I ask him if he wants to watch me eat it. He says nothing, but the nothing-knight clearly wants something, so I open the lid and dunk my finger in the honey. I try not to get any on my chin. He stands there, inches away, watching me try to consume this jar of honey without a utensil. It tastes like clovers. About half the jar is left when Iβve finally had enough of pretending to be a bear, but he doesnβt move to leave.
I ask if heβs going to follow me home. He says nothing. I tell him he can if he wants to. Again, nothing. I start walking, and he follows at my side. I know heβs not going to say anything ever, so I fill the silence. I tell him Iβm grateful for the sweets, I tell him about how his various components are made, I tell him Iβve never met anyone made of nothing before. I tell him itβs a rare opportunity for a smith to work so much on the inside of something. He says nothing. I tell him again how much I like the candy.
It occurs to me that maybe filling me with sugar is as close as he can get to filling someone elseβs empty armor with trinkets. Iβm not sure if thatβs really why he does it. I tell him I donβt have room to be filled with anything on the inside, not like him. Iβm not a container for much besides food. He offers me another piece of candy. Maybe he likes containing something, the way I like to feel full. Maybe itβs nothing at all.
β
I didnβt edit this even a little bit. Thanks for reading!
This one's for the scenes with multiple characters, and you're not sure how to keep everyone involved.
Writing group scenes is chaos. Someoneβs talking, someoneβs interrupting, someoneβs zoning out thinking about breadsticks. And if youβre not careful, half your cast fades into the background like NPCs in a video game. I used to struggle with this so muchβmy characters would just exist in the scene without actually affecting it. But hereβs what I've learned and have started implementing:
β¨ Give everyone a job in the scene β¨
Not their literal jobβlike, not everyone needs to be solving a crime or casting spells. I mean: Why are they in this moment? Whatβs their role in the conversation?
My favourite examples are:
The Driver: Moves the convo forward. They have an agenda, theyβre pushing the action.
The Instigator: Pokes the bear. Asks the messy questions. Stirring the pot like a chef on a mission.
The Voice of Reason: "Guys, maybe we donβt commit arson today?"
The Distracted One: Completely in their own world. Tuning out, doodling on a napkin, thinking about their ex.
The Observer: Not saying much, but noticing everything. (Quiet characters still have presence!)
The Wild Card: Who knows what theyβll do? Certainly not them. Probably about to make things worse.
If a character has no function, theyβll disappear. Give them somethingβeven if itβs just a side comment, a reaction, or stealing fries off someoneβs plate. Keep them interesting, and your readers will stay interested too.
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If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)
At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.
Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.
Before I head off for the night, I would like to make an announcement---
If someone says that God has given them a revelation or a word and its not checked by Scripture in any shape or form to see if it is true, then do not listen to it. There's folks out here saying God said something to them about something and no one bothers to think "Wow! Maybe I should compare this what God says in Scripture. Thats a swell idea :D"
Not only that, but when someone says "God told me"...
OK, how did He tell you? Did you have a vision? Did an angel appear to you or something? Because typically when God spoke to people in the Bible they did things like "fall over as if they were dead". "A thought popped into my head" or "I had a feeling about something" is not the same as "God told me".
I remember reading about a discussion between two people and one said that he and Jesus spoke all the time, that Jesus spoke to him just this morning while he was shaving, and the other guy said "...Did you keep shaving?"
A thought popped into my head once as I was driving to the store to get my infant daughter some medicine. I was crying about the pain she was in and asked God to take care of her and why she had to be hurting like this.
That still, small voice spoke in my head, saying, "I do not require your understanding. I require your acceptance."
You can tell me that wasn't God if you want, but I will respectfully disagree. That short conversation has gotten me through a lot of tough times, comforted a lot of worry, eased the ache in my heart in the 30 years since.
I'm not saying God can't come and do that but when you have influential individuals be like, "God spoke to me..." and then say the thing God told them---it can dangerous since thats putting words in God's mouth and we really don't want to be doing that. If God, in His grace, communicated to you in that moment and in that time and the message checks out according to Scripture than yes---it is from God.
I prefer double checking because many folks have gone out into the world saying things what God has not said and people are being led astray by it. I prefer double checking because I still have sin dwelling within me and I need Scripture to help me not fall into legalistic tendencies and to comfort me because my thoughts can be terrible cruel when I do fall into sin.
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when you want to go to church but have to go digitally because you've been sick for a week and your brain is like 'hey! you're well enough now. You can go. Paul says you need to be among the brethren."
I understand that, Brain. But God forbid I go to church and then get someone sick.