knitted my first pair of socks and i dont have anyone to tell about it so im leaving them here!!
art blog(derogatory)

Janaina Medeiros
Sweet Seals For You, Always
trying on a metaphor

shark vs the universe

η₯ζ₯ / Permanent Vacation
todays bird
almost home
occasionally subtle

blake kathryn

Product Placement
RMH

romaβ
let's talk about Bridgerton tea, my ask is open
noise dept.
wallacepolsom

TVSTRANGERTHINGS
seen from United Kingdom

seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
seen from Spain

seen from Singapore

seen from Malaysia
seen from United Arab Emirates
seen from Netherlands
@cuminknits
knitted my first pair of socks and i dont have anyone to tell about it so im leaving them here!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
I am trying to self draft my first own little project (why in the midst of a heatwave?) and it's just a basic stockinette raglan but oh geez, the math and trying to wrap my head around this logic is intense. I am having a blast, but if anyone has some good resources, I am very happy to receive them.
So many fiber arts have difficulty levels that are less about your level of skill than your ability to tolerate extreme multi-step processes.
Its also probably one of the reasons why any fiber art is a gateway drug into every other fiber art. I could do [other fiber art], I basically do half of those steps already for [current fiber art]. If Iβm already doing 18 steps to make this sweater, is it really that many more steps if I spin my own wool? If I had sheep, I could skip the step of sourcing my material.
β...A lone woman could, if she spun in almost every spare minute of her day, on her own keep a small family clothed in minimum comfort (and we know they did that). Adding a second spinner β even if they were less efficient (like a young girl just learning the craft or an older woman who has lost some dexterity in her hands) could push the household further into the βcomfortβ margin, and we have to imagine that most of that added textile production would be consumed by the family (because people like having nice clothes!).
At the same time, that rate of production is high enough that a household which found itself bereft of (male) farmers (for instance due to a draft or military mortality) might well be able to patch the temporary hole in the family finances by dropping its textile consumption down to that minimum and selling or trading away the excess, for which there seems to have always been demand. ...Consequently, the line between women spinning for their own household and women spinning for the market often must have been merely a function of the financial situation of the family and the balance of clothing requirements to spinners in the household unit (much the same way agricultural surplus functioned).
Moreover, spinning absolutely dominates production time (again, around 85% of all of the labor-time, a ratio that the spinning wheel and the horizontal loom together donβt really change). This is actually quite handy, in a way, as weβll see, because spinning (at least with a distaff) could be a mobile activity; a spinner could carry their spindle and distaff with them and set up almost anywhere, making use of small scraps of time here or there.
On the flip side, the labor demands here are high enough prior to the advent of better spinning and weaving technology in the Late Middle Ages (read: the spinning wheel, which is the truly revolutionary labor-saving device here) that most women would be spinning functionally all of the time, a constant background activity begun and carried out whenever they werenβt required to be actively moving around in order to fulfill a very real subsistence need for clothing in climates that humans are not particularly well adapted to naturally. The work of the spinner was every bit as important for maintaining the household as the work of the farmer and frankly students of history ought to see the two jobs as necessary and equal mirrors of each other.
At the same time, just as all farmers were not free, so all spinners were not free. It is abundantly clear that among the many tasks assigned to enslaved women within ancient households. Xenophon lists training the enslaved women of the household in wool-working as one of the duties of a good wife (Xen. Oik. 7.41). ...Columella also emphasizes that the vilica ought to be continually rotating between the spinners, weavers, cooks, cowsheds, pens and sickrooms, making use of the mobility that the distaff offered while her enslaved husband was out in the fields supervising the agricultural labor (of course, as with the bit of Xenophon above, the same sort of behavior would have been expected of the free wife as mistress of her own household).
...Consequently spinning and weaving were tasks that might be shared between both relatively elite women and far poorer and even enslaved women, though we should be sure not to take this too far. Doubtless it was a rather more pleasant experience to be the wealthy woman supervising enslaved or hired hands working wool in a large household than it was to be one of those enslaved women, or the wife of a very poor farmer desperately spinning to keep the farm afloat and the family fed. The poor woman spinner β who spins because she lacks a male wage-earner to support her β is a fixture of late medieval and early modern European society and (as J.S. Leeβs wage data makes clear; spinners were not paid well) must have also had quite a rough time of things.
It is difficult to overstate the importance of household textile production in the shaping of pre-modern gender roles. It infiltrates our language even today; a matrilineal line in a family is sometimes called a βdistaff line,β the female half of a male-female gendered pair is sometimes the βdistaff counterpartβ for the same reason. Women who do not marry are sometimes still called βspinstersβ on the assumption that an unmarried woman would have to support herself by spinning and selling yarn (Iβm not endorsing these usages, merely noting they exist).
E.W. Barber (Womenβs Work, 29-41) suggests that this division of labor, which holds across a wide variety of societies was a product of the demands of the one necessarily gendered task in pre-modern societies: child-rearing. Barber notes that tasks compatible with the demands of keeping track of small children are those which do not require total attention (at least when full proficiency is reached; spinning is not exactly an easy task, but a skilled spinner can very easily spin while watching someone else and talking to a third person), can easily be interrupted, is not dangerous, can be easily moved, but do not require travel far from home; as Barber is quick to note, producing textiles (and spinning in particular) fill all of these requirements perfectly and that βthe only other occupation that fits the criteria even half so well is that of preparing the daily foodβ which of course was also a female-gendered activity in most ancient societies. Barber thus essentially argues that it was the close coincidence of the demands of textile-production and child-rearing which led to the dominant paradigm where this work was βwomenβs workβ as per her title.
(There is some irony that while the men of patriarchal societies of antiquity β which is to say effectively all of the societies of antiquity β tended to see the gendered division of labor as a consequence of male superiority, it is in fact male incapability, particularly the male inability to nurse an infant, which structured the gendered division of labor in pre-modern societies, until the steady march of technology rendered the division itself obsolete. Also, and Barber points this out, citing Judith Brown, we should see this is a question about ability rather than reliance, just as some men did spin, weave and sew (again, often in a commercial capacity), so too did some women farm, gather or hunt. It is only the very rare and quite stupid person who will starve or freeze merely to adhere to gender roles and even then gender roles were often much more plastic in practice than stereotypes make them seem.)
Spinning became a central motif in many societies for ideal womanhood. Of course one foot of the fundament of Greek literature stands on the Odyssey, where Penelopeβs defining act of arete is the clever weaving and unweaving of a burial shroud to deceive the suitors, but examples do not stop there. Lucretia, one of the key figures in the Roman legends concerning the foundation of the Republic, is marked out as outstanding among women because, when a group of aristocrats sneak home to try to settle a bet over who has the best wife, she is patiently spinning late into the night (with the enslaved women of her house working around her; often they get translated as βmaidsβ in a bit of bowdlerization. Any time you see βmaidsβ in the translation of a Greek or Roman text referring to household workers, it is usually quite safe to assume they are enslaved women) while the other women are out drinking (Liv. 1.57). This display of virtue causes the prince Sextus Tarquinius to form designs on Lucretia (which, being virtuous, she refuses), setting in motion the chain of crime and vengeance which will overthrow Romeβs monarchy. The purpose of Lucretiaβs wool-working in the story is to establish her supreme virtue as the perfect aristocratic wife.
...For myself, I find that students can fairly readily understand the centrality of farming in everyday life in the pre-modern world, but are slower to grasp spinning and weaving (often tacitly assuming that women were effectively idle, or generically βhomemakingβ in ways that precluded production). And students cannot be faulted for this β they generally arenβt confronted with this reality in classes or in popular culture. ...Even more than farming or blacksmithing, this is an economic and household activity that is rendered invisible in the popular imagination of the past, even as (as you can see from the artwork in this post) it was a dominant visual motif for representing the work of women for centuries.β
- Bret Devereaux, βClothing, How Did They Make It? Part III: Spin Me Right Roundβ¦β
If I may tag onto this: it's really astonishing how much spinning you can get done when you do it in tiny increments. When I'm at a medieval market or music festival (back when that was... a thing), I carry my spindle everywhere and just spin a tiny little bit, constantly. Waiting in line for food. Sitting somewhere waiting for the next band to play, in the early morning when nobody's up yet. I can get through 100 gr of fibre in a day like this without consciously dedicating any extended time periods to it (and I'm not the best with a drop spindle). I would imagine that is roughly the way it worked in pre-modern cultures, too, which means that yes, it was possible to supply the fabric for an entire household this way, if the fabric was also taken care of properly (mended, re-used, recycled ...) and the spinner didn't suffer from illness or had any disabilities (!). It wouldn't be easy, but it also wouldn't be terrifying back-breaking labour.
I would like to amend the above: spinning all day every day in order to keep your family afloat must absolutely have been terrifying back-breaking labour eventually. Or wrist-breaking.
In unrelated news, last year I got a repetitive strain injury from too much spinning, and had never been so grateful in my life that I can simply stop spinning and suffer no financial hardship from it.
This is a reminder for those who handmake Christmas presents that now is not too early to start. It may in fact be a good time to start if you have a lot to make/your craft takes a long time. You should maybe start it now, whether that's brainstorming or actually doing the crafts!
Translating this into tumblr's preferred public service announcement format for this kind of alert:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
what you learn from hobbies:
consistent practice opens up whole worlds of skill that you couldn't imagine
making mistakes in the process of learning is not only natural, it is also essential
activities that you enjoy can give you more energy back than you spent on them
wow everything is so expensive
my hands hurt
my back hurts
I thought I could count but apparently I can't.
my best friend linen my brother in arms cotton my partner wool my beautiful sister silk
our sick deranged enemy polyester....
the demon lord, prince of lies, "Vegan Leather"...
oh btw since its pride month heres some knitting and crochet patterns for you. these are all free. note that i have not MADE or TESTED all of these.
so there are a lot of patterns for soft prosthetic breasts for breast cancer survivors, but there's no reason you cant make yourself some boobs:
Ravelry: Knitted Knockers Double pointed needles pattern by KnittedKnockers.org
Ravelry: Knockers (Crochet) pattern by Claudia Barbo
Ravelry: Tit Bits pattern by Beryl Tsang
Ravelry: Quick & Easy Round Knocker pattern by Janet Dawson
patterns for packers:
Ravelry: Perfectly Reasonable Packer pattern by Janet Dawson - this is a pattern i have actually made. i found it really easy to make and to customize/adapt for different yarns.
Ravelry: Soft Packer pattern by Marian Fournier
Ravelry: Trans Masc Packer pattern by Marcy Fank
Ravelry: Knit Packer pattern by Finn Beaton
fun pride themed patterns:
Ravelry: Progress Pride Flag Cutie pattern by Nicola Newt
Ravelry: Transgender Symbol pattern by Sara Allen
Ravelry: LGBTQ+Equality for Shawl pattern by nycraft craftivist
Ravelry: Pride & Trans Pride Flipsy pattern by kawaiicuddlebug
Ravelry: Transitions Trans Pride Cowl pattern by Elizabeth L. Schell
Ravelry: Trans Pride flag handwarmers pattern by Cassian Lotte Lodge
Ravelry: Protect Trans Folks Tapestry pattern by Ashley Gorecki
Pride Flag Knitting Chart! β TINA TSE KNITS
Ravelry: Pride Flag Hearts pattern by Grace Grommes
Ravelry: Pride Headband pattern by Indie Child
Mini Pride Progress Flag Free Crochet Pattern β Unicorn Hideout
Free patterns: Bi Bee, Enbee, Lesbeean β With Love, Feli
things are rough but we will get through it. happy pride monthπ
the thing about fiber art that nobody tells you about is that every single kind of fiber art is a gateway drug to other kinds of fiber art.
online numbers can really fuck you up when it comes to your creative work because you're sharing something you worked on with all your heart but it's very important to remember there's actual people behind those numbers. even if it's 1. that's one whole actual person. that's a human being who said "haha nice". that's a connection with a REAL person with a REAL life and REAL thoughts and feelings and experiences. like. damn. that should mean something

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
it's a well-known fact in the textile crafting community that "making objects from textiles" is an entirely separate hobby from "having a collection of materials to make things with."
crafters often refer to this collection as a "stash" or a "hoard."
it's normal to have, but sometimes comes with a certain awkwardness.
the problem is that it takes a very long time to make things from textiles - and it is extremely quick, fun and easy to get more materials.
Presents, impulse purchases, leftovers from other projects, things you bought FULLY intending to make something that you changed your mind about...
Another problem is that you genuinely DO have a plan for the materials! your intentions and desires are THERE!
and admitting that it isn't going to happen - or that your mind has changed, or you're no longer able to do them - can be really painful!
it's incredibly hard to say: "we are not the people who can do these things. we are not the people who WILL do these things."
but sometimes you need to.
it's a natural part of life. it might feel painful to let go of things that you really want to use, but won't. But clearing them out - and the attached guilt and shame - will make room for a lot more things in your life. Room for things you'll use. Room for the projects you'll do.
Room and space - not for hanging on to the shades of the ambitions and intentions and people you aren't - not being held for lives you don't have - but room and space for who you are today, and who you'll be tomorrow, and for the things you'll do.
Room and space to grow.
every time i ladder down to fix a wrong stitch i feel like that stupid meme that was like "they did surgery on a grape" i did surgery on a sock
how it started:
how it ended:
So many fiber arts have difficulty levels that are less about your level of skill than your ability to tolerate extreme multi-step processes.
Do you feel like the Barbara Socks are beginner friendly? They are so beautiful, but I haven't made socks before at all
As always with these things, I think it depends a lot on your level of knitting. While this was only my second pair of socks ever, I have been knitting constantly for 3 years before that. I didn't struggle: the stitch pattern is only one of YOs and decreases and the top down construction is quite straight forward. A slip stitch heel also is not that difficult, imo.
Also, I think beginners should make whatever they feel passionate about. If that is something more difficult, the learning effect will be even bigger!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Now I am become stranded colorwork, consumer of yarns.
My cat Sna took the blanket photoshoot very seriously