Will you come with me to the mountains? It will hurt at first, until your feet are hardened. Reality is harsh to the feet of shadows. But will you come?
C.S. Lewis, The Great Divorce (via bluecollarclassicist)

@theartofmadeline
NASA

ellievsbear

oozey mess
hello vonnie
One Nice Bug Per Day

Origami Around

Kaledo Art
$LAYYYTER
"I'm Dorothy Gale from Kansas"
RMH

Product Placement
2025 on Tumblr: Trends That Defined the Year
Mike Driver
styofa doing anything
art blog(derogatory)
I'd rather be in outer space 🛸
trying on a metaphor
Lint Roller? I Barely Know Her
cherry valley forever
seen from Greece
seen from United States

seen from Netherlands

seen from Malaysia
seen from Morocco
seen from United States
seen from Kazakhstan
seen from United States
seen from United States

seen from United States

seen from Italy
seen from Netherlands
seen from Serbia

seen from United States
seen from Serbia
seen from United States
seen from Iceland
seen from United States

seen from Netherlands
seen from Malaysia
@cslewisquotes
Will you come with me to the mountains? It will hurt at first, until your feet are hardened. Reality is harsh to the feet of shadows. But will you come?
C.S. Lewis, The Great Divorce (via bluecollarclassicist)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
As long as we stay on this side of the _____river, we'll be ok. What's the name of the river?
The River Shribble.
“The King told me long ago,” said Scrubb, “––that time when I was with him at sea––that he’d jolly well beaten those giants in war and made them pay him tribute.” “That’s true enough,” said Puddleglum. “They’re at peace with us all right. As long as we stay on our own side of the Shribble, they won’t do us any harm."
Source: The Silver Chair (1953)
Our natural experiences (sensory, emotional, imaginative) are only like the drawing, like pencilled lines on flat paper. If they vanish in the risen life, they will vanish only as pencil lines vanish from the real landscape, not as a candle flame that is put out but as a candle flame which becomes invisible because someone has pulled up the blind, thrown open the shutters, and let in the blaze of the risen sun.
Transposition (1944)
We do not merely want to see beauty, though, God knows, even that is bounty enough. We want something else which can hardly be put into words – to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it. That is why we have peopled air and earth and water with gods and goddesses and nymphs and elves – that, though we cannot, yet these projections can enjoy in themselves that beauty, grace, and power of which Nature is the image. That is why the poets tell us such lovely falsehoods. They talk as if the west wind could really sweep into a human soul; but it can't. They tell us that 'beauty born of murmuring sound' will pass into a human face; but it won't. Or not yet. For if we take the imagery of Scripture seriously, if we believe that God will one day give us the Morning Star and cause us to put on the splendour of the sun, then we may surmise that both the ancient myths and the modern poetry, so false a history, may be very near the truth as prophecy.
The Weight of Glory (1941)
Our lifelong nostalgia, our longing to be reunited with something in the universe from which we now feel cut off, to be on the inside of some door which we have always seen from the outside, is no mere neurotic fancy, but the truest index of our real situation. And to be at last summoned inside would be both glory and honour beyond all our merits and also the healing of that old ache.
The Weight of Glory (1941)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
A silly idea is current that good people do not know what temptation means. This is an obvious lie. Only those who try to resist temptation know how strong it is… A man who gives in to temptation after five minutes simply does not know what it would have been like an hour later. That is why bad people, in one sense, know very little about badness. They have lived a sheltered life by always giving in.
C.S. Lewis, Mere Christianity (1952)
I'm looking for a specific quote about the nature of God. The scene, as I recall, is of a girl who is thirsty and of a lion who stands between the girl and a river. I believe it is C.S. Lewis who wrote it, any light you can shed on the subject is appreciated. Many thanks, TWeaver
Hello there,
The scene you're referring to is from The Silver Chair, between Jill and Aslan. You can find the entire passage on the blog here: 'Are you not thirsty?' said the Lion.
I discovered the wonderful power of wine. I understand why men become drunkards. For the way it worked on me was—not at all that it blotted out these sorrows—but that it made them seem glorious and noble, like sad music, and I somehow great and reverend for feeling them. I was a great, sad queen in a song. I did not check the big tears that rose in my eyes. I enjoyed them. To say all, I was drunk; I played the fool.
Till We Have Faces (1956) - C.S. Lewis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The human mind is generally far more eager to praise and dispraise than to describe and define. It wants to make every distinction a distinction of value; hence those fatal critics who can never point out the differing quality of two poets without putting them in an order of preference as if they were candidates for a prize.
The Four Loves (1960)
The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that.
The Four Loves (1960)
Did Lewis ever write a letter to Arthur C. Clarke?
Yes, they exchanged several letters about the moral significance of space travel, starting in 1943. They’ve been published in the volume From Narnia to A Space Odyssey, but you can find a summary of Lewis and Clarke’s correspondence here (as well as a good review of the book itself, which unfortunately is a victim of some sloppy editing - but it’s worth picking up if you can find it).
I remember a quote saying something about how if a man should judge the nature of God from the nature of the universe (his creation), he would conclude that God is wondrous and vast beyond reckoning--but also capricious, and no friend of man. (Or something similar to that.) I'm fairly convinced it's Lewis, but can't find it. Please help and thank you for the site!
Indeed it is, and it’s from Mere Christianity (Book I, Chapter 5):
We have two bits of evidence about [God]. One is the universe He has made. If we used that as our only clue, than I think we should have to conclude that He was a great artist (for the universe is a very beautiful place), but also that He is quite merciless and no friend to man (for the universe is a very dangeorus and terrifying place).
The other bit of evidence is that Moral Law which He has put into our minds. And this is a better bit of evidence than the other, because it is inside information. You find out more about God from the Moral Law than from the universe in general, just as you find out more about a man by listening to his conversation than by looking at a house he has built.
It is a poor thing to strike our colours to God when the ship is going down under us; a poor thing to come to Him as a last resort, to offer up "our own" when it is no longer worth keeping. If God were proud He would hardly have us on such terms: but He is not proud, He stoops to conquer, He will have us even though we have shown that we prefer everything else to Him.
The Problem of Pain (1940)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
When pain is to be borne, a little courage helps more than much knowledge, a little human sympathy more than much courage, and the least tincture of the love of God more than all.
The Problem of Pain (1940)
We demand windows. Literature as Logos is a series of windows, even of doors. One of the things we feel after reading a great work is "I have got out." Or from another point of view, "I have got in"; pierced the shell of some other monad and discovered what it is like inside.
An Experiment in Criticism (1961)