The Lady with an Ermine (Cecilia Gallerani) by Leonardo da Vinci (1496) #high renaissance #art https://t.co/E14Ufewp9W


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The Lady with an Ermine (Cecilia Gallerani) by Leonardo da Vinci (1496) #high renaissance #art https://t.co/E14Ufewp9W

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do you ever want to gently float up to someone and whisper âthis isnât a debate; i am actually educated on the subject and iâm telling you youâre wrongâ
 A Crowned âMermanâ A Sea God Sleeping on a Rocky Shore, watercolor, brown ink, and pen, by Arthur Rackham, 1867-1939, English book illustrator. Private Collection.
âthatâs the spiritâ i say as i gesture to the spirit thatâs been haunting my home for years. when will they leave or start contributing to the household by doing something like helping with laundry. when will they pay rent
Diana Bastet

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Whatever lives wounds.
JoĂŁo Cabral de Melo Neto, from âThe Dog Without Feathers,â Education by Stone ( Archipelago Books, 2014)
But the hearts of small children are delicate organs. A cruel beginning in this world can twist them into curious shapes. The heart of a hurt child can shrink so that forever afterward it is hard and pitted as the seed of a peach. Or again, the heart of such a child may fester and swell until it is a misery to carry within the body, easily chafed and hurt by the most ordinary things.
Carson McCullers, The Ballad of the Sad CafĂŠ and Other Stories (via sadburro)
im a hoe but a shy hoe. a shoe

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Offerings from the Wild Hunt for the Great Horned God
Witchy Woman âđâ
Artwork by Celia Krampien
And thereâs nothing more holy than holding a manâs heartbeat between your teethâsharpened with want.
Ocean Vuong, from âDevotion,â Night Sky with Exit Wounds (via themotherofrevelation)
I am a dream swallower, and I poison myself. I have a palate for rare, erratic impulses.
Anaïs Nin, from a diary entry featured in Linotte: The Early Diary Of  Anaïs Nin (1914-1920)

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From What is a Witch, âan illuminated manifesto on witchcraftâ by Pam Grossman and Tin Can Forest.
La chute de la maison Usher