exerpt from âJohn Chapmanâ in American Primitive by Mary Oliver

Andulka
PUT YOUR BEARD IN MY MOUTH
occasionally subtle
DEAR READER

#extradirty

pixel skylines

tannertan36

Product Placement

shark vs the universe
Jules of Nature
h
Three Goblin Art
Misplaced Lens Cap
will byers stan first human second

Kiana Khansmith


â
Lint Roller? I Barely Know Her
Keni
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@crystalclaire
exerpt from âJohn Chapmanâ in American Primitive by Mary Oliver

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Jerome Robbins, In the Night
Sae Eun Park and Paul Marque
ph. Svetlana Loboff
Forest Lake with Water Lilies in Bloom and Numerous Insects, c. 1869.
Anthonore Christensen, (Danish, 1849 - 1926)Â
Polish National Ballet - La Bayadere
Video by Mateusz Buszka

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in blackwater woods by Mary Oliver
Mother Duck and a host of half grown ducklings in a patch of water crows-foot on the Kennet chalk river, in Wiltshire.
â˝ The first envelope was a pair of wings.
Loon Gathering - Mia Bergeron , 2026.
American , b. 1979 Â - Â Â
Coloured acrylic on flat panel , 6 x 6 in.
Tamara Toumanova dancing Anna Pavlovaâs âDragonflyâ in Tonight We Sing, 1953

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The Naiads (Le Naiadi) (1881) by Gioacchino Pagliei (Italian, 1852 â 1896), oil on canvas, 144 x 213 cm (56 1/2 x 83 3/4 in), Newstead Abbey, Nottingham City Museums and Galleries
What are you reading rn, why are you reading it, and what format are you reading it in (physical book, ereader, on your phone etc)
AmĂŠlie de Montfort, Jean-Baptiste Carpeaux (1827-1876), Modelled 1869, Plaster, Glyptoteket Museum, Copenhagen.
Gabrielle Calvocoressi, âNo Poems Today,â in The New Economy
"Isabella and the Pot of Basil" by John William Waterhouse, 1907

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I love birds. Reasons for living. Little earth choir everyday are you kidding? Beautiful. Indebted and lucky for it.
âItâs summer now, and youâre craving a simpler existence. You want to read. You want to write. You want to meet strangers for dinner, and not refuse another drink at another bar. You want to dance. You want to find yourself in a basement, neck loose, bobbing your head as a group of musicians play, not because they should, but because they must. Itâs summer now, and youâre looking forward to worrying less. Youâre looking forward to longer nights and shorter days. Youâre looking forward to gathering in back gardens and watching meat sputter on an open barbecue. Youâre looking forward to laughing so hard your chest hurts and you feel light-headed. Youâre looking forward to the safety in pleasure. Youâre looking forward to forgetting, albeit briefly, the existential dread which plagues you, which tightens your chest, which pains your left side. Youâre looking forward to forgetting that, leaving the house, you might not return intact. Youâre looking forward to freedom, even if it is short, even if it might not last. Youâre looking forward.â
â Caleb Azumah Nelson, Open Water