Roelof Louw
Soul City (Pyramid of Oranges), 1967
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Roelof Louw
Soul City (Pyramid of Oranges), 1967

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(via Things / // Paul Cox - Sculptures Alphabetiques, jeu de construction)
genie granting wishes
Johannes Itten, Foundation Course, Composition of Cubes, 1922
Danh Vo
We The People (detail), 2011

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Todas las líneas a puntos
To Note: Notation Across Disciplines / Available at www.draw-down.com / Notation became the focal point of a #workshop presented at RMIT #Design Hub in Melbourne, entitled ‘To Note: #Notation Across Disciplines.’ It involved 25 practitioners working in and across the disciplines of sound, #dance, visual art, and #architecture and design. Their lectures, reprinted here in essay form, consider the wider significance, influence, and role of notation across creative fields. Part reference, part exercise manual, this book, edited by Hannah Mathews, is a collection of material that both informs and challenges our understanding of notation and how it exists both historically and currently within and across various fields and disciplines. With contributions from Deanne Butterworth, Lane Cormick, Georgina Criddle, Richie Cyngler, Matthew Day, Eliza Dyball, Benjamin Forster, Dr. Sally Gardner, Nathan Gray, Helen Grogan, Aurelia Guo, Melanie Irwin, Rebecca Jensen, Shelley Lasica, Michelle Mantsio, Phip Murray, Geoff Robinson, Jan van Schaik, Brooke Stamp, Lilian Steiner, Studio Apparatus, Studio Osk, Colby Vexler, Phoebe Whitman, and Benjamin Woods. Designed by #ŽigaTesten & #StuartGeddes
Kenneth Noland
Bolton Landing : Singing the Blues
1962
Acrylic on canvas
161 x 161 cm
Papaya. Helen Sharp. [Water-color sketches of plants of North America and Europe] 1888-1910.
Les Sylphides (1915). Ernst Oppler (German, 1867-1929). Oil on canvas.
As Les Sylphides, what we consider the work, was premiered by Sergei Diaghilev’s Ballets Russes on 2 June 1909 at Théâtre du Châtelet, Paris. The Diaghilev premiere is the most famous, as its soloists were Tamara Karsavina, Vaslav Nijinsky (as the poet, dreamer, or young man), Anna Pavlova, and Alexandra Baldina.

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Giuseppe Chiari, Untitled, 1979 [Centro per l'Arte Contemporanea Luigi Pecci, Fondazione per le Arti Contemporanee in Toscana, Prato]
Andrea Zittel
Me In My Brown Denim Personal Panel
1998
Gouache and graphite on paper
20 x 15" (50.8 x 38.1 cm)
MoMA
John Tlumacki. An unusually warm dday in Boston. 1985
Soil (Torey) Thornton (B. 1990) - Manta Mono, 2015. Acrylic on shaped cardboard collage / 61 ¾ x 59 ⅝ in. (156.8 x 151.4 cm.)

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Michael Krebber, Untitled, 2021, Oil on canvas, 40.25 x 30 inches (102.2 x 76.2 cm)
Leaf patterns. An embroidery pattern book. 1917.
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