CRGNSTRK ; private & independent portrayal of cregan stark for the awoiaf verse. book based. dark and triggering content. writer is 21+ and will not write with minors.
CARRD. HEADCANONS. PROMPTS. PROMO.

blake kathryn
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KIROKAZE
πͺΌ

shark vs the universe
art blog(derogatory)
he wasn't even looking at me and he found me

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tannertan36
Not today Justin
YOU ARE THE REASON

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@crgnstrk
CRGNSTRK ; private & independent portrayal of cregan stark for the awoiaf verse. book based. dark and triggering content. writer is 21+ and will not write with minors.
CARRD. HEADCANONS. PROMPTS. PROMO.

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π πΌ π° π π° πΆ π³ π π π΄ π π π΄ π. a selectiveΒ blogΒ forΒ ππππππ πππππππππΒ setΒ withinΒ theΒ awoiaf universe.βlovedΒ byΒ zenik. Β©
π°Β ππππ³πΒ πΈπ½Β Β Β βΈ»Β SURROGATE FATHERHOOD, THE SHADOW OF THE HIGHTOWER, GLEAMING ARMOUR TARNISHED BY WAR, FAMILIAL DETACHMENTS, A DISSOLUTION OF FAITH, HONOUR BEFORE REASON.
π²π·πΈπ π°π»ππ ( noun ) ; the medieval knightly system with its religious, moral, and social code
an independent & selective portrayal of gwayne hightower of hbo's house of the dragon & grrm's fire & blood. penned by zenik. template credit. psd credit.
Β π π«π¨π¦ ππ©ππ«π«π’π§π ππ¨ πππ§π¬π’π¨π§
(steel meets skin, laughter turns to breathless stillness)
Training Grounds & Bruised Pride
β Youβre getting betterβ¦ but not good enough to beat me. β
β That swing wouldβve taken my head off if you werenβt distracted staring at me. β
β You call that a punch? Try again. Harder. β
β Carefulβif you keep touching me like that, Iβll forget this is just training. β
β Youβre supposed to disarm me, not pin me down. β
β If you wanted to get me on the ground, there are easier ways. β
β Oh, so now youβre blushing? Didnβt expect that from you. β
β Donβt hold back just because Iβm close. Hit me. β
β You like this too much to call it practice. β
β Youβre bleeding. β¦and youβre smiling about it? β
Clash & Proximity
β Stop movingβif you do, Iβll let you go. Maybe. β
β Youβre enjoying this way more than you should. β
β I could feel your heartbeat when I had you pinned. β
β Youβre supposed to block, not get distracted every time I breathe. β
β Funny how you only get serious when I get close. β
β Is this still a fight, or are we pretending it is? β
β If you wanted to touch me, you couldβve just asked. β
β That smirkβs going to get you in trouble. β
β Youβre trembling. Adrenaline or something else? β
β Youβve got a death wish standing that close. Or maybe just a bad idea. β
Verbal Sparring & Tension
β Whatβs wrongβafraid Iβll beat you? Or that I wonβt stop when I do? β
β Keep taunting me and I might forget to pull my punches. β
β You talk too much. Letβs see if I can change that. β
β Didnβt realize arrogance was one of your fighting styles. β
β Donβt act so calmβyouβre shaking. I can feel it. β
β You like pushing me, donβt you? β
β Admit itβyou only challenged me so youβd have an excuse to touch me. β
β I thought you were dangerous. Turns out youβre just distracting. β
β You keep saying this is training, but you keep looking at my mouth. β
β Try again. And stop pretending you donβt want to. β
Pinned & Breathless
β You should really get off meβ¦ unless you plan to stay there. β
β You gonna move, or are you enjoying the view? β
β Youβre heavy. β¦Donβt you dare move. β
β Your handβs still on me. Not that I mind. β
β Is this where you finally admit you like losing to me? β
β You can let go now. β¦anytime. β
β I said training, not straddling. β
β If anyone walks in right now, Iβm blaming you. β
β Donβt look at me like that. Youβll make me forget weβre supposed to be fighting. β
β I thought this was about technique, not temptation. β
Aftermath & Smolder
β Youβve got blood on your lip. β¦Here, let meβ β
β You hit harder than you should. I liked it. β
β I should hate how close that was. But I donβt. β
β Youβre shaking. Hereβcatch your breath. β
β For someone who swears they donβt care, you sure looked worried when I fell. β
β You didnβt have to pull me that close. β
β Iβve fought a lot of people. None of them ever looked at me like that. β
β Are we still sparring, orβ¦ something else? β
β Tell me you didnβt feel that too. β
β Maybe next time, we skip the weapons. β
2.5 days left until the summer holidays and maybe i will finally refresh my accounts a bit and clear some inboxes and drafts

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and i can't even deny the allegations
@jacaeryse sent ; [ WOUND ] following a particularly rough battle, the sender goes to the receiver to suggest that they help one another to remove their clothing and check one another for injuries
a small handful of tents had hastily been erected in the aftermath of the battle, some for the worst of their wounded, and one for the prince, though any luxuries that might normally have been afforded to him were forgone in such circumstances. the lord of winterfell had soon followed jacaerys into the confines of the tent, under the guise of needing to discuss their next movement should anyone think to ask, though it was unlikely any would question it. there was enough already to preoccupy their minds. they would not have to know that a few murmured words had been all the invitation cregan had required, his bloodied sword now abandoned upon the ground and hands instead occupied with untying and removing clothing.
the undressing isn't frantic or hasty, as it might be if there were any indication of some serious wound, or under another kind of circumstance where cregan might wish to have him undressed as quickly as is possible. he has to pause his own efforts to allow jace to remove a padded layer that, whilst not intended to stop a sword, reduced the damage inflicted by other impacts, yet as soon as he's able, he returns to his task in removing the final layer of clothing from jace, gaze dipping to search out the worst of any wounds, fingers gently pressing to a particularly nasty bruise sitting over his ribs to test for any fractured bones. "nothing too serious, i don't think. as long as you let yourself recover."
ππππ Β & Β ππππ πππππ πππππππΒ Β Β (a Β series Β ofΒ nonverbalΒ prompts .Β Β matureΒ themesΒ present ,Β Β β my βΒ museΒ belongsΒ toΒ theΒ one whoΒ postedΒ theΒ memeΒ -Β sendΒ Β β + REVERSE βΒ Β toΒ reverseΒ theΒ prompts .)
βΒ Β Β πΒ .Β Β GENERAL
βΒ Β hush .Β Β raiseΒ aΒ fingerΒ inΒ aΒ gestureΒ toΒ silenceΒ myΒ muse . β Β sit .Β Β gestureΒ forΒ myΒ museΒ toΒ sitΒ down . β Β door .Β Β holdΒ aΒ doorΒ openΒ forΒ myΒ muse . βΒ Β tapΒ .Β Β tapΒ myΒ museΒ onΒ theΒ shoulderΒ toΒ garnerΒ theirΒ attention . βΒ Β hunger .Β Β giveΒ myΒ museΒ somethingΒ toΒ eatΒ /Β drink . βΒ Β cook .Β Β presentΒ myΒ museΒ withΒ home - cookedΒ food . βΒ Β brush .Β Β workΒ aΒ brushΒ /Β combΒ throughΒ myΒ museβsΒ hair . βΒ Β read .Β Β silentlyΒ readΒ aΒ bookΒ alongsideΒ myΒ muse . βΒ Β hand .Β Β holdΒ outΒ aΒ handΒ forΒ myΒ museΒ toΒ take . βΒ Β dressed .Β Β helpΒ myΒ museΒ putΒ onΒ anΒ articleΒ ofΒ clothing . βΒ Β note .Β Β giveΒ myΒ museΒ aΒ noteΒ saying :Β Β [ content ] . βΒ Β amplify .Β Β turnΒ upΒ theΒ musicΒ inΒ theΒ car .
β Β Β ππ . Β Β ANGST
β Β patch . Β helpΒ myΒ museΒ patchΒ upΒ aΒ wound . βΒ Β night terrors .Β Β holdΒ myΒ museΒ afterΒ theyΒ wakeΒ upΒ fromΒ aΒ nightmare . βΒ Β company .Β Β silentlyΒ sitΒ withΒ myΒ museΒ toΒ comfortΒ them. βΒ Β hospital .Β Β myΒ museΒ isΒ toldΒ thatΒ yoursΒ isΒ inΒ theΒ hospital . βΒ Β revelation .Β Β showΒ myΒ museΒ evidenceΒ ofΒ aΒ lieΒ theyΒ told . βΒ Β indulge .Β Β findΒ myΒ museΒ drinkingΒ toΒ cope . βΒ Β downfall .Β Β findΒ myΒ museΒ collapsedΒ onΒ theΒ ground . βΒ Β console .Β Β comfortΒ myΒ museΒ asΒ theyΒ cry . βΒ Β nurse .Β Β giveΒ myΒ museΒ companyΒ inΒ theΒ hospital .
β Β Β πππ . Β Β AFFECTIONATE
βΒ Β wink .Β Β winkΒ atΒ myΒ muse .Β βΒ Β wrap .Β Β wrapΒ anΒ armΒ aroundΒ myΒ museβsΒ [ shouldersΒ /Β waist ] . β Β caress .Β Β gentlyΒ caressΒ myΒ museβsΒ face . βΒ Β tousle .Β Β messΒ playfullyΒ withΒ myΒ museβsΒ hair . βΒ Β chest .Β Β placeΒ yourΒ headΒ onΒ myΒ museβsΒ chest .Β Β βΒ Β combΒ .Β Β combΒ fingersΒ throughΒ myΒ museβsΒ hair . βΒ Β graspΒ .Β Β runΒ toΒ myΒ museΒ &Β jumpΒ intoΒ theirΒ arms . βΒ Β lean .Β Β leanΒ onΒ myΒ museβsΒ shoulder . βΒ Β tender .Β Β kissΒ myΒ museΒ onΒ theΒ [ foreheadΒ /Β cheekΒ /Β nose ] . βΒ Β abrupt .Β Β kissΒ myΒ museΒ outΒ ofΒ theΒ blue . βΒ Β chaste .Β Β chastelyΒ kissΒ myΒ muse . βΒ Β good morning .Β Β kissΒ myΒ museΒ theΒ morningΒ after . βΒ Β volumes .Β Β gazeΒ atΒ myΒ museΒ inΒ aΒ wayΒ thatΒ silentlyΒ saysΒ Β βi love youβ .
β Β Β ππ Β .Β Β VIOLENT
β Β strike .Β Β [ slap / punch ]Β my muse in the face . βΒ Β gun .Β Β wieldΒ aΒ gunΒ atΒ myΒ muse . βΒ Β twist .Β Β twistΒ myΒ museβsΒ armΒ behindΒ theirΒ back . βΒ Β throttle .Β Β aggressivelyΒ wrapΒ yourΒ handsΒ aroundΒ myΒ museβsΒ throat . βΒ Β parch .Β Β burnΒ myΒ museΒ withΒ aΒ hotΒ object . βΒ Β take down .Β Β forcefullyΒ bringΒ myΒ museΒ toΒ theΒ ground . βΒ Β gougeΒ .Β Β wieldΒ aΒ sharpΒ objectΒ atΒ myΒ muse . βΒ shunt .Β Β shoveΒ myΒ museΒ backwards . βΒ stickup .Β Β yellΒ atΒ myΒ museΒ toΒ putΒ theirΒ handsΒ inΒ theΒ air. βΒ shoot .Β Β [ fatallyΒ /Β non-fatally ]Β Β shootΒ myΒ muse . βΒ stab .Β Β stabΒ myΒ muse with aΒ [ knife / other object ].
β Β Β π .Β Β NSFW
βΒ Β surprise .Β Β sendΒ anΒ unexpectedΒ nsfwΒ imageΒ toΒ myΒ muse . βΒ Β pin .Β Β pushΒ myΒ museΒ againstΒ aΒ [ wall,Β table,Β other ] . βΒ Β go down .Β Β goΒ downΒ onΒ myΒ muse . β Β choke . Β intimately Β wrap Β your Β hands Β around Β my Β museβs Β throat . βΒ Β belt loops .Β Β pullΒ myΒ museΒ closerΒ byΒ theirΒ belt loops . βΒ Β skinny dipping .Β Β goΒ skinnyΒ dippingΒ withΒ myΒ muse . βΒ Β rip .Β Β tearΒ aΒ pieceΒ ofΒ clothingΒ fromΒ myΒ museβsΒ body . βΒ Β mark .Β Β leaveΒ aΒ markΒ onΒ myΒ museβsΒ bodyΒ [ specify where ] .
trying to teach my y10s today was the most overstimulating experience
@sigilstag sent ; β iβve never seen snow before .. β
though the sentiments would never be vocalised and little could ever be read into the serious expression that he nigh exclusively wore, the young lord was oft loathe to host guests within the walls of winterfell, always feeling encroached upon within his own home no matter the size of the visiting party. so it was with the baratheon retinue that currently seemed to fill the place, not simply with their physical presence, but with something that set his teeth on edge, an almost frenetic energy in the air, largely aided, he was sure, by the baratheon daughter before him amidst winterfell's snow covered gardens. he would gladly have left her to wander to her hearts content, one less person to keep an eye over at least temporarily, had an expression of concern not been voiced to him over doubts that she could possibly be warm enough for long.
"i might have guessed by your cloak. i doubt it could even keep the chill of a summer snow from your bones." a servant would already be seeking out a suitable replacement, and ensuring the rest of their guests were similarly provided for, in case all of them had come ill-prepared for the frigid air and frozen ground. "there are plenty of places you can see the snow where you won't catch a chill, my lady."

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well i ended up making some graphics instead of writing for the past hour but at least they're pretty
time to see how many drafts i can get done before my brain melts from the heat again
prompts about getting undressed.
hello my brilliant babies, babes, besties, bros, beloveds and beams of brilliance! it is i! i have returned and i bring to you this prompt list based on the concept of getting undressed and helping others to do the same! "but blue! where's the spice!" fantabulistic question, i left that option off the list bc there are MANY spice-focused lists with that option. however i will still tag this as being nsfw. bc it lowkey is. anyway, love you! DO NOT ADD TO, COPY OR EDIT THIS LIST!
[ HELP ]: the injured sender, unable to comfortably take off their clothes, asks the receiver to help them get undressed.
[ GUIDE ]: sender notices that the injured receiver isn't able to get undressed without help and offers to do so.
[ SOAKED ]: after a sudden downpour/being in water, the sender hastens to help the wet receiver out of their clothes to prevent hypothermia.
[ CRIMSON ]: the sender, noticing the receiver has blood on their clothes (either from an injury or another person) takes them to a private room to help remove the clothes and find clean ones.
[ CONCEAL ]: in an effort to hide evidence of wrong-doing, the sender quickly takes the receiver's clothes from them to be destroyed and finds them less incriminating clothing.
[ RETRIEVE ]: in an effort to protect potential evidence, the sender carefully helps the receiver to remove their clothes, bagging them in the process and helping them dress in clean clothes.
[ SCENT ]: in order to protect them from sniffer dogs or scent-sensitive animals/monsters/etc., the sender helps the receiver remove their clothes and replaces them with less sensitive garments.
[ DIVE ]: the sender and receiver help one another to strip down so they can go swimming in comfort.
[ CLEANSE ]: sender, after running the receiver a nice relaxing bath, brings them to the bathroom and carefully helps them get undressed so they can enjoy the bath properly.
[ FEVER ]: sender, having noticed the receiver spiking a fever, quickly helps them remove their clothes so they can go into a cool shower in an effort to break it.
[ WIPE ]: sender hastily brings the receiver to a quiet room and helps them get undressed so the sender can wipe them down with wipes to remove dirt/blood/tears/etc. from their skin.
[ HEAT ]: to prevent the receiver from overheating, the sender quickly helps them to get undressed so they can cool down quicker in the shade.
[ SHOPPING ]: while trying on new clothes, the sender offers to help the receiver change out of a more complicated outfit to avoid damaging it.
[ TRANSFORM ]: suddenly in need of disguise, the sender and receiver help one another to take off any identifying clothing and disguise their appearances to escape unseen.
[ WOUND ]: following a particularly rough battle, the sender goes to the receiver to suggest that they help one another to remove their clothing and check one another for injuries
[ HEAL ]: while treating the receiver's injuries, the sender has to remove some of their clothing to reach a wound hidden by their clothes.
[ MALFUNCTION ]: noticing that the receiver is having something of a wardrobe malfunction (i.e. ripped dress, a stain etc.) the sender quickly takes them to a quiet room to help them get undressed and repair the damage.
[ INK ]: in order to show off a tattoo, the sender removes an article of clothing so that the receiver can see it properly.
[ WEAK ]: realizing the receiver is in a weakened state, the sender gently starts to help them get undressed, then redressed in more comfortable clothing.
[ STUNNED ]: noticing the receiver to be in shock, the sender begins to help them loosen their clothing and finds them looser more comfortable clothes to change into.
[ ADJUST ]: the sender moves closer to adjust some items of clothing on the receiver (i.e. the straps of their dress, the hem of their pants, the buttons of a shirt).
[ MEASURE ]: in order to accurately measure the receiver for an outfit of tailored clothes, the sender helps them to get undressed down to their undergarments.
[ ARMOUR ]: the sender offers to help the receiver in removing armour or a protective suit from them.
[ COMPLEX ]: sender notices that the receiver is struggling to remove some complicated clothing, and offers to help.
[ RITUAL ]: sender helps to undress receiver as part of a ritual or ceremony.
[ UPSET ]: sender, realizing the receiver is too distraught, offers to help them get undressed and redressed in more comfortable clothing.
[ ROYAL ]: part of the sender's responsibilities to the crown involve helping the crowned receiver get undressed and restyled each day.
@worthproven sent ; you can finish this in the morning. + let me get you to bed.
it was not unusual for the hours to slip by unnoticed once evening fell, candles allowed to burn down to stumps and the fire dying to little more than glowing embers, that would leave the warden of the north with little warmth were he not always laden with enough furs to stave off any chills. when he had inherited his title, there were no guiding hands to aid him, too young when his father passed to have been taught the intricacies of lordship, and unable to trust in the uncle who might have offered advice, willingly putting the man out of his mind whenever his thoughts strayed in such directions. so it was his evenings that were spent on those decisions, when he did not know what was right, more common in the first year he spent as lord of winterfell, when all was unfamiliar and the ground felt unstable beneath his feet, fearing that too many missteps and his northerners would choose to reinstate his uncle instead of him. such worries did not plague him so heavily anymore, familiarity with the decisions that needed to be made each year easing the worry, each choice needing less time deliberating and giving the young lord his sleep back.
old habits found him again in king's landing, though the decisions that needed to be made were not for him to call but for jacaerys, newly and rightfully crowned following the usurper's death, but there were too many voices around the council table that cregan did not agree with, could not allow to go unchallenged. and so it was almost each evening, he could be found alone, seeking solutions, suggestions that he might offer up to jace, not to exert undue influence, as some might suspect should they know just how private an audience he had with their new king, but with the knowledge of how hard it could be to stand against the sudden weight of responsibilities before your time, even if he did not know it on such a scale as this.
he hardly needed have looked to know who the door had opened to, for even if he did not recognise jace's gait, no one else would come to seek him out at such an hour nor know where he might be found, yet his head tilted against the wooden back of his chair, eyes lifting to meet his lover's own and fingers stretching out to catch at his hand as he did. "if only the finish was so close in hand." his hand brought up towards his lips, pressing a kiss to knuckles, a wordless apology for dragging jace from his bed in order to fetch cregan back to it. "by morrow, there will be something new to argue over."
WHAT CELESTIAL ENTITY ARE YOU?
MOON ; you are a mystical being. constant yet elusive. apparent yet indistinct. you are reliable in the sense that the moon has its phases. however, even though people know what to expect from you, they still find themselves captivated. you are anything but boringβno, you are hypnotizing. people are drawn to you in the same way theyβre mesmerized by the moon on a clear night. the moon is steady and dependableβthe anchor of the night sky. when navigating the night, people crane their necks up searching for its light. the moon is not innately flashy, but still manages to catch one's eye. although at times difficult to perceive, hidden by clouds, or hard to capture on camera, the moon is always there for all who seek it. you indiscriminately favor everyone with your light yet only feel truly seen and appreciated by a few. itβs amazing how you manage to do so much with so little, but its still okay to let people close sometimes. the moon cannot illuminate the entire night sky by itself. we will love you even if you ask for help. you probably give good advice and are known for being a good listener. you donβt have many secrets, yet youβre still mysterious. transparent and whole, yet vague. youβre quietly emotional like how the ocean is quietly loud. you feel strongly about certain things even though you donβt always share your convictions. youβre the type to get their feelings hurt but never say so. when it comes to you thereβs so much in what is left unsaid if only people are willing to read between the lines. youβre aware of yourself and who you are just not always good at expressing it. those who put in the extra work to get to know you will reap the secret rewards of your innermost self. you are like the comforting familiarity and whimsical wonder of watching a Christmas movie in class in elementary school. you are a steadfast secret keeper and promise maker. you are the reliable pillar and foundation we all trust enough to build upon. you are both benevolent and divine.
tagged by : @worthproven tagging : anyone who wants to do this!

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γ Β RP MEME :Β Β NONVERBAL PROMPTS.Β mix of violent, caring, touching and non-touching prompts. Β γ Β Β SEND PROMPT '+ REVERSE' for the inverse to happen. for example 'bandage + reverse' for the receiver to bandage wounds on the sender.
[ BANDAGE ] : sender bandages a wound on receiver.
[ GUIDE ] : sender puts a hand on he receiver's back to guide them somewhere.
[ WAVE ]: sender waves down receiver to get their attention.
[ SIGN ]: sender raises their hand to sign to receiver. what follows can be anything the sender desires.
[ LIFT ]: sender lifts receiver's chin to look at them.
[ LIGHT ]: sender lights receiver's cigarette/candle/etc.
[ FIND ] : sender finds receiver beaten and/or bloodied.
[ PIN ]: sender pins receiver against the wall during combat/sparring.
[ GET DOWN ]: sender tackles receiver out of the way of danger.
[ TAKE ]: sender takes a hit meant for receiver.
[ CAUGHT ]: sender finds receiver somewhere they aren't supposed to be.
[ TRAP ]: sender traps the receiver somewhere they don't want to be.
[ DARLING ]: sender touches receiver's cheek.
[ SNATCH ]: sender snatches receiver's wrist as they turn to go.
[ STAB ]: sender stabs receiver.
[ DRAG ]: sender drags receiver from point a to point b.
[ SIT ]: sender sits on receiver's lap.
[ EN GARDE ]: sender and receiver get into some kind of fight.
[ DRUNK ]: sender finds receiver drunk.
[ BLOOD ]: sender walks into receiver's room covered in blood.
[ FLOWER ]: sender offers a flower to receiver.
[ HOLD ]: sender reaches to hold receiver's hand.
[ BRUSH ]: sender brushes a strand of hair out of receiver's face.
[ NOTE: ] sender writes a note for receiver. the contents are whatever the sender decides.
[ EYES ]: sender notices receiver looking at them.
[ STOP ]: sender raises hand to signal the receiver to stop in place.
[ TAP ]: sender taps receiver on the shoulder to get their attention.
[ WAKE ]: sender gently wakes receiver from a nap or otherwise.
[ MORNING AFTER ]: sender and receiver wake up together for the first time after a night of passion.
[ BLANKET ]: sender drapes a blanket over receiver's shoulders.
[ HUDDLE ]: sender and receiver huddle together in an effort to stay warm.
[ TUG ]: sender pulls receiver away from them.
[ PUSH ]: sender pushes receiver away from them.
[ BULLET ]: sender shoots receiver in a non-lethal area.
what is cregan's tragic love story?
achilles & patroclus ; youβre loyal, brave, and fierce in your devotion. friendship and love blur together for you, because at your core, you crave someone who is both your confidant and your other half. youβre the kind of person who would fight the world for someone you love, who sees partnership as sacred and unbreakable. but you also have a streak of pride, sometimes believing you can outwit fate or hold onto something forever when nothing truly lasts. your relationships are marked by both tenderness and ferocity, a love that carries a mythic weight. when people think of you, they remember the loyalty, the sacrifice, and the way your heart kept beating for someone even after they were gone.
tagged by: @shedesmodi tagging: you!!