
Aqua Utopia|海の底で記憶を紡ぐ
hello vonnie

Product Placement

gracie abrams
Keni

roma★
occasionally subtle
🩵 avery cochrane 🩵
KIROKAZE
Fai_Ryy

bliss lane
Sweet Seals For You, Always


titsay
Show & Tell
tumblr dot com
untitled

Love Begins

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@creatuers

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15. a howling bonfire where shadows betray you.
SILENCE PRECEDES THE VIOLENCE of a crackling fire, the remnants of a clearing now kindled with the russet light of flames / THE RE - ANIMATION OF SOMETHING ONCE IMMOBILE. she is propped askew like a mannequin, each limb disjointed and lolling, held up not by the stuttery support of her own legs but by an ominous force — what is the opposite of gravity, of logic and reason ?
she awakens as if from comatose slumber, first one shoulder drawing upward ( the effort in the motion is obvious, A DOLL WITH RUSTY HINGES ) then the next. her fingernails click one at a time upon the syringe she is holding, testing their hold once more, lifeless digits with no sensation, only a mechanic memory. the nurse has no mouth, but she breathes.
it hitches in a pallid throat, an effeminate sigh from hollow and frayed lungs, wistful and frantic as a frenzied pant. her chest expands melodramatic with the gesture, artificially timed with the tremulous steps she begins to take forward.
LEFT FOOT - BREATHE IN - RIGHT FOOT - BREATHE OUT.
none of her joints work as they should, a pathetic imitation of humanity’s gait, ankles inward, knees bent, heels stumping her already intermittent footsteps. all the while, as her pace quickens, so does that panicked respiration ( asthma ) in turn, an excited and terrified in - out - left - right - in - in - in - there’s - no - air - you - can’t - breathe - it’s - the - asthma - eddie - your - inhaler - the - asthma - in - your - left - delicate - right - lungs - in - OUT !
the syringe glints in the looming firelight, arm raised and ready to plunge.
THIS WILL FIX YOU RIGHT UP.
* creepy location meme: part 2
send a number for our muses to interact at the following!
a cornfield guarded by a scarecrow
a classroom floor buried under shards of glass
the place where hope dies
the inside of a ransacked cabin
decrepit train tracks
a sleepy town where shrieks trail every step
the bathtub overflowing with blood
a babbling brook where bone white hands slice through the water
returning nightmare
an attic full of mannequins
a storage room stocked with food
the four walls of a waiting room
a congested subway filled with troubled whispers
a room of gore and terror
top of a mountain
“I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it.”
— Gillian Flynn, from Dark Places
DON’T FUCKING MOVE A MUSCLE.

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When you speak of the soul, you mean the mind. And it is not my mind that is troubled.
Cat People (1942) dir. Jacques Tourneur
Alien3 (1992) // Stranger Things S3 (2019)
THE DESCENT (2005) dir. Neil Marshall
Also a question that’s been bugging me is why did the xenomorph towards the end of alien not immediately attack ripley when they were in that smaller space ship together? Was it just taunting her? 🤔 whats ur theory 🤔🤔
i have multiple parts to this!
i’ll word it better later in a more in depth post bc it kinda links back to my ideas on xenomorph a as a species but in summary :
the alien had gone into Defense Mode (tm) so to speak. xenomorphs’ primary objective, similarly to the mind flayer, is to survive. when ripley engages the nostromo’s shutdown, all the alarms and lights start going crazy, right? the xenomorph recognises this as dangerous conditions not to mention something it’s not used to, and so actually chooses to stay hidden.
it hides in that small alcove in the shuttle and falls into a kind of hibernation state, blind to thermal and motion indicators (i believe the eggs were also originally in this state and had actually been dormant for a very long time) ; i also think it was preparing to shed for a final moult, as i believe xenomorph’s lifespans are extremely rapid and short, like most insects. they don’t live long, which is why they’re so eager to populate. of course when ripley gassed the xenomorph it cuts this process short before it can begin and the goal becomes different.
lastly i think it wasn’t even planning to kill ripley, recognising her as the last live host. she is far more viable than the cat so its goal at the end was to follow ripley without being discovered until SHE could take them to a safe location and unknowingly doom her own fate to an alien cocoon. rly interesting to me as it shows the xenomorph recognising ripley is smart enough to get out alive, but STILL underestimating her in regards to being found before it can capture her.

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who is the creature that is most likely to end up as a human companion??
idk if i’m bein ? dumb DKSKSKSKS do u mean like lilo and stitch type companion bc ... most of them are nowhere near friendly enough to do that like they’re all extremely hostile
ryuk is by canon a companion to a human (light yagami) so is by nature the obvious candidate as he’s not hostile, the gremlins can be companions / pets before they turn as can cujo and church, then the big daddies and little sisters aren’t hostile by nature so ig they can count too...
HIEMAL CRISP OF WINTER’S BREAK, daring to roam the outskirts of lumbering woods’ edge. the seam of the trees looms : each tree like a limb, each desiccated and sallow grey limb of the wendigo like a tree in the forest. IT IS HIDDEN. half an elk remains littered beneath it, a discarded corpse in favour of the new heat signature traipsing on its terrain. there belies no argument : HUMAN FLESH TASTES SWEETEST.
its stalk is perturbingly silent, a wind wraith harnessing the chitter of the birds, the crunch of the leaves underfoot the man’s gait. dead fish eyes, glazed over but glowing with AN UNYIELDING HUNGER scope their prey like avid camera lenses, unblinking shutters.
a wintry chill down the back of your spine : that unmistakable sensation of being watched.
@jimhop / sc.
The soil of a man’s heart is stonier, Louis. A man grows what he can, and he tends it. Because what you buy is what you own. And what you own… always comes home to you. Pet Sematary (1989) dir. Mary Lambert
ALIENS (1986) dir. James Cameron
“Maybe they don’t show up on infrared at all.”
Zombie Flesh Eaters (1979)

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An American Werewolf in London (1981)
A HEAVING MIRE OF VISCERAL REMAINS, trembling like an unsavoury jelly as the boy draws closer. it gleams in the last of the sun’s blistering rays, a wet puddle - like glistening of guts biding its time by the stream. THIS IS THEIR RETREAT. the mind flayer will collect them all as thralls to its rebuilding, churn them into a decomposing mush of entrails. a crimson storm looms on the horizon, clouds brewing as it lurks for its oncoming prey by the water.
@onlyvirgins / sc.