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Not today Justin
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@crayongirl

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For pride month, how about canon bisexual rin in her pirate outfit?
Drawing a character for every day of Pride, 2026 edition
Day 9: I'm not drawing full outfits, but I got the hair right I think

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Hi Teto 👋☺️
You can jack off You can eat grapes That's IT
👁️👁️
DANCE ROBOT DANCE
hi guys i made a little something something with the communal robot daughter. its on youtube too! wow!
Don’t miss the Fables and Folklore group exhibition on view now at Nanny Goat Gallery through June 27th. Over 40 new and incredible artworks from around the world are on view, including South Africa-based artist Amber Skye Alcock’s gorgeous “Prey Tell” based on the famous wolf in sheep’s clothing tale.
"Prey Tell" by @amberskyealcock Acrylic on canvas, 17”x 19.5”

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Lenticels ( bet you have never heard of them; neither had I!) on a pear tree twig are specialised, porous tissue regions in the bark that act as "breathing holes," enabling gas exchange between the internal living tissues and the air. I had noticed them whilst photographing a terminal bud and thought they might be a disease!
They are seen as small, distinct, raised light-coloured specks contrasting against the darker bark. Because the corky outer layer (periderm) of a woody twig is otherwise completely waterproof and airtight, these pores are important for delivering oxygen to and removing carbon dioxide from the highly metabolically active cells underneath. Lenticular cork cambium is a localised layer of meristematic (dividing) cells positioned directly beneath the pore. Instead of producing dense, tightly sealed cork cells like the rest of the twig's bark, this specific zone produces loose tissue with tiny air filled tunnels between the cells.
Produced by the cambium , this tissue pushes outward to rupture the twig's outer epidermis.
These spaces create a clear, continuous path for gas diffusion deep into the secondary xylem and living bark.
Pear lenticels are originally initiated directly above a residual stoma (the microscopic gas port used by the young green shoot) as the twig undergoes secondary growth and begins to expand. #botany #stoma #lenticels
[looking at people younger than me] you have your whole life ahead of you [looking at people older than me] you have your whole life ahead of you [looking at myself] its over
Mr. White Blood Cell! Are you okay? Cells at Work! (2024) dir. Takeuchi Hideki
This is fucking killing me. Like what
Lend your power to me, lion...

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The Trump administration admits to testing conversion therapy on trans prisoners and implies its policy of forcibly detransitioning trans me
Mar. 26, 2026
Your hatred against hopepunk is truly inspiring i remember your earlier posts about it
I've been on it for years. I was on it when that post reached me shortly after it was made. I will be on it when all memory of that post ozymandias' out of the collective conscious
at the core I'm just viscerally repulsed by any idea that can be summed up as "art today is degenerate and rude, so what if the REAL subversive narratives are the ones that dare to be comfortable to me" and hopepunk/cottagecore were very pervasive forms of this
while I understand the impulse to view violence and tragedy as easy to write, it requires a solipsistic view of the world where art is conjured up and presented to you, to make you feel things, to harvest your opinion of it and correct the mistakes of individual voice. people write responses to the world they live in
the urge to view optimism and pessimism as moral virtues with different degrees of ease based on the quantity of them you see around is, fundamentally, an urge to believe that everything which is written was written for you by people who share your inner world, speaking back like desynced reflections of you with their own mouths, who ought to be set on the course of making what you need, because it's what you all need