sorry to be a Debbie downer whenever If Wishes Were Horses is brought up but I'm going to have to be until it sinks in that Julian was not in control of that situation, and being fondled in your sleep, kissed without consent, aggressively flirted with at work when you literally scramble across the room to get away from it, are all sexual assault or harassment. The fact that Julian frequently tries to get away from the fake Jadzia and get her to stop means he is not in control of her actions.
Yes, it sucks to be Jadzia in that situation, but she is not being harmed. She is watching something uncomfortable and embarrassing. Julian is actually getting felt up and harassed all episode, and he did not want this to happen. Having a sex dream about something is not consent to it happening. "Post nut clarity" exists for a reason, and this is only doubled when the fantasy is something you had when you were literally unconscious. I've had a LOT of sexual dreams I would not enjoy irl and would not like to have happening when I woke up.
There are other actual examples of Julian pushing too far in a relationship! Both with and without Jadzia! The focus on this episode as something Julian did that was bad is DEEPLY harmful because it ignores his actual behavior and the actual definition of sexual harassment and assault.
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The 'compromising' of Bashir - 7x16 Inter Arma Enim Silent Leges
[Disclaimer: as of writing this I've only watched as far as 7x17 Penumbra]
Inter Arma Enim Silent Leges (IAESL), though he did call it 'an excellent show', was something of a disappointment to exec producer Ira Steven Behr:
'it doesn't have all the levels it should have. We thought we'd do a show about the compromising of Bashir. Unfortunately, it doesn't do that. At the end, Bashir winds up making this angry, pointed speech to Ross, which is a lot less interesting than the situation at the end of 'In The Pale Moonlight'. There a man is trying to deal with his own culpability. And this is a show that demanded, I felt, Bashir's culpability. And he gets to walk away clean, with him being the one to point the finger.' - Behr, Star Trek: Deep Space Nine Companion, p.661
On reading this chapter immediately after watching the episode, I was kind of shocked that Behr didn't think it packed the punch that was intended, so I want to discuss my two issues with this quotation: the idea that the episode doesn't 'compromise' Julian, and the direct comparison to In The Pale Moonlight (ITPM).
While comparing Julian and Sisko's arcs and episodes is hugely compelling, the way it's done in this quotation seems to overlook the reason why this pairing is compelling: the differences. I don't think IEASL failed in 'compromising' Julian, because I don't think 'compromising' means the exact same thing for Julian as it does for Sisko.
ITPM is interesting because it reminds us that Sisko is a dynamic individual who can never be completely confined by a set of ideals or values, even the ones he is actively protecting. In that sense, he is 'compromised' by the end of the episode; the version of him we thought we knew is undone and remade by seeing his acknowledgement and manipulation of the fragility of Starfleet's ideals. He acts in a way that contradicts the values he protects, and thus compromises his role as a Starfleet officer (referring here to the utopic idealist version of a Starfleet officer and not the more complex muddied version these arcs work to expose).
Crucially, Julian's arc with Section 31 isn't the same story. I'd argue there's two reasons for this. The first (and slightly less relevant) is that the values Julian is most dedicated to are not those of a Starfleet officer but those of a doctor. (Hippocratic Oath probably demonstrates this best - despite the Jem'Hadar being enemies of Starfleet, Julian still sees the opportunity to cure them of their addiction and jumps for it. He says he's thinking about their potential as allies, but considering the thing that made him start cooperating with Goran'agar is seeing the other soldiers in pain when the drug is withheld, I'm inclined to think he was trying to justify his decision to help them (that of a doctor) by making sense of it through a Starfleet lens.)
The second reason ties back to how 'compromising' Julian doesn't mean the same thing as 'compromising' Sisko, because their arcs take different viewpoints of Starfleet. Julian's arc through a number of episodes (Hippocratic Oath, Doctor Bashir I Presume?, Statistical Probabilities, Inquisition, The Siege of AR-558, etc.) is shown to be an increasing disillusionment with the Starfleet ideals that formed so much of his worldview for so long ('frontier medicine' etc.). IAESL is the nail in the coffin because it forces Julian to confront the thing he spends the entire episode up until his fight with Ross staunchly denying: that Section 31 is Starfleet. After a steady buildup of him learning time and again that Starfleet is not the infallible force of good it once appeared, he is struck with overwhelming evidence of corruption. Sure, he gets to avoid actively causing someone harm firsthand, and he gets to confront Ross, but neither of these things constitute winning for Julian here. He still loses, because the vision of Starfleet that he dedicated himself to doesn't exist to him anymore. Julian's 'compromising' is on the level of perspective rather than action: Sisko commits acts that oppose Starfleet ideals to defend those ideals, but Julian acts in a way that aligns with those ideals and in doing so comes to realise that he isn't defending what he thought he was.
I care about this distinction and don't like the idea of so directly measuring IAESL up against ITPM in this way because I think Julian's position in DS9's critique of Starfleet is so important for numerous reasons. It's no coincidence that, of all the Starfleet officers in the show, the one who has this storyline of Starfleet disillusionment is the character who is explicitly othered by Starfleet. Every main character in DS9 is an outsider in some way, but Julian is the one that holds this precarious position of being in Starfleet but not entirely accepted by it, and it's important for him on an individual character level to learn that the institution that others him isn't the pillar of righteousness he once believed it to be. It doubles down on the fact that they are wrong to cast him out, or to make him feel he has to work overtime and hide so much of himself to deserve his place among them. (In a more allegorical sense, it's a very neurodivergent position for a character to be in.) It also works to highlight his privilege and consequent complicity that stems from his having grown up in the Federation (see @fatalism-and-villainy 's section of this post for a more detailed discussion of this.)
I also think that having Julian as a Starfleet officer who doesn't go through this same process of having to break his moral code to defend Starfleet, but instead learns that Starfleet is willing and able to break his moral code, is what allows Starfleet to be heavily imperfect without destroying the idyllic future Earth that Star Trek as a franchise tries to create. It allows the audience to maintain faith in individual people that make up Starfleet, in officers like Julian, even if their faith in Starfleet as an institution is shaken. Julian remains 'good' and uncorrupt by Starfleet standards, and is instead 'compromised' personally, in his own perception of the world and his place in it. While he doesn't do anything unworthy of a Starfleet officer, he arguably begins to perceive himself as less worthy of that role as it's becoming increasingly clear that the truth of said role doesn't align as perfectly with his own core values as he once thought.
A final quick note in terms of 'culpability': I think Julian absolutely saw his actions contribute to a negative outcome. His interference in Sloan's plan involved Cretak, of course, but more than that, his believing he was a step ahead and failing to recognise the depth of the connection between Section 31 and Starfleet Command was what turned him into a working cog in Sloan's plan. As Sloan says in the final scene, he was counting on Julian 'being a decent human being' who 'would only go so far'. Sloan's success depended on Julian being uncompromisable, and it therefore compromises his belief in that quality of himself. He did everything right, he refused to cross the line, and it didn't matter, because the institution crossed the line for him. His being a model Starfleet officer in the idealist sense was the very thing that created the circumstances for Section 31's success. Doing the right thing, even just defending life, is no longer something that is largely simple or easy to ascertain, which is huge considering Julian's core values as a doctor. He's absolutely undone by this episode/arc, and although it's subtler than ITPM, I don't think it's less effective.
(Also for your consideration: this is quite possibly the most 'compromised' looking man in the universe)
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I feel like I need to share this because idk if Europeans are familiar with the presence of Aldi in the US, but at least especially in my area they’ve been growing a lot recently. Like Aldi bought out some local failing grocery chains where I live (Louisiana) and have opened Aldis in all these somewhat rural communities and small towns, which for the record I’m fine with
But as a result of this they are advertising a lot more in my area and also in many cases, the people in these areas have never been confronted with Aldi or any European grocery store. So the ads that Aldi is pushing out to its new US customer base feature a cowboy shopping at Aldi who is explaining to new Aldi customers how Aldi works. Like this cowboy is explaining you gotta put a quarter in the shopping cart and why there are very little name brands. A cowboy is how they want to reach their American customer base. They gave us a cowboy
You can watch the pretense of feminism leave left-leaning men’s bodies as soon as they encounter a post by a woman about misogyny that has any teeth whatsoever and doesn’t have a million “not all men” disclaimers lol
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How do some people manage to draw detailed looking cardassians/Garak but can’t be bothered to get Julian Bashir’s entire face, hair, and skin tone right?
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Currently watching “Hogan’s Heroes” because it’s Memorial Day, and when you can’t go to gravesites and bbqs, you watch old war movies/tv shows. 🎥 🇺🇸
I have never seen “Hogan’s Heroes” before, but I have heard the name a couple times and it seemed like the kind of thing my Dad (who I also remember today) would like. 🪖
This is the most looney tunes shit I have ever seen in a live action anything. This is glorious. This is fantastic. Why have I never seen this before? 😂
Episode one involves an underground system of tunnels with steam room to work off the extra pudge so the guards don’t realize they are getting extra food in. Also a manicurist. Because no one expects an escaped prisoner to have pretty nails. 💅