I like to think about different versions of characters: someones they could have grown into, if the situation was different. I even made a whole AU about it :)
The Rose we see in the Everyone Swap AU is compassionate, optimistic and terminally ill. She wants to help others. She has the ability to do so, because she has magical powers. She is overjoyed and sometimes doesnāt see the limits. Limits see her, though.
When we didnāt yet have information from canon on what Roseās illness actually was, I decided for myself that in my au, she would have cystic fibrosis. I thought of changing it to cancer when it got revealed that she has cancer in canon, but decided against it. Thoughts on that under the cut, they turned out to be a bit heavy.
Iām also trying to find outfits I like for my versions of characters to wear. Iām not very successful. This one suits the position of main character, but itās not cutesy enough for Rose. At the same time, I donāt want my main character to be TOO cutesy. I thought the hoodie string bow and a softer color palette would do the job, but I was clearly wrong. Something needs to be changed. Maybe a bigger bow?
I grew attached to the air of living in the moment cystic fibrosis, as an illness with a date of death removed in time, gave to the character of Rose. I also grew attached to the fact that in ādeveloped countriesā, people with CF live to see their 40s. It makes me both hopeful and sad (my country is not one of the ādevelopedā. But France is, so in the au we get to do a little of escapism). I donāt know anyone with CF, except from the girl whose blog I used to be subscribed to when I still had instagram, who is probably dead by now. But sometimes I think about it.
It is important to me that in post-canon Rose dies. It wonāt happen immediately after the credits roll, but the miraculous overuse will worsen her condition and she will die a little before her 40s. I like the air of āthe death will come some distant tomorrow, but itās not tomorrow yetā. I think it gives the story its shape. Sad things happen, we learn to live with them, we learn that happy things are not less important when sad things are happening.
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She is a digital radio host who gave up her physical body in order to pursue her true passions: peeking into other peopleās business, hypnotising listeners with constant talking and stealing money. She doesnāt even need money that much. All she does is purely for her amusement :>
(and also sometimes for wellbeing of Wager, my other OC. Wager helped Voice to cheat her way into digital existence. There was a morality test)
Different background & lighting version under the cut (very bright orange)
No pressure but in the Everyone Swap AU is there any ship teasing between Rose & Chloe? Even if just in public perception?
Also very curious what Miraculous Juleka gets.
Hi! I think i have a perfect picture for you! (Thank you for your question, I forgot that i even had this picture finished)
There is! Even more, there is a whole Unrequited Love trope! Because I put everything I loved as a teen in this au :>
(The picture it titled āWerenāt you supposed to love me instead?ā)
Chloeās character arc in Everyone Swaps AU is learning when to hold to someone and when to let go. Even in canon she has one shining positive trait: she is extremely loyal. Unfortunately she is a bit misguided as of to whom to be loyal to, making of herself a victim for her mother and a restraint for Adrien. And simultaneously mistreating Sabrina.
So we are going to fix that! With the ultimate tool that once rewrote my brain: Letting Go Of Your Crush!
There is something extraordinary in just becoming content with the feeling inside of you, learning to live with it without needing reciprocity. The story I met this trope in helped me with my high school crush, even. The world wouldnāt end. Let it go. Beautiful.
Emilie is at her peak performance. Adrien is a fish out of water. Cameras everywhere, comforting one and worrying the other.
Itās been so long since his mother took him to events with her, since his childhood. Heās almost a whole new person now ā at least, he used to feel so. Heās not so sure anymore.
None of his friends are here, even those he would expect to meet at the cinema presentation. He havenāt seen them since his mother gave him a miraculous.
Her son is with her, her smile is with her. Sheās going to make this small part of the world ā everything that catches in the camera eye ā perfect. And after that, sheās going to make perfect everything else.
~
In Everyone Swap AU, amoks can only be used to control whether the sentimonster is alive or dead, not to give them orders. Every order needed is given at the moment of their creation, and from then on they are fully autonomous.
Not that Emilie is troubled by that. She has always been excellent at controlling the situation, after all.
(I thought that making the answer to the question āWhy am I suddenly not myself anymoreā be āevil magicā would make this situation less interesting, so here we are. She did all of this herself. Out of love. And some human imperfections.)
Also! He used to be other miraculous holder! Letās see if I can finish my āChanges of Adrienā series of pictures before I change my art style again!
Meet Madame Moth and Atlas, the butterfly and the peacock holders of the Everyone Swap AU!
Global famous actress, Emilie Agreste recovered slowly, but brilliantly after her beloved husbandās early demise. She is kind, friendly, loving, generous ā virtuous in every way possible. She is also a helicopter parent, a control freak, and the villain of Paris.
At least, the Miraculous holders know Madame Moth is a villain. For general public, sheās more like a tragic figure. Haunted by her grief, it seems all she so desperately wants is to make the world better for everybody. Why else would she come to people in their dreams, trying to lessen their burdens? Itās not like she tries to deceive you. Itās not like she makes you do something bad. Sheās like, frail, you know? She canāt help herself. But you feel like she holds your hand the whole time, and it feels like The Fairy Godmothersās touch, even if you know what she can give you is meant to crumble.
No wonder this crying boy keeps following her, huh? Must be something really bad, what heās got, if heās so desperate for a consolation.
Some pictures of early designs under the cut! With notes!
So, I knew from the start I wanted Emilie to look more like a character from a fairytale than a comic book villain. And for Adrien to not look like the peacock holders in the series; at least, not completely, to highlight the influence Emilie has on him. So this is the first variant I made.
Emilieās colors changed places because of āWould it look coolā reasons. Also silhouette played a huge part in how I changed her after the initial version. The first one just didnāt hit enough. Silhouette is whatās responsible for the dress. And for her vibe. And for the absence of mask, too. She has heavy make-up: does not add a distance audience can perceive, but still conceals whatās underneath.
Weird grey got in, weird pink got out. Thatās Peacockās color, and Atlas didnāt influence Madame Moth, she influenced him. So, while her purple on him stayed, his pink on her had to go. (From him, too. Adds to the whole ācrying kidā vibe.)
Madame Mothās final versionās got āwingsā cape, a signature kinda-medieval dress, and a wand. Fairy Godmother! You fell for her image. Sheās an expert of creating those.
Adrien got a little intermediary between versions, because I liked him enough, and all he got were little tweaks (twice), not a whole reimagining his mother went through. Iām still sad theatre mask didnāt make it, itās fun. But, after simplification of Madame Moth I felt the need to revisit Atlas to make them into one aesthetic.
Aesthetic is important here: iām trying to make my miraculous team a bit different from each other, at least in vibe. Because they are different people! They like different things! How they imagine āa heroā, into which the miraculous makes them, must be different! But Emilie suppresses Adrien here, so no individuality for him. For her, either. Sheās a performer, first.
They are going to achieve their true forms in epic final battle! And Iām going to design them. What a life.
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Of course what I was always going to include in Everyone Swap AU was my most favourite canon magic thing: Miraculous Overuse scars.
For Rose, being Bliss means for some time having infinite amount of spoons. Itās difficult to measure your strength when you no longer have units you were measuring it with. Being able to give everything she has becomes joy, then habit, then duty. Then it leaves scars on her.
(I thought that Shadybug and Claw Noirās scars being purplish black and lightning-like was meant to represent that they were overusing themselves in the name of evil (against the kwami i mean). So here scars are pinkish white and teartrack-like. But still scars!)
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Huh, didn't know that privacy setting would do that. Sorry for the trouble.
meanwhile AAAAAAA THIS IS SO GOOD!! How did you know his crappy lemon was a stick shift?? š¤£š¤£ Matches/Bruce is so physically large in this car that he takes up most of the canvas ššPoor Jason, who is suffering the world's weirdest situation.
I'm glad you like the fic so much! I'd absolutely put this up on the fridge (embed it in the fic) if you let me!! š„ŗš„ŗ
I enlarged him several times while making a first sketch! šš
Oh, I actually didn't thought about it much, here where I live if a car is old it has more chance to be mechanical transmission then automatic. š I thought it would suit him
Ju was evacuated from the Sandback Island at the very young age. But she remembers Sunrise Fairy and grieves the loss of her, as well as the loss of home. The reminder of the Fairy ā magical Gift of Ship ā is always with her
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When the world was young, people lived in the darkness. Because of that, their hearts emitted fire.
All people were siblings to each other. That, or people knew only those who were their siblings, and didnāt know there were other people out there, who had no relation to them.
There were two brothers, one younger and one older.Was a sister, in age between them, and were younger sisters ā so many, that one couldnāt count them all for the whole night. Once, the older brother died.
Not one of them knew death before, and death was sorrow to which nothing was more dreadful.
Middle sister couldnāt bear that. So she left, not remembering herself, far far away.
Younger brother couldnāt bear that. So he silenced himself forever.
Younger sisters had to bear that, because there were no one but them left. And they bore it with them. They took in their hands their silent brother, and they took in their hands their brotherās dead body, and they went as far high as they could. They stayed there, and their hearts continued to burn.
The older was buried with honor. His body became the sun. Of them all, his light is closest to the earth.
The younger was honoured in his solitude. His house became the moon. Sometimes he closes the window, and light ceases.
Younger sisters stayed. They became the stars. They have their houses. They come to them and go, and talk. They come farther and closer and their light becomes paler and brighter.
With learning to hear voices of the stars comes learning to feel a smell of a dead body.
Middle sister now wears a name of Sister of the Sun, because she herself said so, and because so said the stars. Because she didnāt choose them and their still living brother, but chose the dead one over them and left.
She is older than everyone in the world, but she is not the eldest of the sorceresses. Nara Nnasa is older than her, too.