Yehuda Amichai, from The Selected Poetry of Yehuda Amichai; “The Empty Throne Room,”
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@cottoncandybookwitch27
Yehuda Amichai, from The Selected Poetry of Yehuda Amichai; “The Empty Throne Room,”

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Tito Corbella
T. S. Eliot — The Love Song of J. Alfred Prufrock

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Forough Farrokhzad ― Another Birth
louise glück, from averno
do you have any wlw books that star women of colour?
i do!
girls of paper and fire by natasha ngan
girl serpent thorn by melissa bashardoust
take a hint, dani brown by talia hibbert
the bone shard daughter by andrea stewart
the space between worlds by micaiah johnson
the true queen by zen cho
empress of forever by max gladstone
falling into place by sheryn munir
waiting on a bright moon by jy yang
the avant-guards by carly usdin & noah hayes
that could be enough by alyssa cole
abbott by saladin ahmed
a dead djinn in cairo by p djeli clark
the stars and the blackness between them by junauda petrus
the henna wars by adiba jaigirdar
you should see me in a crown by leah johnson
burning roses by s l huang
yellow rose by yoshiya nobuko
don’t date rosa santos by nina moreno
clap when you land by elizabeth acevedo
shatter the sky by rebecca kim wells
the good luck girls by charlotte nicole davis
in the vanishers’ palace by aliette de bodard
once ghosted, twice shy by alyssa cole
afterlove by tanya byrne
buuza!! by shazleen khan
motor crush by brenden fletcher
not for use in navigation by iona datt sharma
ninefox gambit by yoon ha lee
a blade so black by l l mckinney
mangos and mistletoe by adrianna herrera
patsy by nicole dennis benn
escaping exodus by nicky drayden
we set the dark on fire by tehlor kay mejia
the weight of the stars by k ancrum
I got a beautiful botanical book, printed in 1926. Just look at these lovely illustrations 🌸
Η Λέξεις και Οι Θεοί (The Words and the Gods)
~A Guide on Respectfully Using The Greek Language in Worship and Witchcraft~
Hey Tumblr pals! I’m writing this post to speak about an issue I feel very strongly about: the Greek Language. I grew up in a Greek Orthodox Church, went to Greek School, danced in Greek Festivals and folk dance competitions (The above is a photo of myself and two friends performing a traditional Pirgousikos dance), worked part time in a Greek diner, baked (and still bake!) Baklava and Tsoureki and Koulourakia on special occasions, the whole sha-bang.
Since joining the Witchblr community I’ve met a lot of people that feel really connected to the Greek pantheon. Let me begin by saying I am in NO WAY going to discourage you from worshiping the Ancient Greek gods. That is no one’s place to say. Ancient Greek religious culture is not closed, and has influenced a TON about how we understand religion, myth, spirituality, and storytelling in the modern west. It is perfectly fine for a non-Greek person to worship Ancient Greek gods.
What I AM going to do is talk about the Greek language, and how to appropriately use it in your devotion to/appreciation of Ancient Greece, the Greek pantheon, and Greek Culture.
First, some things to understand about the Greek Language:
1. There are many forms of Greek.
The 2 most common that people learn are “biblical” (also called “ancient” or “koine” Greek), and “modern.” Each are the same language but have slightly different rules regarding how they work, and different current uses. Also keep in mind that not all regions of Greece speak Greek the same way. A person from Athens will speak differently than a person from Cyprus. Greek is a living language with nuance just like English, German, or French!
2. Biblical Greek is a highly religious language.
Like Latin in the Catholic Church, it is mostly seen and used in Greek Orthodox churches. It is the language we pray in, and it is how we connect to God. This makes it a very sacred language for many people
3. The Greek language and Christian religion were almost wiped out by the Ottoman Empire from 1453-1890s.
Greeks held on to these aspects of their ethnic identity under grueling circumstances. The Ottoman Turks were not kind to Greek Christians and worked very hard to destroy their sense of ethnic identity. Greek people today still feel the shadow of the Turkish empire because in the 1970s Turkey invaded Cyprus and illegally took the northern half of the island from Greek Cypriots. People alive today remember fleeing their homes from Turkish bombs! Again, the language is special and sacred and must be treated with respect.
—————————————————-
Now that you understand some basics about the language, here are a list of things you should NEVER DO with it:
1. DO NOT use Greek letters to spell anglicized words.
For example, you do not spell “Greek” as ΓΡΣΣΚ. That spells GRSSK which is gibberish. I’ve seen some people spell Aphrodite ΛΡΗΓΦΔΙΤΕ which literally spells LRIGTHTHITI which just looks stupid. If you are going to use Greek letters, spell actual Greek words.
2. DO NOT get it tattooed on your body without CAREFUL CONSIDERATION of why you MUST use the Greek alphabet instead of the alphabet of your language.
For example, Aphrodite may be the deity you worship, but avoid getting her name tattooed in Greek on your body unless you have a very strong spiritual or cultural connection to the language as well. Remember that this is the language a large body of people pray in and that barely survived Ottoman oppression. It is not a “cool” or “exotic” fashion statement.
—————————————————-
Next, some practices I highly encourage Greek Pantheon worshipers to do with the Greek language:
1. Study it!
Greek is an incredible language! You like the Greek gods and want to use their language to worship them and communicate with them? Learn all that you are able about Greek! Study the alphabet, order children’s books, read about the history of the language. You’ll quickly learn more than me! 😂
2. Use it (properly) in spells and prayers!
Want to use Greek characters in spells or sigils? Go for it! Just make sure you are studying the language so you can use it as appropriately as possible. It’s okay if your spelling isn’t always perfect or your grammar is a bit off, as long as you are respecting the language and those who used it and still use it by doing your best and learning from your mistakes!
3. Be careful with it!
Treat it as a special, sacred representation of a history and a people. If you have to ask yourself if the use of the language is respectful or not, it probably isn’t!
In Conclusion
I understand that there are other Greek speaking people who may disagree with some of my points here. The intention of this is not to speak the will of all Greek speakers. It is to advise non-Greek speaking witches and pagans who want to use the language in their devotion and work on how to respectfully approach this beautiful and important language.
Finally, I appreciate that you made it all the way to the end of this post! Please take this advice and have productive discussions with others about the use of languages in worship and witchcraft!

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“It is a muggy August morning and the air in the room is still. Well over half the year has gone by already, which is a worry. I wanted to make something of myself this year. There’s still time, I think. Definitely some time.”
— Yrsa Daley-Ward, “The Terrible” (via sapphoisms)
what if,, 😳 we started a rebellious literary movement together 😳😳 and wrote homoerotic poetry while drunk on wine and uncommon words 😳 and someday i looked over at you and said "first thought, best thought" and kissed you (and we were both girls) 😳😳 haha jk,,,, unless???
Dear Milena,
I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don’t have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.
― Franz Kafka
“the hills (…) pale green, clouded with flowers—”
— Louise Glück, from The Garden in “Poems 1962-2012″ (via adrasteiax)
do you have any wlw books that star women of colour?
i do!
girls of paper and fire by natasha ngan
girl serpent thorn by melissa bashardoust
take a hint, dani brown by talia hibbert
the bone shard daughter by andrea stewart
the space between worlds by micaiah johnson
the true queen by zen cho
empress of forever by max gladstone
falling into place by sheryn munir
waiting on a bright moon by jy yang
the avant-guards by carly usdin & noah hayes
that could be enough by alyssa cole
abbott by saladin ahmed
a dead djinn in cairo by p djeli clark
the stars and the blackness between them by junauda petrus
the henna wars by adiba jaigirdar
you should see me in a crown by leah johnson
burning roses by s l huang
yellow rose by yoshiya nobuko
don’t date rosa santos by nina moreno
clap when you land by elizabeth acevedo
shatter the sky by rebecca kim wells
the good luck girls by charlotte nicole davis
in the vanishers’ palace by aliette de bodard
once ghosted, twice shy by alyssa cole
afterlove by tanya byrne
buuza!! by shazleen khan
motor crush by brenden fletcher
not for use in navigation by iona datt sharma
ninefox gambit by yoon ha lee
a blade so black by l l mckinney
mangos and mistletoe by adrianna herrera
patsy by nicole dennis benn
escaping exodus by nicky drayden
we set the dark on fire by tehlor kay mejia
the weight of the stars by k ancrum

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Witchcraft Exercise - Quantifying Your Craft
Witchcraft is a complicated business. There are lots of moving parts, dozens of things to study, and so much information to try and keep straight in your head. It’s easy to become overwhelmed. Sometimes we forget things. Not just when the full moon is (although plenty of us do) but what it is we want to do with our craft.
And sometimes we feel like we’ve lost our drive. Like whatever moved us to become witches in the first place has somehow slipped away, leaving us with just the dregs. Sometimes we feel stuck, unable to make progress. It’s easy to become frustrated too, but it’s important to push on.
To that end, I offer this exercise.
Choose a journal or open a word document and begin quantifying your craft.
Start by outlining the broad concepts. Do you follow a particular path or tradition? How would you classify your craft, i.e. green witchcraft, cottagecraft, sea witch, lunar witch, and so on? Do you work with any deities, and if so, which ones? Do you work alone or with others? How long have you been practicing? What, to you, is the most important aspect of your craft?
Then get into your working space. Do you have an altar? If so, what’s on it and why? Do you have a dedicated workspace, or a place you go to work magic outside of your home? If you could describe your ideal workspace, what would it look like?
Next, describe your tools. Do you have cards or runes or a wand or other specialized tools that you work with? What do you use most frequently? Do you have favorites? Do you make or grow any of your components? Where do you acquire the things you use in your magic, if you can’t make them at home? Do you have a personal library? What are your favorite sources of information? Do you have ritual garb or jewelry that connects you with your craft?
Sketch out your year as a witch. What holidays do you observe and how do you celebrate them? What seasonal festivals or special occasions do you mark? Which ones do you enjoy the most? Is there a time of year when you feel more energized?
Once you have all of this recorded, think back to what first interested you in magic and witchcraft and describe that. Was it a movie? A favorite book? A personal experience? Were you raised in the craft or did you come to it on your own? What made you decide to become a witch?
Then think about how you’ve progressed since you started. Have you achieved a particular goal you set when you began, or are you closer to achieving it then you were? What have you gotten really good at? Where are you still struggling? Where would you like to be a year from now? Are there things you’d like to try but haven’t yet?
And of course, if anything else occurs to you, record that too.
There is no need to share these thoughts with anyone if you don’t want to. This is purely a personal exercise, to help you understand where you are, where you’ve come from, and where you want to go. Quantifying this information might provide some much-needed inspiration, in addition to helping you solidify any nebulous thoughts that might be floating around. It’s much easier to progress in your craft if you have an outline for what you’re already doing.
Happy Witching!