the dogs wouldn’t stop getting in my dads gross chair so he carved this weird sculpture of his own frowning face with a chainsaw and puts it on the chair when he’s not sitting in it. the dogs are scared of it

Natalia Stachon (Polish, b. 1976), The History of Aberrations, 2017. Charcoal on paper, 95 x 115 cm.

AMANDESBLEUS

KURT’S VANDALISM FENDER STRATOCASTER

and i think a lot of this is a refusal to see transmisogyny as a real legitimate thing, or something that could possibly determine more about how one moves about the world as a trans person than a personal label of binary or nonbinary

a “binary” trans woman may have a different conception of herself than a “nonbinary” trans woman, but to society, were both for the most part just “ew gross a trans woman, watch out”, and the fact that as a community we spend so much time and energy on hashing out these supposed differences of experience and talk about who has privilege over whom based on the distinction of binary vs nonbinary is just really silly to me when things that are much more likely to impact any given trans persons experience navigating the world are things like agab, race, class, access to resources

i really like this picture and outfit for some reason

Valie Expor, I beat it II, 1980