Welcome To The Fish Tank

Any person who has worked on a set for more than a few years has at least one person they know who died.  

Not usually on set, but afterwards.  Because we don’t have anyone shutting down production for unsafe practices when “unsafe” means 16 hour days.  Or more.  For weeks.  Finishing a day before hour 12 (not including lunch) is considered an early leave.

I had teachers tell us not to, unless we absolutely had to, take music video gigs because they’ll work you for 24 hours and send you to drive home.  And if we had to work that, pull over and nap in our car because multiple people per year fall asleep at the wheel and go over the canyons around LA.

I know you mean acting but please.  Don’t forget the crew.  We have a shockingly high rate of suicide because these working schedules leave us with no sleep, no time outside of work, and it destroys lives, relationships, and families.  Burnout is high.  Chronic illness and broken bodies are common.  Cocaine use in order to get through a 20 hour day is rampant.  Every single one of your reality shows is fueled by cocaine.

The number of days that are scheduled to shoot a feature has shrunk dramatically in the past two decades.  Which means longer days.

Netflix shows are notorious for being poorly organized, understaffed, and long days.

When I worked on BBC Causalty, as soon as it hit 5pm, everything stopped. The producer/director etc would have a quick meeting to decide if we’d go into overtime or schedule it in later in the week. And I got an extra payslip in the mail for every minute of overtime I did, even though I was paid a weekly rate.

I don’t care if it means producing less content. I don’t care if it means it costs twice as much - if treating your creatives and your crew like shit is needed to make your show, then your show doesn’t deserve to get made.

And that’s aside from the fact that actors are often exploited, neglected, coerced into doing scenes they’re uncomfortable with etc or outright abused by directors for the sake of ~performance.

And how she's now used those gloves for over thirty winters and each time she puts them on, she gets to pet her beloved dog's fur even though Ginger is long gone. And how even though her bones have long since been swallowed by the earth, Ginger is still protecting her owner from the cold.

Static was WILDLY popular in Brazil (a country where the population is over 50% black) and we had re-runs for YEARS on open television. Everyone who was a kid in the 2000s knew and loved him. As a result, every single Brazilian Con has a LOT of static cosplayers!

So, a couple of years ago, Comic Con Experience (the biggest con in Brazil, which is actually also the biggest con in the world!) invited one of Static’s creator Denys Cowan as one of the guests of honor.

Now. Thousands of people attend his panel. And cosplayers went NUTS because they could show their Static cosplay to the creator himself! What none of us expected was Debts Cowan’s reaction:

He cried on stage.

He had never seen Static cosplayers - especially not so many of them! And he had no idea the show was popular here! No one ever told him his character was so beloved! Years and years of reruns and he had no idea! He obviously created the character with his experiences and his community (Black North Americans) in mind. Still, he accidentally touched a whole other community of black people who could see themselves on the screen as a superhero!

Anyway he is a lovely person and one of the best, most memorable guests we had. And I think this is a nice reminder that your art might touch people you can’t even imagine would when creating it.