You've loved Leon longer than you've existed. You attribute a knowingness to him that will never be achieved by anyone else of great purpose in life. Your ligature predates all things of dignity, it will surpass those things yet to come.
You're having a hard time living without it lately. The idea that love could turn someone to a god, that to be consumed is the only way to feel it completely.
PAIRINGS: leon kennedy x reader, slight chris redfield x reader
CONTENTS/WARNINGS: fem!reader, angst, moderate burn?, canon typical violence, unrequited love, explicit language (it should go w/o saying but i'll say it anyway), best friend!claire redfield, i can be a wordy gal (yes this is a warning), a bumpy ride for all involved...will add more as it appears relevant, will also have chapter specific warnings when necessary!
audio files ~ redacted ~ the take
Book I: Don't Panic - RESIDENT EVIL 2 - IN PROGRESS
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âLeon?âÂ
âYeah?âÂ
âTell me something.âÂ
âLike what?âÂ
âI donât know. Something real.â He turns toward you, resting his weight against the adjacent wall. Youâre not quite safe, but you feel concealed enough in the dark room to follow suit. Heâs tired, but vivid where heâs flushed in a beam of moonlight peaking through the dark mist of clouds, lips half parted, breaths leaping out in spurts. âYouâre blushing.â
Summary: elliot was right...but at what cost? there's a freaky mutant scientist eager to meet you, the parking garage is just another avenue of locked in, every dog in raccoon city wants to eat your brains, an alleged government agent wants nothing more than to click-clack her way out of your life, and a bioengineered hitman hit ben and you're pretty sure you're next...but hey, at least he's not the brightest tool!
Warnings: canon typical violence, language, angst?, fear, anxiety, re2 spoilers (if that's a thing atp), some jumping around the gameplay for the sake of moving the story along
a/n: i know, i know...i suck! i'm honestly still not sure how this chapter turned out, but its been so hard between work and school and just finding inspo to write it. tbh i'm really excited for the in between stuff so hopefully i can churn out the next few chapter quicker. either way i hope you enjoy this one!
let me know if you'd like to be tagged <3
Word Count: 8k
chapter 1 ~ don't panic ~ confidential files ~
âThis isâŚunexpected for a secret underground tunnel.â You whistle, the study youâve stepped into is reminiscent of old money. The large mahogany desk with its leather bound chair is a statement in itself. It holds a grand old typewriter and itâs surrounded by impressive bookcases climbing the length of the walls. Thereâs an emblem holding itself in the center of the floor, you liken its shape to a relic of art deco. âI wonder who it belongs toâŚâ
âI donât know, but itâs pretty weird...âÂ
âDid you know this place used to be a museum?â Leon blinks, a blank sort of look like heâs wondering how you could know that. âYeah, there were a ton of pamphlets about it in the station. Maybe they just left it like this when they renovated it.â You shrug, finger dragging against the light feathering of dust along the deskâs surface. âSomething still feels off about it though.âÂ
âWhat do you mean?â
âThe whole thing. Who even thinks of hiding a bunch of medallions around to unlock a passage no one knows exists?âÂ
âI donât know, but it saved our asses. Maybe whoever designed it was just having a little fun.â Leon surveys the room, but keeps it light hearted. His demeanor had shifted ever so slightly as youâd begun to trod into the unknown. If you thought to describe it the words would be on guard, the picture a perfect replica of the dutiful officer though not without the boyish and freshly frayed edges of someone who was still entirely unsure how to define the weight of his role.
âFine, but itâs not just that. I mean, Iâve never even heard of this Umbrella Corporation before, but here itâs everywhere you look. Itâs like some weird conspiracy.â You pull the clipping youâd found earlier from your hip pouch, flattening it as much as possible to make sense of the crinkled article. âLook at this. Apparently this company has been funding the police department for years. Donât you think thatâs just a little strange?â
âI donât knowâŚmaybe. But places like that make donations all the time, right?âÂ
âDonations, sure, but according to this article theyâre funding is definitely enough to earn them a little more than a pat on the back and an article in the daily paper.âÂ
âLike bribery? So what, you think all of this is happening because of this Umbrella Corporation? What could they possibly gain?âÂ
âI donât know. Iâm just saying instead of just thinking about how to get out, maybe we should start considering why weâre in this situation in the first place.â The longer you spend inside the walls of Raccoon City the more it gnaws parasitic at your brain that something doesnât add up. âYou saw some of those files, Leon. If nothing else you have to agree that this is all insane and someone has to be at fault.â
âIf youâre right, that means all these people died because of some cover-up? Thatâs a big leap, Y/n. I mean, I was almost a part of this place, what does that say about me?â You can see the idea turn sour on his tongue. That he could have been party to something so horribly life altering.Â
âNothing. I mean, does it seem like any of those people, Marvin, Elliott, knew about this? Hell, Iâm not even sure about it. Itâs just a feeling. A bad one, but still just a feeling.âÂ
âNo.â He drifts forward to catch your eyes where theyâve fallen ambivalently back to the article, flipping uselessly in your hand. Speaking the words feels lofty, like Pandoraâs box toppled to its side, slowly leaking something to never again be concealed. âYouâre right, thereâs definitely something going on around here. I guess a part of me is still scared to admit it.âÂ
âI donât wanna be right. If Iâm right then the only explanation for this is something awful.â Leonâs hand catches at your wrist, fingers grazing briefly against the pulse of your heart. Perhaps gaining courage or reassuring himself of the warmth of your joint beings.Your pulse thrums in tandem with the set of his breathing, his eyes holding yours in a way that would feel mortifying under different circumstances. Between different people.
âThen we need to get out of here before it gets worse. If Elliot was right, we should be able to make it to the parking garage from here.âÂ
Thereâs another door on the far side of the room, a supposed path to safe harbor, but your hopes have faltered significantly since the night began. Leon leads the way, a little extra strength necessary to shove the door open, like it hasnât been used in quite some time. âStay close.â
Thereâs an elevator just to the left of the study door, still uneasy in its pristine condition. You take it deeper into the stations underground. Outside there are several staircases leading the rest of the way down to a cement caked room with nothing but another door you canât unlock. You circle back up the stairs where thereâs an immediate opening on one of the landings.Â
The space beyond the elevator is labrythine, levels of iron grated floors interwoven with an intricate configuration of paths and pipes. The echo of an unsavory noise thunders ahead of you. Itâs distant, but monstrous. The sound rattles your bones and makes you reconsider the way you came from.Â
âWhat theâ!?â Leon raises his gun, following the natural path ahead. Youâre blocked a ways down by a sudden shelf tipped on its side. Leon signals for space, steadying his weight against the impeding force.
As soon as he strong arms the shelf upright, youâre face to face with a deluge of the deformity of man. Monster seeps from its right side, rooted in its chest and devouring skin in favour of heinous flesh. A singular optical organ presents hemorrhaged and straining from its shoulder like its a socket. But the rest of it is suited a scientific professional, lab coat and molten skin.
It fixates on its immediate target, grabbing hold of Leon by the shoulders, slamming downward into the ground enough to dent.Â
âLeon!â Heâs dazed, caught off guard, but still he manages his attention toward you just enough to mouth the words Donât as the mutant assailant grabs at him again with more force, their joint configuration going down a second time. You scramble for your handgun, wobbly arms aiming for something that doesnât resemble Leon. You settle for the creatureâs mutant appendage and fire. Thereâs an immediately viscous squelch followed by a deafening roar.Â
Its eyes find you as if for the first time, lifting slowly from where it hovers over Leon. Itâs wet and sopping goop-like mucus, its half-human face still sizing you up with lingering curiosity. You fire again, this time it ricochets like a minor inconvenience to the creature and it takes a single step toward you.
It gets no further, Leonâs stubborn disposition grabbing hold of one of its legs.Â
âY/n, stop!â He grits, from pain or exertion youâre not sure. You fire a third time, more interested in getting that thing away from Leon than protecting yourself. Your competing interests confuse the motives of the creature, unsure which of you to wrestle with first. Itâs Leonâs game by default. The white coated malformation raises the leg unsheathed by Leonâs strength and stomps downward in a foolhardy attempt to break free. It worksâŚin a way.Â
When its weight crashes down against the grated platform it loosens Leonâs hold, but it also sends the pair of them plunging through to the floor below. You arenât foolish enough to jump after them, glancing through the chasm of their departure. The fall creates enough time for Leon to find his two feet, his gun raised with them.Â
âOh my god!â He heaves, jogging steadily backwards as the creature rises to its full potential. âJesus! Words wonât work on this thingâŚY/n, stay there!âÂ
You follow from above, watching Leon maneuver through twists and turns, firing over his shoulder every few feet. The eye resting against the creatureâs shoulder is squeezed shut, its monstrous arm finding hold of a length of pipe, swinging erratically at Leon, missing by mere inches. The bullets bounce off of it like a flackjacket, an irritant comparable to tick damage. Leon must sense it too, breaking into a momentary sprint to widen the gap between them. He holsters his handgun in favor of the shotgun heâs managed to keep strapped across his back.Â
He raises it just so, waiting for the thing to round the corner. When it does he fires, landing a shot in the division of its mutation, dotted right between the eyes. For the first time it staggers, the eye on its shoulder pops open, strained and saturated red like its broken several vessels. From your spot above you angle your gun, aiming it directly at the pupil that remains ogling frantically about the room. The creature shrieks when your bullet pierces the eye dead center and you recall the same reaction from earlier.Â
âLeon! You have to destroy the eye!â You call out to him, the creature still screeching and flailing its arms, throwing itself off balance from the spasmodic weight of its two halves. âThat must be the brain or something!âÂ
âIâm on it!â The sight would be almost comical if it werenât so nervewracking. Leon weaves through the floor below, catching the creature off guard at odd angles, a continuous coordination until it falters enough that it loses concentration in its art of concealment. Itâs difficult at times, but you standby, firing your own bullets at its coagulated achilles.Â
It grows more and more agitated with each shot fired, the eye at its shoulder bulging outward. Its inflamed fiery red, pulsing like a single poke and itâll burst. Leon fires another shot and the creature begins convulsing as it stumbles, turning into the metal fencing. It roars a garbled noise, Leon's gun raising a final time, but before he can shoot, the creature flounders over the railing, its screams echoing as it descends into nothingness.
âLeon, are you alright!â Youâre looking for a way to get back to him, keeping your ears peeled for another potential threat. âIâm gonna find a way down!âÂ
âNo!â He huffs, slinging his shotgun across his back. He jogs to where youâre leaning over the railing, his pupils have doubled in size, still reeling from what just happened. âIâll find a way back to you, it seems like we were on the right track.âÂ
âYeah, okay. Are you alright?âÂ
âI donâtâŚI donât know, that wasââ Youâre collectively startled by a heavy shutter across the way. An unsheathed ladder leading straight to your landing. Leon goes to investigate, you follow along from above, gun a half-step up just in case. You find nothing and no one, shrugging down where Leon looks from below, brow arched at an angle.Â
âSomeoneâs watching usâŚâÂ
~*~
Leon was correct.Â
Once youâd both shaken the eerie feeling of prying eyes, youâd made caution toward the same doorway as before. Luckily there was nothing else waiting to attack. After a few more twists and turns you were climbing through a grate into what appeared to be the police stationâs parking garage.
âHoly shit.â You half laugh, surveying the area. âElliot was right.â The lot is filled with strewn police cruisers surrounded by several doors you have no interest in exploring. Your whole attention is reserved for the metallic gate closing you off from the outside. Leonâs steps are taking slow toward the obstructed opening, like heâs terrified of its impending rejection.Â
âDamn. Need a key cardâŚâ He inspects the panel locking you in, a furrow etched between the thick of his brows. You wonder if youâll have any luck finding a card in one of the abandoned vehicles. Thereâs a car in the far corner, one of its doors cracked on its hinges. Youâre cautious enough to inch towards it, the lack of zombies since you left the station doing little to calm the edging of your nerves. âYou gotta be kidding meâŚAgh! Get off of me!â
âLeon?â You whirl back around, a swift blur of something animalistic sprinting on all fours catching in your peripheral. It misses you by an inch, slamming into the side of your trajectory with a thwack. It falls flat, stumbling like a doe to its feet. A dog. Itâs snarling, foam leaking from its snout, eyes an odd, milky white color. It doesnât stay stagnant and its eyes donât leave you. âWhoaâŚeasy there.âÂ
The echo of a shot sounds from Leonâs direction followed by the low muttering of words you canât make out then another shot. The second fire works like a starter pistol to the hound still squaring off. It springs off of its back haunches, flinging its full weight at you, teeth barred. Your shot is automatic, though it still feels sick to your stomach when it whimpers like a small pup and crumples to the ground. Your gun remains raised, waiting for it to resurge, though it remains still.Â
âY/n!â The sound of footsteps, then Leonâs protective stature stops short of you still sitting with your arms poised. âAre youââ
âIâm fine. I heard voices?âÂ
âYeah, some woman saved me.â Heâs half mesmerized, a silly sort of smile on his face. He grabs your hand, dragging you back to his earlier position near the garage gate. âShe says sheâs with the FBI.âÂ
Standing with a stiff dog at her own feet is the woman Leon seems so eager for you to meet. You feel her gaze travel the length of you, though her reaction is shielded by the large shades that conceal most of her face. Sheâs sporting a trench coat, tan and cutting off nearly at her knees, a pair of high heel boots picking up at the hem. Her makeup, what you can see of it, paints her with a perfection that makes it hard to believe sheâs been in the same place as you for the past several hours, her scarily accurate bob barely shifts where her head tilts back towards Leon.
âThank youâ For your help.â Leon stammers, loosening his hold on your wrist. The woman doesnât appear moved, rather annoyed by the interruption if you were to categorize the state of her posture. Her tone is flat, neutral.Â
âSurprised you made it this far.âÂ
âFBI, huh? Whatâs going on here?âÂ
âSorry. That informationâs classified.â She saunters in the opposite direction, the patient click-clacking of her heels bounces off the walls in a way that feels mocking. You shove Leon to the side, catching a light jog to grab at the womanâs arm. She startles, perhaps expecting Leon to be the one grounding her to a halt.Â
âYou canât just leave us here.âÂ
âWhy not?â The words are uttered with an air of deadpan, though her red lips hoist like sheâs amused by the idea that she would do anything but. She carries herself lackadaisical, like her being here is a mere side effect of her occupation. It reads unnatural the way she consistently brushes you off. Not what youâd expect from someone in her shoes, though her chosen uniform is a question in itself.
âItâs kind of your job to get us out.â
âActually, thatâs your little boyfriendâs job. Iâm just here for information.âÂ
âAnd where exactly do you plan on getting it?â You challenge, gesturing to the irony of your confinement. âThereâs no one else here, so unless you speak zombie weâre your best bet.âÂ
âWell, then.â She looks at Leon, then back at you. âI guess I speak zombie.âÂ
âWhere are you going?â He calls after her, his voice closer than you last thought him to be. Somewhere between your minute interrogation and the womanâs swift brushing off Leon had found his way to the spot just over your shoulder.Â
âDo yourself a favor: stop asking questions and get the hell out of here.âÂ
She disappears through one of the several doors lining the walls of the garage. You donât follow her, her flagrant nature locking your joints into place. She feels far-fetched, but youâre certain Leonâs too taken with everything else about her to attach himself to the reasoning of your own intuition.Â
âHey! Weâre not done talking to you!â Her departure delivers a punch to the gut, a festering wound exposed to the putrefaction of open air. You watch Leon follow after her, trying and failing to open the door she disappeared through. He knocks on it a few more times, like he still expects her to have a change of heart. You gave up on any pending expectations for the alleged government agent rather quickly.Â
âLeon, sheâs not coming back. We have to find a way out of here.â
âYou donât think following her is our best shot?âÂ
âI think finding a key card is our best shot. Anyway, she didnât seem in the mood for company and I certainly donât trust her.âÂ
âYou donât know her. Sheâs probably just as freaked out by all this as we are.âÂ
âOh yeah, thatâs definitely why she walked in the opposite direction and told us to get lost. Makes sense.â You donât mean to snap, but your body is like jelly and your heart is like lead. Elliotâs notebook was supposed to lead you out of the station, instead it feels like youâve stepped further into the perplexities of the RPD. âIâm sorry. Iâm justâŚââ
âI know.â Leon is understanding, not even a hint of reproach in his tone. He approaches you with a tenderness youâre not sure you deserve, pulling you tight against his chest, his warm breath fanning against your scalp. Heâs real and solid, itâs second nature, human nature, to pull him as close as he can possibly get. You imagine yourself quite the picture: tired and drenched in the filth of your predicament, the sweat of disquiet beading at your temple to accompany the anxious turning in your stomach. âI promise Iâm gonna get us out of here.â He releases you at arms length, his eyes boring into your own with nothing but the earnestness heâs carried since you first spotted him with his gun raised and his eyes on enemy lines. âDonât give up on me.âÂ
âNever.âÂ
âGood.âÂ
~*~
You start, pushing through the first door that doesnât flash red above the lip of the frame. Youâre half bashful the way you falter back, bumping into the solid wall of Leonâs chest. Thereâs a smokey film lingering in the air to accompany the fetid and familiar stench of the undead.Â
âWelcome back to situation normal.â You mutter amidst a chorus of moans and the metal clanking of loose limbs. The door has led you straight to the cell block, most of the holding cages cramped with the remnants of human rot. Itâs a concentrated practice to keep your steps gravitated toward the center of the aisle to avoid the savage arms attempting to grab hold of something for their jaws to hinge into. You donât know what youâre looking for, but you venture forward, a sharp left heading toward a dead end. âMaybe we should head back.âÂ
âHello?â A voice calls from the far end, the last cell pressed against the wall. Thereâs a man alive and sitting on his bunk with a cigarette lit between his lips. He stands when you and Leon sidle into view.
âHey.âÂ
âI donât believe it. Real humans. Hello, humans.â His voice is half hysterical, though you imagine you wouldnât be far off if you were stuck in a place like this.Â
âHow long have you been here?â You step closer to the cell, ignoring the light feather of Leonâs fingers skimming your waist in an attempt to hold you back. The man runs a trembling hand through the length of his hair, sticking in all directions like heâs been doing it all night.Â
âLong enough. Are we the last ones alive?âÂ
âNo, no, thereâs a few of usâŚâ Leonâs tone is skeptical, but formal enough. Like he doesnât dare share the whole truth with the sudden caged man, the only one left living in a sea of death. Youâre not unaware of his position on the other side of the bars, but you think thatâs the point. He canât have been here long, but heâs been trapped for hours without escape or the simple release of basic human interaction. A forced participant in your itching line of questions.Â
âOhâŚthatâs good news, I guess. Unless, of course, Irons sent you.âÂ
âIronsâŚ? You mean Chief Irons? Is he still around?âÂ
The man waves Leonâs question off, rather put out by any further mention of RPDâs chief. âWho cares. Hopefully, heâs somebodyâs dinner by now.âÂ
âWhat do you mean by that?âÂ
âHeâs the bastard that locked me in here.âÂ
âIrons? Why?â At first glance he looks like a regular guy, perhaps a little unkempt and fraught from the hours below ground, but you suppose you said it yourself: Looks can be deceiving. Maybe Irons was too. Youâve seen no trace of him since you arrived, you wonder if heâll be outrunning whatâs left of Raccoon City or clocking in as chief of its new population.
âIâm sure he had a good reason.â Leon cuts in, intercepting your eyes like he needs you to believe thereâs good left in this place as much as he does. He staples his arms over the length of his chest, back to posturing the position of the rookie cop. You let him take it, more interested in getting answers than however Leon sees fit to get them. Despite everything youâre still sensitive to what heâs stumbled into and his constant attempts at regaining control of the narrative.Â
âHe did. I was about to blow the whistle on his dirty ass. Iâd have done the same thing too, I guess.â Heâs pacing the length of the cell, muttering beneath the last puff of his cigarette. He tosses the butt to the ground, stomping it out with his heel.Â
âBlow the whistle on what?â You grab at the bars of the cell, thinking back to the files strewn about the station and the Umbrella Corporation. âDoes this have anything to do with Umbrella?â The man continues muttering, losing track of himself. âHey!âÂ
âHey! Iâll make you a deal⌠Unlock this cell and Iâll tell you whatever you want. Plus!â He dangles the key card hooked to the lanyard around his neck with something slightly wild in his eyes. â Iâll give you this. Thereâs no other way outta that parking garage. Believe me!âÂ
âSorryâŚI canât do that. I have to talk to the chief first.â Leon pulls you away from the cell, putting distance between you and the man driven by the pure instinct of his confinement. Somewhere in the distance the consistent drum of the undead sings like background noise, a constant reminder that you wonât be safe until you get out. You could swear something is riling them up further, but the thought only simmers in the back of your mind.Â
âLook, weâre all prisoners in this station. So either we play nice and help each other outâ Shit. Itâs coming.â Something shakes the ground. Itâs subtle, but you arenât completely thrown by his shift in demeanor.Â
âWhatâwhatâs coming?â
âWhat does that mean?â You shutter. Leon tugs you closer, his free hand wrapping around the grip of his handgun.
âCâmonâcâmon, donât be an asshole⌠Ok? You need this! Just get me the fuck outta here!â His backâs against the wall, his composure devoid of the self-sure whistleblower youâd been dealing with just moments prior. Fear lines the dips and dives of his features, hair stretching wild in every direction, his lip quivers just so at the edges. Heâs petrified.
âLeon, maybe we shouââ The breach in the wall is abrupt, concrete hurtling in all directions. A hand, large and gloved, grabs hold of the manâs skull to squeeze until it crumbles into fragments of skull and flesh. The hand retracts just as swiftly, a deep, dull thud echoing the footsteps of its retreat against the concrete.Â
âOh god,â The sight makes you sick, your head cocooning in the crook of Leonâs neck to avoid the mutilated scene and the bile slithering up your throat. He cradles you there, hands shaking, too shocked himself to vocalize some quick witted consolation. Silence stretches between you for a span of time that couldâve been hours if anyone asked, but what in reality stemmed for only seconds, broken by footsteps approaching the way you came from.Â
âWho is that!?â Leon pulls his gun, pointing it at the impending threat. You settle under the annoyance of clacking heels, the woman from earlier emerging like a figment from the shadows.Â
âItâs just me, so you can put that thing away.âÂ
âI donât even know what happenedâ It justâŚhappened so quick.â Leon dives into an explanation, a halfheartedly recounted story when youâve yet to process it completely yourselves. A ghastly hand emerging through the concrete to claim its prey then disappearing just as quickly. If it werenât for the gaping hole and the chunks of concrete surrounding the manâs head-caved body youâre not sure she would believe it at all.
âI told you to get out of here. You wouldnât want to end up like Ben, would you?â She juts her chin in the direction of the cell with clear conscience and no remorse.
âYou knew him?â You gasp, breath having shallowed with the weight of what you just witnessed.Â
âHe was an informant. Had information of use to my investigation.â Youâre getting used to the sight of her turning her back on you. You regard Leon with wide I-told-you-so eyes and he shakes his head pushing a step ahead.
âSo what he said was true? Hey, you canât keep walking away from me! I donât even know your name!â She stops, turns, and looks at Leon. You arenât sure whether her act of concealment is meant to intimidate you, but you find more of an irritation prickling beneath your skin. Leonâs friendly neighborhood rookie routine has yet to fall flat, his hand extending like he expects her to reciprocate. Her hand doesnât move from its rehearsal at her hip. âIâm Leon Kennedy.âÂ
âY/n.â You grit, reluctantly under Leonâs insistence.Â
âFind a way out, Leon, Y/n. Before itâs too late. Then weâll talk. Names Ada.âÂ
âAndâŚsheâs gone again. Great talk.âÂ
âWellâŚâ Leon glances back at the cell, toward what remains of Ben still trapped inside. âI guess the dealâs on.âÂ
~*~
The events proceeding your run in with Ben and Ada were nothing short of insanity.
You feel like youâve seen every hall of the RPD a million times over, except every familiar path turns unexpectedly a-typical, every door demanding the specificity of a key or an offbeat puzzle. Youâre growing more and more exhausted and youâre positive every dog in the city is encased within the station walls and theyâve all tried to chomp you in half at least once tonight.Â
âGood sign or bad?â Youâve managed to find your way back to the start, staring forlorn at the caged aperture leading back to the stationâs main hall. Based on the convenience of clues leading your path, youâre in search of a clock tower on the third floor of the station, in its possession a part to fix the power panel that will open Benâs cell.Â
âI canât say any of tonightâs signs have been particularly good.âÂ
You lead the way back up the cement stairs, cringing slightly at the creaky hinges of the gate when you shove it open. You werenât thinking completely clearly, the space you were walking into altogether different than it was upon your initial escape. That is to say, infection had entirely infiltrated the space, Marvinâs body half hunched and limping to the beat of his death rattled moans. You canât stand to watch him too long, the pathetic angling of his body nearly devoid of the force youâd come to know in your short time together.Â
You turn rather swiftly, catching sight of Leon, face fallen and dug-in heels ambling back substantially at the sight. âMarvinâŚAw, no⌠Dammit.âÂ
Thereâs a harsh pulsation in your throat to accompany the bass in your chest, warring emotions twisting in an attempt to make neutral words. Youâre angry that youâre here, that youâve come all this way for something, or rather someone, thatâs thousands of miles away. Youâve lost track of the one person in this city that knows you as more than the fear thatâs camouflaged your skin since you stopped at that gas station. Every time you think youâve made progress, someone or thing comes along to prove you wrong.Â
But youâre also sad.
Loss has intricately fastened itself a permanent fixture in your life. Youâve been a victim, a witness, even a bringer of the feeling of emptiness and without. Thereâs an abandoned practice you long studied, polished, but swore not to teach. An apathy toward the whole of such a nasty business. It presents as the ability to breed the stillness of your presenting features with stoicism, to swallow down the bile inching to the surface of your throat, and push past the wetness rimming your eyes.Â
Your abandonment of such an even temper came with the Redfieldâs. By some stroke of luck they unintentionally softened you, molded you into a being fueled by the unconscious repercussions of cloaked compassion. Two people suffering the loss of all but themselves, their reintroduction to a world that has shown them nothing but hurt now reliant on your expertise. Not in the concealment, but in the softness. So, with everything that you had, you gave it.Â
Your sadness is a side effect. A deep sense of melancholia consistent with lifeâs shortcomings.Â
Here, it's taken the form of the passing hours. A mirage of marred faces melted beneath the poultry lighting of Raccoon City. A feeling has settled in the bones beneath your skin, leaving you to feel brittle but firm. It holds residence in the balmy, soot fused air scrapping in your lungs. Itâs your faith-shaken, wobbly words when your hand falls soft against Leonâs.Â
âWe should end this.âÂ
âWhat?â Leonâs only half heard you, hand ghosting at the dead end radio latched to his side. His eyes are glossed and delicate to find yours, the corner of his mouth sorrowed and sunken
âWe canât leave him here like this.â Marvin coasts halfheartedly in your direction, bloodied and milk eyed. âJust empty and wandering.â
âNo, we canâŚmaybe thereâs a cureââ
âMaybe thereâs not. LeonâŚâ
âWe donât know if thatâs what he would want.âÂ
âWouldnât you? At least this way he can rest in peace, not as some byproduct of this bullshit.â Your hand clasps at your own gun, prepared to greet this loss like an old friend. âI can do it, you donât have to.âÂ
âNo.â He breathes in deep and steps past you. âIt should be me.â Itâs the first time since you met him that heâs raised his gun with anything less than certainty. Not a tremor in the aim of his weapon, but an equivocation of the matter at hand. As far as youâre concerned the loss of Marvin singles Leon as the last man standing. You wonder if, beneath the surface of his sorrow this is a fear thatâs already settled deep in his chest.Â
Youâre so entrenched in the sudden thought that the fire of his gun startles you back into the moment. Lieutenant Marvin Branagh, pale and unmoving at your feet.Â
Loss has intricately fastened itself a permanent fixture in your life.
âIâll stop this, lieutenant⌠I promise.âÂ
Your sadness is a side effect. A deep sense of melancholia consistent with lifeâs shortcomings.Â
~*~
âLeonâŚâ You tug at his sleeve with the patience of a young child, his attention still cautious of your flank. Your own attention is on the freshly watered helicopter. No longer spitting flames, but being lifted upward by the familiarity of a large hand, one previously famed for the crushing of Benâs skull. âWe should go back, we really gotta go back!âÂ
âHuh? No, we need toâJesus Christ!â Leon finally shifts toward you, instinctively shoving you back the way you came when he sees the reason for your panicked outburst. âWhat the hell is that?âÂ
âI donât know, what do we do!â Youâre running out into the rain, full concentration on keeping your footing against the soaked asphalt and the rickety iron escape. Your body is shaking from the torrential spit thatâs beginning to soak through your clothes and from the raw fear nipping at your heels. The bottom of the stairs is a dead end, just an old tool shed surrounded by the stationâs wire fencing. âLeon!âÂ
âIn here!â He shoves you into the shed, crowding you into the darkness of a smaller room in the back of the small hut. Despite the rain and the four walls you can hear the heavy footing of the giant outside. Leon pulls you into the far corner, your heavy breaths mingling in your close proximity. You quiet yourself as much as possible, listening for the steps to inch louder and soft, brain racked to hatch a plan that doesnât end with one of you beneath the sizable boot of the fashionably frightening behemoth outside. âI donât think it knows weâre in here, but I also donât think it's dumb enough to believe we vanished into thin air.âÂ
âSo what, we have to run straight through it?â
âWe have to get around it somehowâŚwe have to get to that clocktower.â You move from him, inching beneath the sliver of window lining the upper half of the wall, looking for something that could help you out. There are only old tools and slats of rotted wood and rusted bolts.Â
Up to this point your fear has been your driving force, pushing you toward Claire and a way out. Now it feels like it did before you came, like a creature huddled in your chest, lying in wait. Its palm sweaty, teeth clenched, neck thorned and itchy. Your hands curl into tight fists, the beds of your nails digging blood thirsty into your palms.Â
Your breathing stutters and your heart booms bass heavy in your ear drums.Â
âLeon?âÂ
âYeah?âÂ
âTell me something.âÂ
âLike what?âÂ
âI donât know. Something real.â He turns toward you, resting his weight against the adjacent wall. Youâre not quite safe, but you feel concealed enough in the dark room to follow suit. Heâs tired, but vivid where heâs flushed in a beam of moonlight peaking through the dark mist of clouds, lips half parted, breaths leaping out in spurts. âYouâre blushing.âÂ
He is. Youâre not sure if heâs begun to notice the slight cold creeping in from the dry rot or thereâs something else ghosting his thoughts amidst the night that has grown entirely too demanding. He doesnât correct you or shy away, just stares a moment longer like heâs trying to figure it out. It being a vague interest or introspective thought captivating enough to lure you from your panicked cage.Â
âSomething realâŚâ You can see him tossing the thoughts around his head, but youâre also attuned to the way his attention remains on the sounds beyond the four walls, like he canât allow himself to slip for even the briefest of moments. âI never really believed in things like soulmates or love at first sight. Never thought that things like that just happen, because only bad things ever just happen without any good reason. Itâs why I became a cop,â He huffs, like the whole ideaâs been tarnished by the contrary nature of Raccoon City. âI wanted to fight for the good things. Make them happen for the people who deserve them.âÂ
He holds pause, like heâs wondering if everything heâs done to make it here is worth it. If heâll ever be Officer Kennedy to anyone but his dead lieutenant and a random girl from the gas station.Â
âAnyway, I never believed in love at first sight until one day I met this girl.âÂ
âAnd?â He doesnât respond right away. You think he doesnât know how or heâs deciding whether youâve been deemed worthy of something so close to him.Â
âAnd there was just something about her. I could feel it in my chest like something pulling me toward her. Iâve never felt anything like it.â His hand ghosts over his heart like heâs feeling it just then, the memory of it. âSheâs smart and kind. Beautiful, my god sheâs beautiful. She has these amazing eyes and looking into them is like seeing my whole world and knowing she has to be a part of it. It felt like meeting someone who finally understood me. I mean, weâd just met and she believed in me more than I believed in myself. Kept telling me what a great cop I was gonna be even though she barely knew who I was.âÂ
âShe was right about that. She sounds really great, Leon.âÂ
âShe is.â He trails, eyes staring off like heâs right back in that moment he first saw her. Itâs a happy thought, one that makes you smile because you know that someone like Leon deserves all the happiness in the world. He looks at you, a little less embarrassed than he seemed before, like heâs glad to have remembered. âAnd she has the greatest smile, I would do anything to see that smile. To be the cause of it. It sounds crazy saying it out loud. I mean, what have I done to deserve a feeling like that, ya know?âÂ
âDid you ever tell her?â You hush, thinking this girl would be lucky to have someone who thought of her in this way. Such tenderness and yearning from sight alone.Â
âNo, I was too scared. I mean, Iâd just met her and I thought to have known her, even from a distance, was enough. Didnât want her to think I was crazy or something.â Heâs chasing every syllable far too quickly, tripping over the handful of words. You can see the heat rising once more to his cheeks, probably regretting the question entirely.Â
âWas it?âÂ
âHuh?â
âWas it enough just to know her?â The question is selfish, dressed in uncertainties about your own mixed feelings, the ones that have changed and the ones forming anew. Wondering if to have known and loved from such a distance is a sign of love lost or subconscious recognition of its altered state.
âI donât think so.â He sighs, âBut it probably doesnât matter. Who knows if weâll make it out of this.â
âHey, what happened to not giving up? Come on.â You stand to full height, once more scouring the room for anything useful. Your sense of purpose has been renewed, some strange feeling of investment in Leonâs story of love unfulfilled. âHere, what about your shotgun? That thing is still living and thereâs no way itâs immune to a shotgun shell. If nothing else it should stun it long enough for us to run right around it. Then we just have to avoid it well enough to get what we need and get back to the cell block.âÂ
âPotentially, but we donât know what that thing is or where it came from. How can we be sure the shotgun will stun it?âÂ
âWe donât, but weâve spent this entire night running on luck and Iâm choosing to believe we havenât run out yet.â Leon is still unsure, but you can tell that he knows youâre right. He lifts the shotgun from his shoulders and double checks the chamber.
âAlright, but you let me lead until I shoot. Then you need to run ahead of me and donât look back.â
âNo, weâll run together.â
âY/nââÂ
âNo, we run together because itâs gonna work. If it doesn't, I'm not letting you take the fall for my plan. Besides,â You both inch toward the door, your fist swiping lightly at his arm, his eyes linger there. âYou should definitely tell her. Iâd wanna know.âÂ
~*~
Your continuous bouts of breathlessness this evening are not for lack of endurance. Quite the contrary. The consistency of the enforcer on your tale is not one born of speed, but of anxious adrenaline. Head over your shoulder, no one place too long adrenaline. Itâs actually quite slow, with a wide range, but it appears to move with pattern recognition.Â
You learned posthaste that its mind is one tracked, systematic. It did not allow for complete evasion, but it made the act of weaving through doors and slinking about corridors a manageable feat. Two of you against one of them.
It allowed you to find the clocktower and the spare parts for the electric box in record time.Â
Now your eyes have taken to naturally scanning while Leon replaces the parts, unsure how long you have to get out of the station before your newest problem hones in on your current location.Â
âHowâs it goinâ over there?âÂ
âI thinkâŚIâve got it!â He messes around a moment more before thereâs a subtle click and the door to the cell slides open. Leon heads straight for Benâs body, you opt for the desk shoved against the wall of the cell, a wrinkled piece of paper waiting smudged with a hurried scrawl.Â
The stationâs swarming with monsters. Even here I can hear their cries. But itâs not the zombies Iâm afraid of.
Codename: Tyrant.
The ultimate bioweapon, developed by those bastards in the utmost secrecy. To think that that thing might be wandering around hereâŚ
Chances are theyâve ordered it to wipe out the witnesses.
âHuh?â Leon is rising once more to his feet, keycard in one hand, a tape recorder in the other. âThis must be the information Adaâs looking for.â He presses play, the crackle of audio echoing between you.
âBut that doesnât explain the rumors about the orphanage. I-I just find it way too coincidental Umbrellasâs one of the benefactors.â
âYou told me this interview was about the new scholarship Umbrella set up.âÂ
âCome on, Annette. Nobody cares about that. They want to know about the G-Virus, and theââ
âWhere did you hear about this?â
âand that big fucking sinkhole in the city which, by the way, rumor has it goes straight to your underground lab.âÂ
âLab?â Leon breathes, meeting your eyes across the cell. You glance back at the paper, assuming there must be a connection.Â
âNow, are you going to talk to me or are youââ
âThis interview is over.âÂ
âBitch.âÂ
âHmm⌠What are they after?â Leon pockets the tape recorder and flips the keycard in his hand.
âI donât know but, Leon, this letterââ You're interrupted by the sound of slamming metal and a frenzy of groans and scrambling limbs. Your movements are in tandem, feet smacking against the cement to get to the first row of cells. Zombies are flooding out, blocking your path to the exit.
âThatâs not good.â Leon grabs hold of your wrist and drags you toward the parallel wall, your hand catching at the lever to lift the gate. You duck beneath it when it's reached the height of your waist, almost pleased to find that it wraps around to the entrance, but less than pleased to see the giant thing from earlier. Tyrant if youâre making any sense of the barrage of information youâve consumed in the past ten minutes. âGimme a break.âÂ
The hairs lining the nape of your neck stand on end, infection closing in from either side. Thereâs no chance youâll be able to make it through the mob milling at your back and the experiment slowly inching toward you could easily take you both out in one swing.Â
âOk, Iâm gonna stun it then we both run, split the difference. Iâll go left, you go right and donât stop running.â
âDonât have to tell me twice.â Leon hustles to free his shotgun, his aim a mirror of perfection where the bullets hits the center of the Tyrantâs throat causing it to flinch and stagger forward. You donât wait to see how long it takes it to recover, sprinting past him without a single glance over your shoulder. You free your gun, shooting blindly at the few zombies obstructing your path, your arms only lowering slightly to push through the doors into the garage. Though still technically confined, the parking garage feels like a moment of reprieve, just enough for you to double with your hands on your knees to catch wind. âThat wasâŚso close.âÂ
âWe canât stop yetâŚâ Leon struggles to form the words through his heavy breathing. âWe need toââÂ
To what you arenât sure, a giant crater in the wall to your left exposing you to Tyrant. He reaches for Leon, hand clasping mechanically around his throat to squeeze. It's the closest heâs gotten to either of you and you remember Benâs note. Chances are theyâve ordered it to wipe out the witnesses.
âLeon!â Youâre firing bullets, but your handgun doesnât pack the same punch as a shotgun. The casings bounce off of it like pebbles against a glass pane, it doesnât even glance in your direction. Youâll have your turn soon, it seems to be saying. You can see the pallor starting to ghost Leonâs skin, his hands fighting against the large one programmed to drain the lives remaining in the waste of Raccoon City. âLet him go!â
The words sound pathetic to your ears and they feel dull and pointless on your tongue. You think you could throw yourself at it, draw its attention from Leon, a last ditch at some distraction from its dance of death. You can see him trying to form words, his eyes finding you even now. You know heâd tell you to go, leave him and save yourself.Â
The thought never even occurred to you.Â
âMove!â A pair of headlights illuminates in the far corner, a S.W.A.T. car rapidly accelerating toward you. Itâs just enough time for you to dive out of the way, the hood of the vehicle slamming directly into Tyrant, forcing its grip on Leon to ease into nothing. You donât think, throwing yourself at Leon where he gasps for air, coughing painfully around the large gulps.Â
âAre you okay?â You hoist his upper half so his head is resting on your lap, grabbing at his cheeks, forcing his eyes to your own. Making sure heâs still there. âPlease tell me youâre okay. Iâm so sorry, I shouldâveâ I couldnât think!âÂ
âHey hey hey, Iâm fine.â He chokes, hands gently framing your face, pressing your forehead flush to his own. You both breathe like that for a beat, satisfied with the confirmation of your shared consciousness. âYou shouldâve run, I wouldâve been okay. As long as you made it out that would be okay.âÂ
âIâm not leaving youâŚever. Okay?âÂ
Leon laughs. An unbelievable sort of sound, but nods against you. âOkay.âÂ
âCute. But this is getting old⌠Saving your assâthatâs twice.â Ada slams the door and you help Leon to his feet. She studies the two of you as if youâre misbehaved children and sheâs waiting for an explanation just to scold you again. Patronizing.
âI didnât realize you were keeping score.â Youâre startled by the bite in Leonâs tone, though you suppose a bioengineered chokehold will do that to a person.
âOr that you were capable of helping someone other than yourself.â You mutter, just low enough that she doesnât question it, but you can tell sheâs heard you the way she looks you over. Calculating and observant.
âLook, this isnât a game!â Tyrant begins pushing against the smushed hood of the vehicle, ready for another round.Â
âYou gotta be kidding me.â Leonâs hold on you tightens, his free hand pointing his gun.
âNothing dies down here.â Ada pulls a convenient controller from her jacket pocket, detonating the car with her usual blase. âI take it you have the key card?âÂ
âYeah, and thisâŚâ He throws her the tape recorder which she twirls curiously between her polished fingers. You glance at Leon, finding his eyes on you already like heâs wondering what youâre thinking. âI was hoping you could explain whatâs on it.âÂ
âMaybe⌠After I hear it. Letâs get out of here. We might want to open the shutter.â
Youâre still not sold on trusting her, but you canât deny her uncharacteristic act of heroism or your desire for a world beyond the Raccoon City Police Department. You tighten your hold on Leon, uncomfortable with his near death and unwilling to let him stray further than necessary, and head toward the shutter.
ngl this section is brutal to write. i'm trying so hard not to be boring and to have a good mixture of development and like "long story short" sections because i'm assuming most of you have played the game or watched a playthrough and i am not trying to write you a step-by-step guide on each puzzle and how we get from a to b.
it is currently sitting at 6.5k tho!!! :D
my goal for each part is at least 8k so we're getting there!
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âAre you scared?â
âTerrified.â He says it without hesitation, no embarrassment or need to embellish some masculine condition. Youâre a little jealous of that, the way heâs cemented in his sense of self. His softness is not an obstacle, but a compliment to his character.
âBut you didnât hesitate.âÂ
âIâm a cop, itâs kind of my job.âÂ
âRookie cop.â You mutter, already sobering from your momentary panic.
âBut I didnât hesitate.â
Summary: you've made it to the station, but in your journey to find one redfield you've lost the other. the raccoon city police department is one big escape room, everything is trying to eat you, leon thinks you're insane, and you almost get hit by a helicopter. the good news is, the undead throw you and leon a going away party and it's a blast!
Warnings: canon typical violence, language, angst?, fear, anxiety, re2 spoilers (if that's a thing atp), some jumping around the gameplay for the sake of moving the story along
a/n: welcome to chapter 1! it's a super fun challenge to write a fic where there are only 2 people most of the time, they're in one location, and you're working from a video game and a bunch of little puzzles. it's also interesting because i'm trying to get back into the groove of this kind of writing.
THAT BEING SAID i just want to disclaim that i removed a lot of the random puzzles and condensed this first chapter down since all if not most of you have played/watched playthroughs of the game. i've also altered some things just slightly to fit the story more (by things i mean how certain goals are met, etc...). As always, comments and feedback are appreciated, but i hope you guys enjoy!
Word Count: 10.3k
prologue ~ don't panic ~ confidential files ~
Your terror finds you without restraint striding warily toward the Raccoon City Police Department.Â
The silence once you breach the station doors is deafening. Likened to something hollow, yet unimaginably heavy. Not the chaos of a city. No panicked bodies thrashing amidst the mass hysteria of man versus something nestled horrifically between creature and human error. It manages to clear your head, but only marginally. Most of your being rests uncomfortably in the trenches of disquiet, fat globs of trepidation opposing your limbs and dampening your skin.
âHelloâŚ? Is anybody here?â The room glows pale, the sudden brightness glares harsh against your retinas. The main hall is deserted, Leonâs voice bounces off the high ceilings, echoing back to make you flinch. Youâre boxed in from either side, a pair of double stairs lead to a second floor, but youâre not sure itâs something youâre eager to explore just yet.Â
You wander further into the station while Leon scans feather light and focused.
Thereâs a computer situated behind the front desk, the stationâs cameras still in working condition. You flip through, the slight tremor in your hand demanding more concentration than usual. Most of the footage is dusk, bodies scattered throughout, some moving in that freshly familiar way composed of jerky and disjointed limbs.Â
Leon approaches, gun lowered, safe for now. His hand catches at the nape of his neck, looking at the balconies cresting above you. âThere has to be someone hereâŚâ
You flip to the next camera, your finger poised to bypass redundancy. Except itâs not. You freeze. A cop, living, breathing, human, is shooting at an infected. âHere!âÂ
Leon rounds the counter, eyes locked on the screen. âNot good.âÂ
âDavid! Marvin! You there!? I found a way out! Itâs in here! Send reinforcements! East Hallway!â The officer cries, his speech is muffled and breathless, indicative of his struggle, words half masked by the shots he fires off every few steps.Â
Moving away from the screen you scan the walls, covered in plaques and cracked frames. You spot it on the far end, in near perfect condition. A map of the stationâs first floor.Â
âOkâŚI gotta find that guy. JesusâŚâ Youâre staggered a moment, in awe of the certainty in his tone. After everything youâve been through the past hour Leon is unwavering in his purpose. It strengthens something in your own chest, unwilling to let him bear the burden alone. There's a paperweight unmoved on the corner of the desk, itâs heavy in your hands when you pick it up and scale the length of the room. âWhat are youâ?â
âThe room is clear?âÂ
âYeahâŚI mean I think so. I didnât see anyone orâŚthing.â Itâs confirmation enough, both hands making an effort to swing the weight over your head with enough force to stick the landing when you hurl it toward the framed map. The sound of shattering glass echoes in the large hall. Your eyes shutter, stomach hitching despite Leonâs all-clear. Careful of the shards littering the ground, you snatch the floorplans up and spread them atop the desk, fingers skimming to the East Hallway.Â
âIf we can make it here we can save him, find Claire, and get the hell out of here.âÂ
âRight. But you should stay here.â Leonâs posture straightens, shoulders fully broadened like thereâs something to prove. Somehow you know he doesnât mean it that way, even as he leaves you trailing after him dumbfounded. He strolls his way to the steel door, kneeling with his flashlight tucked in his palm, scanning back and forth between the open sliver at the bottom. You hear something wet, and the only light filtering through is an emergency red.
âTight squeeze?â You scoff, arms crossing at your chest. If he catches the bite in your tone Leon doesnât let on when he sits up, tugging lightly on the door to see if it might budge.Â
âI can manage.âÂ
âLeon, I know youâre trying to be all friendly neighborhood rookie right now, but going in there alone is stupid. We donât know how many of those things are here.âÂ
âSomeone has to and Iâm not putting you in danger again. It's my job to keep you safe.â He stands, making sure his weapon is secure, pulling at the sleeves of his shirt to minimize the amount of skin on display. âBesides, Iâm the only one with a weapon and it'll be a lot harder protecting the both of us. You just stay here and look out for any more survivors. Iâll be back soon.âÂ
Heâs right, but some phantom attachment is gnawing at the tissue pushing against your teeth. You donât want him to leave you alone and you donât want to sit here wondering if heâll make it back alive. It feels helpless and pitiful.Â
You promised to keep him safe too.Â
âFine. But Iâm gonna look around more, see if thereâs anything to help us out.â You compromise, motioning toward the mess of the large hall.Â
âOkayâŚjust stay out of trouble.â You smile just a little at that, head tilting, nose scrunching amidst the irony of it. That fate had twisted like a knife and left you both gushing and grasping hopelessly at the gaping wound of Raccoon City, its creation a metamorphose of its own unique gore.
âA little late for that, Officer Kennedy, donât you think?â His cheeks tinge at the honorific and you realize heâs probably never been called that. Not by anyone other than sergeants and lieutenants, and even then it's more likely that it was scraped from the back of their throats and spit at him, unsavory and built to intimidate.
âYeah, I guess so.âÂ
âBe safe, Leon. And good luck.â Momentarily he shoves the flashlight between his teeth and tightens his hold on his handgun. He maneuvers himself beneath the door, a tight fit indeed, but heâs able to slip through with minimal effort.
âIâll be back soon.â Are his last words. You crouch near the door, close enough that you can hear his wet footsteps slowly sloshing toward the East Hallway. You strain to hear, only falling away when fear licks at you like a sharp wind in the shift to silence.Â
~*~
For an alleged safe-zone, you donât find much in the wreckage of the main hall.Â
Thereâs a makeshift first aid station behind the front desk, two or three beds and a sitting area. You scrape together bandages and some antiseptic, but itâs otherwise pilfered through. Thereâs a crate nestled against the sofa cushions, you make a note to check in a moment, your eyes suddenly drawn to the large statue in the center of the hall. Â
It doesnât fit, not anymore. Its nature is grandiose, the woman depicted something of a goddess. You imagine it was a beacon of hope before there was none left, the white stone feeling rough where you drag your palm near the base. You follow her stature toward the upper level, though you remain faithful to the center of the hall. Thereâs another statue, this one a lion, a strange configuration of symbols arranged in three slots at the helm, like some sort of message or puzzle.Â
Your fingers push at them halfheartedly, glancing childlike when you hear an ancient shift, something like the scraping of old cogs. Youâre convinced it means something, a hopeful start sitting crestfallen in your chest when it reveals nothing further.Â
Your hands fall from the mammalian bust, startled by a door creaking open down the hall of the second floor. You stumble back, looking around for something to defend yourself, your mind failing to register the cohesion of the movements, still stumbling but not nearly as clumsily as someone who wants to sink their teeth into you.Â
âRelax, Iâm not one of them. Not yet anyway.â The man grunts, one of his hands clutched to his side, blood fresh and sticky coating his skin. Still you move back half a step, unsure of his sudden appearance. âLieutenant Branagh, RPD.â
âWhere is everyone else?â The question is stupid, you know it when it coats your tongue, but you hope heâll craft something like hope, tell you thereâs safety and he can guide you to it. He must see it too, his eyes softening even in the midst of his own discomfort.
âI imagine you met them on your way in. Some version of them at least.â He shuffles down the rest of the stairs, glancing toward the front of the station. âYou make it here on your own?âÂ
âNo, I came into town with my friend, but we got separated. Iâm actually with another cop.â He takes another look around the hall, likely surveying whether heâs found you of sound mind. âOh! Heâs heading toward the East Hallway, we saw an officer on the cameras there who needed help. Said he had a way out.âÂ
âThatâll be Elliot.â He sighs, limping toward the front desk. âWellâŚ?â He looks at you, imploring some form of identification.Â
âY/n.âÂ
âWell, Y/n, I reckon we better board up this door. Stop any more of those things from getting inside.â You think of Claire, your teeth worrying your bottom lip.Â
âLieutenant, isnât the gate out front enough? My friend is supposed to be meeting us here, I donât want to lock her out.â
âIâd rather have as much distance between us and them as possible. IfâŚâwhen your friend makes it here weâll cross that bridge. But for now, I need you to help me fortify that door.â You nod, still unsure but unwilling to make enemies before you know what youâre up against. âAnd, kid? Call me Marvin. Iâd say until we get this shit figured out weâre all on equal footing.âÂ
Marvin helps you as much as he can, which isnât a lot with the wound in his side. You feel rude to ask, but you can surmise the sickly pallor to his skin is indication enough of what occurred and whatâs to come. You stack chairs and crates, placing them with strategy, ensuring your geometry wonât crumble from the faintest of blows to the station doors. Youâre just finishing up when you hear Leon, his body resurfacing through the bottom of the door.
âJesus! Theyâre everywhere! Come on! Goddammit! Watch out!â You run over to help him, Marvin gets there just a beat before you, using what little strength he has left to pull Leon through the door.
âGot it! Youâre safeâŚfor now.âÂ
âThanksâŚâ Leon trails off, his eyes immediately accounting for you before they land back on Lieutenant Branagh.
âMarvin Branagh.â
âLeon KennedyâŚâ He speaks between pants. Itâs instinct that you step into his personal, looking him over for any scratches or bites. There are splotches of blood patterned against his jeans and the soiled prints of hands catching the sleeves of his shirt, but heâs physically unscathed. âThere was another officerâŚI-I couldnâtâŚI couldnâtâŚâ
âIâm sure you did what you could, Leon.â You nod, Marvin leading the two of you to the sitting area where he collapses on the sofa, taking a few moments to catch his breath.Â
âAre you alright sir?âÂ
âIâll manageâ Marvin huffs, hand still clutching his side.
âMust be a cop thing.â Leon catches your eye, a brief amusement painting his lips despite the situation. Itâs easy to decide you like when he smiles, you like when itâs because of you. Itâs a silly thought, but you imagine most of them are when you arenât sure if youâll be alive in a few hours. âWhatâs that?âÂ
Thereâs a small notebook clutched in Leonâs free hand, he lifts it like heâs just remembered something important. He passes it to Marvin, frowning at the implication. âThe officer, he had it on him.âÂ
Marvin glances down at it, thumbing the bound leather, its cover speckled in scarlet and tattered with age.Â
âSuit up, kid.â He nods toward the crate you meant to check earlier. Leon steps over and unjams the lid. Inside is an RPD uniform, some weapons and ammo. Marvin simpers, brow half raised in your direction. âWouldnât want you to miss the wedding because of these damn things.âÂ
âHuh?â Leon is startled, your face heats, looking anywhere but the rookie cop. He flusters, dropping the lid in his hand, but recovers quickly. âOh, weâre notâŚwe just met sir.âÂ
âRight on time.â Marvin jests through a wince, flipping through the pages of the notebook. You can tell heâs enjoying this and you donât have the heart to stop him, knowing itâs probably one of the last times heâll be able to enjoy anything.Â
You provide Leon space to change, tucking himself behind a privacy screen near the sick beds. Pacing back to the lieutenant, you occupy yourself with a knife tucked atop the crate of supplies. Itâs heavy in your hand, but it feels nice when you balance it just right, like it could slice through flesh and tendon seamlessly. You tremor at the thought. That gruesome had become reality, forcing you to consider the efficiency of shredding human meat with the teeth of a blade. A sickening simulation of survival.Â
âHave you ever handled a gun?â Marvin points to one tucked into the crate. You nod slowly, pulling it free to test its skin, cold and metallic, against your own.Â
âYeah, my friend's brother taught me. Said he hoped Iâd never need one.â Your eyes clench, tracing the memory against that back of your lids.Â
It was stupid, Chrisâs attempt at cheering you up after youâd spent the night crying on the floor of your apartment. Youâd asked him how he even got in, Chris had chuckled, like he was offended you needed to ask. âBest way to hide something is in plain sight. Itâs what I taught Claire, now Iâm teaching you.â Heâd said it seriously, dangling your spare key in front of you. Heâd spent the rest of the night watching over you, little to say in the way of comfort, but it wasnât something you expected from him. Strictly a man of action if youâd ever seen one. Youâre sure you were still covered in snot the next morning when he announced he was taking you shooting.Â
Claire would never have allowed it. You were always the softer of the two of you, your weapon sheathed in the strength of your mentality, emotional and intellectual intuition. Your ability to dress a situation down from observation alone.Â
The siblings always joked you must be some sort of spy with the way youâve woven yourself so completely between them, learned all their secrets without trying. But theyâd never know for sure because youâre a natural at hiding it.Â
But Claire wasnât around and Chris chose that day to use it to his advantage.Â
Youâve kept it a secret between you all these months. Not because Chris let you shoot a gun, but because of the way he almost kissed you after. He leaned in slow, the space between you filled with something revelatory for the both of you. It was a startling little affair. It was also the last time you saw him alone before Claire lost track of him completely.
âYou any good?â You blink, the gun and your body settled into the practiced stance you learned almost a year from where you stand. Breath steady, hands firm, lock on. Thereâs a monotonous whir in your ear from what remains of the stationâs ventilation system, your pulse syncs against the sound. You think you even begin to feel the phantom throbbing that irked you for a week after from the electrifying jolt of your first shot. Chris hadnât laughed outright, but when youâd turned to him, startled from the kickback, you could see a softness in his eyes and a tension in his jaw like he was trying to hold it in.Â
âIâm almost positive I wouldnât accidentally shoot you.âÂ
âHell, with the state Iâm in you might just be doing me a favor.â You sigh, moving to slip the gun back into the crate. Marvin shakes his head, passing you some ammo. You wonder how much of it is left. âYou hold onto it,â he eyes the knife. âBoth of emâ. Rookie, needs you to watch his back.âÂ
âRookie? I thought you said we were on equal footing?â
âYeah, but I canât leave the kid without giving him as much of a welcome as I can. Especially after he came all this way when he would've been better off.âÂ
You nod, grabbing one of the spare holsters to fasten at your waist. It's a simple, but adequate distraction busying yourself with securing some of the supplies you found in the hip pouch, leaving some for Leon as well. All the while twirling circles in your brain, attempting to configure yourself into an advantage rather than a liability. The protective stance Leon had taken against you earlier is still fresh on your mind. He couldnât do this alone and you wouldnât let him.Â
âDo you know Chris Redfield?â The air is beginning to grow stiff and unsure again, you find yourself dulled at your own negligent affiliation. If anyone could possibly know where Chris is this would be the place to find out. âHeâs why Iâm here, actually. My friend, heâs her older brother and she hasnât been able to reach him.âÂ
âRedfield? I havenât seen him around sinceâŚwell letâs just say heâs got bigger fish to fry than me, they all do. I wouldnât worry about him too much, seems like he can handle himself.âÂ
Youâre about to ask what he means, but youâre sluggish to notice Leonâs resurgence until he stops between you and the Lieutenant. Heâs tugging at the uniform, adjusting it like heâs not sure it quite suits him. It does. His arms are heavily padded with extra cloth, pads on his elbows and knees. Fitted for battle.
âDoes anyone know what started this?â Leon slides his gun into its holster, you pass him some bandages and extra ammo.Â
âNot a clue. But honestly, all you need to know is that this place will eat you alive if you arenât careful.â
âYeahâŚwell, I was supposed to start last week and I got a call to stay away. I wish Iâd come here sooner.âÂ
âYouâre here now, Leon. Thatâs all that matters.âÂ
âOk, Lieutenant, Iâm ready.âÂ
âHopefully, youâll be able to find a way out of this station.â Marvin passes you the notebook, you flip through the pages, recognizing some of the drawings as the statues just a few feet away. âThat officer you met earlier â Elliot. He thought this secret passageway might do the trick.âÂ
The drawing depicts a tunnel, likely the sewer system below the station, and medallions that are meant to fit into the statue of the woman in the center of the hall.Â
âWell, I guess it makes sense that the only way out is through.â You find your way back to the lion statue from earlier, repeating the motions, this time with the symbols in Elliotâs notebook: lion, branch, bird.Â
It makes the same sound as before, something deep and ancient, though this time you feel it in your feet as the statue momentarily animates to reveal one of the medallions. Itâs chilled in your palm, cold stone thatâs been too long hidden from the light. You fit it into the main statue, glancing at Leon and Marvin when nothing, not even a shutter, responds.
âSo Elliot was rightâŚâ Marvin observes, a deep melancholy coating the words.
âYeah, but the passage isnât open yet.âÂ
âOne down, two to go.â You shrug, passing the notebook back to Leon, determination settling into the lines of his face at the newly framed task.Â
âThis is good news. We can get you to a hospital.âÂ
âNo, no, I am not the priority here.âÂ
âLieutenant, Iâm not just gonna leave you hereââ
âIf we hurry maybe we can save youââ You and Leon trip over each otherâs words.
âIâm giving you an order, rookie. You two save yourselves first. Iâd come with you, but Iâd just slow you down.â He pulls a knife from his person, it looks used, loved. He turns it over in his hand and passes it to Leon, âNowâŚyouâll need this.âÂ
âI canât takeââ
âStop. And donât make my mistake. If you see one of those thingsâuniform or notâyou do not hesitate. You take it outâŚor you run. That goes for both of you. Got it!?â
âYes, sir.â You chorus.Â
âWaitâŚâ Leon looks worrisome, an addled crease in the center of his forehead. âY/n, you should stay with Lieutenant Branagh. You didnât see what I did, itâs too dangerous.â Â
âWhich is exactly why Iâm not letting you go this alone, weâre a team.â You argue, gesturing to your own gear as if to prove you mean nothing short of business.Â
Leon looks to Branagh, who shrugs. âSheâs right, safety in numbers. Plus, I hear sheâs not a bad shot.âÂ
âShe needs extra protection, donât you have another uniform or a bulletproof vest at least?âÂ
âLeather jacket. Nice too.â Marvin compliments to which you smile, satisfied heâs taking your side in the matter. âItâs protection enough. If youâre so worried, rookie, try not to let her get bit, yeah?âÂ
âYeah, Officer Kennedy. Besides, Iâve got your six.â
~*~
Youâre almost regretting your decision not to stay behind with Lieutenant Branagh, your unease keeping you pushed against Leonâs back, peaking around his shoulder and over yours every so often. There were more infected than you were anticipating and the stationâs covered in crumpled correspondence, clues leading to the cityâs lockdown. You get the impression that this entire city runs on the Umbrella Corporation. Some pharmaceutical company apparently.Â
You recall the sign on your drive in and the billboards peering down at you every few feet. You find it a little odd that youâve never heard the name before.
To Leonâs credit, heâs remained unwavering in his fortitude. Heâll glance back frequently to make sure youâre still there and he doesnât question your own resolve when you push against him like a scared child. Though he insisted you start your search in the west wing of the station, clearly not quite as settled after his run in with Lieutenant Elliot as heâd have you believe.Â
Youâd lucked out when you came across a supply room, a scant array of extra ammo and a shotgun, suspiciously untouched in the far cabinet. Leon had offered you the weapon, still cautious of your casual dress in comparison to his own, but youâd assured him heâd make much better use of the weapon. Not to mention the weight of it alone would be less help than hindrance.
Eventually you find yourselves in a larger room seemingly a hub for the officers, their desks settled in the center.Â
âOh.â You say, flashlight filtering around, settling on a banner strung across the ceiling spelling out Welcome Leon in blue and gold. You wait for him to react, say anything, but he sets to rifling through the contents of the desks, searching for clues or extra supplies. âLeon, are you alright?â
âIâm fine.â Heâs not, thereâs a rigidity in his movements and you can hear his staggered breathing. Youâve only known him a few hours, but you can see that this is eating him alive. Some belief that if heâd just come earlier none of this would be happening. Itâs not true, but his passion pulls at the strings of your own heart.
âLeon, itâs okay if youâre not. This is hard.â
âIâll be okay. Letâs just look around.â He slips into the superior office nestled in the back corner, you continue poking around near the cluster of desks. Leonâs is stationed at the head of them, a welcoming note with a puzzle to open the combination locks fastened at each corner. You recognize Marvinâs name in the signature line. Seven desks and only two officers left to claim them, one a bloody and temporary fixture of the sofa in the main hall. Itâs unsettling to be standing amidst the scene of what could have been.Â
The tip of your boot clashes lightly with something on the ground near the door you entered through. A golden nameplate that mustâve been strewn from the desk in whatever happened before the room grew so still. You lean over enough to shine a light over the name.Â
âGeorge Scott, Iâm sorryâŚâshit!â Itâs a little louder than you mean it to be when an infected officer leaps at you from the desk. He catches you just off guard enough that you trip over your own feet, flashlight rolling, its hands grabbing at your ankle while you fumble for your gun. âFuck, fuck, fuck!âÂ
âY/n?â
You barely register Leonâs voice, your body moves in full panic, struggling to disengage the safety. Your free leg is kicking at whatever it can reach, the sickening thwack of bone harsh beneath your boot. You finally manage a shot, horribly aimed. It deflects against the creatureâs jaw, but doesnât seem to deter its movements enough to free you.Â
You raise your gun again, but something in you snaps when you look at the thing. Something raw, unfiltered, condoling. Moralityâs beating appendage.Â
Your finger slips off the trigger, you donât realize until the undead officer is spitting at you. An amalgamation of fleshy leftovers drooled in pools of saliva on your boots. You move to raise your gun again, but a shot sounds ahead of you.Â
âShit, are you okay?â Leon helps you to your feet, his hands a steady pressure on your shoulders. You holster your gun, the heat of the weapon suddenly sweltering in your palm. âHey, donât cry. Iâm here, youâre alright.â
You hadnât realized the wetness coating your cheeks, embarrassed that he saw it first. Youâve always wished your skin was a little thicker. Itâs why you were glad to learn the control of a pistol, power sheathed in physicality. But despite everything, youâve never been able to completely escape the grasp of your emotions, reduced to tears with even the most scorching of anger simmering beneath the surface.Â
Claire said it was why people liked you, that your softness just made you more human. Easy to love.
Chris said he found it adorable. Not in the way of someone who could find any sort of attraction in such a flaw of character, but as someone who regarded you as next to petulant. Like a damsel who needs to be coddled and reassured.Â
Leon doesnât look at you any differently. His head is tipped just slightly, like heâs wondering how you ended up on the ground in the first place. Not life threatening, but rather something just a little silly. Not like heâs judging you for humanizing the very thing that wouldâve eaten you whole without pause.Â
âI hesitated.â You whisper, choking against your own breath. You canât look Leon in the eyes any longer, focussed instead on the RPD lettering emblazoned across his chest. âI promised I wouldnât hesitate and the moment it mattered thatâs exactly what I did.â Â
âYou were scared, itâs okay. Iâve got you.âÂ
âIt doesnât matter. It canât matter!â He lifts your chin, locking it in place so your eyes meet his wide, unwavering ones. âI wonât make it out of this.âÂ
âYou will.â The words are anchored, rooted in the belief that itâs the only possible outcome. Youâre not sure how or where his faith in you lies. But you believe him. âY/n, itâs okay to be scared. This is hard.âÂ
âAre you scared?â
âTerrified.â He says it without hesitation, no embarrassment or need to embellish some masculine condition. Youâre a little jealous of that, the way heâs cemented in his sense of self. His softness is not an obstacle, but a compliment to his character.
âBut you didnât hesitate.âÂ
âIâm a cop, itâs kind of my job.âÂ
âRookie cop.â You mutter, already sobering from your momentary panic. He makes it easy, you realize, to recover from something that moments ago felt nothing short of a detriment. You try not to think about it too much, eyes held hostage by his own where he still holds you in place. Checking. Reassuring.
âBut I didnât hesitate.â He counters, your hand batting his wrist from your chin to hide the smile heâd inevitably eased from you. âAre you okay?âÂ
âIâm okay if youâre okay.â He offers you his hand, a welcoming force in the presence of uncertainty. You take it.
âWeâre okay.â You look down at the mutilated corpse lying pliant near your feet. Its grip was surprisingly strong around your ankle, but you recall how easily youâd snapped bone and tendon with your free leg. âWe should shoot at their knees.â
âHuh?âÂ
âI think a zombie crawling on the ground is a lot less terrifying than one lunging at you. Besides, their limbs are pretty brittle and we need to save as much ammunition as possible. Who knows what else is lurking around here.âÂ
âCut their legs right out from under them. Good call.â Leon agrees, passing you your flashlight. âOne step closer to six feet under.â
âNot funny.â
âA little funny.â Â
~*~
The station's third floor feels miniscule, more a storage unit than a place of any particular purpose.Â
Your steps have molded into something rehearsed in the way you and Leon move around each other amidst the pressure of fatality should a floorboard creek or groan too hastily beneath your feet. Silence invites a deterrence, one welcome even if only in spurts. It gives you a head start, scoping each room just enough to assess the level of threat. Â
âOk, Iâm getting creeped out again.â You shutter, the hallways filled with dust and wooden crates, the only lighting besides your own filtering from the irregular windows tracing the wall. You think you hear Leon laugh, nearly running into him when he stops just outside of the only door at the end of the hall.Â
âThat would mean that at some point you werenât creeped out?âÂ
âThis is different. Weâre basically in the spooky attic of a haunted police station.â As if some clairvoyant, macabre humor, something slams against a nearby window pane. Its body scurries across the side of the station, shadowing something akin to an ant or giant spider, less legs, but just as disturbing. âWhat the hell was that?âÂ
âNo idea, but I donât think itâs here to help.âÂ
âAnd it certainly isnât a zombie.â You inch further down the hall, body pressing to the wall opposite the offending glass panes presenting you to whatever creature is prowling the exterior foundation of the police department.Â
The hall is a dead end, just more crates and empty shells. Crumpled amongst the rubbish is a letter curling at the edges and smudged in a suspicious liquid. You avoid the stain, pinching the page between the fingers of your free hand.Â
[To any survivors]
Consider this a gift for anyone still unfortunate enough to be alive.
Keep your eyes peeled for those creepy fucks that look like they were skinned alive- "lickers," we call âem. Theyâre blind as bats, but their hearing more than makes up for that.
So long as you donât run around like a total idiot, guns a-blazing, you should be able to slip right by them⌠probably.
Either way, make like my grandma and creep around as slow as possible around âem, yeah?
Anyway, not that I wanna go, but duty calls. That, and Iâve got a friend to avenge.
David
âYou think heâs talking about that thing outside?â You pass the note to Leon, trying to glean any recollection of what it actually looked like rather than the preternatural image youâve already conjured in your head.
âLetâs just keep going. It wonât bother us if we donât bother it.â You have a feeling Leon believes his words about as much as you do, but you press on, edging into the only door in the dense stretch of hallway. Itâs a stockpile of everything you donât need, boxes and bins of dusty storage piled in paths, the unmistakable moaning of infected muffled, giving the impression there are foes in all corners. On the far wall thereâs a cell, the bars caging in a whole host of the undead. âGuess weâre late to the party.âÂ
âAt least they have good party favors.â You point toward one end, a statue of a maiden poised and waiting to be unveiled. âThe real question is, how do we get in?âÂ
âI have a feeling this guy just did us a big favor.â Leon passes you another letter, this one scribbled and angry. The writing borders manic, a vendetta that must have been fueled by a hatred boiled over into madness. The gist is C4 and a detonator to blow the wall of the cell out. âBut, given how our night is going, weâre gonna have to work for it.âÂ
âMaybe thisâll help.â You hold up a key, its dusted imprint resting where the letter had been thrown over top of it. Its handle glimmers a saturation of emerald, presenting the shape of a spade.
âWe should head back to Lieutenant Branagh, see if he remembers where this fits.âÂ
Youâre startled by the sound of static at Leonâs hip. âLeon, itâs Marvin. I need you back here ASAP.â
âAre you okay, Marvin?â Leon responds immediately, the two of you easing back into the hall to avoid the stirring of the infected that were likely trying to navigate the heaps of junk to get to you. You slide the key into your hip pouch and glance cautiously toward the previously occupied window. If that letter about the âlickersâ was any indication about that thing, youâre positive a whirring radio is the perfect way to draw it toward you.Â
âIâve got something to show you. Itâs important.â Marvin pants. The two of you exchange a look, situated somewhere between curiosity and exhaustion at the prospect of something more than what youâve already faced.
âCopy that, weâll be right there.â
~*~
Unfortunately, the trek back to the main hall is uneventful. You know you should be grateful, but the realization is a bleak one. Youâre already growing accustomed to looking over your shoulder, not immediately spooked by every ache and groan of the buckled floorboards beneath your feet. Youâre still on edge, but your movement is more rehearsed than gawky, as it had been just a few hours ago.
When you make it back to Marvin he looks worse than when you left. His breathing has swallowed significantly and his skin borders on gray. âThere you areâŚCome here, take a look.â
You and Leon approach the laptop sitting before him, the security footage displaying an image of Claire, standing outside of one of the station gates, trying to find a way in.
âClaire!âÂ
âYes! I knew sheâd make it!â Leonâs hand rests affirmative against your shoulder.Â
âYou know her?â Â
âThatâs Claire, my best friend.â You study the screen, looking for any indication of where you need to go to reach her. Thereâs a sudden desperation like hope spreading through your chest. It was strange, not to claim you didnât miss Claire or fear for her safety, but you felt an odd sense of well-being in the presence of Leon. One ordinarily reserved for your best friend, the other half of your whole. âHow do I get to her?âÂ
âYou can get to that courtyard through the second floorâŚeast side.âÂ
âWhat about this?â You pass him the spade key, he flips it slowly in his palm like some old relic. You imagine for him it must feel like itâs from a different life. You can hardly grasp the concept that you were sitting in your apartment just last night with no idea what was happening in Raccoon City. You canât imagine living through its collapse in real time.
âLibrary, second floor.â Marvin points to the balcony, west side. âIf memory serves, itâs got one of those statues in the lounge. The first door to the left once you get in.âÂ
âYou should go, get the medallion and see if you can find anything to help with that C4.â You take the key back from the Lieutenant and enclose it in Leonâs fist. âIâm gonna go find Claire.âÂ
âAre you crazy?â His eyes are moon-like, zeroed in on your sudden plan. He uses his free hand to trap yours between both his palms. âWhat happened to not going this alone?â
âThe faster we get through this, the faster we can get out of here.â Youâre covert in the way your neck cranes toward Marvin, whoâs too focused on his current state to think much of your disagreement. You beg Leon to entertain a secret hope that youâll make it out in time to save him. A necessary good for all heâs done to save you. âJustâŚmeet us in the courtyard. Okay?âÂ
âI donât knowâŚâ
âLeon, I know youâre just trying to protect me, but let me do this. Please?â You donât break eye contact, you can see the conflict jumping between his pupils. âPlease.âÂ
âFine.â He relents, hesitation still bullseyed in the whites of his eyes. âNo detours, no extra exploring. Get to Claire and stay safe until I can get to you.âÂ
âIâll be fine.âÂ
âNo detoursââ
ââNo extra exploring. I promise.â You ease your hand from his, backing leisurely toward the staircase closest to the east hall. âYou be safe too. I need you to come back to me in one piece, Officer Kennedy.âÂ
Leon mimics your movements up the west staircase, the two of you locked onto each other until you reach your respective doorways. Rather than alert the building's population of rabid lurkers, you salute him one last time and slip through the door to the waiting room.Â
Thereâs a moment to rest, commit to the practiced task of steeling yourself for whatever awaits on the other side. Your hand ghosts against the handle of the blade strapped to your side, gripping your flashlight with your other hand. You swallow hard.Â
âItâs just around the corner. Youâll be fine.â You push the doorway to the east hallway open, flashlight shifting in either direction to assess the level of threat. Itâs quiet, so alarmingly mute that your fist tightens even further against the neck of your torch. Itâs instinct that sends you to the right, the hall ending in a sharp left. Flashing urgently at the end of the corridor is an exit sign leading to the fire escape. âBingo.âÂ
Itâs become second nature to keep caution, feet leading a steady rhythm toward the door, no intention of letting your guard down. About halfway to your destination, a blip shoots past the glass framed in the center of the door. You donât have time to react before thereâs a crash and youâre thrown into the adjacent wall.
âWhat the hell?â You wheeze as you regain your footing, surging toward the cause of the groundâs swift alteration. Your arms shove against the door to the fire escape, a helicopter smoking in the hole it cratered into the east hallway when it crashed through the stationâs wall. In the wreckage thereâs a body unmoving in the pilotâs seat.Â
âHey!â You startle, glancing around for a voice. âY/n!?âÂ
âClaire! Oh my god! Hold on, Iâll be there in a sec!âÂ
âOk!â You rush down the stairs of the fire escape, the helicopter all but forgotten when you spot Claire standing on the other side of the fence, unscathed as far as you can tell. Sheâs already tugging at the door handle with no luck when you make it to her.Â
âClaire! I was so worried, are you alright?â You pull at the handle yourself, begging the door to loosen at its hinges.Â
âIâm good. Howâre you doing? Whereâs Leon?âÂ
âHeâsââÂ
âY/n!â Like a figment, Leon is hurtling toward you from the fire escape. He scoops you up, bone crushing you momentarily before youâre on solid ground again. An affection thatâs startling, but not unwelcome. âAre you alright!? I heard the crash from the library, I came as fast as I could.âÂ
âA little rattled, but Iâm fine.â
âYeah, that helicopter came out of nowhereâŚâ Claire inserts, the way she looks at you indicative of years of silent conversations. A call and response consisting of pursed lips and dilated pupils, clearly asking What do we have here? You choose to ignore it, something youâre sure sheâll make you pay for in due time.Â
âClaire⌠It is so nice to see you.â Leon braces against the fence, vigilant of the space outside of it and the infected lurking in the distance.
âHowâre you doing? Keeping each other safe I see.âÂ
âYeah⌠Iâm in one piece.âÂ
âIâm guessing you donât have a key in one of those fancy pockets?â She gestures toward his lack of civilian clothing and Leonâs shoulders drop a fraction.
âUnfortunately, no⌠But how are you doing?â
âYou know, just surviving.âÂ
âWhat about Chris, have you seen him?â You recall your initial destination, something that feels further and further off as the night rages on. âThere havenât been any signs of him in the station.âÂ
âNo, not yet.â Thereâs a tension blanketing the topic, a fear of what state youâll find him in if heâs still in the city.Â
âHonestly, Claire, maybe thatâs a good thing. Itâs no better in here than it is out there, maybe Chris made it out while he still could.â You attempt to posit a modicum of hope, though a part of you is less than willing to believe that Chris would get out when things started getting bad. Heâs never been one to run from a fight. Marvinâs earlier words serve as a minor catalyst for this hope of abandonment, though Chrisâs radio silence still doesnât make any sense.
âDonât lose hope.â Leon adds empathetically. âIâm sure weâre gonna find himââ Heâs interrupted by the helicopter exploding over your heads, your bodies falling into shadow against the harsh orange flames. It triggers the piercing wail of the fire alarm and the scene behind Claire names her the main character of a sudden horror. âDammit. You know what that meansâŚâÂ
âYeah⌠Dinner time.âÂ
âClaire, I think you should go.â Leon urges, to which you lightly shove him away from the door to yank against the handle again.
âNo, we have to get the door open somehow. We canât just leave her out there!â Thereâs a tool room to your right, you hurry inside, hoping the key will be sitting atop the dusty worktable or hanging on some hook of protagonist convenience. No luck. But there is a pair of bolt cutters that you grab a hold of, rushing back to where Claire and Leon are exchanging knowing looks.
âThere has to be something we can do with these. If we cut a hole small enough you can get through without letting anymore of them in.âÂ
âDonât worry about me, Leon. Take her and go.âÂ
âWhat!?â Youâre kicking at the frame of the door, unyielding against its metal and chainlinked infrastructure. You know she canât stay, canât wait for you to try to find the key or something strong enough to break through the handle. But you just got her back and itâs nauseating to lose her again so quickly.Â
âClaire, you need to goâ Now!â The infected are beginning to close in on her, the window for a stealthy escape narrowing the longer she idles. Claire steps away from the fence, turning once to lock eyes with you.Â
âHey⌠Letâs get through this. All of us.â You nod, vaguely catching sight of Leon pulling his radio free.Â
âUh, Marvin. Iâve got a situation here⌠Weâre surrounded by zombies! Marvin! Do you copy? Marvin!? Dammit!â Your fingers catch in the fence, watching Claire sneak as quickly as possible through the hoard thatâs trudging toward the alarm still shrieking in your ears. Leon has to physically drag you away from it, murmuring something about how youâll get to Claire. He guides you back to the main hall, Marvin lying on his side, his breathing faint, but still there. âStill aliveâŚâ
âDid you get the medallion?âÂ
âYeah.â He holds up an emblem similar to the one you found earlier, striding to put it in its place. âWe need to find a detonator for the C4 and something to power it most likely.â
âOk. Sounds like itâs time for some more exploring.âÂ
~*~
âGod, this place is a mess.â You glance around the locker room, or whatâs left of it. You arenât sure who got a hold of the place before you, but the wall separating the menâs and women's has been blown to pieces. The floor is covered in water from the burst pipes and debris from everything else. âShould we be concerned with the amount of explosives laying around this place?â
âI hate to say it, but that might be the least of our worries.â Leon nudges gently past you, walking into the womenâs locker room with his gun raised. It looks like the explosion took out the infected that were lurking, leaving the path to the other side of the obstructed west hallway clear. You slowly follow in Leonâs footsteps, stopping to look into the lockers lining the wall, hopeful that there will be some spare supplies left lying around.Â
Youâre paying more attention to the contents of your search than you are to Leon when his boot catches at the hinge of the door, flicking it open just slightly. You can see him beginning to edge into the hall from your peripheral, but you snag an abandoned backpack in one of the lockers that steals your concentration. There isnât much inside, but you find a tear in the lining of one of the pockets, your fingers snaking inside to pull an old newspaper clipping. It's frayed and slightly water damaged, but you can make out the shapings of an umbrella in the framed photograph edging the page.
âHey, do you thinkââ Thereâs a loud bang, Leonâs back pressing into the door he just inched out of, an unknown force challenging him from the other side.Â
âHelp.â Youâre there in a second, shoving the clipping into your hip pouch and digging your feet into the tile floor, still slick from the leakage of busted pipes. âSo, I think I just found a licker.âÂ
âShit.â You huff when the thing slams into the door another time. You swear you hear the scrape of its claws and hope they arenât sharp enough to penetrate the space between you. âWell, all we have to do is be quiet and itâll go away. Right?âÂ
âThereâs an office,â Leon grits, steadying his hand against the frame of the door. âIt's just a little further down the hall, to the left. If we can make it there we should be safe, at least for a little while.âÂ
The weight pressing against the door slowly subsides, letting you catch your breath. You can still hear it moving in the hall, making a sort of clicking, snarling noise every few moments. Eventually, Leon cracks the door enough to hear it more clearly. The two of you wait until it sounds far enough down the hall that you can clear the gap between you and the office Leon scouted earlier. Â
Ready? Leon mouths, his body is wedged between the door and heâs steadily looking back and forth between you and the chasm of a hallway. You nod, a quick inhale, like stripping yourself of breath will build your confidence and level your stealth. He steps into the hall, your foot catching the door to follow his same motion, slowly freeing yourself so that its locking mechanism locks back into place as silently as possible, but even the subtle click has your shoulders hunching regrettably.Â
Your steps are knee deep, like wading water. The hallway feels miles long and your eyes refuse to leave the predator hawking at the far end. There are several broken windows dressing the hall, their glass like dusted snow scattered along the floor, the soft crunching beneath your two sets of feet inevitable. Naturally, one of your hands fastens itself at Leonâs elbow, like you need to know that heâs there when your eyes screw shut in your attempt to glide to the office door.Â
The licker is facing away from you, but its tongue is a tape measure, a snake on the prowl the way it creeps from its jowl with the frequency of a starving predator. A licker, indeed. Its body looks skinned, pale and fleshy where it reflects in the natural lighting from the window. Youâd read a journal once on wendigos, at the time it was more for sport than any sort of academic advantage, but now youâre glad you did. It feels the closest explanation to what youâre looking at now. Though a wendigo is described as once human, cursed to an immortal hunger after the feasting of mortal flesh, and youâre unsure whether this thing ever could have been. It lacks the anthropomorphic condition. You donât feel the draw of deeper understanding, the one that earlier forced you to fall short.Â
A placard comes into view that reads S.T.A.R.S OFFICE, a name that rings a bell, but the pounding that sits deep in your chest doesnât allow it to sink in just yet.
Your chest strains and you exhale slowly, the sound stuttering the way it bounces around the cavity of your chest. The ghost of wind catches violently against the shards of glass still outlining the window pane, whistling frigid against the conch of your ear. Every inch of noise sounds like it stretches for miles, building sweat at the base of your neck and an all encompassing itch that canât be scratched.
Leonâs hand extends toward the doorknob, slowly twisting it. He guides you forward with the arm youâve remained latched onto, allowing you to sidle through the doorway first. His body is pressed directly against yours, leaving a slim margin for error.Â
Though, your night has provided you with little in the way of serendipitous encounters with any of the anomalous beings jaunting the halls, you supposed every dog has its day.
âChrist!â Leon shoves his back against the door once it closes mutely behind him. âThat thing is gross.âÂ
âI mean yeah, did you see its tongue?â It's a moment of self contained mania, the way the two of you nearly double in laughter, your immediate fear flipped into joint hysteria. Youâre sure it is in part, on your end, the only way to keep from crying, a twisted dissociation from the supernatural reality of your circumstance. It takes several moments, laughter bubbling up each time one of you would accidentally meet the others eyes, but once youâve calmed down enough you sigh. âThis is insane.â
âItâs crazy to think we only met a few hours ago. This night makes it feel like a lifetime.âÂ
âKeep thinking Iâll wake up any second, like thereâs no way all this is real.â You look around the office. Itâs tight quarters, like whoever worked here had their whole lives shoved into each of the desks crammed in the middle of the room. âWhere are we?âÂ
âS.T.A.R.S Office,â Leon reads. âSpecial Tactics and Rescue Service. Wonder where they are now.â Â
âS.T.A.R.S?â Thereâs an office branching off to the left, the desk messy with files and random documents. Placed neatly on the cabinet behind the desk is a frame filled with officers, a team photo if you had to guess. You handle the frame, tracing over the faces. You recognize Jill Valentine in the front row, and follow the rest of the faces, the dots drawing together nicely in your head. âChris. I knew this sounded familiar, Chris is an officer in this department.â Leon is still skulking around the main office when you approach him with the frame. âMaybe thereâs something in here about where he could be.âÂ
âMaybe, but this place is so cluttered Iâd be surprised if you can find it.âÂ
âWell I have to try for Claire. Besides, there has to be something in here that can help us get that cell open. There arenât many other places for us to look.âÂ
âI wish we could get in here. I bet thereâs some more ammo, and that gun could be useful.â Leon nods toward the armory branching off from the main office. Itâs locked by a security gate, the only way to get inside is a desktop that neither of you have access to. You consider telling Leon to give Marvin a call, but you doubt heâd have a way in, and even if he did heâs likely in no state to help. âIâd try to break through if I wasnât terrified that something out there has grown sentient enough to work a door.â
âWell, there has to be something around here to get us in. Search the desks!â Youâre looking for one in particular, itâs easy to spot with a shot of Claire pinned to the wall beside the chunky monitor. Youâre slightly taken aback to find one of you there as well. A recent photo, one taken the night before Chris left for Raccoon City. When you and Claire forced him to spend it with the two of you instead of pretending to finish his packing. Youâd spent the evening taking as many photos as possible of the nearly departed siblings.Â
Chris had taken the one of you off guard. You set the camera aside to devour a slice of pizza when heâd called your name, sauce dotting the edge of your mouth, eyes wide, and crust shoved halfway past your lips. You can still hear the faint laughter of both Redfields when he snapped the photo, pulling it from your polaroid to hold hostage despite your weak efforts to steal it from him. Youâd forgotten about the shot by the time the night had ended, too caught up in goodbyes to realize he still had it.Â
âHuh, thatâs convenient.â Leonâs proximity startles you, his breath fanning against your neck. He reaches for a USB stick resting in a cup of pens perched atop the desk. âProbably just some useless files or something, too easy to find.â
âThatâs the beauty of it.â You smile, shoving Leon lightly toward the PC, inwardly begging for something to give. He clumsily shoves the stick into one of the ports, the two of you leaning eagerly toward the monitor, gazes shifting back and forth between that and the armory gate. When it connects, the monitor flashes green granting you access to the third room. Leon heads straight for the arsenal of weapons, saying something about the gun hanging on the wall. You nod along catching the name of the firearm, but youâre not sure what heâs talking about and you trust he knows enough for the both of you.Â
Youâre rattled significantly by a letter laying haphazardly on the wooden bench lining the lockers. The scrawl dotting the page almost as familiar as your own.
To my bestest S.T.A.R.S. buds,
How are you all doing in that drab, old station? Hanging in there against old Irons? Me? I just got back from a date with a hot chick. Bet you can guess what we got up to under her extra-large umbrella.
Europe is amazing. One month is in no way enough to even scratch the surface. Maybe Iâll extend my vacation for another six months.
Barry, donât even think of coming to join me. Wouldnât want to make all the cute girls cry yeah? So you just leave the babes to me.
Jill, if Claire tries to contact you, please let her know Iâm OK.
Chris Redfield, August 29
âThis doesnât make any sense. This doesnât even sound likeâŚâ You read the letter over three times, unsure whether to be upset or relieved. You settle on confused.
âWhatâs wrong?â Leon moves from his own distraction, scavenging for bullets for his newly acquired black hawk. You pass him the note, collapsing onto the wooden bench. He takes a second to read it over, looking at you then back at the letter. âSo heâs not here. Thatâs good news, right?âÂ
âBut why wouldnât he tell Claire? Or me?â You take the letter back, to look it over a final time and begin to slowly fold it into a neat square then thinking better of it you shove it roughly into your hip pouch. âIf heâs off picking up girls on some European beach then thatâs great, Iâm happy for him. But I wouldnât even be here if it werenât for him. This letter was sent a month ago.âÂ
âIâm sure thereâs another explanation.âÂ
âYeahâŚThere has to be.â You relent, thinking better of your little fit. You attribute the sudden bile coating your stomach in part to whatever unresolved tension needles you at the thought of him, but mostly because this feels out of character for Chris, making Claire worry on such a large scale. If heâs writing to his co-workers it feels off that the only family he has left would be kept in the dark. You decide that whatever is going on with Chris will be better suited for your thoughts outside of imminent death. Leon is still waiting for you. To do what you donât know, but he hasnât moved from his spot hovering at your side. Your eyes catch on something in one of the open lockers. âThis look like a detonator to you?âÂ
âSon of a bitch.â Leon smiles, grabbing the angular device. âAnd Iâm sure I saw some batteries back in the office.âÂ
âGreat. So, what are the chances that thing is still waiting right outside of the door to attack us?âÂ
âWell, letâs just say we better make like Davidâs grandma and creep.âÂ
~*~
âAlright, party people.â Leon fastens the detonator into place. âLetâs turn this bash into a blowout.â He sprints toward you when the timer begins counting down, shoving you enough around the corner that you only stumble slightly when the C4 goes off, rattling the room's four corners.Â
âGod, Iâm so sick of things exploding.â You wait it out for a few moments, attempting to get a clear picture of how many of the undead youâll have to fight through to get to the statue. You peek around the corner, several of the bodies that were sequestered behind the metal prison are lifeless, finished by the detonation.Â
âIâll take down the zombies, you get the medallion.â You move in sync, Leon passing you the notebook then knocking a crate onto its side to draw the attention of the bodies meandering about the room. The final piece is easily secured as he neutralizes the threat and you signal as much to him edging back into the hall with Leon following shortly after.Â
âThis is it. Hopefully Elliot knew what he was talking about.âÂ
âOnly one way to find out.â Leon mutters, accepting the medallion from you with an anxious disposition. Itâs the first time all night youâve seen him waiver, like itâs dawning on him that if this doesnât work thereâs a chance you'll be trapped here. âLetâs head back to Lieutenant Branagh.â
Most of the undead that had previously blocked your path have been killed off, your journey back to the main hall one of the smoothest youâve had all evening.
You watch Leon slide the last medallion into place, the large statue steadily rising to its full potential to reveal a metal grated door living beneath it.Â
âSo it goes undergroundâŚ. Huh. Thatâs itâ thatâs our way out. Lieutenant Branagh! Marvin! Time to go!â Leon moves toward Marvin, still lying unconscious on the sofa. His words and a gentle nudge against the lieutenantâs shoulder activate the officer so rapidly he shoots up with something akin to a snarl tearing out of him. You jump directly into Leon who steadies you and kneels before his superior. âHey, Marvin⌠We need to get you to a hospital right now.â You move forward again, gently encouraging him to get up.
âNo, no⌠Save yourselvesâŚâ His words are slowed and slightly muddled, jaw working hard to make you understand. You swallow, backing up a tad to look at Leon.Â
âCome on, Iâve got youââ
âGo!âÂ
âMarvin, we want to help you.â You plead, those damned tears tracing the lining beneath your eyes.Â
âLook, we can still make it out of here together, if you just gimmeââ Marvin pulls his gun, pointing it directly at Leon who shoves you behind his frame. The move is halfhearted, you all know it in the way his hands tremble and it takes him a moment to meet your eyes for the last time.
âItâs too late. I tried, LeonâŚY/n... But I couldnât stop it. We canât let this thing spread. Itâs on you now. Just goâŚâ Marvin leaves no room for conflict, his words concise and filled with a meaning youâre sure will sit with you for the rest of your time in being.
You recognize Leonâs next move as one of respect for his first friend on the force, his lieutenant.
âI understand.â
He places a strong, grounding hand against your back, the other on your arm to guide you toward the door to the secret passage. You fight against him gently, just enough to look Lieutenant Branagh, Marvin, in the eyes.Â
âThank you for everything. Iâm so sorry.âÂ
âYou two take care of each other.â Is the last thing he says before Leon is once again pushing you gently ahead, the sound of the door closing echoes in your ears, settles in your hollowed chest. You donât speak just yet. Canât.Â
Leon turns back toward the station, something new rising within him.Â
i also love leon so much...rookie leon is very important to me. this is such a through line for the rest of the series, like i have so many ideas already written down and this line is so important to his character development!!!!
The further you drive into town, the more confident you become that you wonât find Chris here at all.Â
The roads are barricaded, some purposely while others are a consequence of a fallen lamp post or abandoned vehicles scattered mazelike in the streets. The town is ghost-like, a complete departure from the pictures Chris would paint when heâd visit or call on the phone to convince you and Claire to drive down one weekend.
Summary: you have a sinking feeling as you ride toward raccoon city to find chris redfield. naturally, you witness a man's face being eaten in the middle of the city and now you're at the mercy of a handsome rookie cop as an 18 wheeler hurtles toward you at full speed. next time you get that feeling, maybe you should listen...
Warnings: canon typical violence, language, angst?, anxiety, re2 spoilers (if that's a thing atp), a little boring since it's the prologue...let me know if i missed anything
a/n: hello! this is so weird i haven't written on here in literal years and kind of have no idea how to start...*ahem* if you've stumbled upon my page or this fic welcome in! i've written on other blogs before, but some screw in me loosened and instead of writing on one of those existing blogs i had this sudden urge to make an entirely new blog dedicated to leon kennedy (who can blame me honestly?)
ANYWAYS, i've decided to play re on my own rather than live vicariously through other people's playthroughs and i've noticed there aren't really any rewrites of the series floating around here and i myself am a sucker for a good rewrite! so i'm gonna be writing as i play/have time. really i just wanna indulge myself and hopefully some of you will enjoy this little journey with me! <3
Word Count: 2.9k
don't panic ~ confidential files
September 29, 1998
A sensation had settled itself against the base of your neck the night before as you watched Claire pace back and forth with the house phone cradled against her ear. It was a dark and thorny little thing, a thread needling at your subconscious until it had stitched you an anxiety all itchy and brand new. Sheâd been trying long before you arrived to get someone on the other end, the lines in Raccoon city either tied up or completely disconnected.Â
Itâd been days of this. An uncertainty rooting your twin feet to your apartmentâs wood floors, taking turns monotonizing against the hum of the dial tone. Your consistent disquiet broke only briefly on the third day. Claire left you momentarily when her eyes pulled heavy like sandbags and she could barely stand straight. Youâd chanced a random dial, an offhand number youâd been given by Chris Redfield himself. One of his fellow officers.Â
Reliable to a fault, heâd said.Â
You remember being slightly jealous of the glint in his eyes when he said it. Unable to convince yourself it was something more like friendship, less like a convenience of carnal persuasion. Claire thought she was great, that only made you feel worse. In that moment, phone curled to your ear, fingers poised over the keypad, you just hoped they were right. Phone clutched to your ear, you were gnawing at the dial tone, chewing the sounds. Waiting, breath baited to hear something different.Â
âHello?âÂ
âHello? UhâŚhi! Is this Jill Valentine?â Youâd met her once, conceived her in passing, but it wasnât enough for a certainty of vocal identification. She paused, likely her attempt at assessing your own situation, any altered motives for the sudden knot in her line.
âWho is this?âÂ
âIâŚthis is Y/n, Iâm a friend of Claireâs, Chrisâs sister. Iâm just wondering if youâve heard from him?âÂ
âChris? Well Iâ shit hold on. Iâm getting another call.âÂ
âWait! Please donât hang up. Please.â You wondered if you sounded as pathetic as you felt, but your faith in Raccoon Cityâs telephone service had slimmed significantly over the course of those three days.Â
âI wonât, Iâll just be a second. Donât worry.âÂ
Worry you did. There was a moment of relief in the moments before the call dropped, like youâd have something good to tell Claire when she awoke. Instead, the line had suddenly gone dead and your attempts at redial were met with an almost comically tragic voice informing you that the line had been permanently disconnected.
On that third day, when sheâd woken and finally had enough of waiting for nothing, Claire turned to you with wide eyes and something like uncertainty shielded by her own thespian crack at confidence.Â
âIâm going to find him.âÂ
It was somewhere between your useless attempt at getting her to see reason and her useless attempt at assuring you she could handle it on her own that the sensation inched toward the lining of your jaw, climbed inward toward the base of your throat and down, down, down where it unhinged completely to wrap around your heart and settle at the lining of your stomach.Â
Now, youâre sitting in the passenger seat, Claire rambling about the earful sheâll be giving to the first pair she finds when you make it to the city. No doubt hoping it will be her brotherâs.Â
Her speech has grown lengthier, pitch raising an octave every so often as you get closer and the road seems to grow longer. Darker. You find it difficult to swallow around this unnamed thing, but a rhythm built on years of synchronicity doesnât demand it.Â
âWe should hit that gas station up ahead, tanks low.â You cough, voice hoarse from the stretch of silence. Claire nods, fiddling with the dial on the radio as she swerves haphazardly into the parking lot. âJesus, Claire!âÂ
âSorry! Guess Iâm just used to the bike.â She has the decency to look a little sheepish when a sudden noise from the stationâs convenience store snags your attention. âWhat was that?âÂ
You notice a jeep and an abandoned police cruiser a few feet away, otherwise the inside of the store is completely dark.Â
âI donât know. Should weââ You glance back, Claireâs car door slamming in time with the pounding in your chest before you finish your thought. Climbing out after her, you scan the area, mumbling halfheartedly. âOf course we should.âÂ
Claireâs path is direct to the storeâs front, your own straying toward the two cars you noticed earlier. The jeep is a forest green, lightly aged, otherwise untouched. Your hand hovers near the hood, heat still biting beneath it from the engine. They havenât been here long.Â
Your gaze moves toward the police cruiser. Lights lifeless up top, the passenger side door leaning toward you on its hinges. You have a fantastically sickening thought sidling towards it to peek inside. The image of Chris Redfield, his badge resting lazily in the center console, telltale that the noises coming from the building are leading you toward something sinister.Â
You almost sigh in relief when itâs empty. Nothing but static and the uncomfortable smell of leather mixed with something stale and questionable. You lean forward, hearing something low, like a voice but not quite audible enough to make out words. You poke at the police radio hoping to find some sort of connection, but it's still just white noise.Â
Pulling back from the car you hear it again.Â
Louder.Â
Closer.Â
This time it sounds throaty and coated in something like phlegm, clawing its way from the back of someoneâs throat. You turn toward the road to someone limping toward you, arm dangling to the side, body at an angle. You move away from the car without drawing more attention, your jaw trembling where it tries to form words.Â
âC-Claire!â You inch toward her, voice only loud enough that it draws her eyes. Once youâre close enough you glance her way, then back at the person, now people, dragging themselves somehow so lazily, yet menacing enough that this sensation, this thing is squeezing your heart so tightly youâre not sure you can move. You glance down at your trembling hands, trying to think but everything is just hissing and groaning with no source of logic. Â
Itâs dreamlike the way they circle in, lethargy leaking out into the pavement. You think you could make it back to the car if there werenât so many of them.Â
âDonât shoot!â You find Claire, now standing with her arms up, following her line of sight until youâre looking at the barrel of a gun pointed directly at the two of you.Â
âGet down!â Youâre not sure if you listen or your legs have given out, but the sound of a gunshot rings in your ear canal and you feel something wet and thick splatter against your jacket before a pair of strong, steady hands is helping you back to your feet. âAre you alright?âÂ
âYeahâŚI think so. Thanks.â Claire answers, but his attention is on you.
His eyes paint the clearest of blues, slow roaming like a glacier, though the heat of him pressing into your front translates an unmistakable warmth through his frost stained pupils.Â
He canât be more than a few years older than you. His cheeks are dusted pink from the trouble, his portrait boyish and undeniably handsome. He glances at Claire, then the growing hoard that had attracted to the single resounding gunshot in the otherwise empty stretch of land.Â
âYou can thank me later, when weâre safe.âÂ
âHoly shit.â Thereâs no path back to the car, you can barely catch sight of it past the bodies closing in. âWe have to go!âÂ
âCome on! Get in!â The same steady hands urge you forward, clearing the distance between the store and the police car. Somehow you manage to avoid the mass of bodies long enough to throw yourself into the backseat. âHold on!âÂ
Down, down, down you shove the sensation, swallowing against the bile rising in the base of your throat now that youâve got a moment to register your surroundings and the lingering scent of something you could only describe as rotting. Your nails dig into the seat, watching through the back window as you peel off, wondering what could possibly await you in Raccoon City.Â
âWhat the hell is going on?â Claire voices what everyone is thinking once youâve made it far enough away from the gas station. Youâre leaning forward, chin resting against the side of the passenger seat. Youâve only just caught your breath and your curiosityâs not far behind.Â
âI donât know⌠Hopefully theyâll have some answers at the police station.âÂ
âWait, youâre a cop?â Claire perks up, peeking at you hopefully. You purse your lips, unsure this guy will be any help. He knows his way around a handgun, but he seems to be just as lost as the two of you.Â
âYeah, Leon Kennedy. You areâŚ?â He looks between you and Claire swiftly before his attention is focused back on the road.Â
âClaireâClaire Redfield. This is Y/N Y/L/N.âÂ
âLive around here?â Leon glances at you in the mirror, like heâs making sure youâre still there. You realize you havenât spoken since you threw yourself into the backseat, but you arenât sure you could find the words if you wanted.Â
âNo.â You clear your throat, Claireâs hand envelops yours where it rests in the center console. âHopefully just passing through.âÂ
âWeâre looking for my brother. Heâs a cop too.âÂ
âWell, itâs a good thing we found each other. I donât know what to expect anymoreâŚâ Leon sighs, your eyes latch onto a sign reading Welcome to Raccoon City. Home of Umbrella.
~*~
The further you drive into town, the more confident you become that you wonât find Chris here at all.Â
The roads are barricaded, some purposely while others are a consequence of a fallen lamp post or abandoned vehicles scattered mazelike in the streets. The town is ghost-like, a complete departure from the pictures Chris would paint when heâd visit or call on the phone to convince you and Claire to drive down one weekend.Â
The bright colored signs mixing with muck and wet make the place look dystopian. Only supplemented by the loop of a loudspeaker urging everyone to take shelter at the police station.Â
âA citywide outbreak?â You voice, squinting out of the window in the hopes youâll see someone normal. âHow have we not heard anything?â
âOh my god, this is so unrealâŚâ Claire gasps, looking at the empty streets.
âThe police stationâs not much farther. Theyâll know something.â Leon sounds sure, still optimistic despite what youâve already seen. You hope heâs right, but you canât help the sting of realism like a chill up your spine.Â
âYeah butâŚwhat if weâre the only ones? What if thereâs no survivorsââ Claire looks at you, unspoken fear rimming her eyes at the thought of Chris lurking in this place like one of those things.Â
âNo. Thereâs survivors. Itâs a big cityâŚthere has to be.âÂ
âHeâs right.â You nod, feeling less sure of it than you sound. âWeâll find Chris, and everyone else then thisâll all just feel like some fucked up dream.âÂ
The car slows at a roadblock leading right to the Raccoon City Police Department. Leon glances in either direction before his eyes land back on you and Claire.
âLooks like weâre walking from here.âÂ
âMore like running.â Claire points to the sidewalk, two people leaning over something on the ground. You make out the lining of legs protruding from one end, gagging at the implication. Two sets of teeth are tearing into the lifeless flesh like a dog at dinner when the car catches their attention. They drift almost mechanically. The same gaunt faces and unsteady limbs that found you at the gas station lagging in unison, a meandering march straight toward you.
"Yeah, good call.â Leon nods as several of those things start pounding on all sides of the car. âJesus Christ!âÂ
âSo no walking or running then.â You assert, half screaming when another hand flings at one of the backdoor windows.Â
âLeon! We gotta back up!â Claire yells, her eyes flitting to the back windshield for a moment then again she double takes, her pupils tripling in size. âWhat theâ!?â
You glimpse her sudden panic in the rearview mirror, half blinded by the headlights of a truck, the size daunting enough that it could probably smash the police cruiser with a single wheel. It shows no sign of stopping or slowing, on course to slam directly into you in a matter of moments.Â
âFuck!âÂ
âHoly shit! Get out! Get out now!â You look at both doors, obstructed by bodies smacking and growling. Claire yanks at the handle on her own door, but it wonât budge. Even if you could manage to make it out of the line of fire, youâd be stepping directly into a minefield, shackled by the first pair of hands to grab a hold of you. You shift forward, eyes catching Leonâs in the mirror. They arenât colored in panic like your own, but flitting back and forth like theyâre calculating something.Â
âI canât!â She cries, continuing to yank on the handle.Â
âThereâs no way out!â You panic, bodies cast in the glow of the growing headlights. Your eyes slam shut, nails digging into your palms, bracing for impact.
You hear Leonâs steady Hold on! before the truck slams into the back of the car, sending it flying forward into the barricade then jerking to a stop. Youâre jostled, vision blurring around the edges where your head bounced off of the carâs ceiling in the collision. Almost immediately Leonâs grabbing a hold to help you climb out of the driverâs side door, dragging you over the seat.Â
You glance back at the car, searching for any sign of Claire once youâve managed to find your footing.Â
âClaire!â You call, stumbling forward. You donât make it far, just a few steps, then youâre shielding yourself from the blast radius of the cruiser exploding from the impact. It feels sweltering against your skin, but it barely registers when your heart drops to your stomach when you donât see Claire. âClaire!âÂ
âOh noâŚâ Leonâs grabbing at you again just as another, larger, explosion sends the two of you flying into an adjacent car. He takes most of the impact, his body cushioning your blow with a low grunt. You scramble, hands splitting against the concrete to stand. Itâs an effort to lift your body onto your toes to make sense of the flames separating you from where, you hope, Claire is. âClaire! Claire, you okay!?â
âYeah! Iâm alright! How about you!? Y/N!?âÂ
âWeâre fine!â You call back, stepping as close to the flames as possible. You donât miss Leon keeping stride, his body like a solid wall separating you from the figures creeping up. âCan you make it over here!?â
âNo, IâŚthere isnât an opening!âÂ
âWe canât stay here!â Leon cuts in, drawing his gun. âItâs not safe! Weâll meet you at the station!âÂ
âIâll be there! Keep each other safe!â You donât like the idea of leaving Claire alone, but itâs your narrow escape of one of those things that convinces you of your lack of options. Leon guides you through the fray, gun raised at any opposing threat. It gives you an opportunity to look at what youâve walked into, wonder how it couldâve gotten like this.Â
Buildings are ransacked, their doors chained and padlocked, windows broken or boarded. The only people you see can't be anymore, moving at awkward angles, half decayed and hungry for their own kind.
You think of Chris. You're reminded of his smile, the way his voice filled with excitement, as much as he could muster anyway, when he told you he was leaving for Raccoon City. It left you wondering how much of it was performance, a convincing counterweight to Claireâs anxiety after he came home from the force just to announce his ready departure once more.Â
"This is outta control! Shit⌠Itâs everybodyâŚ! Theyâve all turnedâŚâ Leon shutters, the only gap in his quick composure. âThere it isâŚthe station."
Leon pilots the two of you swiftly through the bodies, his careful navigation steering you safely through streets and alleyways until youâve made it inside the gates of the police department. You help him latch yourselves in, faltering back half a step to stare. Not at him, but rather what lies beyond him. Bodies pushing against the iron, hands slotting through the bars for something to sink their teeth into.Â
Itâs second nature to scrutinize their beady eyes and elastic jaws. Searching for something bordering human, imagining a subconscious trapped in corpse.Â
âTheyâre likeâŚzombies.â You mutter, stepping forward just enough to glance into the milky whites of one of their eyes. It swats halfheartedly, wrist thwacking sickeningly against metal. Its clothes are torn and blood stained, skin peeling off the bone so you could see chunks of flesh thick and festering. It hisses and spits, mouth nearly permanently unhinged from the putrefaction of whateverâs chosen Raccoon City as its nesting ground.Â
Your breath is coming out in pants, that sensation branching from its place in your stomach like vines. It grabs hold of your nostrils, filled with the metallic scent of blood and rot. It stiffens your joints like lead, rooting you where you stand. It wets the corners of your eyes, from the emotion catching up with you or the acrid taste in your mouth youâre not sure.Â
âLetâs get inside.â Leon coaxes you, hand resting at the small of your back, nudging you forward. âFigure out what the hell is going on.â
i loved this! so atmospheric and visceral, felt like i was there. i love the continuing thread throughout of the sensation of unease. really excited to read more :)
past me knew what it was doing to present me ending the first chapter right before the boss fight
in other news, the person who wrote the transcript had way more fun than me with this part lol (aka i wish i could just write this and be done): [He pulls out a shotgun and starts scolding the mutant for bad behavior. Soon the mutant gets upset, cries and falls into the abyss.]
âAre you scared?â
âTerrified.â He says it without hesitation, no embarrassment or need to embellish some masculine condition. Youâre a little jealous of that, the way heâs cemented in his sense of self. His softness is not an obstacle, but a compliment to his character.
âBut you didnât hesitate.âÂ
âIâm a cop, itâs kind of my job.âÂ
âRookie cop.â You mutter, already sobering from your momentary panic.
âBut I didnât hesitate.â
Summary: you've made it to the station, but in your journey to find one redfield you've lost the other. the raccoon city police department is one big escape room, everything is trying to eat you, leon thinks you're insane, and you almost get hit by a helicopter. the good news is, the undead throw you and leon a going away party and it's a blast!
Warnings: canon typical violence, language, angst?, fear, anxiety, re2 spoilers (if that's a thing atp), some jumping around the gameplay for the sake of moving the story along
a/n: welcome to chapter 1! it's a super fun challenge to write a fic where there are only 2 people most of the time, they're in one location, and you're working from a video game and a bunch of little puzzles. it's also interesting because i'm trying to get back into the groove of this kind of writing.
THAT BEING SAID i just want to disclaim that i removed a lot of the random puzzles and condensed this first chapter down since all if not most of you have played/watched playthroughs of the game. i've also altered some things just slightly to fit the story more (by things i mean how certain goals are met, etc...). As always, comments and feedback are appreciated, but i hope you guys enjoy!
Word Count: 10.3k
prologue ~ don't panic ~ confidential files ~
Your terror finds you without restraint striding warily toward the Raccoon City Police Department.Â
The silence once you breach the station doors is deafening. Likened to something hollow, yet unimaginably heavy. Not the chaos of a city. No panicked bodies thrashing amidst the mass hysteria of man versus something nestled horrifically between creature and human error. It manages to clear your head, but only marginally. Most of your being rests uncomfortably in the trenches of disquiet, fat globs of trepidation opposing your limbs and dampening your skin.
âHelloâŚ? Is anybody here?â The room glows pale, the sudden brightness glares harsh against your retinas. The main hall is deserted, Leonâs voice bounces off the high ceilings, echoing back to make you flinch. Youâre boxed in from either side, a pair of double stairs lead to a second floor, but youâre not sure itâs something youâre eager to explore just yet.Â
You wander further into the station while Leon scans feather light and focused.
Thereâs a computer situated behind the front desk, the stationâs cameras still in working condition. You flip through, the slight tremor in your hand demanding more concentration than usual. Most of the footage is dusk, bodies scattered throughout, some moving in that freshly familiar way composed of jerky and disjointed limbs.Â
Leon approaches, gun lowered, safe for now. His hand catches at the nape of his neck, looking at the balconies cresting above you. âThere has to be someone hereâŚâ
You flip to the next camera, your finger poised to bypass redundancy. Except itâs not. You freeze. A cop, living, breathing, human, is shooting at an infected. âHere!âÂ
Leon rounds the counter, eyes locked on the screen. âNot good.âÂ
âDavid! Marvin! You there!? I found a way out! Itâs in here! Send reinforcements! East Hallway!â The officer cries, his speech is muffled and breathless, indicative of his struggle, words half masked by the shots he fires off every few steps.Â
Moving away from the screen you scan the walls, covered in plaques and cracked frames. You spot it on the far end, in near perfect condition. A map of the stationâs first floor.Â
âOkâŚI gotta find that guy. JesusâŚâ Youâre staggered a moment, in awe of the certainty in his tone. After everything youâve been through the past hour Leon is unwavering in his purpose. It strengthens something in your own chest, unwilling to let him bear the burden alone. There's a paperweight unmoved on the corner of the desk, itâs heavy in your hands when you pick it up and scale the length of the room. âWhat are youâ?â
âThe room is clear?âÂ
âYeahâŚI mean I think so. I didnât see anyone orâŚthing.â Itâs confirmation enough, both hands making an effort to swing the weight over your head with enough force to stick the landing when you hurl it toward the framed map. The sound of shattering glass echoes in the large hall. Your eyes shutter, stomach hitching despite Leonâs all-clear. Careful of the shards littering the ground, you snatch the floorplans up and spread them atop the desk, fingers skimming to the East Hallway.Â
âIf we can make it here we can save him, find Claire, and get the hell out of here.âÂ
âRight. But you should stay here.â Leonâs posture straightens, shoulders fully broadened like thereâs something to prove. Somehow you know he doesnât mean it that way, even as he leaves you trailing after him dumbfounded. He strolls his way to the steel door, kneeling with his flashlight tucked in his palm, scanning back and forth between the open sliver at the bottom. You hear something wet, and the only light filtering through is an emergency red.
âTight squeeze?â You scoff, arms crossing at your chest. If he catches the bite in your tone Leon doesnât let on when he sits up, tugging lightly on the door to see if it might budge.Â
âI can manage.âÂ
âLeon, I know youâre trying to be all friendly neighborhood rookie right now, but going in there alone is stupid. We donât know how many of those things are here.âÂ
âSomeone has to and Iâm not putting you in danger again. It's my job to keep you safe.â He stands, making sure his weapon is secure, pulling at the sleeves of his shirt to minimize the amount of skin on display. âBesides, Iâm the only one with a weapon and it'll be a lot harder protecting the both of us. You just stay here and look out for any more survivors. Iâll be back soon.âÂ
Heâs right, but some phantom attachment is gnawing at the tissue pushing against your teeth. You donât want him to leave you alone and you donât want to sit here wondering if heâll make it back alive. It feels helpless and pitiful.Â
You promised to keep him safe too.Â
âFine. But Iâm gonna look around more, see if thereâs anything to help us out.â You compromise, motioning toward the mess of the large hall.Â
âOkayâŚjust stay out of trouble.â You smile just a little at that, head tilting, nose scrunching amidst the irony of it. That fate had twisted like a knife and left you both gushing and grasping hopelessly at the gaping wound of Raccoon City, its creation a metamorphose of its own unique gore.
âA little late for that, Officer Kennedy, donât you think?â His cheeks tinge at the honorific and you realize heâs probably never been called that. Not by anyone other than sergeants and lieutenants, and even then it's more likely that it was scraped from the back of their throats and spit at him, unsavory and built to intimidate.
âYeah, I guess so.âÂ
âBe safe, Leon. And good luck.â Momentarily he shoves the flashlight between his teeth and tightens his hold on his handgun. He maneuvers himself beneath the door, a tight fit indeed, but heâs able to slip through with minimal effort.
âIâll be back soon.â Are his last words. You crouch near the door, close enough that you can hear his wet footsteps slowly sloshing toward the East Hallway. You strain to hear, only falling away when fear licks at you like a sharp wind in the shift to silence.Â
~*~
For an alleged safe-zone, you donât find much in the wreckage of the main hall.Â
Thereâs a makeshift first aid station behind the front desk, two or three beds and a sitting area. You scrape together bandages and some antiseptic, but itâs otherwise pilfered through. Thereâs a crate nestled against the sofa cushions, you make a note to check in a moment, your eyes suddenly drawn to the large statue in the center of the hall. Â
It doesnât fit, not anymore. Its nature is grandiose, the woman depicted something of a goddess. You imagine it was a beacon of hope before there was none left, the white stone feeling rough where you drag your palm near the base. You follow her stature toward the upper level, though you remain faithful to the center of the hall. Thereâs another statue, this one a lion, a strange configuration of symbols arranged in three slots at the helm, like some sort of message or puzzle.Â
Your fingers push at them halfheartedly, glancing childlike when you hear an ancient shift, something like the scraping of old cogs. Youâre convinced it means something, a hopeful start sitting crestfallen in your chest when it reveals nothing further.Â
Your hands fall from the mammalian bust, startled by a door creaking open down the hall of the second floor. You stumble back, looking around for something to defend yourself, your mind failing to register the cohesion of the movements, still stumbling but not nearly as clumsily as someone who wants to sink their teeth into you.Â
âRelax, Iâm not one of them. Not yet anyway.â The man grunts, one of his hands clutched to his side, blood fresh and sticky coating his skin. Still you move back half a step, unsure of his sudden appearance. âLieutenant Branagh, RPD.â
âWhere is everyone else?â The question is stupid, you know it when it coats your tongue, but you hope heâll craft something like hope, tell you thereâs safety and he can guide you to it. He must see it too, his eyes softening even in the midst of his own discomfort.
âI imagine you met them on your way in. Some version of them at least.â He shuffles down the rest of the stairs, glancing toward the front of the station. âYou make it here on your own?âÂ
âNo, I came into town with my friend, but we got separated. Iâm actually with another cop.â He takes another look around the hall, likely surveying whether heâs found you of sound mind. âOh! Heâs heading toward the East Hallway, we saw an officer on the cameras there who needed help. Said he had a way out.âÂ
âThatâll be Elliot.â He sighs, limping toward the front desk. âWellâŚ?â He looks at you, imploring some form of identification.Â
âY/n.âÂ
âWell, Y/n, I reckon we better board up this door. Stop any more of those things from getting inside.â You think of Claire, your teeth worrying your bottom lip.Â
âLieutenant, isnât the gate out front enough? My friend is supposed to be meeting us here, I donât want to lock her out.â
âIâd rather have as much distance between us and them as possible. IfâŚâwhen your friend makes it here weâll cross that bridge. But for now, I need you to help me fortify that door.â You nod, still unsure but unwilling to make enemies before you know what youâre up against. âAnd, kid? Call me Marvin. Iâd say until we get this shit figured out weâre all on equal footing.âÂ
Marvin helps you as much as he can, which isnât a lot with the wound in his side. You feel rude to ask, but you can surmise the sickly pallor to his skin is indication enough of what occurred and whatâs to come. You stack chairs and crates, placing them with strategy, ensuring your geometry wonât crumble from the faintest of blows to the station doors. Youâre just finishing up when you hear Leon, his body resurfacing through the bottom of the door.
âJesus! Theyâre everywhere! Come on! Goddammit! Watch out!â You run over to help him, Marvin gets there just a beat before you, using what little strength he has left to pull Leon through the door.
âGot it! Youâre safeâŚfor now.âÂ
âThanksâŚâ Leon trails off, his eyes immediately accounting for you before they land back on Lieutenant Branagh.
âMarvin Branagh.â
âLeon KennedyâŚâ He speaks between pants. Itâs instinct that you step into his personal, looking him over for any scratches or bites. There are splotches of blood patterned against his jeans and the soiled prints of hands catching the sleeves of his shirt, but heâs physically unscathed. âThere was another officerâŚI-I couldnâtâŚI couldnâtâŚâ
âIâm sure you did what you could, Leon.â You nod, Marvin leading the two of you to the sitting area where he collapses on the sofa, taking a few moments to catch his breath.Â
âAre you alright sir?âÂ
âIâll manageâ Marvin huffs, hand still clutching his side.
âMust be a cop thing.â Leon catches your eye, a brief amusement painting his lips despite the situation. Itâs easy to decide you like when he smiles, you like when itâs because of you. Itâs a silly thought, but you imagine most of them are when you arenât sure if youâll be alive in a few hours. âWhatâs that?âÂ
Thereâs a small notebook clutched in Leonâs free hand, he lifts it like heâs just remembered something important. He passes it to Marvin, frowning at the implication. âThe officer, he had it on him.âÂ
Marvin glances down at it, thumbing the bound leather, its cover speckled in scarlet and tattered with age.Â
âSuit up, kid.â He nods toward the crate you meant to check earlier. Leon steps over and unjams the lid. Inside is an RPD uniform, some weapons and ammo. Marvin simpers, brow half raised in your direction. âWouldnât want you to miss the wedding because of these damn things.âÂ
âHuh?â Leon is startled, your face heats, looking anywhere but the rookie cop. He flusters, dropping the lid in his hand, but recovers quickly. âOh, weâre notâŚwe just met sir.âÂ
âRight on time.â Marvin jests through a wince, flipping through the pages of the notebook. You can tell heâs enjoying this and you donât have the heart to stop him, knowing itâs probably one of the last times heâll be able to enjoy anything.Â
You provide Leon space to change, tucking himself behind a privacy screen near the sick beds. Pacing back to the lieutenant, you occupy yourself with a knife tucked atop the crate of supplies. Itâs heavy in your hand, but it feels nice when you balance it just right, like it could slice through flesh and tendon seamlessly. You tremor at the thought. That gruesome had become reality, forcing you to consider the efficiency of shredding human meat with the teeth of a blade. A sickening simulation of survival.Â
âHave you ever handled a gun?â Marvin points to one tucked into the crate. You nod slowly, pulling it free to test its skin, cold and metallic, against your own.Â
âYeah, my friend's brother taught me. Said he hoped Iâd never need one.â Your eyes clench, tracing the memory against that back of your lids.Â
It was stupid, Chrisâs attempt at cheering you up after youâd spent the night crying on the floor of your apartment. Youâd asked him how he even got in, Chris had chuckled, like he was offended you needed to ask. âBest way to hide something is in plain sight. Itâs what I taught Claire, now Iâm teaching you.â Heâd said it seriously, dangling your spare key in front of you. Heâd spent the rest of the night watching over you, little to say in the way of comfort, but it wasnât something you expected from him. Strictly a man of action if youâd ever seen one. Youâre sure you were still covered in snot the next morning when he announced he was taking you shooting.Â
Claire would never have allowed it. You were always the softer of the two of you, your weapon sheathed in the strength of your mentality, emotional and intellectual intuition. Your ability to dress a situation down from observation alone.Â
The siblings always joked you must be some sort of spy with the way youâve woven yourself so completely between them, learned all their secrets without trying. But theyâd never know for sure because youâre a natural at hiding it.Â
But Claire wasnât around and Chris chose that day to use it to his advantage.Â
Youâve kept it a secret between you all these months. Not because Chris let you shoot a gun, but because of the way he almost kissed you after. He leaned in slow, the space between you filled with something revelatory for the both of you. It was a startling little affair. It was also the last time you saw him alone before Claire lost track of him completely.
âYou any good?â You blink, the gun and your body settled into the practiced stance you learned almost a year from where you stand. Breath steady, hands firm, lock on. Thereâs a monotonous whir in your ear from what remains of the stationâs ventilation system, your pulse syncs against the sound. You think you even begin to feel the phantom throbbing that irked you for a week after from the electrifying jolt of your first shot. Chris hadnât laughed outright, but when youâd turned to him, startled from the kickback, you could see a softness in his eyes and a tension in his jaw like he was trying to hold it in.Â
âIâm almost positive I wouldnât accidentally shoot you.âÂ
âHell, with the state Iâm in you might just be doing me a favor.â You sigh, moving to slip the gun back into the crate. Marvin shakes his head, passing you some ammo. You wonder how much of it is left. âYou hold onto it,â he eyes the knife. âBoth of emâ. Rookie, needs you to watch his back.âÂ
âRookie? I thought you said we were on equal footing?â
âYeah, but I canât leave the kid without giving him as much of a welcome as I can. Especially after he came all this way when he would've been better off.âÂ
You nod, grabbing one of the spare holsters to fasten at your waist. It's a simple, but adequate distraction busying yourself with securing some of the supplies you found in the hip pouch, leaving some for Leon as well. All the while twirling circles in your brain, attempting to configure yourself into an advantage rather than a liability. The protective stance Leon had taken against you earlier is still fresh on your mind. He couldnât do this alone and you wouldnât let him.Â
âDo you know Chris Redfield?â The air is beginning to grow stiff and unsure again, you find yourself dulled at your own negligent affiliation. If anyone could possibly know where Chris is this would be the place to find out. âHeâs why Iâm here, actually. My friend, heâs her older brother and she hasnât been able to reach him.âÂ
âRedfield? I havenât seen him around sinceâŚwell letâs just say heâs got bigger fish to fry than me, they all do. I wouldnât worry about him too much, seems like he can handle himself.âÂ
Youâre about to ask what he means, but youâre sluggish to notice Leonâs resurgence until he stops between you and the Lieutenant. Heâs tugging at the uniform, adjusting it like heâs not sure it quite suits him. It does. His arms are heavily padded with extra cloth, pads on his elbows and knees. Fitted for battle.
âDoes anyone know what started this?â Leon slides his gun into its holster, you pass him some bandages and extra ammo.Â
âNot a clue. But honestly, all you need to know is that this place will eat you alive if you arenât careful.â
âYeahâŚwell, I was supposed to start last week and I got a call to stay away. I wish Iâd come here sooner.âÂ
âYouâre here now, Leon. Thatâs all that matters.âÂ
âOk, Lieutenant, Iâm ready.âÂ
âHopefully, youâll be able to find a way out of this station.â Marvin passes you the notebook, you flip through the pages, recognizing some of the drawings as the statues just a few feet away. âThat officer you met earlier â Elliot. He thought this secret passageway might do the trick.âÂ
The drawing depicts a tunnel, likely the sewer system below the station, and medallions that are meant to fit into the statue of the woman in the center of the hall.Â
âWell, I guess it makes sense that the only way out is through.â You find your way back to the lion statue from earlier, repeating the motions, this time with the symbols in Elliotâs notebook: lion, branch, bird.Â
It makes the same sound as before, something deep and ancient, though this time you feel it in your feet as the statue momentarily animates to reveal one of the medallions. Itâs chilled in your palm, cold stone thatâs been too long hidden from the light. You fit it into the main statue, glancing at Leon and Marvin when nothing, not even a shutter, responds.
âSo Elliot was rightâŚâ Marvin observes, a deep melancholy coating the words.
âYeah, but the passage isnât open yet.âÂ
âOne down, two to go.â You shrug, passing the notebook back to Leon, determination settling into the lines of his face at the newly framed task.Â
âThis is good news. We can get you to a hospital.âÂ
âNo, no, I am not the priority here.âÂ
âLieutenant, Iâm not just gonna leave you hereââ
âIf we hurry maybe we can save youââ You and Leon trip over each otherâs words.
âIâm giving you an order, rookie. You two save yourselves first. Iâd come with you, but Iâd just slow you down.â He pulls a knife from his person, it looks used, loved. He turns it over in his hand and passes it to Leon, âNowâŚyouâll need this.âÂ
âI canât takeââ
âStop. And donât make my mistake. If you see one of those thingsâuniform or notâyou do not hesitate. You take it outâŚor you run. That goes for both of you. Got it!?â
âYes, sir.â You chorus.Â
âWaitâŚâ Leon looks worrisome, an addled crease in the center of his forehead. âY/n, you should stay with Lieutenant Branagh. You didnât see what I did, itâs too dangerous.â Â
âWhich is exactly why Iâm not letting you go this alone, weâre a team.â You argue, gesturing to your own gear as if to prove you mean nothing short of business.Â
Leon looks to Branagh, who shrugs. âSheâs right, safety in numbers. Plus, I hear sheâs not a bad shot.âÂ
âShe needs extra protection, donât you have another uniform or a bulletproof vest at least?âÂ
âLeather jacket. Nice too.â Marvin compliments to which you smile, satisfied heâs taking your side in the matter. âItâs protection enough. If youâre so worried, rookie, try not to let her get bit, yeah?âÂ
âYeah, Officer Kennedy. Besides, Iâve got your six.â
~*~
Youâre almost regretting your decision not to stay behind with Lieutenant Branagh, your unease keeping you pushed against Leonâs back, peaking around his shoulder and over yours every so often. There were more infected than you were anticipating and the stationâs covered in crumpled correspondence, clues leading to the cityâs lockdown. You get the impression that this entire city runs on the Umbrella Corporation. Some pharmaceutical company apparently.Â
You recall the sign on your drive in and the billboards peering down at you every few feet. You find it a little odd that youâve never heard the name before.
To Leonâs credit, heâs remained unwavering in his fortitude. Heâll glance back frequently to make sure youâre still there and he doesnât question your own resolve when you push against him like a scared child. Though he insisted you start your search in the west wing of the station, clearly not quite as settled after his run in with Lieutenant Elliot as heâd have you believe.Â
Youâd lucked out when you came across a supply room, a scant array of extra ammo and a shotgun, suspiciously untouched in the far cabinet. Leon had offered you the weapon, still cautious of your casual dress in comparison to his own, but youâd assured him heâd make much better use of the weapon. Not to mention the weight of it alone would be less help than hindrance.
Eventually you find yourselves in a larger room seemingly a hub for the officers, their desks settled in the center.Â
âOh.â You say, flashlight filtering around, settling on a banner strung across the ceiling spelling out Welcome Leon in blue and gold. You wait for him to react, say anything, but he sets to rifling through the contents of the desks, searching for clues or extra supplies. âLeon, are you alright?â
âIâm fine.â Heâs not, thereâs a rigidity in his movements and you can hear his staggered breathing. Youâve only known him a few hours, but you can see that this is eating him alive. Some belief that if heâd just come earlier none of this would be happening. Itâs not true, but his passion pulls at the strings of your own heart.
âLeon, itâs okay if youâre not. This is hard.â
âIâll be okay. Letâs just look around.â He slips into the superior office nestled in the back corner, you continue poking around near the cluster of desks. Leonâs is stationed at the head of them, a welcoming note with a puzzle to open the combination locks fastened at each corner. You recognize Marvinâs name in the signature line. Seven desks and only two officers left to claim them, one a bloody and temporary fixture of the sofa in the main hall. Itâs unsettling to be standing amidst the scene of what could have been.Â
The tip of your boot clashes lightly with something on the ground near the door you entered through. A golden nameplate that mustâve been strewn from the desk in whatever happened before the room grew so still. You lean over enough to shine a light over the name.Â
âGeorge Scott, Iâm sorryâŚâshit!â Itâs a little louder than you mean it to be when an infected officer leaps at you from the desk. He catches you just off guard enough that you trip over your own feet, flashlight rolling, its hands grabbing at your ankle while you fumble for your gun. âFuck, fuck, fuck!âÂ
âY/n?â
You barely register Leonâs voice, your body moves in full panic, struggling to disengage the safety. Your free leg is kicking at whatever it can reach, the sickening thwack of bone harsh beneath your boot. You finally manage a shot, horribly aimed. It deflects against the creatureâs jaw, but doesnât seem to deter its movements enough to free you.Â
You raise your gun again, but something in you snaps when you look at the thing. Something raw, unfiltered, condoling. Moralityâs beating appendage.Â
Your finger slips off the trigger, you donât realize until the undead officer is spitting at you. An amalgamation of fleshy leftovers drooled in pools of saliva on your boots. You move to raise your gun again, but a shot sounds ahead of you.Â
âShit, are you okay?â Leon helps you to your feet, his hands a steady pressure on your shoulders. You holster your gun, the heat of the weapon suddenly sweltering in your palm. âHey, donât cry. Iâm here, youâre alright.â
You hadnât realized the wetness coating your cheeks, embarrassed that he saw it first. Youâve always wished your skin was a little thicker. Itâs why you were glad to learn the control of a pistol, power sheathed in physicality. But despite everything, youâve never been able to completely escape the grasp of your emotions, reduced to tears with even the most scorching of anger simmering beneath the surface.Â
Claire said it was why people liked you, that your softness just made you more human. Easy to love.
Chris said he found it adorable. Not in the way of someone who could find any sort of attraction in such a flaw of character, but as someone who regarded you as next to petulant. Like a damsel who needs to be coddled and reassured.Â
Leon doesnât look at you any differently. His head is tipped just slightly, like heâs wondering how you ended up on the ground in the first place. Not life threatening, but rather something just a little silly. Not like heâs judging you for humanizing the very thing that wouldâve eaten you whole without pause.Â
âI hesitated.â You whisper, choking against your own breath. You canât look Leon in the eyes any longer, focussed instead on the RPD lettering emblazoned across his chest. âI promised I wouldnât hesitate and the moment it mattered thatâs exactly what I did.â Â
âYou were scared, itâs okay. Iâve got you.âÂ
âIt doesnât matter. It canât matter!â He lifts your chin, locking it in place so your eyes meet his wide, unwavering ones. âI wonât make it out of this.âÂ
âYou will.â The words are anchored, rooted in the belief that itâs the only possible outcome. Youâre not sure how or where his faith in you lies. But you believe him. âY/n, itâs okay to be scared. This is hard.âÂ
âAre you scared?â
âTerrified.â He says it without hesitation, no embarrassment or need to embellish some masculine condition. Youâre a little jealous of that, the way heâs cemented in his sense of self. His softness is not an obstacle, but a compliment to his character.
âBut you didnât hesitate.âÂ
âIâm a cop, itâs kind of my job.âÂ
âRookie cop.â You mutter, already sobering from your momentary panic. He makes it easy, you realize, to recover from something that moments ago felt nothing short of a detriment. You try not to think about it too much, eyes held hostage by his own where he still holds you in place. Checking. Reassuring.
âBut I didnât hesitate.â He counters, your hand batting his wrist from your chin to hide the smile heâd inevitably eased from you. âAre you okay?âÂ
âIâm okay if youâre okay.â He offers you his hand, a welcoming force in the presence of uncertainty. You take it.
âWeâre okay.â You look down at the mutilated corpse lying pliant near your feet. Its grip was surprisingly strong around your ankle, but you recall how easily youâd snapped bone and tendon with your free leg. âWe should shoot at their knees.â
âHuh?âÂ
âI think a zombie crawling on the ground is a lot less terrifying than one lunging at you. Besides, their limbs are pretty brittle and we need to save as much ammunition as possible. Who knows what else is lurking around here.âÂ
âCut their legs right out from under them. Good call.â Leon agrees, passing you your flashlight. âOne step closer to six feet under.â
âNot funny.â
âA little funny.â Â
~*~
The station's third floor feels miniscule, more a storage unit than a place of any particular purpose.Â
Your steps have molded into something rehearsed in the way you and Leon move around each other amidst the pressure of fatality should a floorboard creek or groan too hastily beneath your feet. Silence invites a deterrence, one welcome even if only in spurts. It gives you a head start, scoping each room just enough to assess the level of threat. Â
âOk, Iâm getting creeped out again.â You shutter, the hallways filled with dust and wooden crates, the only lighting besides your own filtering from the irregular windows tracing the wall. You think you hear Leon laugh, nearly running into him when he stops just outside of the only door at the end of the hall.Â
âThat would mean that at some point you werenât creeped out?âÂ
âThis is different. Weâre basically in the spooky attic of a haunted police station.â As if some clairvoyant, macabre humor, something slams against a nearby window pane. Its body scurries across the side of the station, shadowing something akin to an ant or giant spider, less legs, but just as disturbing. âWhat the hell was that?âÂ
âNo idea, but I donât think itâs here to help.âÂ
âAnd it certainly isnât a zombie.â You inch further down the hall, body pressing to the wall opposite the offending glass panes presenting you to whatever creature is prowling the exterior foundation of the police department.Â
The hall is a dead end, just more crates and empty shells. Crumpled amongst the rubbish is a letter curling at the edges and smudged in a suspicious liquid. You avoid the stain, pinching the page between the fingers of your free hand.Â
[To any survivors]
Consider this a gift for anyone still unfortunate enough to be alive.
Keep your eyes peeled for those creepy fucks that look like they were skinned alive- "lickers," we call âem. Theyâre blind as bats, but their hearing more than makes up for that.
So long as you donât run around like a total idiot, guns a-blazing, you should be able to slip right by them⌠probably.
Either way, make like my grandma and creep around as slow as possible around âem, yeah?
Anyway, not that I wanna go, but duty calls. That, and Iâve got a friend to avenge.
David
âYou think heâs talking about that thing outside?â You pass the note to Leon, trying to glean any recollection of what it actually looked like rather than the preternatural image youâve already conjured in your head.
âLetâs just keep going. It wonât bother us if we donât bother it.â You have a feeling Leon believes his words about as much as you do, but you press on, edging into the only door in the dense stretch of hallway. Itâs a stockpile of everything you donât need, boxes and bins of dusty storage piled in paths, the unmistakable moaning of infected muffled, giving the impression there are foes in all corners. On the far wall thereâs a cell, the bars caging in a whole host of the undead. âGuess weâre late to the party.âÂ
âAt least they have good party favors.â You point toward one end, a statue of a maiden poised and waiting to be unveiled. âThe real question is, how do we get in?âÂ
âI have a feeling this guy just did us a big favor.â Leon passes you another letter, this one scribbled and angry. The writing borders manic, a vendetta that must have been fueled by a hatred boiled over into madness. The gist is C4 and a detonator to blow the wall of the cell out. âBut, given how our night is going, weâre gonna have to work for it.âÂ
âMaybe thisâll help.â You hold up a key, its dusted imprint resting where the letter had been thrown over top of it. Its handle glimmers a saturation of emerald, presenting the shape of a spade.
âWe should head back to Lieutenant Branagh, see if he remembers where this fits.âÂ
Youâre startled by the sound of static at Leonâs hip. âLeon, itâs Marvin. I need you back here ASAP.â
âAre you okay, Marvin?â Leon responds immediately, the two of you easing back into the hall to avoid the stirring of the infected that were likely trying to navigate the heaps of junk to get to you. You slide the key into your hip pouch and glance cautiously toward the previously occupied window. If that letter about the âlickersâ was any indication about that thing, youâre positive a whirring radio is the perfect way to draw it toward you.Â
âIâve got something to show you. Itâs important.â Marvin pants. The two of you exchange a look, situated somewhere between curiosity and exhaustion at the prospect of something more than what youâve already faced.
âCopy that, weâll be right there.â
~*~
Unfortunately, the trek back to the main hall is uneventful. You know you should be grateful, but the realization is a bleak one. Youâre already growing accustomed to looking over your shoulder, not immediately spooked by every ache and groan of the buckled floorboards beneath your feet. Youâre still on edge, but your movement is more rehearsed than gawky, as it had been just a few hours ago.
When you make it back to Marvin he looks worse than when you left. His breathing has swallowed significantly and his skin borders on gray. âThere you areâŚCome here, take a look.â
You and Leon approach the laptop sitting before him, the security footage displaying an image of Claire, standing outside of one of the station gates, trying to find a way in.
âClaire!âÂ
âYes! I knew sheâd make it!â Leonâs hand rests affirmative against your shoulder.Â
âYou know her?â Â
âThatâs Claire, my best friend.â You study the screen, looking for any indication of where you need to go to reach her. Thereâs a sudden desperation like hope spreading through your chest. It was strange, not to claim you didnât miss Claire or fear for her safety, but you felt an odd sense of well-being in the presence of Leon. One ordinarily reserved for your best friend, the other half of your whole. âHow do I get to her?âÂ
âYou can get to that courtyard through the second floorâŚeast side.âÂ
âWhat about this?â You pass him the spade key, he flips it slowly in his palm like some old relic. You imagine for him it must feel like itâs from a different life. You can hardly grasp the concept that you were sitting in your apartment just last night with no idea what was happening in Raccoon City. You canât imagine living through its collapse in real time.
âLibrary, second floor.â Marvin points to the balcony, west side. âIf memory serves, itâs got one of those statues in the lounge. The first door to the left once you get in.âÂ
âYou should go, get the medallion and see if you can find anything to help with that C4.â You take the key back from the Lieutenant and enclose it in Leonâs fist. âIâm gonna go find Claire.âÂ
âAre you crazy?â His eyes are moon-like, zeroed in on your sudden plan. He uses his free hand to trap yours between both his palms. âWhat happened to not going this alone?â
âThe faster we get through this, the faster we can get out of here.â Youâre covert in the way your neck cranes toward Marvin, whoâs too focused on his current state to think much of your disagreement. You beg Leon to entertain a secret hope that youâll make it out in time to save him. A necessary good for all heâs done to save you. âJustâŚmeet us in the courtyard. Okay?âÂ
âI donât knowâŚâ
âLeon, I know youâre just trying to protect me, but let me do this. Please?â You donât break eye contact, you can see the conflict jumping between his pupils. âPlease.âÂ
âFine.â He relents, hesitation still bullseyed in the whites of his eyes. âNo detours, no extra exploring. Get to Claire and stay safe until I can get to you.âÂ
âIâll be fine.âÂ
âNo detoursââ
ââNo extra exploring. I promise.â You ease your hand from his, backing leisurely toward the staircase closest to the east hall. âYou be safe too. I need you to come back to me in one piece, Officer Kennedy.âÂ
Leon mimics your movements up the west staircase, the two of you locked onto each other until you reach your respective doorways. Rather than alert the building's population of rabid lurkers, you salute him one last time and slip through the door to the waiting room.Â
Thereâs a moment to rest, commit to the practiced task of steeling yourself for whatever awaits on the other side. Your hand ghosts against the handle of the blade strapped to your side, gripping your flashlight with your other hand. You swallow hard.Â
âItâs just around the corner. Youâll be fine.â You push the doorway to the east hallway open, flashlight shifting in either direction to assess the level of threat. Itâs quiet, so alarmingly mute that your fist tightens even further against the neck of your torch. Itâs instinct that sends you to the right, the hall ending in a sharp left. Flashing urgently at the end of the corridor is an exit sign leading to the fire escape. âBingo.âÂ
Itâs become second nature to keep caution, feet leading a steady rhythm toward the door, no intention of letting your guard down. About halfway to your destination, a blip shoots past the glass framed in the center of the door. You donât have time to react before thereâs a crash and youâre thrown into the adjacent wall.
âWhat the hell?â You wheeze as you regain your footing, surging toward the cause of the groundâs swift alteration. Your arms shove against the door to the fire escape, a helicopter smoking in the hole it cratered into the east hallway when it crashed through the stationâs wall. In the wreckage thereâs a body unmoving in the pilotâs seat.Â
âHey!â You startle, glancing around for a voice. âY/n!?âÂ
âClaire! Oh my god! Hold on, Iâll be there in a sec!âÂ
âOk!â You rush down the stairs of the fire escape, the helicopter all but forgotten when you spot Claire standing on the other side of the fence, unscathed as far as you can tell. Sheâs already tugging at the door handle with no luck when you make it to her.Â
âClaire! I was so worried, are you alright?â You pull at the handle yourself, begging the door to loosen at its hinges.Â
âIâm good. Howâre you doing? Whereâs Leon?âÂ
âHeâsââÂ
âY/n!â Like a figment, Leon is hurtling toward you from the fire escape. He scoops you up, bone crushing you momentarily before youâre on solid ground again. An affection thatâs startling, but not unwelcome. âAre you alright!? I heard the crash from the library, I came as fast as I could.âÂ
âA little rattled, but Iâm fine.â
âYeah, that helicopter came out of nowhereâŚâ Claire inserts, the way she looks at you indicative of years of silent conversations. A call and response consisting of pursed lips and dilated pupils, clearly asking What do we have here? You choose to ignore it, something youâre sure sheâll make you pay for in due time.Â
âClaire⌠It is so nice to see you.â Leon braces against the fence, vigilant of the space outside of it and the infected lurking in the distance.
âHowâre you doing? Keeping each other safe I see.âÂ
âYeah⌠Iâm in one piece.âÂ
âIâm guessing you donât have a key in one of those fancy pockets?â She gestures toward his lack of civilian clothing and Leonâs shoulders drop a fraction.
âUnfortunately, no⌠But how are you doing?â
âYou know, just surviving.âÂ
âWhat about Chris, have you seen him?â You recall your initial destination, something that feels further and further off as the night rages on. âThere havenât been any signs of him in the station.âÂ
âNo, not yet.â Thereâs a tension blanketing the topic, a fear of what state youâll find him in if heâs still in the city.Â
âHonestly, Claire, maybe thatâs a good thing. Itâs no better in here than it is out there, maybe Chris made it out while he still could.â You attempt to posit a modicum of hope, though a part of you is less than willing to believe that Chris would get out when things started getting bad. Heâs never been one to run from a fight. Marvinâs earlier words serve as a minor catalyst for this hope of abandonment, though Chrisâs radio silence still doesnât make any sense.
âDonât lose hope.â Leon adds empathetically. âIâm sure weâre gonna find himââ Heâs interrupted by the helicopter exploding over your heads, your bodies falling into shadow against the harsh orange flames. It triggers the piercing wail of the fire alarm and the scene behind Claire names her the main character of a sudden horror. âDammit. You know what that meansâŚâÂ
âYeah⌠Dinner time.âÂ
âClaire, I think you should go.â Leon urges, to which you lightly shove him away from the door to yank against the handle again.
âNo, we have to get the door open somehow. We canât just leave her out there!â Thereâs a tool room to your right, you hurry inside, hoping the key will be sitting atop the dusty worktable or hanging on some hook of protagonist convenience. No luck. But there is a pair of bolt cutters that you grab a hold of, rushing back to where Claire and Leon are exchanging knowing looks.
âThere has to be something we can do with these. If we cut a hole small enough you can get through without letting anymore of them in.âÂ
âDonât worry about me, Leon. Take her and go.âÂ
âWhat!?â Youâre kicking at the frame of the door, unyielding against its metal and chainlinked infrastructure. You know she canât stay, canât wait for you to try to find the key or something strong enough to break through the handle. But you just got her back and itâs nauseating to lose her again so quickly.Â
âClaire, you need to goâ Now!â The infected are beginning to close in on her, the window for a stealthy escape narrowing the longer she idles. Claire steps away from the fence, turning once to lock eyes with you.Â
âHey⌠Letâs get through this. All of us.â You nod, vaguely catching sight of Leon pulling his radio free.Â
âUh, Marvin. Iâve got a situation here⌠Weâre surrounded by zombies! Marvin! Do you copy? Marvin!? Dammit!â Your fingers catch in the fence, watching Claire sneak as quickly as possible through the hoard thatâs trudging toward the alarm still shrieking in your ears. Leon has to physically drag you away from it, murmuring something about how youâll get to Claire. He guides you back to the main hall, Marvin lying on his side, his breathing faint, but still there. âStill aliveâŚâ
âDid you get the medallion?âÂ
âYeah.â He holds up an emblem similar to the one you found earlier, striding to put it in its place. âWe need to find a detonator for the C4 and something to power it most likely.â
âOk. Sounds like itâs time for some more exploring.âÂ
~*~
âGod, this place is a mess.â You glance around the locker room, or whatâs left of it. You arenât sure who got a hold of the place before you, but the wall separating the menâs and women's has been blown to pieces. The floor is covered in water from the burst pipes and debris from everything else. âShould we be concerned with the amount of explosives laying around this place?â
âI hate to say it, but that might be the least of our worries.â Leon nudges gently past you, walking into the womenâs locker room with his gun raised. It looks like the explosion took out the infected that were lurking, leaving the path to the other side of the obstructed west hallway clear. You slowly follow in Leonâs footsteps, stopping to look into the lockers lining the wall, hopeful that there will be some spare supplies left lying around.Â
Youâre paying more attention to the contents of your search than you are to Leon when his boot catches at the hinge of the door, flicking it open just slightly. You can see him beginning to edge into the hall from your peripheral, but you snag an abandoned backpack in one of the lockers that steals your concentration. There isnât much inside, but you find a tear in the lining of one of the pockets, your fingers snaking inside to pull an old newspaper clipping. It's frayed and slightly water damaged, but you can make out the shapings of an umbrella in the framed photograph edging the page.
âHey, do you thinkââ Thereâs a loud bang, Leonâs back pressing into the door he just inched out of, an unknown force challenging him from the other side.Â
âHelp.â Youâre there in a second, shoving the clipping into your hip pouch and digging your feet into the tile floor, still slick from the leakage of busted pipes. âSo, I think I just found a licker.âÂ
âShit.â You huff when the thing slams into the door another time. You swear you hear the scrape of its claws and hope they arenât sharp enough to penetrate the space between you. âWell, all we have to do is be quiet and itâll go away. Right?âÂ
âThereâs an office,â Leon grits, steadying his hand against the frame of the door. âIt's just a little further down the hall, to the left. If we can make it there we should be safe, at least for a little while.âÂ
The weight pressing against the door slowly subsides, letting you catch your breath. You can still hear it moving in the hall, making a sort of clicking, snarling noise every few moments. Eventually, Leon cracks the door enough to hear it more clearly. The two of you wait until it sounds far enough down the hall that you can clear the gap between you and the office Leon scouted earlier. Â
Ready? Leon mouths, his body is wedged between the door and heâs steadily looking back and forth between you and the chasm of a hallway. You nod, a quick inhale, like stripping yourself of breath will build your confidence and level your stealth. He steps into the hall, your foot catching the door to follow his same motion, slowly freeing yourself so that its locking mechanism locks back into place as silently as possible, but even the subtle click has your shoulders hunching regrettably.Â
Your steps are knee deep, like wading water. The hallway feels miles long and your eyes refuse to leave the predator hawking at the far end. There are several broken windows dressing the hall, their glass like dusted snow scattered along the floor, the soft crunching beneath your two sets of feet inevitable. Naturally, one of your hands fastens itself at Leonâs elbow, like you need to know that heâs there when your eyes screw shut in your attempt to glide to the office door.Â
The licker is facing away from you, but its tongue is a tape measure, a snake on the prowl the way it creeps from its jowl with the frequency of a starving predator. A licker, indeed. Its body looks skinned, pale and fleshy where it reflects in the natural lighting from the window. Youâd read a journal once on wendigos, at the time it was more for sport than any sort of academic advantage, but now youâre glad you did. It feels the closest explanation to what youâre looking at now. Though a wendigo is described as once human, cursed to an immortal hunger after the feasting of mortal flesh, and youâre unsure whether this thing ever could have been. It lacks the anthropomorphic condition. You donât feel the draw of deeper understanding, the one that earlier forced you to fall short.Â
A placard comes into view that reads S.T.A.R.S OFFICE, a name that rings a bell, but the pounding that sits deep in your chest doesnât allow it to sink in just yet.
Your chest strains and you exhale slowly, the sound stuttering the way it bounces around the cavity of your chest. The ghost of wind catches violently against the shards of glass still outlining the window pane, whistling frigid against the conch of your ear. Every inch of noise sounds like it stretches for miles, building sweat at the base of your neck and an all encompassing itch that canât be scratched.
Leonâs hand extends toward the doorknob, slowly twisting it. He guides you forward with the arm youâve remained latched onto, allowing you to sidle through the doorway first. His body is pressed directly against yours, leaving a slim margin for error.Â
Though, your night has provided you with little in the way of serendipitous encounters with any of the anomalous beings jaunting the halls, you supposed every dog has its day.
âChrist!â Leon shoves his back against the door once it closes mutely behind him. âThat thing is gross.âÂ
âI mean yeah, did you see its tongue?â It's a moment of self contained mania, the way the two of you nearly double in laughter, your immediate fear flipped into joint hysteria. Youâre sure it is in part, on your end, the only way to keep from crying, a twisted dissociation from the supernatural reality of your circumstance. It takes several moments, laughter bubbling up each time one of you would accidentally meet the others eyes, but once youâve calmed down enough you sigh. âThis is insane.â
âItâs crazy to think we only met a few hours ago. This night makes it feel like a lifetime.âÂ
âKeep thinking Iâll wake up any second, like thereâs no way all this is real.â You look around the office. Itâs tight quarters, like whoever worked here had their whole lives shoved into each of the desks crammed in the middle of the room. âWhere are we?âÂ
âS.T.A.R.S Office,â Leon reads. âSpecial Tactics and Rescue Service. Wonder where they are now.â Â
âS.T.A.R.S?â Thereâs an office branching off to the left, the desk messy with files and random documents. Placed neatly on the cabinet behind the desk is a frame filled with officers, a team photo if you had to guess. You handle the frame, tracing over the faces. You recognize Jill Valentine in the front row, and follow the rest of the faces, the dots drawing together nicely in your head. âChris. I knew this sounded familiar, Chris is an officer in this department.â Leon is still skulking around the main office when you approach him with the frame. âMaybe thereâs something in here about where he could be.âÂ
âMaybe, but this place is so cluttered Iâd be surprised if you can find it.âÂ
âWell I have to try for Claire. Besides, there has to be something in here that can help us get that cell open. There arenât many other places for us to look.âÂ
âI wish we could get in here. I bet thereâs some more ammo, and that gun could be useful.â Leon nods toward the armory branching off from the main office. Itâs locked by a security gate, the only way to get inside is a desktop that neither of you have access to. You consider telling Leon to give Marvin a call, but you doubt heâd have a way in, and even if he did heâs likely in no state to help. âIâd try to break through if I wasnât terrified that something out there has grown sentient enough to work a door.â
âWell, there has to be something around here to get us in. Search the desks!â Youâre looking for one in particular, itâs easy to spot with a shot of Claire pinned to the wall beside the chunky monitor. Youâre slightly taken aback to find one of you there as well. A recent photo, one taken the night before Chris left for Raccoon City. When you and Claire forced him to spend it with the two of you instead of pretending to finish his packing. Youâd spent the evening taking as many photos as possible of the nearly departed siblings.Â
Chris had taken the one of you off guard. You set the camera aside to devour a slice of pizza when heâd called your name, sauce dotting the edge of your mouth, eyes wide, and crust shoved halfway past your lips. You can still hear the faint laughter of both Redfields when he snapped the photo, pulling it from your polaroid to hold hostage despite your weak efforts to steal it from him. Youâd forgotten about the shot by the time the night had ended, too caught up in goodbyes to realize he still had it.Â
âHuh, thatâs convenient.â Leonâs proximity startles you, his breath fanning against your neck. He reaches for a USB stick resting in a cup of pens perched atop the desk. âProbably just some useless files or something, too easy to find.â
âThatâs the beauty of it.â You smile, shoving Leon lightly toward the PC, inwardly begging for something to give. He clumsily shoves the stick into one of the ports, the two of you leaning eagerly toward the monitor, gazes shifting back and forth between that and the armory gate. When it connects, the monitor flashes green granting you access to the third room. Leon heads straight for the arsenal of weapons, saying something about the gun hanging on the wall. You nod along catching the name of the firearm, but youâre not sure what heâs talking about and you trust he knows enough for the both of you.Â
Youâre rattled significantly by a letter laying haphazardly on the wooden bench lining the lockers. The scrawl dotting the page almost as familiar as your own.
To my bestest S.T.A.R.S. buds,
How are you all doing in that drab, old station? Hanging in there against old Irons? Me? I just got back from a date with a hot chick. Bet you can guess what we got up to under her extra-large umbrella.
Europe is amazing. One month is in no way enough to even scratch the surface. Maybe Iâll extend my vacation for another six months.
Barry, donât even think of coming to join me. Wouldnât want to make all the cute girls cry yeah? So you just leave the babes to me.
Jill, if Claire tries to contact you, please let her know Iâm OK.
Chris Redfield, August 29
âThis doesnât make any sense. This doesnât even sound likeâŚâ You read the letter over three times, unsure whether to be upset or relieved. You settle on confused.
âWhatâs wrong?â Leon moves from his own distraction, scavenging for bullets for his newly acquired black hawk. You pass him the note, collapsing onto the wooden bench. He takes a second to read it over, looking at you then back at the letter. âSo heâs not here. Thatâs good news, right?âÂ
âBut why wouldnât he tell Claire? Or me?â You take the letter back, to look it over a final time and begin to slowly fold it into a neat square then thinking better of it you shove it roughly into your hip pouch. âIf heâs off picking up girls on some European beach then thatâs great, Iâm happy for him. But I wouldnât even be here if it werenât for him. This letter was sent a month ago.âÂ
âIâm sure thereâs another explanation.âÂ
âYeahâŚThere has to be.â You relent, thinking better of your little fit. You attribute the sudden bile coating your stomach in part to whatever unresolved tension needles you at the thought of him, but mostly because this feels out of character for Chris, making Claire worry on such a large scale. If heâs writing to his co-workers it feels off that the only family he has left would be kept in the dark. You decide that whatever is going on with Chris will be better suited for your thoughts outside of imminent death. Leon is still waiting for you. To do what you donât know, but he hasnât moved from his spot hovering at your side. Your eyes catch on something in one of the open lockers. âThis look like a detonator to you?âÂ
âSon of a bitch.â Leon smiles, grabbing the angular device. âAnd Iâm sure I saw some batteries back in the office.âÂ
âGreat. So, what are the chances that thing is still waiting right outside of the door to attack us?âÂ
âWell, letâs just say we better make like Davidâs grandma and creep.âÂ
~*~
âAlright, party people.â Leon fastens the detonator into place. âLetâs turn this bash into a blowout.â He sprints toward you when the timer begins counting down, shoving you enough around the corner that you only stumble slightly when the C4 goes off, rattling the room's four corners.Â
âGod, Iâm so sick of things exploding.â You wait it out for a few moments, attempting to get a clear picture of how many of the undead youâll have to fight through to get to the statue. You peek around the corner, several of the bodies that were sequestered behind the metal prison are lifeless, finished by the detonation.Â
âIâll take down the zombies, you get the medallion.â You move in sync, Leon passing you the notebook then knocking a crate onto its side to draw the attention of the bodies meandering about the room. The final piece is easily secured as he neutralizes the threat and you signal as much to him edging back into the hall with Leon following shortly after.Â
âThis is it. Hopefully Elliot knew what he was talking about.âÂ
âOnly one way to find out.â Leon mutters, accepting the medallion from you with an anxious disposition. Itâs the first time all night youâve seen him waiver, like itâs dawning on him that if this doesnât work thereâs a chance you'll be trapped here. âLetâs head back to Lieutenant Branagh.â
Most of the undead that had previously blocked your path have been killed off, your journey back to the main hall one of the smoothest youâve had all evening.
You watch Leon slide the last medallion into place, the large statue steadily rising to its full potential to reveal a metal grated door living beneath it.Â
âSo it goes undergroundâŚ. Huh. Thatâs itâ thatâs our way out. Lieutenant Branagh! Marvin! Time to go!â Leon moves toward Marvin, still lying unconscious on the sofa. His words and a gentle nudge against the lieutenantâs shoulder activate the officer so rapidly he shoots up with something akin to a snarl tearing out of him. You jump directly into Leon who steadies you and kneels before his superior. âHey, Marvin⌠We need to get you to a hospital right now.â You move forward again, gently encouraging him to get up.
âNo, no⌠Save yourselvesâŚâ His words are slowed and slightly muddled, jaw working hard to make you understand. You swallow, backing up a tad to look at Leon.Â
âCome on, Iâve got youââ
âGo!âÂ
âMarvin, we want to help you.â You plead, those damned tears tracing the lining beneath your eyes.Â
âLook, we can still make it out of here together, if you just gimmeââ Marvin pulls his gun, pointing it directly at Leon who shoves you behind his frame. The move is halfhearted, you all know it in the way his hands tremble and it takes him a moment to meet your eyes for the last time.
âItâs too late. I tried, LeonâŚY/n... But I couldnât stop it. We canât let this thing spread. Itâs on you now. Just goâŚâ Marvin leaves no room for conflict, his words concise and filled with a meaning youâre sure will sit with you for the rest of your time in being.
You recognize Leonâs next move as one of respect for his first friend on the force, his lieutenant.
âI understand.â
He places a strong, grounding hand against your back, the other on your arm to guide you toward the door to the secret passage. You fight against him gently, just enough to look Lieutenant Branagh, Marvin, in the eyes.Â
âThank you for everything. Iâm so sorry.âÂ
âYou two take care of each other.â Is the last thing he says before Leon is once again pushing you gently ahead, the sound of the door closing echoes in your ears, settles in your hollowed chest. You donât speak just yet. Canât.Â
Leon turns back toward the station, something new rising within him.Â
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The further you drive into town, the more confident you become that you wonât find Chris here at all.Â
The roads are barricaded, some purposely while others are a consequence of a fallen lamp post or abandoned vehicles scattered mazelike in the streets. The town is ghost-like, a complete departure from the pictures Chris would paint when heâd visit or call on the phone to convince you and Claire to drive down one weekend.
Summary: you have a sinking feeling as you ride toward raccoon city to find chris redfield. naturally, you witness a man's face being eaten in the middle of the city and now you're at the mercy of a handsome rookie cop as an 18 wheeler hurtles toward you at full speed. next time you get that feeling, maybe you should listen...
Warnings: canon typical violence, language, angst?, anxiety, re2 spoilers (if that's a thing atp), a little boring since it's the prologue...let me know if i missed anything
a/n: hello! this is so weird i haven't written on here in literal years and kind of have no idea how to start...*ahem* if you've stumbled upon my page or this fic welcome in! i've written on other blogs before, but some screw in me loosened and instead of writing on one of those existing blogs i had this sudden urge to make an entirely new blog dedicated to leon kennedy (who can blame me honestly?)
ANYWAYS, i've decided to play re on my own rather than live vicariously through other people's playthroughs and i've noticed there aren't really any rewrites of the series floating around here and i myself am a sucker for a good rewrite! so i'm gonna be writing as i play/have time. really i just wanna indulge myself and hopefully some of you will enjoy this little journey with me! <3
Word Count: 2.9k
chapter 1 ~ don't panic ~ confidential files
September 29, 1998
A sensation had settled itself against the base of your neck the night before as you watched Claire pace back and forth with the house phone cradled against her ear. It was a dark and thorny little thing, a thread needling at your subconscious until it had stitched you an anxiety all itchy and brand new. Sheâd been trying long before you arrived to get someone on the other end, the lines in Raccoon city either tied up or completely disconnected.Â
Itâd been days of this. An uncertainty rooting your twin feet to your apartmentâs wood floors, taking turns monotonizing against the hum of the dial tone. Your consistent disquiet broke only briefly on the third day. Claire left you momentarily when her eyes pulled heavy like sandbags and she could barely stand straight. Youâd chanced a random dial, an offhand number youâd been given by Chris Redfield himself. One of his fellow officers.Â
Reliable to a fault, heâd said.Â
You remember being slightly jealous of the glint in his eyes when he said it. Unable to convince yourself it was something more like friendship, less like a convenience of carnal persuasion. Claire thought she was great, that only made you feel worse. In that moment, phone curled to your ear, fingers poised over the keypad, you just hoped they were right. Phone clutched to your ear, you were gnawing at the dial tone, chewing the sounds. Waiting, breath baited to hear something different.Â
âHello?âÂ
âHello? UhâŚhi! Is this Jill Valentine?â Youâd met her once, conceived her in passing, but it wasnât enough for a certainty of vocal identification. She paused, likely her attempt at assessing your own situation, any altered motives for the sudden knot in her line.
âWho is this?âÂ
âIâŚthis is Y/n, Iâm a friend of Claireâs, Chrisâs sister. Iâm just wondering if youâve heard from him?âÂ
âChris? Well Iâ shit hold on. Iâm getting another call.âÂ
âWait! Please donât hang up. Please.â You wondered if you sounded as pathetic as you felt, but your faith in Raccoon Cityâs telephone service had slimmed significantly over the course of those three days.Â
âI wonât, Iâll just be a second. Donât worry.âÂ
Worry you did. There was a moment of relief in the moments before the call dropped, like youâd have something good to tell Claire when she awoke. Instead, the line had suddenly gone dead and your attempts at redial were met with an almost comically tragic voice informing you that the line had been permanently disconnected.
On that third day, when sheâd woken and finally had enough of waiting for nothing, Claire turned to you with wide eyes and something like uncertainty shielded by her own thespian crack at confidence.Â
âIâm going to find him.âÂ
It was somewhere between your useless attempt at getting her to see reason and her useless attempt at assuring you she could handle it on her own that the sensation inched toward the lining of your jaw, climbed inward toward the base of your throat and down, down, down where it unhinged completely to wrap around your heart and settle at the lining of your stomach.Â
Now, youâre sitting in the passenger seat, Claire rambling about the earful sheâll be giving to the first pair she finds when you make it to the city. No doubt hoping it will be her brotherâs.Â
Her speech has grown lengthier, pitch raising an octave every so often as you get closer and the road seems to grow longer. Darker. You find it difficult to swallow around this unnamed thing, but a rhythm built on years of synchronicity doesnât demand it.Â
âWe should hit that gas station up ahead, tanks low.â You cough, voice hoarse from the stretch of silence. Claire nods, fiddling with the dial on the radio as she swerves haphazardly into the parking lot. âJesus, Claire!âÂ
âSorry! Guess Iâm just used to the bike.â She has the decency to look a little sheepish when a sudden noise from the stationâs convenience store snags your attention. âWhat was that?âÂ
You notice a jeep and an abandoned police cruiser a few feet away, otherwise the inside of the store is completely dark.Â
âI donât know. Should weââ You glance back, Claireâs car door slamming in time with the pounding in your chest before you finish your thought. Climbing out after her, you scan the area, mumbling halfheartedly. âOf course we should.âÂ
Claireâs path is direct to the storeâs front, your own straying toward the two cars you noticed earlier. The jeep is a forest green, lightly aged, otherwise untouched. Your hand hovers near the hood, heat still biting beneath it from the engine. They havenât been here long.Â
Your gaze moves toward the police cruiser. Lights lifeless up top, the passenger side door leaning toward you on its hinges. You have a fantastically sickening thought sidling towards it to peek inside. The image of Chris Redfield, his badge resting lazily in the center console, telltale that the noises coming from the building are leading you toward something sinister.Â
You almost sigh in relief when itâs empty. Nothing but static and the uncomfortable smell of leather mixed with something stale and questionable. You lean forward, hearing something low, like a voice but not quite audible enough to make out words. You poke at the police radio hoping to find some sort of connection, but it's still just white noise.Â
Pulling back from the car you hear it again.Â
Louder.Â
Closer.Â
This time it sounds throaty and coated in something like phlegm, clawing its way from the back of someoneâs throat. You turn toward the road to someone limping toward you, arm dangling to the side, body at an angle. You move away from the car without drawing more attention, your jaw trembling where it tries to form words.Â
âC-Claire!â You inch toward her, voice only loud enough that it draws her eyes. Once youâre close enough you glance her way, then back at the person, now people, dragging themselves somehow so lazily, yet menacing enough that this sensation, this thing is squeezing your heart so tightly youâre not sure you can move. You glance down at your trembling hands, trying to think but everything is just hissing and groaning with no source of logic. Â
Itâs dreamlike the way they circle in, lethargy leaking out into the pavement. You think you could make it back to the car if there werenât so many of them.Â
âDonât shoot!â You find Claire, now standing with her arms up, following her line of sight until youâre looking at the barrel of a gun pointed directly at the two of you.Â
âGet down!â Youâre not sure if you listen or your legs have given out, but the sound of a gunshot rings in your ear canal and you feel something wet and thick splatter against your jacket before a pair of strong, steady hands is helping you back to your feet. âAre you alright?âÂ
âYeahâŚI think so. Thanks.â Claire answers, but his attention is on you.
His eyes paint the clearest of blues, slow roaming like a glacier, though the heat of him pressing into your front translates an unmistakable warmth through his frost stained pupils.Â
He canât be more than a few years older than you. His cheeks are dusted pink from the trouble, his portrait boyish and undeniably handsome. He glances at Claire, then the growing hoard that had attracted to the single resounding gunshot in the otherwise empty stretch of land.Â
âYou can thank me later, when weâre safe.âÂ
âHoly shit.â Thereâs no path back to the car, you can barely catch sight of it past the bodies closing in. âWe have to go!âÂ
âCome on! Get in!â The same steady hands urge you forward, clearing the distance between the store and the police car. Somehow you manage to avoid the mass of bodies long enough to throw yourself into the backseat. âHold on!âÂ
Down, down, down you shove the sensation, swallowing against the bile rising in the base of your throat now that youâve got a moment to register your surroundings and the lingering scent of something you could only describe as rotting. Your nails dig into the seat, watching through the back window as you peel off, wondering what could possibly await you in Raccoon City.Â
âWhat the hell is going on?â Claire voices what everyone is thinking once youâve made it far enough away from the gas station. Youâre leaning forward, chin resting against the side of the passenger seat. Youâve only just caught your breath and your curiosityâs not far behind.Â
âI donât know⌠Hopefully theyâll have some answers at the police station.âÂ
âWait, youâre a cop?â Claire perks up, peeking at you hopefully. You purse your lips, unsure this guy will be any help. He knows his way around a handgun, but he seems to be just as lost as the two of you.Â
âYeah, Leon Kennedy. You areâŚ?â He looks between you and Claire swiftly before his attention is focused back on the road.Â
âClaireâClaire Redfield. This is Y/N Y/L/N.âÂ
âLive around here?â Leon glances at you in the mirror, like heâs making sure youâre still there. You realize you havenât spoken since you threw yourself into the backseat, but you arenât sure you could find the words if you wanted.Â
âNo.â You clear your throat, Claireâs hand envelops yours where it rests in the center console. âHopefully just passing through.âÂ
âWeâre looking for my brother. Heâs a cop too.âÂ
âWell, itâs a good thing we found each other. I donât know what to expect anymoreâŚâ Leon sighs, your eyes latch onto a sign reading Welcome to Raccoon City. Home of Umbrella.
~*~
The further you drive into town, the more confident you become that you wonât find Chris here at all.Â
The roads are barricaded, some purposely while others are a consequence of a fallen lamp post or abandoned vehicles scattered mazelike in the streets. The town is ghost-like, a complete departure from the pictures Chris would paint when heâd visit or call on the phone to convince you and Claire to drive down one weekend.Â
The bright colored signs mixing with muck and wet make the place look dystopian. Only supplemented by the loop of a loudspeaker urging everyone to take shelter at the police station.Â
âA citywide outbreak?â You voice, squinting out of the window in the hopes youâll see someone normal. âHow have we not heard anything?â
âOh my god, this is so unrealâŚâ Claire gasps, looking at the empty streets.
âThe police stationâs not much farther. Theyâll know something.â Leon sounds sure, still optimistic despite what youâve already seen. You hope heâs right, but you canât help the sting of realism like a chill up your spine.Â
âYeah butâŚwhat if weâre the only ones? What if thereâs no survivorsââ Claire looks at you, unspoken fear rimming her eyes at the thought of Chris lurking in this place like one of those things.Â
âNo. Thereâs survivors. Itâs a big cityâŚthere has to be.âÂ
âHeâs right.â You nod, feeling less sure of it than you sound. âWeâll find Chris, and everyone else then thisâll all just feel like some fucked up dream.âÂ
The car slows at a roadblock leading right to the Raccoon City Police Department. Leon glances in either direction before his eyes land back on you and Claire.
âLooks like weâre walking from here.âÂ
âMore like running.â Claire points to the sidewalk, two people leaning over something on the ground. You make out the lining of legs protruding from one end, gagging at the implication. Two sets of teeth are tearing into the lifeless flesh like a dog at dinner when the car catches their attention. They drift almost mechanically. The same gaunt faces and unsteady limbs that found you at the gas station lagging in unison, a meandering march straight toward you.
"Yeah, good call.â Leon nods as several of those things start pounding on all sides of the car. âJesus Christ!âÂ
âSo no walking or running then.â You assert, half screaming when another hand flings at one of the backdoor windows.Â
âLeon! We gotta back up!â Claire yells, her eyes flitting to the back windshield for a moment then again she double takes, her pupils tripling in size. âWhat theâ!?â
You glimpse her sudden panic in the rearview mirror, half blinded by the headlights of a truck, the size daunting enough that it could probably smash the police cruiser with a single wheel. It shows no sign of stopping or slowing, on course to slam directly into you in a matter of moments.Â
âFuck!âÂ
âHoly shit! Get out! Get out now!â You look at both doors, obstructed by bodies smacking and growling. Claire yanks at the handle on her own door, but it wonât budge. Even if you could manage to make it out of the line of fire, youâd be stepping directly into a minefield, shackled by the first pair of hands to grab a hold of you. You shift forward, eyes catching Leonâs in the mirror. They arenât colored in panic like your own, but flitting back and forth like theyâre calculating something.Â
âI canât!â She cries, continuing to yank on the handle.Â
âThereâs no way out!â You panic, bodies cast in the glow of the growing headlights. Your eyes slam shut, nails digging into your palms, bracing for impact.
You hear Leonâs steady Hold on! before the truck slams into the back of the car, sending it flying forward into the barricade then jerking to a stop. Youâre jostled, vision blurring around the edges where your head bounced off of the carâs ceiling in the collision. Almost immediately Leonâs grabbing a hold to help you climb out of the driverâs side door, dragging you over the seat.Â
You glance back at the car, searching for any sign of Claire once youâve managed to find your footing.Â
âClaire!â You call, stumbling forward. You donât make it far, just a few steps, then youâre shielding yourself from the blast radius of the cruiser exploding from the impact. It feels sweltering against your skin, but it barely registers when your heart drops to your stomach when you donât see Claire. âClaire!âÂ
âOh noâŚâ Leonâs grabbing at you again just as another, larger, explosion sends the two of you flying into an adjacent car. He takes most of the impact, his body cushioning your blow with a low grunt. You scramble, hands splitting against the concrete to stand. Itâs an effort to lift your body onto your toes to make sense of the flames separating you from where, you hope, Claire is. âClaire! Claire, you okay!?â
âYeah! Iâm alright! How about you!? Y/N!?âÂ
âWeâre fine!â You call back, stepping as close to the flames as possible. You donât miss Leon keeping stride, his body like a solid wall separating you from the figures creeping up. âCan you make it over here!?â
âNo, IâŚthere isnât an opening!âÂ
âWe canât stay here!â Leon cuts in, drawing his gun. âItâs not safe! Weâll meet you at the station!âÂ
âIâll be there! Keep each other safe!â You donât like the idea of leaving Claire alone, but itâs your narrow escape of one of those things that convinces you of your lack of options. Leon guides you through the fray, gun raised at any opposing threat. It gives you an opportunity to look at what youâve walked into, wonder how it couldâve gotten like this.Â
Buildings are ransacked, their doors chained and padlocked, windows broken or boarded. The only people you see can't be anymore, moving at awkward angles, half decayed and hungry for their own kind.
You think of Chris. You're reminded of his smile, the way his voice filled with excitement, as much as he could muster anyway, when he told you he was leaving for Raccoon City. It left you wondering how much of it was performance, a convincing counterweight to Claireâs anxiety after he came home from the force just to announce his ready departure once more.Â
"This is outta control! Shit⌠Itâs everybodyâŚ! Theyâve all turnedâŚâ Leon shutters, the only gap in his quick composure. âThere it isâŚthe station."
Leon pilots the two of you swiftly through the bodies, his careful navigation steering you safely through streets and alleyways until youâve made it inside the gates of the police department. You help him latch yourselves in, faltering back half a step to stare. Not at him, but rather what lies beyond him. Bodies pushing against the iron, hands slotting through the bars for something to sink their teeth into.Â
Itâs second nature to scrutinize their beady eyes and elastic jaws. Searching for something bordering human, imagining a subconscious trapped in corpse.Â
âTheyâre likeâŚzombies.â You mutter, stepping forward just enough to glance into the milky whites of one of their eyes. It swats halfheartedly, wrist thwacking sickeningly against metal. Its clothes are torn and blood stained, skin peeling off the bone so you could see chunks of flesh thick and festering. It hisses and spits, mouth nearly permanently unhinged from the putrefaction of whateverâs chosen Raccoon City as its nesting ground.Â
Your breath is coming out in pants, that sensation branching from its place in your stomach like vines. It grabs hold of your nostrils, filled with the metallic scent of blood and rot. It stiffens your joints like lead, rooting you where you stand. It wets the corners of your eyes, from the emotion catching up with you or the acrid taste in your mouth youâre not sure.Â
âLetâs get inside.â Leon coaxes you, hand resting at the small of your back, nudging you forward. âFigure out what the hell is going on.â
PAIRINGS: leon kennedy x reader, slight chris redfield x reader
CONTENTS/WARNINGS: fem!reader, angst, slow-ish burn?, canon typical violence, unrequited love, explicit language (it should go w/o saying but i'll say it anyway), best friend!claire redfield, i can be a wordy gal (yes this is a warning), a bumpy ride for all involved...will add more as it appears relevant, will also have chapter specific warnings!
SUMMARY: after a citywide outbreak traps you in the confines of the raccoon city police department with rookie cop leon kennedy, your only option is to fight your way through a hoard of the undead, and a 7 foot tall biological weapon sent to kill you.
prologue
you have a sinking feeling as you ride toward raccoon city to find chris redfield. naturally, you witness a man's face being eaten on the side of the road and now you're at the mercy of a handsome rookie cop as an 18 wheeler hurtles toward you at full speed. next time you get that feeling, maybe you should listen...
chapter 1
you've made it to the station, but in your journey to find one redfield you've lost the other. the raccoon city police department is one big escape room, everything is trying to eat you, leon thinks you're insane, and you almost get hit by a helicopter. the good news is, the undead throw you and leon a going away party and it's a blast!
chapter 2
elliot was right...but at what cost? there's a freaky mutant scientist eager to meet you, the parking garage is just another avenue of locked in, every dog in raccoon city wants to eat your brains, an alleged government agent wants nothing more than to click-clack her way out of your life, and a bioengineered hitman hit ben and you're pretty sure you're next...but hey, at least he's not the brightest tool!