New on the Clovers Art Wall: The wonderful world of Em Cooke
How long have you been making art? We are all always making art, which is life, our creative energy engaged in the simply profound art of our bodies, our soulful expressions. And outside of ourselves, I celebrate our collect early start making art in our infancies. My personal journey has been one of loving creative expression in many forms - there exist photos of me in hot pink and gold poofy and sequined leotards dancing at Jesse Hall as a little one....apparently I've always had a way with colors, according to my mom...and my fondest memories growing up in the wild here include crafting soup with my sibling from our neighbor's green onions and my mom's spice jars. School art classes and boxed crafts stifled my unique creative spirit, as did the story that someone else was doing it "better"...I pigeon-holed myself largely into theatre for much of my journey, though found ways to include other forms even there. After graduating with a B.A. in Theatre Directing and Psychology, I began to recover lost parts of my creative spirit with the support of The Artist's Way, and when I remembered my love of the earth, began to apprentice with the forest once again.
Have you always used found materials or other mediums? While working in theatre, there arose within me a distaste for the way materials were unsustainably resourced and then sent off to landfills when the production was over; and as I've reconnected with the earth, I've striven to walk gently with her. I find such pure joy in the challenge of creating from what I find, and what I can craft with the land...this was my first experience of creating inks, a long-time desire...than going to the craft store and purchasing materials. I am not rigidly opposed to the latter...I've yet to begin to make my own brushes, for example...it's on the docket...and I have old materials such as acrylics I play with from time to time...this found materials and wildcrafting is simply where my creative energy is moving.
Do the materials used have a significance? They are all significant, in their own ways. I can speak to the pieces that are up now, and a bit of what is to come. El CorazĂłn de la Mujer AraĂąa: This piece moved in such a magical way through me. I've been drawn to working with catalpa pods since they blessed the yard of my home last summer. I've been working with my own sense of this internal sun, in my solar plexus, and how this supports the radiance of my heart. I had a vision of the pods as sun beams, and found in my collection of rocks the heart. Figuring out how to weave them together was quite a journey, and I loved the contradiction of the pods, wire, and stone, all very hard and sharp in quality - I generally would rather work with soft materials - representing the heart of the spider womyn, who taught me so much in this weaving....whatever the message is for the viewer, may it be so! KaliNest: This piece was a way for me to laugh and play with the harsh qualities of my own upbringing, the sharp and tangled parts of my childhood nest (not all of which were so, by any means...we all are gifted with challenges), inspired by a phrase in a song a friend has shared again and again..."Separation....ouch!" Kali is one fierce representation of the Mother. The wire came to me when I first moved back to Missouri, after 20 years uprooted, and the creek glass is from the MKT trail. Our Mother: An earth-based exploration of the Lord's Prayer in Old English, honoring my ancestors, my personal history, and my deep appreciation of the evergreens of the land I live with now. Cedar bundles from this place, and cuttings from a dear friend here; the black walnut ink was crafted from hulls gifted from Clover's own Noah and family, and the beeswax might be from Bonne Femme...it's been blended in with other old and new beeswax I've been collecting. Smelling cedar and beeswax brings out my hunger for meaningful connection with spirit...praying with the the land and sky fill me up. And to come: Glass bottle wind chimes, reused from my brief addiction to sparkling water that Clovers fed so thoroughly last summer...with antique spoons and found tiny animal figurines...and more!
Your pieces feel like they have an unifying message. What would you say it is? Wow, what an abundance we have, here on this earth! So much already existing to play with! As I feel into this, I am reminded of the Little Mermaid, and her collection of the discarded treasures of human beings. Bridging the worlds of human-made and forest-made. Creating a garden of art, to spark the heart's delight and prayerful play; and an invitation of whatever else might arise in the receiving.
Beautiful work and words, Em! Thank you so much! Where can people reach you?
If people want to connect one-on-one, get updated on my offerings, or ask about a commission, they can email me at [email protected]. If they're into the Instagram world, they can follow me: re.embering (I keep it private so that I don't have trolling people following and then commenting with spam...I will happily approve your request if you are a real person!)Â










