Best In Life Always With The Rock & Metal

Taiji Sawada (July 12, 1966 – July 17, 2011), also known mononymously as Taiji, was a Japanese #musician and #songwriter. He is best known as the former #bassist of the #rock #band X. X rose to prominence in the late 1980s and early 1990s, credited as founders of the Japanese visual kei movement. After leaving X in January 1992, Taiji went on to work with many other bands, including Loudness and D.T.R.

Taiji Sawada was born in Ichikawa, Chiba, Japan on July 12, 1966. He was the second son of three children. His younger sister Masayo is a singer known as Sister MAYO. When Taiji was two years of age, he shoved his hand into a machine in a factory where his parents worked, resulting in a first joint cut on the middle finger, but luckily, it was not too serious. In 1974, at age eight, Taiji learned how to play acoustic guitar while in elementary school. In 1979, Taiji’s parents were divorced.

After dropping out of high school in 1982, Taiji formed his first band called Trash,[1] where he was the leader and guitarist. In late 1984, he switched to bass and going by the name Ray joined the metal group Dementia,[1] staying until 1985. He then played briefly with Prowler, as well as a few shows with X.[2] Until 1986 when he joined the very short-lived Dead Wire, whose line-up also included future Saver Tiger and D'erlanger members, Kyo and Tetsu. Soon after he officially rejoined X at the end of 1986.[2]

Eric Adams (born Louis Marullo, July 12, 1956) has been the #singer of the #heavy #metal #band Manowar since its inception in 1980. Previously, he sang for a group called LOOKS, a band which also included future Manowar bassist and childhood friend, Joey DeMaio.

He is known for holding high note screams for over 40 seconds at Manowar shows. Adams’s main vocal influence is Ian Gillan; Adams declared in an interview that he used to go to every Deep Purple show as a young man because he loved Gillan’s voice.[4] However, he has also worked to create his own, personal style. His voice covers 4 octaves from bass B1 to the soprano B5. As Adams has aged, his vocal high end has decreased, so recent Manowar albums are tuned lower than earlier albums. Adams can also play guitar and drums; in his hunting DVD, “Wild Life and Wild Times,” he plays guitar in the soundtrack.

Singles 1965–1967 is a box #set #compilation of #singles by #rock #band The Rolling Stones spanning the years 1965–1967 released on July 12, 2004. The second in a series of repackages by ABKCO Records, who licence The Rolling Stones' 1963–1970 recorded works, Singles 1965–1967 is the second of three successive volumes to commemorate their non-LP releases during this era.

Aquí te va un álbum para ti… Singles 1965-1967 The Rolling Stones

Murphy was the secondary songwriter in Soul Asylum, with Dave Pirner responsible for bulk of the band’s material. Some of Murphy’s solo writing credits include “Can’t Go Back” from Made to Be Broken, “Cartoon” off Hang Time and “Gullible’s Travels” from And the Horse They Rode in On. Additionally, he and Pirner co-wrote “Easy Street” which appeared on And the Horse They Rode in On, and he co-wrote “Promises Broken” off Let Your Dim Light Shine with Marc Perlman.

In 1988, Murphy formed Golden Smog, a Minneapolis supergroup made up of members of The Replacements, The Jayhawks and Run Westy Run. Murphy was credited as ‘David Spear’ on the group’s second album, Down By The Old Mainstream, because of contractual obligations.[2]

In 1992, Murphy appeared on the debut solo album by former Replacements drummer Chris Mars, Horseshoes And Hand Grenades.

On October 9, 2012, an official message from Dan was posted on the forum of EnterTheSoulAsylum.com regarding his departure from Soul Asylum. His decision to leave the band was to continue a quieter life with friends and family.

The album was remastered and re-released with bonus tracks in August 2003 in the US as Live at Wembley Stadium after the companion DVD. This name has also been used on subsequent releases elsewhere, although they lack the bonus tracks included with the US version.

A remastered special edition DVD was released on 5 September 2011 in the UK (what would have been Freddie Mercury’s 65th birthday), and for the first time included the Friday evening concert in addition to the Saturday night show. Snippets of the Friday show were included on earlier DVDs, but the remastered release marked the first time that the concert has been presented in full. A Deluxe Edition also included the Saturday concert in remastered CD form.

Petrucci was named as the third player on the G3 tour six times, more than any other invited guitarists. In 2009 he was named the No. 2 Best metal guitarist by Joel McIver in his book The 100 Greatest Metal Guitarists.[1] He was also named as one of the “Top 10 Greatest Guitar Shredders of All Time” by GuitarOne magazine.[2] In 2012, Petrucci was ranked the 17th greatest guitarist of all time by a Guitar World magazine readers poll.[3] Dream Theater - Instrumedley, John Petrucci Angle (Live in Budokan).

Carr’s first album with Kiss was 1981's Music from “The Elder”, which marked a departure for the band toward a mystical art-rock direction. One of Carr’s contributions to the album, “Under the Rose”, is one of the few Kiss songs written in 6/8 time and featured a Gregorian chant-style chorus. Later, he would also have co-writer credits on “All Hell’s Breakin’ Loose”, “Under the Gun”, and “No, No, No”, amongst others. Carr said he found writing lyrics harder than writing music.[1]

Besides drumming, Carr also played guitar, bass guitar, and piano and sang background vocals. Occasionally he sang lead vocals, such as on “Black Diamond” and “Young and Wasted” live with Kiss.[9] His first lead vocal in the studio was a re-recording of “Beth” (a song originally sung by Peter Criss) for the 1988 compilation album Smashes, Thrashes & Hits. Carr recorded his version of the song in the same room in the Record Plant where the song was originally recorded,[11] using the same backing track as Criss. Carr would later claim that he regretted having to overdub what he felt was the definitive performance by Criss, but that he was so desperate to finally sing on an album that, against his better judgment, he agreed to do it.

In 1989 he recorded a demo with Kiss lead guitarist Bruce Kulick. Carr wrote the music, played bass and drums, while Kulick played guitar. As Carr was not a proficient lyricist, he presented the demo to Simmons with the words to Marvin Gaye’s 1965 classic “Ain’t That Peculiar”. Simmons wrote new lyrics, which Carr recorded for the subsequent Hot in the Shade release. The song was released as “Little Caesar”. He performed the song a few times, but it wasn’t performed beyond the first month of the tour. Carr’s last live performance with Kiss was November 9, 1990 in New York City, at Madison Square Garden.

Carr’s last recording with Kiss was for the song “God Gave Rock ‘N’ Roll to You II”, which featured him on backing vocals. The last time Carr worked with Kiss was in July 1991 when Kiss filmed the video for “God Gave Rock ‘N Roll to You” with Carr playing drums. Carr’s last public appearance with the band was at the MTV Video Music Awards in September 1991. https://youtu.be/7xU80ToWfok

In 1998, as a member of Fleetwood Mac, McVie was inducted into the Rock and Roll Hall of Fame and received the Brit Award for Outstanding Contribution to Music. She has worked on solo material in her converted barn at her home in Wickhambreaux in Kent. McVie appeared on stage with Fleetwood Mac at London’s O2 Arena in September 2013, and rejoined the band in January 2014. Her first full shows since her return came during Fleetwood Mac’s On with the Show tour in October 2014.[3] In 2014 she received the British Academy’s Ivor Novello Award for Lifetime Achievement.[4]

During the height of Fleetwood Mac’s success in the 1970s, McVie resided in Los Angeles in a house that had previously been owned (at different times) by Joan Collins and Elton John.[69] In 1990, she moved to a Grade II-listed Tudor manor house in Wickhambreaux, Kent, to which she retired after leaving Fleetwood Mac in 1998, and worked on her solo material. For years, McVie found inspiration in the home’s country setting, not only writing songs there, but restoring the house. However, after rejoining Fleetwood Mac in 2014, McVie began spending more time in London, and put the house on the market in 2015.[70][71]

McVie died in hospital on 30 November 2022, at the age of 79.[72]

Taiji Sawada (July 12, 1966 – July 17, 2011), also known mononymously as Taiji, was a Japanese #musician and #songwriter. He is best known as the former #bassist of the #rock #band X. X rose to prominence in the late 1980s and early 1990s, credited as founders of the Japanese visual kei movement. After leaving X in January 1992, Taiji went on to work with many other bands, including Loudness and D.T.R.

Taiji Sawada was born in Ichikawa, Chiba, Japan on July 12, 1966. He was the second son of three children. His younger sister Masayo is a singer known as Sister MAYO. When Taiji was two years of age, he shoved his hand into a machine in a factory where his parents worked, resulting in a first joint cut on the middle finger, but luckily, it was not too serious. In 1974, at age eight, Taiji learned how to play acoustic guitar while in elementary school. In 1979, Taiji’s parents were divorced.

After dropping out of high school in 1982, Taiji formed his first band called Trash,[1] where he was the leader and guitarist. In late 1984, he switched to bass and going by the name Ray joined the metal group Dementia,[1] staying until 1985. He then played briefly with Prowler, as well as a few shows with X.[2] Until 1986 when he joined the very short-lived Dead Wire, whose line-up also included future Saver Tiger and D'erlanger members, Kyo and Tetsu. Soon after he officially rejoined X at the end of 1986.[2]

Carr’s first album with Kiss was 1981's Music from “The Elder”, which marked a departure for the band toward a mystical art-rock direction. One of Carr’s contributions to the album, “Under the Rose”, is one of the few Kiss songs written in 6/8 time and featured a Gregorian chant-style chorus. Later, he would also have co-writer credits on “All Hell’s Breakin’ Loose”, “Under the Gun”, and “No, No, No”, amongst others. Carr said he found writing lyrics harder than writing music.[1]

Besides drumming, Carr also played guitar, bass guitar, and piano and sang background vocals. Occasionally he sang lead vocals, such as on “Black Diamond” and “Young and Wasted” live with Kiss.[9] His first lead vocal in the studio was a re-recording of “Beth” (a song originally sung by Peter Criss) for the 1988 compilation album Smashes, Thrashes & Hits. Carr recorded his version of the song in the same room in the Record Plant where the song was originally recorded,[11] using the same backing track as Criss. Carr would later claim that he regretted having to overdub what he felt was the definitive performance by Criss, but that he was so desperate to finally sing on an album that, against his better judgment, he agreed to do it.

In 1989 he recorded a demo with Kiss lead guitarist Bruce Kulick. Carr wrote the music, played bass and drums, while Kulick played guitar. As Carr was not a proficient lyricist, he presented the demo to Simmons with the words to Marvin Gaye’s 1965 classic “Ain’t That Peculiar”. Simmons wrote new lyrics, which Carr recorded for the subsequent Hot in the Shade release. The song was released as “Little Caesar”. He performed the song a few times, but it wasn’t performed beyond the first month of the tour. Carr’s last live performance with Kiss was November 9, 1990 in New York City, at Madison Square Garden.

Carr’s last recording with Kiss was for the song “God Gave Rock ‘N’ Roll to You II”, which featured him on backing vocals. The last time Carr worked with Kiss was in July 1991 when Kiss filmed the video for “God Gave Rock ‘N Roll to You” with Carr playing drums. Carr’s last public appearance with the band was at the MTV Video Music Awards in September 1991. https://youtu.be/7xU80ToWfok

"Space Oddity" is a #song written and recorded by David Bowie. It was first released as a 7-inch single on 11 July 1969. It was also the opening track of his second #studio #album, David Bowie. It became one of Bowie's signature songs and one of four of his songs to be included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.[4]

High ‘n’ Dry is the second #studio #album by the #rock #band Def Leppard, released on July 11, 1981 in US. High 'n’ Dry was Pete Willis’ last full-time album with Def Leppard. It charted at No. 38 on the Billboard 200[5] and No. 26 on the UK Albums Chart.[6] “High 'n’ Dry (Saturday Night)”, ranked No. 33 on VH1’s 40 Greatest Metal Songs.[7] Following the success of Pyromania, the album re-entered in the US chart and reached No. 72 in 1983.[5]

https://open.spotify.com/album/5ab6RIlAGwbVAacV1JIr2d?si=LRDWCOtATlGAXT_2sU-TJg