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@citrusyfangirl
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“the relationship with dottie and peggy was the one that was like… so much about fascination and curiosity. dottie had never met anyone like peggy before. someone that powerful, a woman in that role, and it was just foreign to her. it’s like you can’t tell if she wants to be her, if she wants to have sex with her or if she wants to kill her. and i was just like “i think she wants to do them all, so that’s what i’m going to play.””
i attacked S.E Hinton and it was a heterophobic hate crime
Oh my God I had no idea she was like this this is one of the worst funniest things I’ve ever seen
reblog this and put the age you realised you were not straight in the tags
Look beyond the issues, Weller.
This is the funniest thing I’ve seen in a long time.

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Send me a ship and I’ll tell you:
who the fuck put the peeps in the microwave
who forgot to put the cat outside before sex
who posts vines of the other doing embarrassing shit
who breaks the most phones
who dies first
which one I could see as being lactose intolerant
who thinks they can do something really well even though they can’t
who is more likely to get kicked out of the bed
who uses the computer most
Man, lately I’m on Tumblr for like five minutes a week but even in those five minutes I’m still a sucker for memes. (In addition to my ongoing familiarity with The Good Wife, The Fosters, OITNB and a bunch of other random shit, I have been watching Jane the Virgin lately! Only up to episode 2x09 though)
How Leela Tahiri became Kalinda Sharma.
CHAPTER FOUR IS UP!
WARNING: this is where it gets dark…
It does get dark but it’s SO WELL DONE. Essential fic for anyone who cares about a.) Leela’s journey to becoming Kalinda and b.) how Leela wound up with Nick.
Season 6 premiere countdown challenge: 11 days left
Day 5: When Kalinda was Leela.
Found it @citrusyfangirl !Â
It is a good shot indeed.Â
Oh, excellent! Thank you! I doubt I'd ever have found it again on my own and it's very much my image of Leela, which could be important to have around if I ever write fic again. *favorites*
Chapter 3 is up!
How did Kalinda become Kalinda?
Who is Leela Tahiri? And why would she marry someone like Nick Savarese?
What happened in Leela’s life that made Kalinda so reluctant to talk about her past?
This chapter and the one that will follow attempt to answer those questions by exploring Kalinda’s back story.
Any feedback, good or bad, will be welcome!
SUCH A GOOD FIC EVERYONE GO READ
Hijab: I dare you.
I am told that I’ll burn in hell for not wearing a hijab. This probably means nothing to an atheist, but can you imagine what it means to a God fearing, pious girl? Tell me that the hijab is a choice and not a compulsion. Tell me. I DARE YOU.
I am told that my body is a piece of property, that the hijab will protect me from the lustful gazes of perverts. I am constantly compared to money that is kept safe in a bank. I am told that robbers are tempted to steal money that is left in the open rather than money which is in the bank. Tell me that this is not objectification and body shaming. Tell me. I DARE YOU.
I am greeted with dirty judgemental glares whenever I go to a family gathering and my hijab isn’t in place or if my sleeves are not up to my wrists or if my kurta is form fitting. I have had elderly women reach out and pull my hijab over my hair when it slips back, without bothering to ask me whether I’m ok with some of my hair showing. And when I remove my hijab and put it into my bag, some of my friends and cousins, who I would expect to be more liberal, keep asking me why I do it and telling me that I shouldn’t. Tell me that this isn’t peer pressure. Tell me. I DARE YOU.
Tell me once more that the hijab is a choice and not a compulsion.
I dare you.
I am really going back and forth on this hijab thing. I used to be dead against it. When France forbade it in schools, I applauded, because it was a win for our secular traditions. Then I moved to Britain, and had colleagues who wore hijabs and the Brits didn’t care, and everybody was getting along and I then grew to think that really, a hijab wasn’t any more of a big deal than a cross around your neck. Then I read posts like this one and think, “well, this isn’t like wearing a cross, really”.  Then I see the controversy around Fatima Manji…
…. presenting the Channel 4 news during the Nice attack, and I think “Oh come on! This woman is a journalist, who gives a fuck if she wears a hijab?” (right after I’m done swooning because my, she is pretty and has a lovely voice, eh.) And then I see all the attacks on this woman, from the people who think her presence is a provocation for the people mourning their dead in Nice, to people who think she’s an insult to Islam because her top is too tight, to those who call her a “token” Muslim.Â
And above all that noise, all I know is that here’s a young woman, trying to do her job, who must be pretty kickass at it, in order to be given a prestigious slot amidst the likes of Jon Snow and Krishnan Guru-Murthy  - a woman whose skills and efficiency are never once mentioned, because her damn headscarf *is* the news.Â
Honestly, I don’t know what to think about the hijab anymore. I just know I wish Fatima Manji all the best. She’s gonna need it.Â
Doesn’t a lot of it depend on where you live and what the community is like there?  There’s a tremendous amount of pressure here in the Islamophobic US *not* to wear the hijab (granted there may also be pressure to wear it for some women), and I’ve read lots of essays by women who wear the hijab by choice, even though in some places it makes their lives more difficult.  I think all religions can either be coercive and oppressive or freely chosen and meaningful; it depends on who's teaching it to you or else inflicting it on you. I'm not sure there's any way to know, just by looking at someone wearing a hijab, what it means to them.  I’m sorry that the OP has had such a bad experience with it.  No one should go through that.Â

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I stay off Tumblr for a few weeks to avoid OITNB spoilers and when I come back TGW is suddenly in Korean, WHAT IS HAPPENING
Also I have been a little bit ambivalent on the “End” slap, mostly because a) it’s drawing a parallel to Peter’s S1 behavior that I don’t think is entirely merited and b) half the fandom confessions now seem to be about “she deserved it, what a bitch” and unh-unh-unh.  But just having read about the writers’ two other thoughts for who might slap Alicia in “End,” with number one being Jackie and number two being GRACE, I am just so so so grateful that they wound up writing it the way they did.  A slap from Jackie would have had almost no resonance because she’s self-centered and spiteful and so it would have been about her and not Alicia, and a slap from Grace would have broken my fucking heart into a million pieces.  Like, I’m cringing away from just the thought. So maybe the Kings haven’t done much for me in the last couple of years, but at least they didn’t end the series with Grace slapping Alicia.  Thank you for that, Kings. Â
where did you read this? The other ideas for the slap I mean….
This article says it, about halfway down: http://deadline.com/2016/05/the-good-wife-finale-alternative-endings-diane-will-1201751638/ I don’t remember if that’s the article I initially read though. I thought the article I read had a little more to say about it, but I can’t find it.Â
They may have left Alicia Florrick standing in a hotel corridor, her cheek still stinging from a freshly administered slap, but CBS confirmed at this w ...
Why does this article:
1. List a whole bunch of random guest stars who were present for one episode and recurrings whom the spinoff could not possibly include (Audra McDonald? Jonathan Groff? Love them, but they’re not coming back. Bebe Neuwirth? Donna Murphy? Love them, but they were random judges who I can’t imagine warranting a musical number.  Stockard Channing? Love her, but she was Alicia’s sphere, not Diane’s. WHAT RELEVANCE DO ANY OF THESE PEOPLE HAVE TO ANYTHING); 2. NOT list people like Michael Boatman, Taye Diggs, Nikki M. James and Anna Camp, who could actually have a role that would make sense in the spinoff if the spinoff chose to go that way; and 3. Say that Cush Jumbo has “extensive musical experience” when she’s done all plays? Like, yeah, one of the awesomest things about TGW (from this Broadway fangirl’s standpoint, anyway) was that it filmed in New York so it had tons and tons of Broadway guest-stars.  I don’t understand how the author of the article even chose the 20 or so that he listed, because there were literally hundreds (well, over a hundred, anyway) and they were all amazing.  But a list of Broadway guest stars who have been on TGW has very little relevance to the question of whether the spinoff could be a musical, since most of them were one- or two-time guest stars.  And let’s not forget that, as I just noted, this show was pumped full of Broadway talent because it was *filming in New York*.  Is the spinoff going to do that?  Who knows at this point?  I am sort of intrigued by the idea of a TGW-related musical, although I’m reserving judgment on whether it would suit the tenor of the show until I, y’know, see the show (it would not have suited TGW), but I am sure that this article makes a terrible case for it.Â
Also I have been a little bit ambivalent on the "End" slap, mostly because a) it's drawing a parallel to Peter's S1 behavior that I don't think is entirely merited and b) half the fandom confessions now seem to be about "she deserved it, what a bitch" and unh-unh-unh.  But just having read about the writers' two other thoughts for who might slap Alicia in "End," with number one being Jackie and number two being GRACE, I am just so so so grateful that they wound up writing it the way they did.  A slap from Jackie would have had almost no resonance because she's self-centered and spiteful and so it would have been about her and not Alicia, and a slap from Grace would have broken my fucking heart into a million pieces.  Like, I'm cringing away from just the thought. So maybe the Kings haven’t done much for me in the last couple of years, but at least they didn't end the series with Grace slapping Alicia.  Thank you for that, Kings. Â
WHAT I’VE BEEN SAYING Like even if they are REALLY REALLY COMMITTED to this idea that Kalinda "made a choice" to leave and they are "respecting" the character by honoring that choice -- which, it's not like she left because she wanted to, she left because she was afraid she was going to get killed if she stayed, so I'm not sure where "choice" even comes into it? You could seriously get her back on the show with two lines of "Well now that Bishop and Dex are both in jail and Lester died of a heart attack, Bishop's organization is in disarray and no one's paying attention to me" -- if they can do flashback/fantasy scenes with Will they can do them with Kalinda. Alicia is trying to navigate a lot of life changes and challenges in the finale, and Kalinda always helped her do that in the early days (and in the days right before the ban came down).  She was important.  But the show wants us to forget that, because the actresses can't work together and it's all so much easier if we just forget there was ever anything that mattered between the two characters.  Fuck that noise.Â

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This article/listicle/gallery/whatever it is makes some good points but I am unable to pay attention to any of them because are we SERIOUSLY STILL DEBATING WHETHER CARY IS QUEER, DIDN’T WE RESOUNDINGLY PUT PAID TO THAT IDEA LIKE CLOSE TO 20 EPISODES AGO, COMPLETE WITH MEDIA INTERVIEWS ON THE SUBJECT FROM THE KINGS But, you know, whatever.  Fic Cary with Dirk all you want!  You do you, Dirk/Cary shippers! I am just blown away that somehow people who get paid to write about TV are still asking whether his being queer is meant to be *canon*. Just... for real?
Why is it that I liked the slap but loathe this confession?
Is it because the confession reads like hatred of Alicia rather a commentary on the slap or its place in the narrative?
Yeah, I think that’s most of it. It shifts the discussion from “this parallels the S1 slap in these ways and highlights x y and z things about Alicia’s character development” to “I hate Alicia, bitch had it coming.” Something about it also had an ugly misogynist tinge to my ear -- the “pimp slap” part revels in the force of the blow, and the “smug face” part mischaracterizes Alicia in that moment IMO and therefore implies a general hatred of the character, one that makes the person relish Alicia’s being physically assaulted. I like the victim-to-victimizer narrative moderately well, and I think the slap points that up in an interesting way, but that’s different from feeling like she deserves to be hit, or enjoying her pain.Â