Photo by Jack Orton
Kew Gardens
Aqua Utopia|海の底で記憶を紡ぐ
we're not kids anymore.


bliss lane

ellievsbear
todays bird
🩵 avery cochrane 🩵
𓃗
One Nice Bug Per Day
Sade Olutola

Kiana Khansmith
let's talk about Bridgerton tea, my ask is open

PR's Tumblrdome

roma★
Sweet Seals For You, Always
The Stonewall Inn
hello vonnie
Misplaced Lens Cap
seen from Malaysia
seen from Australia
seen from Bangladesh

seen from South Korea
seen from Türkiye

seen from Australia

seen from United States
seen from Türkiye

seen from Malaysia
seen from Vietnam
seen from Thailand

seen from Germany

seen from Australia
seen from South Korea
seen from Serbia
seen from Thailand

seen from Malaysia
seen from North Macedonia
seen from Germany
seen from United States
@circumstance
Photo by Jack Orton
Kew Gardens

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Moss Abstract Reflections On Water By Albert Watson
Nikita Gill, from “Great Goddesses: Life Lessons from Myths & Monsters,”

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Dragon Benders.
Still Life with Flowers in a Glass Vase (detail), by Jan Davidsz. de Heem, 1650-83. Oil on canvas.
Mt. Hood National Forest, Oregon

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Kew Gardens, London.
Given her history of cancelling or arriving late, to buy a ticket to a Lauryn Hill show is to perform an act of faith. Yet fans continue to do so, partly because when Hill does arrive she does not come to play. We have known this about her for at least 20 years, ever since the release of her solo studio album, “The Miseducation of Lauryn Hill.” A treatise on spirituality, blackness, experience, and a showcase of Hill’s superlative talent, the album is perhaps most striking, in retrospect, for its incredible seriousness.
Read the full story, “What We Still Need from Lauryn Hill and Her ‘Miseducation,’” here.
Hiroshi Hamaya. Niigata. 1956
[::SemAp FB || SemAp::]

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