princebrinâ:
Its easier, in the long run, to just watch Cian with the rapt attention that they often inspire in him. The steady set of their shoulders, the curious gleam in their eyes, the caution with which they approach the house. He trails after them, draws his fingers along surfaces absentmindedly, collecting dust. There were maids once, who cleaned. An alien concept. Servants who came and went through living rooms and drawing rooms and libraries, dining rooms and kitchens.Â
âPlenty of bedrooms, upstairs. For the people who want them.â He says, more explanations, talking just to fill the space. âI figured ââ there are some people too scared for the real world, too uncomfortable in court.â A shrug of his shoulders, absentminded.Â
The doors to the drawing room stand open still, calling Brin to the precipice of entry, eyes flicking around the room. Skirting over the portrait of the old man himself, unwilling to linger on it in the dim light. He lets himself float over to the old piano, carefully lifts the lid, absently strokes a key.Â
âIt wonât hurt anyone, anyway. To clear it out and have it ready.â He shoots Cian a smile, sure it looks as whole and complete as it ought to in the low light of the room. âAilis will like it, Iâm sure. Make it her little war kingdom.âÂ
A breath, necessary in the slow warm air, eyes focused on the things in the room that are vital and alive and so bright, all potential and adoration. âSo ââ be as indiscriminate as you like, I suppose. We can justâŚshove anything that looks like it might get in the way into storage somewhere.â
It has only been a few short months, but Cian has become well-studied in the art of reading BrĂnâs ever-changing moods, reading his actions and the elisions between them, knowing when thereâs something heâs not saying and the difference between when itâs something he wants you to guess and something he desperately doesnât. This is the latter, Cian knows, as BrĂn pointedly avoids looking at the portrait on the wall of this room, keeps his eyes cast towards anything else, fixes himself with his back to it at the piano and goes on smiling and pretending that everythingâs alright.
Itâs so, so clear that everything isnât alright. That whatever this house is, wherever BrĂn got it, whatever memories live here for him, they hurt.Â
They arenât sure, still, if they should press on that bruise or not. If they should play along with the ruse. He wonât lie, if they ask; he canât. But that doesnât make Cian want to know any less.Â
   âOkay,â they reply, taking a look around the room. Itâs decorated in the way that people who want to show off how much money they have decorate: not a lot of stuff, but every piece looks like it costs more than Cianâs entire grant. Not just the piano but a velvet fainting couch with ornate wooden carvings, a chest of drawers with dozens of drawers. They open a few of the drawers absentlyâa stack of what look like visiting cards takes up one of them, a half dozen candles fill another. One is full of graphite sketches on fine paper, various flowers on the top few. They take them out, to get a closer lookâ
And find BrĂnâs face staring back at them from one of the pages, rendered carefully in loving detail, smudged only slightly and unmistakably him.Â
















