As it turns out, I am capable of much unpleasantness.
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@christuspatiens
As it turns out, I am capable of much unpleasantness.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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— Call Me by Your Name (2017) — Suspiria (2018)
GREEN BOOK (2018), dir. Peter Farrelly.
In the Mood for Love, 2000 (dir. Wong Kar-wai)
In the Mood for Love (2000) dir. Wong Kar-wai

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In The Mood For Love (2000) dir. Wong Kar Wai
Maggie Cheung & Tony Leung publicity still for “In the mood for love”
In The Mood For Love (2000) dir. Wong Kar Wai
The Favourite (2018) dir. Yorgos Lanthimos
“The meaning of this scene was really about Queen Anne’s jealousy of my character and of all the characters who are dancing because she’s crippled by gout and in a wheelchair; it became about the emotions on Olivia Colman’s extraordinary face.” -Rachel Weisz
The Favourite (2018) dir. Yorgos Lanthimos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Funeral Parade of Roses (1969)
Funeral Parade of Roses 薔薇の葬列
1969 film by Toshio Matsumoto 松本俊夫
Funeral Parade of Roses (1969) Directed by Toshio Matsumoto
Funeral Parade of Roses (1969) Dir. Toshio Matsumoto
Magnolia (1999) dir. Paul Thomas Anderson

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Girerò per le strade finché non sarò stanca morta saprò vivere sola e fissare negli occhi ogni volto che passa e restare la stessa. Questo fresco che sale a cercarmi le vene è un risveglio che mai nel mattino ho provato così vero: soltanto, mi sento più forte che il mio corpo, e un tremore più freddo accompagna il mattino. Son lontani i mattini che avevo vent’anni. E domani, ventuno: domani uscirò per le strade, ne ricordo ogni sasso e le striscie di cielo. Da domani la gente riprende a vedermi e sarò ritta in piedi e potrò soffermarmi e specchiarmi in vetrine. I mattini di un tempo, ero giovane e non lo sapevo, e nemmeno sapevo di esser io che passavo-una donna, padrona di se stessa. La magra bambina che fui si è svegliata da un pianto durato per anni ora è come quel pianto non fosse mai stato E desidero solo colori. I colori non piangono, sono come un risveglio: domani i colori torneranno. Ciascuna uscirà per la strada, ogni corpo un colore-perfino i bambini. Questo corpo vestito di rosso leggero dopo tanto pallore riavrà la sua vita. Sentirò intorno a me scivolare gli sguardi e saprò d’esser io: gettando un’occhiata, mi vedrò tra la gente. Ogni nuovo mattino, uscirò per le strade cercando i colori.”
—
Cesare Pavese
(Ogni nuovo mattino, uscirò per le strade cercando i colori)
Kyle McLachlan: Blue Velvet